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Artigos de revistas sobre o assunto "Peasant novel"
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Singh, Shailendra Kumar. "Disintegration of the Moral Economy in Gopinath Mohanty’s Paraja." History and Sociology of South Asia 11, no. 2 (2017): 101–16. http://dx.doi.org/10.1177/2230807517696550.
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This article suggests that the concept of the moral economy of the peasant, as defined by James C. Scott, in the context of Southeast Asia, provides a compelling theoretical framework through which one can examine Gopinath Mohanty’s novel Paraja (1945), 2 2 This article takes its cue from a brilliant article written by Shashi Bhushan Upadhyay in which he usefully employs the concept of moral economy to analyse the peasant narratives of Premchand. See Shashi Bhushan Upadhyay, ‘Premchand and the Moral Economy of Peasantry in Colonial North India’, Modern Asian Studies 45, no. 5 (2011): 1227–59. However, while Upadhyay equates the idea of moral economy with the traditional Indian concept of dharma, in order to explain the passivity of Premchand’s peasant protagonists, I have endeavoured to demonstrate, in this article, the disintegration of the moral economy in Gopinath Mohanty’s novel Paraja, and how such disintegration may precipitate resistance and a strong sense of moral outrage. an unparalleled achievement in Oriya literature that narrates the predicament of the tribal peasants of the Koraput region. It demonstrates how the encroachment of the colonial state on the invaluable resources of the tribal peasants in Mohanty’s novel results in an escalating disintegration of the moral economy which in turn precipitates resistance and a strong sense of moral outrage. However, instead of collective rebellion that Scott discusses about, in his groundbreaking work, in Mohanty’s novel, we find several instances of everyday forms of resistance, a concept that Scott formulates in his subsequent works. This not only helps us to understand and make sense of the motives and intentions of the tribal peasants in the novel but also underscores the abiding relevance and timeless appeal of Mohanty’s work, even in the post-Nehruvian nation-state, where the problems confronting the tribal peasants in the wake of globalisation are increasingly acute, virtually insurmountable and even more pronounced than ever before.
2
Sungsik Hong. "Study on Theory of Peasant Literature and Peasant Novel of Chosunnongminsa." 한국문예비평연구 ll, no. 28 (2009): 249–80. http://dx.doi.org/10.35832/kmlc..28.200904.249.
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Dino, Guzine, and Joan Grimbert. "The Turkish Peasant Novel, or the Anatolian Theme." World Literature Today 60, no. 2 (1986): 266. http://dx.doi.org/10.2307/40141696.
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Brettell, Caroline B. "Kinship and Contract: Property Transmission and Family Relations in Northwestern Portugal." Comparative Studies in Society and History 33, no. 3 (1991): 443–65. http://dx.doi.org/10.1017/s0010417500017138.
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In 1886 Emile Zola published La Terre (The Earth), a novel about peasant life in nineteenth-century France. In that novel, the peasant-proprietor Fduan, aware that he has reached an age at which he can no longer farm his own property, decides to divide it among his three children. Monsieur Baillehache, the notary before whom they all appear to legalize the transaction, feels that it is his duty to “make the usual comments.”
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Nickolsky, Sergei A. "A PEASANT AT WAR AND IN A SOVIET CONCENTRATION CAMP (IN VASIL BYKOV, ALEXANDER SOLZHENITSYN AND VARLAM SHALAMOV'S REMINISCENCES)." Yaroslavl Pedagogical Bulletin 116, no. 5 (2020): 202–7. http://dx.doi.org/10.20323/1813-145x-2020-5-116-202-207.
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Peasants, like people from other social strata, in the war or in a soviet concentration camp for at least some time live with their past experiences, memories, habits and stereotyped behaviors. It also turns out that the past can be important aid in developing a heroic system of relations with the enemy or in the necessary patience for survival. Vasil Bykov writes about this in the story «The sign of trouble», and Andrey Platonov, for example, in the story «The officer and the peasant». But the past can and does determine the behavior of the peasant even when he cannot free himself from the painful and destructive things that his former life has left in him. And in this case, he betrays himself, his family and friends, including his own future, in the face of the enemy, turns out to be an enemy of his people and eventually dies a shameful death. Vasil Bykov wrote about it in his stories «Sotnikov» and «Crane cry». According to Alexander Solzhenitsyn's novel «One day of Ivan Denisovich», the life of a peasant in a camp is simpler than that of people who are not adapted to hard work. Sometimes this life is even characterized by a kind of enthusiasm. But this kind of statement is not confirmed by Varlam Shalamov, who observes the rapid leveling of a person from any social group into a semi-human, a typical worn out prisoner. Who is right – Solzhenitsyn or Shalamov? Probably everyone has their own truth. But they agree with one thing – the rejection and curse of soviet totalitarianism.
