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Livros sobre o tema "Performance art – france"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2025

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1

Reilly, Diane. The Cistercian Reform and the Art of the Book in Twelfth-Century France. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462985940.

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This book is a study of the programmatic oral performance of the written word and its impact on art and text. Communal singing and reading of the Latin texts that formed the core of Christian ritual and belief consumed many hours of the Benedictine monk's day. These texts-read and sung out loud, memorized, and copied into manuscripts-were often illustrated by the very same monks who participated in the choir liturgy. The meaning of these illustrations sometimes only becomes clear when they are read in the context of the texts these monks heard read. The earliest manuscripts of Cîteaux, copied

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2

Trinchieri, Camiz Franca, and McIver Katherine A. 1949-, eds. Art and music in the early modern period: Essays in honor of Franca Trinchieri Camiz. Ashgate, 2003.

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3

Boagno, Marina. Franco Corelli: I suoi personaggi. Azzali, 2002.

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4

Boagno, Marina. Franco Corelli: Un uomo, una voce. Azzali, 1990.

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5

Nony, Anaïs. Performative Images. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722827.

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Performative Images draws upon the work of video artists and activists in France between the 1970s and the early 2020s and focuses on significant practices with technology. Video art and video activism are analysed together in the book to revaluate key concepts in media studies and foreground a performative approach to the theory of image technology. The book engages works in visual culture, performance studies, digital studies, critical race theory, and feminist methodologies to account for the changes brought about by video technology in social and psychic life. Performative Images is about

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6

William, Brooks, and Yarrow Philip John, eds. The dramatic criticism of Elizabeth Charlotte, Duchesse D'Orleans: With an annotated chronology of performances of the popular and court theatres in France 1671-1722, reconstructed from her letters. E. Mellen Press, 1996.

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7

Carnal art: Orlan's refacing. University of Minnesota Press, 2005.

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8

Carnal Art: Orlan's Refacing. University of Minnesota Press, 2005.

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9

Moran, Claire. Art of Theatre: Word, Image and Performance in France and Belgium, C. 1830-1910. Lang AG International Academic Publishers, Peter, 2013.

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10

Moran, Claire. Art of Theatre: Word, Image and Performance in France and Belgium, C. 1830-1910. Lang AG International Academic Publishers, Peter, 2013.

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11

(Editor), Victoria Best, and Peter Collier (Editor), eds. Powerful Bodies: Performance in French Cultural Studies. Peter Lang Publishing, 1999.

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12

France and the Visual Arts since 1945: Remapping European Postwar and Contemporary Art. Bloomsbury Visual Arts, 2018.

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13

Orlan: A hybrid body of artworks. Routledge, 2010.

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14

Grand-Guignol: The French Theatre of Horror (Exeter Performance Studies). University of Exeter Press, 2002.

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15

Sheriff, Mary D. Moved By Love: Inspired Artists and Deviant Women in Eighteenth-Century France. University Of Chicago Press, 2006.

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16

Sheriff, Mary D. Moved by Love: Inspired Artists and Deviant Women in Eighteenth-Century France. University Of Chicago Press, 2004.

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17

Sheriff, Mary D. Moved by Love: Inspired Artists and Deviant Women in Eighteenth-Century France. University of Chicago Press, 2013.

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18

Sheriff, Mary D. Moved by Love: Inspired Artists and Deviant Women in Eighteenth-century France. University of Chicago Press, 2008.

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19

Carlson, Marla. Performing Bodies in Pain. Palgrave Macmillan, 2010.

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20

(Editor), Franca Trinchieri Camiz, and Katherine A. McIver (Editor), eds. Art and Music in the Early Modern Period: Essays in Honor of Franca Trinchieri Camiz. Ashgate Publishing, 2003.

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21

Actio and persuasion: Dramatic performance in eighteenth-century France. Clarendon Press, 1986.

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22

Lavery, Carl, and Clare Finburgh. Contemporary French Theatre and Performance. Palgrave Macmillan, 2011.

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23

Duckett, Victoria. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039669.003.0008.

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This book has explored Sarah Bernhardt's films in an attempt to recuperate a cinema that has been lost to us, not materially but perceptually. Through an analysis of Bernhardt's films, it has enlarged not only what we know of her biography, her performance on the live stage, and her engagement with film but also our understanding of what we can achieve through the practice of film history today. It has shown that, until World War I changed the political imperative of filmmaking in France, an actress of Bernhardt's stature had no qualms in adapting her performances to film, in presuming that sh

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24

Franko, Mark. Text as Dance. Bloomsbury Publishing Plc, 2024. https://doi.org/10.5040/9781350236912.

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This book offers a groundbreaking investigation into issues of gender, power and the representation of sovereignty in French Baroque court ballet – and in today’s performances that recall them. Mark Franko uses powerful interpretive tools derived from historiography and critical theory, especially the work of German-Jewish philosopher Walter Benjamin, to offer the reader both a historical and a theoretical interpretation of this genre of dance in France (c. 1615–1654), as well as its aftermath and legacy today. Through doing so, he reaches conclusions about how sovereignty and power were both

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25

Solheim, Jennifer. The Performance of Listening in Postcolonial Francophone Culture. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940827.001.0001.

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The Performance of Listening in Postcolonial Francophone Culture argues That globalized media has allowed for efficient transmission of transnational culture, and in turn, our everyday experiences are informed by sounds ranging from voices, to music, to advertising, to bombs, and beyond. In considering cultural works from French-speaking North Africa and the Middle East all published or released in France from 1962-2011, Solheim’s study of listening across cultural genres will be of interest to any scholar or lay person interested in contemporary postcolonial France. This book is also a primer

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26

Scheie, Timothy. Performance Degree Zero: Roland Barthes and Theatre. University of Toronto Press, 2006.

