Bibliografias temáticas / Painting, Japanese Japanese poetry Japan

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Literatura científica selecionada sobre o tema "Painting, Japanese Japanese poetry Japan"

Autor: Grafiati
Publicado: 4 de junho de 2021
Última modificação: 15 de fevereiro de 2022

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Artigos de revistas sobre o assunto "Painting, Japanese Japanese poetry Japan"

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Nguyen, Lien Mai Thi, and Nhu Chan Minh Dieu Nguyen. "Approaching classical Japanese Haiku poetry through the perspective of ink painting art and application to teaching foreign literature for Literature Pedagogy students at Dong Thap University." Vietnam Journal of Education 5, no. 2 (2021): 41–49. http://dx.doi.org/10.52296/vje.2021.98.

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Exploring the culture and literature of countries around the world is increasingly important in the current trend of international exchange and integration. Therefore, foreign literature disciplines, including Japanese literature, occupies an increasingly essential position in the curriculum of Dong Thap University. However, the perception and teaching of Japanese Haiku poems have long been challenged due to language barriers as well as cultural differences. In order for enhancing the quality of teaching Haiku poetry to Literature Pedagogy majors at Dong Thap University, the article presents a
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Nguyen, Lien Mai Thi, and Nhu Chan Minh Dieu Nguyen. "Approaching Classical Japanese Haiku Poetry through the Perspective of Ink Painting Art and Application to Teaching Foreign Literature for Literature Pedagogy Students at Dong Thap University." Vietnam Journal of Education 5, no. 2 (2021): 52–60. http://dx.doi.org/10.52296/vje.2021.69.

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Exploring the culture and literature of countries around the world is increasingly important in the current trend of international exchange and integration. Therefore, foreign literature disciplines, including Japanese literature, occupies an increasingly essential position in the curriculum of Dong Thap University. However, the perception and teaching of Japanese Haiku poems have long been challenged due to language barriers as well as cultural differences. In order for enhancing the quality of teaching Haiku poetry to Literature Pedagogy majors at Dong Thap University, the article presents a
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Baekeland, Frederick, Shuji Takashina, J. Thomas Rimer, and Gerald D. Bolas. "Paris in Japan: The Japanese Encounter with European Painting." Monumenta Nipponica 43, no. 3 (1988): 386. http://dx.doi.org/10.2307/2385066.

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Belova, Darya Nikolaevna. "Female Images in Chinese and Japanese painting." Культура и искусство, no. 5 (May 2021): 114–38. http://dx.doi.org/10.7256/2454-0625.2021.5.35526.

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This article analyzes female images in Chinese and Japanese painting (Bijin-ga). The subject of this research is the depiction of Chinese beautiful women on the scrolls of the X – XVII centuries and Japanese woodblock printing of the XVII – XIX centuries. Attention is given to the works of modern artists. It is noted that the aesthetic ideals are oriented towards the perception of beauty in the context of national culture of China and Japan, which undergo changes in each era, nurtured by Buddhism, Shintoism, Taoism and Confucianism, which contributed to the development of f
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Fitriani, Indah, Lina Meilinawati, and N. Rinaju Purnomowulan. "Otaku Subculture Character in Japanese Poetry Anthology Otaku Senryu." Jurnal Humaniora 28, no. 2 (2016): 176. http://dx.doi.org/10.22146/jh.v28i2.16400.

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This paper focuses on one the subcultures existing in Japan, known as otaku. Subculture is a forum for youth community media and technology enthusiasts, like manga (Japanese comics), anime (Japanese cartoons), video games, computers, and the Internet. In the process, otaku who initially labeled negatively has contributed significantly to Japan as the most advanced industrialized country in Asia, not only in the field of culture, but also in the fields of science and economics. Using data from Japanese poem anthology (senryu) in Otaku Senryu(OS), this paper focuses on 1) distinctiveness of otak
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Takeuchi, Melinda. "“True” Views: Taiga's Shinkeizu and the Evolution of Literati Painting Theory in Japan." Journal of Asian Studies 48, no. 1 (1989): 3–26. http://dx.doi.org/10.2307/2057661.