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Viķis-Freibergs, Vaira. "Narrative Structures, Meanings, and Life Histories in the Historical Novel Kaugurieši." Journal of Narrative and Life History 1, no. 4 (1991): 343–62. http://dx.doi.org/10.1075/jnlh.1.4.05str.
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Abstract Narrative structures serve the double function of selecting episodes and charac-ters to be included in the narration, as well as offering a generative mechanism for their sequencing, both functions being simultaneous and mutually interac-tive. According to Eco (1984), narrative structures are multilayered, including an abstract level of ideology. Few studies have been done on specific narrative subgenres, such as the historical novel. This article examines a historical novel by Latvian writer Karlis Zariņš (1938, 1948, 1975, 1985), which depicts a failed peasant uprising at Kauguri, Latvia in 1802. Bakhtine's (1978) theoreti-cal notion of chronotope is invoked, distinguishing the external chronotope— the general historical and geographic situation—from the internal chronotope—the sequence of individual transformations. In Kaugurieši, the ex-ternal chronotope is depicted as a sociopolitical chess game, in which the Rus-sian king and the German knights play active roles, the queen is chance, and the pawns (Latvian peasants) are helpless victims. The plot centers on a tragi-cally failed attempt by the Latvians to change the historical givens by becom-ing an active, collective force. The internal chronotopes reveal the paths of individual lives, some of which follow the abstract model of heroic quest and sacrifice. (Psychohistory)
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Akimova, Anna S. "“IN THE MOSCOW ESTATES”: A. N. TOLSTOY’S NOVEL PETER THE FIRST AS AN ESTATE TEXT." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 235–44. http://dx.doi.org/10.37816/2073-9567-2020-58-235-244.
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The childhood of Alexey Nikolaevich Tolstoy passed on the steppe farm Sosnovka where his stepfather’s A. A. Bostrom’s estate was located. Subsequently, the writer reproduced both external appearance of the estates familiar to him, and the inhabitants of the estates and their way of life on the pages of his works. Everything that Tolstoy saw in his childhood (peasant yards, the life of a small-scale Samara estate (called ‘khutor’), a city estate) found reflection in his works and, in particular, in the manor texts, which undoubtedly include the novel Peter the Great. The paper considers the A. N. Tolstoy’s novel Peter the Great as an ‘estate text’. The first book of the novel is set in Moscow, in Kitay-Gorod. Tolstoy recreates in great detail the life of the city and its inhabitants that has gone into the past, which in the late 17th – early 18th centuries, according to the historian I. E. Zabelina looked like a big village. The descriptions of the peasant household, Moscow nobles estates and princely mansion are based, on the one hand, on the writer’s impressions and, on the other, on historical sources and represent the image of the estate. The estate plot closely connected with the characters living (both fictional and historical ones), with life of the city and the state. The novel provides a comprehensive description of the courtyard of the poor peasant Brovkin, the impoverished nobleman Volkov, as well as based on the testimony of the French envoy De Neuville and the work of S. M. Solovyov, a detailed image of the Moscow chambers of Prince V. V. Golitsyn. Childhood memories, historical sources and creative imagination allow Tolstoy to painstakingly recreate on the pages of the novel not only the image of the lost Moscow of Peter’s time, but also the ones of its inhabitants.
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Крюкова, C. C. "Peasant Communities of the 1920s: from Imperial Law to Soviet Common Law." Вестник Рязанского государственного университета имени С.А. Есенина, no. 3(68) (October 6, 2020): 35–45. http://dx.doi.org/10.37724/rsu.2020.68.3.004.