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Few cultures had as rich a vocabulary for pictures of specific places as did eighteenth-century Japan. Why then did yet another word, shinkeizu (literally “true-view pictures”), come into being in the late eighteenth century? The answer is that none of the existing terms satisfactorily articulated the ideological essence of a new kind of painting advocated by a group of artists who sought to incorporate into their work styles and concepts associated with the art of the Chinese literatus. These Japanese masters came to constitute a school known as Nanga (the Japanese interpretation of the Chine
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Erber, Pedro. "Art and/or Revolution: The Matter of Painting in Postwar Japan." ARTMargins 2, no. 1 (2013): 37–57. http://dx.doi.org/10.1162/artm_a_00032.

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Japanese art critics of the 1950s perceived the locus of a new materialist aesthetics in the new trends of informal abstraction emanating from the United States and France. This revealed a stark contrast with the idea of individual freedom that informed North-American discourse on Abstract Expressionism. Focusing on the writings of Miyakawa Atsushi, Haryū Ichirō, and Segi Shinichi, this article explores the political significance of the question of matter in Japanese postwar art criticism and indicates its importance for the subsequent development of avant-garde art in 1960s Japan.
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Song, Joon Il. "The Influence of Far Eastern Culture on the Creative Work of S.M. Eisenstein." Journal of Flm Arts and Film Studies 10, no. 3 (2018): 45–54. http://dx.doi.org/10.17816/vgik10345-54.

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The article investigates the influence of Japanese and Chinese traditional culture on Sergey Eisensteins theory of artistic thinking, his activity as a film director. The author explores the origin of Eisensteins interest for the Far East in the historical context of the late 19th - early 20th century. Special attention is paid to his reflection on the nature of Japanese and Chinese drama, painting and poetry as well as its results manifested in his montage theory.
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Inoue, Tsuyoshi, Yoko Sugawara, Atsushi Nakagawa, and Masaki Takata. "Japanese Crystallography in Culture and Art." Acta Crystallographica Section A Foundations and Advances 70, a1 (2014): C1304. http://dx.doi.org/10.1107/s2053273314086951.

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"We can find many seeds of crystallography in Japanese culture. Most of the family crests have symmetry elements such as rotation axes and mirror symmetry elements. Sekka-zue, a picture book of 86 kinds of crystals of snow, was made by Toshitura Doi, who is a feudal lord in Edo-period and he observed snow using a microscope in nineteenth century. In recent years, people enjoy to make crystal structures, polyhedrons, carbon nanotube, quasicrystal etc. by origami, the art of folding paper [1]. In the field of science, the Japanese crystallography has contributed to explore culture and art. An ex
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Dyakonova, Elena M. "The Саnon and the Commentary. Exegesis in Japanese Classical Poetry". Studia Litterarum 5, № 3 (2020): 104–27. http://dx.doi.org/10.22455/2500-4247-2020-5-3-104-127.

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The study of classical religious and literary texts was the main trend of the Far Eastern traditional culture. Exegesis prompted a specific vision of philosophy, literature, and science. Examining the ties between classical texts and their commentaries is important for the better understanding of the development of the Far Eastern civilizations, including Japanese. Japanese commentaries developed, first, around central religious texts of Buddhism, Shinto, and writings by Confucius, and, second, around literary texts. This article mostly examines comments on poetic monuments of medieval Japan.
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Teses / dissertações sobre o assunto "Painting, Japanese Japanese poetry Japan"

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Igarashi, Yoko. "Japanese Poetry in Western Art Song." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12426.

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Thesis (D.M.A.)--Boston University<br>Western art songs written on Japanese poems, Tanka, appeared in the early twentieth century as a late manifestation of Japonisme, the Japanese influence on Western art and music. The songs discussed in this dissertation include Japanisches Regenlied (1909) by Joseph Marx, Three Japanese Lyrics (1912-13) by Igor Stravinsky, Petits Poi!mes Japonais (1919) by Francesco Santoliquido, and Romances on Texts by Japanese Poets (1928-32) by Dmitri Shostakovich. Japonisme emerged as a significant movement in late-nineteenth-century Western art when Japanese artwork
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Maetani, Masumi. "Transformation in the aesthetics of tea culture in Japan." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B39634280.

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Maetani, Masumi, and 前谷真寿美. "Transformation in the aesthetics of tea culture in Japan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39634280.

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Lillehoj, Elizabeth Ann. "The art of Soga Chokuan and Nichokuan, two painters of sixteenth and seventeenth-century Japan." Ann Arbor : UMI, 1993. http://catalog.hathitrust.org/api/volumes/oclc/51344711.html.

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Madar, Kazuko Kameda. "Two visions of the Orchid Pavilion Gathering a reconsideration of the socio-political significance of the paintings by Kanō Sansetsu and Ikeno Taiga in the Tokugawa period (1615-1868) /." online access from Digital dissertation consortium, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1411503.

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Düchting, Wolfgang. "Dichten in der Gesellschaft Tanka-Klubs im modernen Japan unter besonderer Berucksichtigung des Einflusses von Maeda Yûgure /." Hamburg : Gesellschaft für Natur- und Völkerkunde Ostasiens, 2001. http://catalog.hathitrust.org/api/volumes/oclc/47823849.html.

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Sapin, Julia Elizabeth. "Liaisons between painters and department stores : merchandising art and identity in Meiji Japan, 1868-1912 /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/6236.

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Filler, Stephen. "Chaos from order anarchy and anarchism in modern Japanese fiction, 1900-1930 /." Columbus, Ohio : Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5num=osu1087570452.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains viii, 230 p. Advisor: Richard Torrance, Department of East Asian Languages and Literatures. Includes bibliographical references (p. 223-230).
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Shimizu, Kanako. "Above and Below the Sky: Examining Representations of the Atomic Bomb in Japan and in the United States." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1601.

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This study of atomic-bomb literature on Hiroshima will be through a critical lens, largely through postcolonial theory and reader-response criticism. It will be a discussion on the social and political implications behind the popularization of certain works. The discussed texts will not necessarily be written by the Japanese or by survivors of the atomic bomb: in the first case, I will be examining authorial intent and its relation to the intended reader responses from the implied American audience to study perpetuations of propaganda after the war. This paper will also be examining the interl
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Angles, Jeffrey Matthew. "Writing the love of boys: representations of male-male desire in the literature of Murayama Kaita and Edogawa Ranpo." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1071535574.

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Livros sobre o assunto "Painting, Japanese Japanese poetry Japan"

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Optical allusions: Screens, paintings, and poetry in classical Japan (ca. 800-1200). Brill, 2012.

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Cahill, James. The lyric journey: Poetic painting in China and Japan. Harvard University Press, 1996.

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Cahill, James. The lyric journey: Poetic painting in China and Japan. Harvard University Press, 1996.

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Raymond, Voyat, ed. Le sabre et le pinceau: Poèmes du Japon ancien. Albin Michel, 2003.

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Kitayama, Yoshio. Japan, Triennale India 1991. The Japan Foundation, 1991.

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Altmann, Júlia. One day in Japan with Hokusai. Prestel, 2001.

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Tosa Mitsunobu and the small scroll in medieval Japan. University of Washington Press, 2009.

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Maximum embodiment: Yōga, the western painting of Japan, 1912-1955. University of Hawaiʻi Press, 2012.

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Art of Japan: Wood-block color prints. Lerner Publications Co., 1998.

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Obtaining images: Art, production and display in Edo Japan. University of Hawaiʻi Press, 2012.

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Capítulos de livros sobre o assunto "Painting, Japanese Japanese poetry Japan"

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Mahon, Derek. "Snow Was General All Over Japan." In The Japanese Effect in Contemporary Irish Poetry. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230355194_3.

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Ng, Yuk Lan. "Veiled Zen Journeys through Early Muromachi Flower-and-Bird Paintings." In Animating the Spirited. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826268.003.0014.

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This essay largely explores early Muromachi flower-and-bird painting in Zen monastic context and examines how these works convey symbolic connotations related to Zen (Chan) Buddhism. The development of Zen Buddhism in 13<sup>th</sup> century Japan not only paved the way for the flourishing of Gozan culture, but also contributed to vigorous cultural exchange between Japan and China in the Muromachi period. The author analyzes the spiritual insights of the Zen priest-painters and their productions, which are a combination of art and poetry. The religious meanings of the flower-and-bird motifs are investigated according to the artistic and literary traditions of that time. The influence of Zen on other Japanese art forms are just as salient and the author concludes that the later development of 2-D art and contemporary 3-D installations of Buddhist art shows the continual development of the Zen spiritual journey.
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"Glossary of Japanese Terms." In Ritual Poetry and the Politics of Death in Early Japan. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctv14163gw.12.