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Исследуется трансформация правовой культуры крестьян в советской доколхозной деревне на примере ее традиционного института — обычного права. Актуальность темы предопределяют, с одной стороны, слабая изученность конкретно-исторических механизмов утверждения нового советского законодательства России в 1920-е годы, с другой стороны, чрезвычайная важность переосмысления парадигмы правового развития страны с позиций современных подходов к феномену обычного права. Предпринят анализ законодательных источников первого десятилетия советской власти и архивных документов. Проведенное исследование отражает сложную картину становления советской законодательной базы и проникновения в нее неписаных крестьянских обычно-правовых норм. Дореволюционные традиции оказались вполне востребованы в новом законодательстве. Для крестьян традиционный уклад в решении повседневных деревенских нужд в период революционных потрясений и становления нового права оставался своего рода защитным механизмом в условиях адаптации к изменявшимся условиям жизни. Однако нараставшие новые противоречия между старшим и молодым поколениями, между мужчинами и женщинами, между разными формами хозяйствования в деревне и пр. усугубляли социальную разобщенность, нарушали прежнюю однородность общины и ее обычай. The research investigates the transformation of peasant legal culture in Soviet pre-kolkhoz villages at the example of common law as a legal tradition. The relevance of the issue is predetermined, on one hand, by the fact that historical mechanisms of adopting a new Soviet legal system in Russia of the 1920s are largely underinvestigated and, on the other hand, by the fact that it is crucial to reinvestigate the paradigm of the legal development of Russia from the point of view of modern approaches to the interpretation of the phenomenon of common law. The author makes an attempt to analyze laws issued by the Soviet state during the first decade of its existence and archival documents. The investigation reveals a complex picture of Soviet legal system formation and its enrichment with common law principles traditionally supported by peasants. Pre-revolutionary traditions were willingly adopted by the new legal system. Peasants treated traditions as a protective mechanism guarding them against revolution-related distress and helping them to adapt to novel conditions of life and a new legal system. However, the growing contradictions between the older and younger generations, between men and women, between various land management practices aggravated social segregation and disrupted the traditional social uniformity of a peasant community.
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Stieber, Chelsea. "The Northernrécit paysan: Regional Variations of the Modern Peasant Novel in Haiti." French Studies 70, no. 1 (2015): 44–60. http://dx.doi.org/10.1093/fs/knv301.
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Krupka, Liubomir. "«Дожити до ста»: моделювання героя в романі Володимира Лиса Століття Якова". Kultury Wschodniosłowiańskie - Oblicza i Dialog, № 9 (20 грудня 2019): 59–65. http://dx.doi.org/10.14746/kw.2019.9.5.
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The article is devoted to the study of the novel by Vladimir Fox, The Age of Jacob. The main purpose is to analyze ways of modeling identity in the context of the axiological priorities of the protagonist as a collective image of the Ukrainian peasant in the 20th century.
Teses / dissertações sobre o assunto "Peasant novel"
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Souny, Elisabeth. "Le roman de pays dans l'entre-deux-guerres : la passion de la terre." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040261.
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Cette thèse examine la façon dont une notion ancienne, la notion de pays, réactualisée par l'École vidalienne de géographie française et transmise par l'École de la Troisième République, a innervé et, pour ainsi dire, dynamisé la production romanesque rustique de l'entre-deux-guerres en France. Nous constatons, en effet, une forte corrélation entre cette géographie humaine et républicaine du début du siècle et la production littéraire de l'entre-deux-guerres. La configuration d'un cadre générique, le roman de pays, dans le champ littéraire français de l'entre-deux-guerres est donc l'hypothèse globale de ce travail. Le rôle du motif du pays est étudié dans l'oeuvre de Marcel Aymé, Henri Bachelin, André Chamson, Maurice Genevoix, Jean Giono, Henri Pourrat et C.-F. Ramuz, pour ne citer que les principaux auteurs de notre corpus. Une mise en perspective historique de cette production textuelle nous permet d'étudier les relations de cette littérature aux discours de savoirs qui la portent, avant d'examiner la portée sociologique et socio-politique d'un genre fortement corrélé à un appareil pédagogique républicain. Enfin, nous sommes sensible à la construction progressive d'une poétique du genre qui permet de dégager des intrigues-types et leur signification historique. Ce travail entend ainsi démontrer que la passion de la terre a pu être une source de renouvellement du genre romanesque en un temps de crise et de mutations accéléréesThis dissertation examines how a long-standing notion, the notion of the homeland, modernized by the French school of Vidalian geography and edified by the School of the Third Republic, invaded and, so to speak, resuscitated the French peasant novel in the inter-war period. One can easily deduce a close connection between both the human and the republican geography of the beginning of the XXth century and the literary production of the inter-war period. Therefore, our general hypothesis is that a new literary genre, the homeland novel, was born in the French literary field in this period. The role of the pattern of the homeland is considered in the works of Marcel Aymé, Henri Bachelin, André Chamson, Maurice Genevoix, Jean Giono, Henri Pourrat and C.-F. Ramuz, and we only mention here the main authors of our corpus. A historical point of view first enables us to study the relations between this literature and the scientific discourses supporting it. Then we focus on the sociological and socio-political meaning of a genre closely related to a republican pedagogic system. Furthermore, we take into account the gradual founding of a poetics which enables us to recognize representative plot points and their historical implications. This dissertation thus intends to demonstrate that the passion for the land might have been the origin of a renewal of the novel in a time of doubts, crisis and rapid change
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Kaussen, Valerie Mae. "Romancing the peasant history and revolution in the modern Haitian novel /." Diss., 2000. http://catalog.hathitrust.org/api/volumes/oclc/45811993.html.
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Chen, Nan-hong, and 陳南宏. "The Elitism and the Peasant Figures in Peasant Novels under Japanese Colonial Rule (1926-1937)." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/42307818315898174285.
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碩士國立成功大學
台灣文學研究所
95
Most research on peasant novels under Japanese rule follows nationalistic resistant point of view, which often neglects the ideology of authorial elitism in the peasant figures writing and thus the peasant figures were fixed as losers. Besides, when it comes to economical, political, and social situations, the rational behavior of peasants is ignored or even erased. Based on this situation, researchers tend to unconsciously copy the stereotypes in the peasant novels and take them as the fact. Therefore, this paper tries to collate the problems of the elitism as well as the peasant figures in the peasant novels. At first, I will look into the developments and the variations of the elitism and how they stereotype peasant figures, so as to explain how the colonial society was shaded under the strong civil class ideology. Next, we will focus on the peasant texts, which were divided into tragedy narrative and sneer narrative. Through analyzing the plots, themes, and characters, we can see how peasant novels conspire with the subaltern stereotype in the colonial society, ignoring the rational decisions peasants can make when facing troubles. Nevertheless, unlike those stereotyped novels mentioned above, there are still other novels describing the varieties of peasant consciousness and thus eliminating the stereotype and the collusion. Lastly, through the up-and-down peasant movements during the late 1920s, along with the reports and the rumors of Liao Tien-ting, this paper will try to prove that the peasants went though the commercial and politic count, no matter their decisions seemed resistant, tolerant, dodgy or obedient. Also, this observation again accentuates the elitist collusion between colonial society and peasant novels of that time, and it as well as replies to the long-lasting problem of the colonial elitist historiography which hides behind the nationalistic resistant point of view. Above all, by analyzing the elitism and the peasant figures in peasant novels under Japanese rule, the main focus of this paper is not on representing the peasant figures, but collating course of elitists, from knowing the peasants to writing the peasants. It serves as another side of viewing Taiwan intellectuals under Japanese rule, which is a side that faces the subaltern, but not the colonial government.
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LI, HUI-YU, and 李惠玉. "The Study of Zhong Tei-Min’s Peasant Novels." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/50706981184216856219.
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碩士國立屏東教育大學
文化創意產業學系
102
The works of Zhong Tie-Min are not discussed so much as his father - Zhong Li-He,the reason is that more or lesshis father’s reputation is more brilliant than him. In thisstudy, we will first sort outZhong Tie-Min’s family background and hisgrowth process suffered from diseaseand poverty. Then weenter our study object – Zhong Tie-Min’s peasant novels – mainly presents his hometown Meinung as storybackground, to do the research for the theme of his novels related with rural villages, peasants and peasant writings. Moreover,we will discuss Zhong Tie-Min’s narrative with gentle and plainwhich reflected the ruralvillage he understood and concerned. The content of Zhong Tie-Min’s worksareall aboutthe rural villages which he was familiar with. The first phase of the work, Zhong Tie-Min was the observer of rural village. The second phasehe went back to hometown and served as the teacher, whichwas completely different from the observer; he became a bystander who wasconcerned aboutthe peasants, rural villages and agriculture. The third phase is the commercialization of the land: afterlifting a restrictionand commercialization of land, the old peasants faced thestruggle. The fourth phase is the peasant movement – the protesting of anti-dam, he turned into the action from a bystander's pointof view, anddirectly involved in theanti-dam social movement whichis calling for village protection. Meinung, a traditional rural village, is the object of his observation. The changes of agriculture these years in Meinung are thereflection of the entire agriculture in Taiwan. We utilize the documentary analysis and text analysisas research methods in this study. We will describe respectively the concerned perspectivesfrom the three phase creation periodsinthe works of Zhong Tie-Min, Taiwanese writer from Meinung. There are threeconclusions as follows: 1. the peasant novel of Zhong Tie-Min is a Hakka rural song in Meinung mountain village. 2. the peasant novel of Zhong Tie-Min is also a mournful song for agricultural changes in Meinung mountain village. 3. the peasant novel of Zhong Tie-Min is the mind reflection of his perspective with concern.