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"Glossary of Japanese Terms." In Ritual Poetry and the Politics of Death in Early Japan. Princeton University Press, 1989. http://dx.doi.org/10.1515/9780691218298-010.

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Birrell, Anne. "Chinese and Japanese Studies." In A Century of British Medieval Studies. British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197263952.003.0013.

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This chapter examines British work on Chinese and Japanese studies. It explains that for a significant part of the twentieth century British sinologists have been trendsetters worldwide in the field of medieval studies. Most of the British research focused on Tun-huang studies, the Taoist canon, Buddhist temple art, Chinese landscape painting, Sung porcelain and Chinese poetry. This chapter also stresses the need to examine the concepts of gender and egalitarianism with the framework of current trends in medieval sinology.
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Winther-Tamaki, Bert. "Overtly, Covertly, or Not at All: Putting "Japan" in Japanese American Painting." In East-West Interchanges in American Art: A Long and Tumultuous Relationship. Smithsonian Institution Scholarly Press, 2012. http://dx.doi.org/10.5479/si.9781935623083.112.

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Hori, Hikari. "The Dream of Japanese National Animation." In Promiscuous Media. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501714542.003.0005.

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Chapter Four turns to animated film, revealing the various transnational inspirations that constructed the medium in its formative years in Japan. Moreover, it also emphasizes the transmedia recursivity of painting, photography, dramatic and documentary films, and animation during total war. Several distinct visual motifs, national historical incidents, and narrative molds were repeatedly used in different media in the early 1940s, which sustained the sense of national affiliation of imperial citizens, forged shared emotions and sensitivity, and privileged specific myths, ideas, and aesthetics. Works by animator Seo Mitsuyo (1911-2010) and his contemporaries serve as a guide to the development of the medium as well as to futile attempts to create a nationalized form. The chapter reveals the animators’ artistic curiosity about foreign theories and films; their passionate creativity; and the collisions between abstract political ideologies of cultural purity and actual, heterogeneous filmmaking practices. (142 words)
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"7. The Japanese Short Stories And Poetry Of Mrs Fraser And Baroness D’Anethan." In Victorian Women Travellers in Meiji Japan. Global Oriental, 2009. http://dx.doi.org/10.1163/ej.9781905246731.i-327.57.

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Keaveney, Christopher T. "Happy Medium: Re-envisioning the Hero in Japanese Baseball Manga." In Contesting the Myths of Samurai Baseball. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455829.003.0007.

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Chapter 6 considers the cultural medium that constitutes the most substantial body of baseball-themed work in Japan: manga and the related form of anime. Manga emerged as major cultural force at precisely the time in the postwar era that baseball was establishing itself as the unrivaled spectator and participatory sport in Japan. Starting in the Occupation period and continuing to the present, baseball has been a reliable subject for manga practically unrivalled by any other. Starting with the blockbuster success of Kajiwara Ikki’s Star of the Giants in the 1960s and continuing in the work of such luminaries of the manga world as Mizushima Shinji and Adachi Mitsuru, baseball manga and anime adaptations have consistently defined and redefined the hero in cultural terms that represent the values of the age in which they were produced, at times conforming to the cultural myths of Samurai baseball and at other times upending those myths. As the newest forms treated in this study, manga and anime are unburdened by many of the traditional expectations of poetry, fiction or cinema, and continue to offer ideal forms for confronting the fundamental myths associated with Samurai baseball.
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Sheppard, W. Anthony. "Japonisme and the Forging of American Musical Modernism." In Extreme Exoticism. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190072704.003.0004.

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Japanese music played a central role in the formation of American musical modernism. This chapter focuses on the position of Japanese music in the careers of Henry Eichheim and Henry Cowell. For Eichheim, Japan had “a poetry no other country seems to possess.” Inspired by the writings of Lafcadio Hearn, Eichheim traveled to Japan between 1915 and 1928 and composed multiple pieces based on Japanese material. Japan was of central importance throughout Cowell’s life. In the 1930s Cowell studied shakuhachi with Kitaro Tamada who later wrote poignantly to Cowell from his Japanese American Internment Camp. Cowell traveled to Japan in 1957 and 1961 during the Cold War and composed several Japanese-inspired works, including for koto. Juxtaposing the musical journeys of these two composers and proselytizers highlights the roles Japanese music played for those Americans who sought to sound “ultra modern” in the twentieth century.
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Trabalhos de conferências sobre o assunto "Painting, Japanese Japanese poetry Japan"

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Shimode, Yutaro, Atsushi Endo, Chieko Narita, Yuka Takai, Akihiko Goto, and Hiroyuki Hamada. "Skill Level Differences of Urushi Craftspeople in Urushi Products." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-88288.