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LiChang and 張立. ""Peasant/Military Personnel" Image and Life Situation in Yan Lian-ke's Early Novels." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/26628516819070295946.
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碩士國立成功大學
中國文學系碩博士班
100
The paper discusses the Chinese Novelist of Yan Lian-ke’s early novels. Try to described the image of the “peasant / military personnel” and their survival appearance in the Yan Lian-ke’s early novels. “Individualization” into the contemporary Chinese social and historical context, together with the national policy and institutional changes, understand the tendency of spirit and action by Yan’s novels. To explore the concept of individualism and free love, and after the reform and opening up gradually into the individualization social, reference the individualization theory to explain why the self-construction has become the everyone’s work in contemporary society. Image of “Peasant / military personnel” flow in between the rural and the urban, the complexity of subject, more so the Yan’s early novels in the genre, type of definition to reposition, revaluation Yan’s early novels value.
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LING, CHUNG-FUNG, and 凌正峯. "The study of the left wing through the peasant novels of Lyuu Hel-Ruo." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/62456052184460243358.
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Su, Chung-hung, and 蘇崇鴻. "A Research on Horn Xing Fu's Peascent Novels." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/18268218315569917692.
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Hung, Peng-Cheng, and 洪鵬程. "The Development of Peasantry Novels in Taiwan(from 1920s to 1990s)." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/978x33.
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博士中國文化大學
中國文學系
103
This research attempts to investigate the decline transformation of Taiwanese peasantry novels, along with compiling the diachronic evolution and scrutinize the various stages of Taiwanese peasantry history, which Involving the image shaping of peasant, the portrayal of peasantry life, the aspects of rural society, the interpretation of peasant consciousness, and the expression of humanistic concern. Furthermore, this research inquires the impact of political and economic development, the social and cultural change, and literary trends pulsation to affect the Taiwan society and peasantry novels; observes the dialogue between literature and reality; identifies the characteristics of each novelist, and enunciates the zeitgeist and ideology in its particular time and space. On the start of the second chapter, this research discusses the peasantry novels foundation period in 1920s that is just the begun to the emergung of New Culture Movement under the intersection of colonization and modernity, and starts a new campaign literature and dialectical stage. The third chapter canvasses the progression of peasantry novels from flourishing to setback in 1930s, which experienced the war period and Japan's surrender. Chapter IV, reviews the latency of peasantry novels under the pressure of postwar atmosphere and the grand narrative of "anti-communist nostalgia". The fifth chapter discusses the recovery of peasantry novels in 1960s; it represents the rhetorical discourse of cultural hegemony in literary trend. The sixth chapter elaborates the peasantry novels changes that are closely related to the rapid environment change and raising of local awareness in 1970s. Chapter VII analyzes the decline of peasantry novels in 1980s and the characteristics in the period of post Native Movement. In chapter VIII, this research reviews and Identifies the Zeitgeist of the peasantry novels in Taiwan's literary evolution, and derives the value of reflection theory in literature.By prudently analysis and reinterpret these historical material of peasantry novels, and building an overview of the evolution of Taiwan peasantry novels, this dissertation expects to conduct a full-scale development of Taiwan peasantry novels, further with compiling its artistry, connotation, and represents its significance in history.
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SHIH, Ru-WEN, and 施侞妏. "The Comparison Study of Korean and Taiwan Peasant Novels－A Case Study of Li, Wu-Ying and Lyuu, Heh-Ruo－." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/74647701239335612735.
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碩士中國文化大學
韓國語文研究所
96
This thesis titled as「The Comparison Study of Korean and Taiwan Peasant Novels：A Case Study of Li, Wu-Ying and Lyuu, Heh-Ruo」, after the First Sino-Japanese War, Korea (1919~1945) and Taiwan (1895~1945) were colonized by Japan at same time. The politics, economy, society, and literature etc were affected by Japan. Therefore, there must be some similarities between Korean literature and Taiwanese literature. Therefore, it is very necessary to study both the Korean and Taiwanese farmer fictions. This thesis consist of four chapters: Chapter 1 is introduction. It discusses the achievements, which relative to Li, Wu-Ying and Lyuu, Heh-Ruo, done by previous researchers, then explains the study methods and architecture of this thesis. The second chapter consists of two sections. The first section narrates the historic background of the time of Korea and Taiwan and the Japanese colonial policies, which includes: Japanese Kohminka Policy, Regulation on Land Survey, Program of increase in the rice produced. Based on these analyses, it pries into the country's profile of the time. The second section explains the Korean and Taiwanese literary characteristics and analyses the characteristics of the representative farmer fictions of both Korea and Taiwan during the end of Japanese occupation. The farmers were exploited by Japanese imperialists and capitalist of the time. They lost their lands and became Tenant farmer. This led them into extremely poor situation. To solve this problem, the literators launched a series of enlightenments. They expressed their strong will through some popular romantic love stories with easy understanding expressions. The third chapter tries to find out the main reason of farmer's poverty in 30's by comparing the Tendency period farmer fictions of Li, Wu-Ying and Lyuu, Heh-Ruo. This chapter narrates the stories of Li, Wu-Ying and Lyuu, Heh-Ruo in all their life, which includes their education, family, and literary tendency etc and classifies their fictions into (Class period, Tendency farmer novel, Returned to the farm farmer novel, National policy novel) according to the characteristics of their literary actives. The forth chapter makes a comprehensive view of Korean and Taiwanese famer fictions and analyses the similarities and differences thoroughly. The opinions of the author is brought forward after analysis the following four fictions: man-bo, wu-shin, Ox heart, Stormy story, Oxcart. They have the following characteristics: 1. The leading actors ascribed their misfortunes and poverty to deterministic, recreance, and negative. 2. There are anti-urban, anti-civilization trend. Thereby, there is strong anti-imperialism thinking. 3. The Cow, Bamboo, ... frequently appeared as fodders to represent the countryside. 4. They described the downfall of Aristocrat under the govern of Japanese imperialists. 5. All ended as tragedy. In addition, it has been found that the reasons led to collapse of countryside and the universal poverty are: 1. Mechanization 2. The exploitation of Japanese imperialists. In summary, it is found that both of them have the trend of naturalism and socialism. Li, Wu-Ying inherited the trend of Japanese Proretalria and stand by the proletariats to charge the exploitation ofJapanese imperialists.
Livros sobre o assunto "Peasant novel"
1
Móricz, Zsigmond. Gold in the mud: A Hungarian peasant novel. Library Cat, 2014.
2
Zelitch, Simone. The confession of Jack Straw: A novel. Black Heron Press, 1991.
3
A green tree & a dry tree: A novel of Chiapas. University of New Mexico Press, 1995.
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The gift of a cow: A translation of the Hindi novel, Godaan. Lokayama Press, 1987.
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The gift of a cow: A translation of the classic Hindi novel, Godaan. Indiana University Press, 2002.
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Watt, Donley. The journey of Hector Rabinal: A novel. Texas Christian University Press, 1994.
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Watt, Donley. El viaje de Héctor Rabinal: Una novela de Donley Watt. Texas Christian University Press, 1995.
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Valdés, Elías. Tizubín: Novela. 4th ed. Imprenta Club, 2006.
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Elad, Ami. The village novel in modern Egyptian literature. K. Schwarz, 1994.
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Pedro Páramo: A novel of Mexico. Grove Weidenfeld, 1990.
Capítulos de livros sobre o assunto "Peasant novel"
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"INTRODUCTION: The peasant and modern narrative in Egypt." In The Novel and the Rural Imaginary in Egypt, 1880-1985. Routledge, 2004. http://dx.doi.org/10.4324/9780203611449-6.