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There are various traditional crafts in Japan. Japanese modern manufacturing industries have stemmed from the traditional crafts. And there is craftspeople’s wisdom in the traditional crafts technique inherited for years, which is well known as “tacit knowledge”. Especially in Kyoto which has 1200 years history, many traditional crafts have been inherited. In this study, Urushi crafts was focused. Japanese lacquer is called “Urushi” in Japanese. Urushi have meanings such as Urushi tree, its resin and also Urushi crafts. Urushi has been used 9000 years ago in Japan. In this long history, Urushi
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Shimode, Yutaro, Atsushi Endo, Chieko Narita, et al. "Study on the Degradation Mechanism of the Urushi Products." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-87693.

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Japanese lacquer is called “Urushi” in Japanese. Urushi have meanings such as Urushi tree, its resin and also Urushi crafts. Urushi has been used 9000 years ago in Japan. In this long history, Urushi crafts techniques have been developed, refined and inherited by many Urushi craftspeople. As a result, Urushi affect Japanese culture and aesthetic feeling greatly. Urushi has various characteristics. For example, Urushi coating surface is very smooth and glossy. And more, Urushi is strong to acid and alkali. However it is very weak to ultraviolet rays. As a result, Urushi coating is degraded very
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Sakamoto, Ryo, Ryo Sakamoto, Satoquo Seino, Satoquo Seino, Hirokazu Suzaki, and Hirokazu Suzaki. "COASTAL ALTERATION AND CHANGES IN SHORELINE MORPHOLOGY DUE TO ARTIFICIAL STRUCTURES IN MIIRAKU TOWN ON FUKUE IS. IN THE GOTO ARCHIPELAGO." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b4315256b56.

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A construction of breakwaters and other shoreline structures on part of a coast influences drift sand transport in the bay, and causes comprehensive topographic changes on the beach. This study investigated shoreline and coastal changes, taking as an example of Shiraragahama Beach in Miiraku on the northwestern end of Fukue Island, Nagasaki Prefecture (Kyushu, Japan). Miiraku, adjacent to Saikai National Park, appears in the revered 8th century poetry collection “Manyoshu” and served as a port for a ship taken by the Japanese envoy to China during the Tang Dynasty (618-709). Because of the rec
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Sakamoto, Ryo, Ryo Sakamoto, Satoquo Seino, Satoquo Seino, Hirokazu Suzaki, and Hirokazu Suzaki. "COASTAL ALTERATION AND CHANGES IN SHORELINE MORPHOLOGY DUE TO ARTIFICIAL STRUCTURES IN MIIRAKU TOWN ON FUKUE IS. IN THE GOTO ARCHIPELAGO." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b9405463da4.93038143.

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A construction of breakwaters and other shoreline structures on part of a coast influences drift sand transport in the bay, and causes comprehensive topographic changes on the beach. This study investigated shoreline and coastal changes, taking as an example of Shiraragahama Beach in Miiraku on the northwestern end of Fukue Island, Nagasaki Prefecture (Kyushu, Japan). Miiraku, adjacent to Saikai National Park, appears in the revered 8th century poetry collection “Manyoshu” and served as a port for a ship taken by the Japanese envoy to China during the Tang Dynasty (618-709). Because of the rec
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Kataoka, Kuniyoshi. "Poetics through Body and Soul: A Plurimodal Approach." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.4-1.

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In this presentation, I will show that various multimodal resources—such as utterance, prosody, rhythm, schematic images, and bodily reactions—may integratively contribute to the holistic achievement of poeticity. By incorporating the ideas from “ethnopoetics” (Hymes 1981, 1996) and “gesture studies” (McNeill 1992, 2005), I will present a plurimodal analysis of naturally occurring interactions by highlighting the interplay among the verbal, nonverbal, and corporeal representations. With those observations, I confirm that poeticity is not a distinctive quality restricted to constructed poetry o
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