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Nelson, Brian. "8. The Great Mother." In Émile Zola: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198837565.003.0009.
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‘The great mother: earth’ looks at the novel Earth, Zola’s favourite among his novels. Lyrical descriptions of the countryside and of the eternal cycle of nature and the seasons contrast with the violent human actions depicted. The story centres around another outsider, Jean Macquart, a former soldier and carpenter who tries to retire to the country, and Fouan, an elderly farmer who, like King Lear, divides his inheritance among his children who humiliate and reject him. Zola’s dark vision of the peasant world, existing beyond all civilized values, and the prominence in the novel of explicit sex and bodily functions, provoked an uproar, bringing to the fore once again the controversy that had always informed critical responses to naturalism.
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"THE GARRULOUS PEASANT: Ya‘qub Sannu‘, ‘Abdallah al-Nadim and the construction of the fallah in early drama and dialogue." In The Novel and the Rural Imaginary in Egypt, 1880-1985. Routledge, 2004. http://dx.doi.org/10.4324/9780203611449-7.
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Akimova, Anna S. "The originality of the “estate topos” in the A.N. Tolstoy’s novel “Peter the First”." In Russian Estate in the World Context. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0627-7-262-272.
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Moscow is the city which united the characters of A.N. Tolstoy’s novel “Peter the First”. Kitay-Gorod is the space where the action of the first book is mainly set. In the novel Tolstoy showed in great detail the everyday life of the city and its inhabi- tants. According to the I.E. Zabelin’s research (“History of the city of Moscow”) in late 17 — early 18 th centuries Moscow was like a big village that is why Tolstoy relied on his childhood memories about the life in the small village Sosnovka (Samara Region) describing the streets of Moscow. The novel begins with the description of a poor peasant household of Brovkin near Moscow, then Volkov’s noble estate is depicted and Menshikov’s house. The space of the city is expanding with each new “address”. Moscow estates, and in particular, connected with the figure of “guardian, lover of the Princess-ruler” V.V. Golitsyn, in Tolstoy’s novel are inextricably linked with the character’s living and with the life of the country. The description of the palace built by Golitsyn at the peak of his career is based on the Sergei Solovyov’s “History of Russia in ancient times”. Golitsyn left it and went to his estate outside Moscow Medvedkovo and from there in exile.
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Marrone, Gaetana. "Voices from the South." In The Cinema of Francesco Rosi. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190885632.003.0005.
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In his adaptation of Carlo Levi's Cristo si é fermato a Eboli (Christ Stopped at Eboli, 1979), Rosi continues to confront the problems of the South—emigration, cultural marginalization, poverty—while reclaiming its rich, forgotten culture. The film signals a shift of Rosi's style, later evident in the slow-paced Cronaca di una morte annunciata (Chronicle of a Death Foretold, 1987), an epic adaptation of Gabriel García Márquez' 1981 novel that, like Cristo, is structured as an archetypal journey back to the past. In Tre fratelli (Three Brothers, 1981), Italy's chronic political instability is reflected in the tale of a self-assured judge, an idealistic teacher, and an angry factory worker and labor organizer. Summoned home for their mother's funeral, the brothers revisit their peasant roots, confront their present, and imagine their future. The film's concluding wide shot, which unites two generations, indicates Rosi's return to ahistorical values.
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Turquety, Benoît. "On Dissolution." In Danièle Huillet, Jean-Marie Straub. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463722209_ch07.
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This chapter looks at two of Straub-Hullet’s later films, The Death of Empedocles and Workers, Peasants. Both films deal with the theme of dissolution—of the protagonist in nature or the individual in a community as well as the dissolution of a community itself. Charles Reznikoff’s Testimony, a long-form poem that quotes verbatim witness transcripts from American legal trials, is discussed with special attention paid to how the poetic versified the transcripts and put them in relation to one another. The result on the page is a text that looks strikingly similar to the published script of Workers, Peasants, a film based on Elio Vittorini’s novel Women of Messina and that also deals with witness testimony.
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Crook, Nora. "Francis Guinigi, the military Peasant. - Castruccio resides with him one Year." In The Novels and Selected Works of Mary Shelley. Routledge, 2020. http://dx.doi.org/10.4324/9780429349980-6.
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Terić, Marijana. "Periferni likovi u romanu U registraturi Ante Kovačića." In Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze. University of Silesia Press, 2021. http://dx.doi.org/10.31261/pn.4028.18.
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In this paper, the author examines a work of one of the most significant Croatian literary writers, Ante Kovačić, whose novel U registraturi (In the Registry Office) is considered by many literary critics and theoreticians to be the best writing of Croatian realism. It is an author who was not understood at the time when his work appeared, which is why the text was published in the form of a novel with a twenty-three year delay. Nonlinear composition of the text, elements of fantasy literature and innovative literary process in creating a fabula and sujet course of events confused literary critics as well as readership, which points to the fact that Ante Kovačić was treated for a long time as a peripheral author. In this narrative text, the misery and helplessness of peasants and their revolt against their feudal lords in Croatia are described, therefore the object of our analysis will be the characterisation of figures from various layers of society, with a particular focus on the “peripheral characters” of Kovačić’s prose. Using the term “peripheral characters” we will attempt to bring close those characters of subjugated peasants in relation to the feudal-capitalist social layer and thereby emphasise their role in the novel in relation to their fate. Unlike the characters of the peasants – Ivica Kičmanović (whom the social order turns into a lackey and scoundrel); Jožica Zgubidan (the personification of a poor person from Zagorje), Anica (a patriarchal girl with an angelic face); Miha; Perica; the neighbouring Kanoniks; and the Medonjićes – Kovačić brings us harsh, drastic images of moral vacillations in the city in which figures, distorted into caricatures, dominate. By contrasting the rural environment with the city life, the author is writing an “epopee of the village and city” in which the “peripheral characters” become tragic ones. These characters are the carriers of elements of “fantastic realism,” and their function is to show all the depravities of society and to announce the phenomenon of the innovative processes of narration familiar to authors of the modern literature. Finally, we come to the conclusion that Ante Kovačić made a step forward in relation to the generation of realists, with the peripheral position of his creation disappearing with the emergence of modern literary achievements, which ultimately gives the author and his work a polished place in Croatian literature.
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Fahmy, Khaled. "Birth of the ‘Secular’ Individual: Medical and Legal Methods of Identification in Nineteenth-Century Egypt." In Registration and Recognition. British Academy, 2012. http://dx.doi.org/10.5871/bacad/9780197265314.003.0014.
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This chapter describes a number of medico-administrative and legal changes that were introduced in nineteenth-century Egypt and that gave rise to an individualized conception of identity. Prompted by the recruitment needs of a new conscript army, an administrative apparatus was put in place that gave rise to novel techniques of identifying peasants, monitoring their movements, and controlling their bodies. A wide-ranging public hygiene programme aimed at serving the army resulted in a statistical regime whose crowning achievement was a nation-wide census. Concurrently, legal reforms replaced the reputational and oral witnesses that the shari'a relied on with named and written forms of identification. The chapter concludes with a discussion about the implications of this rise of a free-floating individual for conceptions of legal equality.
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McDonagh, Josephine. "Walter Scott’s Long-Distance Fiction." In Literature in a Time of Migration. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895752.003.0002.
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Innovations in novelistic form that appear at the end of the Napoleonic Wars do so in the context of a national discussion about colonial emigration, and an uprooting and dispersing of British people on a profound scale, that provoked a reimagining of global space. Poverty, unemployment, and security, both domestically and in the colonies, were concerns about which emigration was proposed as a possible solution. This helps to explain two influential formal innovations made by Walter Scott in Guy Mannering (1815). The first is the invention of a new geographical imaginary. The novel is distinctive for its international backstory that takes place in India outside the main temporal and geographical frames of the novel, as well as a mode of calibrating distance in relation to details of size and scale, and through manipulating levels of readerly attention. The second innovation is its eccentric character, the gypsy, Meg Merrilies, who specifically derives from these spatial concerns. Her character is especially topical as it draws on contemporary beliefs about gypsies, a displaced people thought to have originated in India, but who are also identified with Scottish peasants displaced during the Highland Clearances, and other indigenous displaced people. Through the character of Meg, the novel examines contemporary questions about property, place, and belonging, as well as race and indigeneity. Meg’s persistence in print culture through the next several decades, reimagined in theatrical renditions, poems, print commodities, and travel writings, turns her into a celebrity character, and constituent element of a migratory British culture.