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27

Scheie, Timothy. Performance Degree Zero: Roland Barthes and Theatre. University of Toronto Press, 2016.

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28

Bassi, Shaul. The Tragedies in Italy. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.42.

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This chapter describes the cultural translation of Shakespearean tragedy in Italy as a long and difficult process that took place alongside the equally protracted establishment of the country as a unified state in the nineteenth century. Shakespeare came to Italy initially mediated by translations and critical interpretations made in France and Germany; and to begin with literary debates about his work took precedence over theatrical performances. Reworking Shakespeare for Italian culture meant retranslating Italian plots and materials, as a number of the plays have Italian settings. It also m

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29

Everett, Samuel Sami, and Rebekah Vince, eds. Jewish-Muslim Interactions. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621334.001.0001.

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By exploring dynamic Jewish–Muslim interactions across North Africa and France through performance culture in the 20th and 21st centuries, this book offers an alternative chronology and lens to a growing trend in media and scholarship that views these interactions primarily through conflict. The book interrogates interaction that crosses the genres of theatre, music, film, art, and stand-up, emphasising creative influence and artistic cooperation between performers from the Maghrib, with a focus on Algeria, Tunisia, Morocco, and diaspora communities, notably in France. The plays, songs, films,

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30

Perspectives on the Performance of French Piano Music. Taylor & Francis Group, 2016.

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31

Perspectives On The Performance Of French Piano Music. Ashgate Publishing Group, 2014.

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32

McCarrey, Scott, and Lesley A. Wright. Perspectives on the Performance of French Piano Music. Taylor & Francis Group, 2016.

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33

Perspectives on the Performance of French Piano Music. Taylor & Francis Group, 2016.

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34

Early, Jaye. Confessional Video Art and Subjectivity. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350400238.

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This is the first book of its kind to examine the development of the confessional subject in video art and demonstrate how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society.In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Analysing a diverse selection

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35

Golder, Sona N., Ignacio Lago, André Blais, Elisabeth Gidengil, and Thomas Gschwend. Accountability across Elections. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198791539.003.0007.

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How do voters use elections as mechanisms of accountability in the multi-level systems in France, Germany, and Spain? The extent to which the voters attribute blame or credit for economic outcomes to the government at any one level depends on whether the voter believes that the government at that level plays an important role in shaping the economy. Also examined are voter opinions about corruption in government across all three levels. This is an issue that should affect voter satisfaction with, and trust in, their democratic institutions. In spite of the difficulties faced by voters in attri

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36

Popenhagen, Ron J. Modernist Disguise. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474470056.001.0001.

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This book chronicles and theorises face and body masking in arts and culture from the mid-nineteenth century to the new millennium. While featuring the modernist era in France, analyses include commentary on performers and visual artists from the margins of the European continent: Ireland and the Baltics; Denmark and the Mediterranean. Representations of silent Pierrots on stage are contrasted with images of fixed-form maskers and masquerades; two-dimensional depictions in paintings and photographs further the study of the form-altered human figure. The relationship of the European avant-garde

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37

Peter, Sester. Business and Investment in Brazil. Oxford University Press, 2022. http://dx.doi.org/10.1093/law/9780192848123.001.0001.

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This book provides a thorough analysis of Brazilian business law for investors and their legal advisers, focusing on topics relevant to business transactions and disputes that can arise in the aftermath of the signing or performance of deals. The essence of investment and negotiation processes is risk evaluation and allocation. Examining Brazilian law, the book focuses on the legal risks, which are higher in Brazilian law than elsewhere, particularly in comparison with contract, partnership, and company (LLC) laws governing international business transactions in the US and UK. However, whilst

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38

Fontana, Biancamaria. Politics as Propaganda. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691169040.003.0004.

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This chapter illustrates how Staël's analysis of the Jacobins' performance raises the question of the role she attributed, in the revolutionary process, to what she referred to as “the people” or “the nation.” On her account, if the mass of the people harbored the expectations that agitated French society, these shapeless aspirations acquired political significance only through the initiative of some active minority groups. The Revolution itself appeared to be the work of rival elites who pursued different political designs, each of them claiming to act according to the wishes of the whole nat

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39

Yarrow, Philip John, and William S. Brooks. The Dramatic Criticism of Elizabeth Charlotte, Duchesse D'Orleans: With an Annotated Chronology of Performances of the Popular and Court Theatres in France ... Her Letters (Studies in French Civilization). Edwin Mellen Press, 1996.

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40

Henke, Robert. Poor. Edited by Henry S. Turner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199641352.013.24.

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This chapter examines how the experience of poverty followed players wherever they travelled, furnishing the European theatre with some of its most popular tropes while at the same time persisting as a raw, brute reality throughout all of its formal translations and displacements. The chapter sets the drama of England, France, Italy, and Spain against the backdrop of the new modes of capitalist accumulation that were beginning to transform European society, including the commercial theatre itself, in order to demonstrate the omnipresence of poverty as theatrical energy in early modern theatre

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41

Brown, Noel, ed. The Oxford Handbook of Children's Film. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190939359.001.0001.

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The Oxford Handbook of Children’s Film is the most comprehensive study of international children’s cinema published to date. Overturning common prejudices that films for children are unworthy of serious attention, it presents nuanced and wide-ranging discussions of iconic and neglected productions alike, from Hollywood, Britain, France, Germany, Sweden, Norway, Hungary, Australia, China, Japan, South Korea, India, Iran, Kenya, and several other countries. Featuring contributions by leading scholars in the field, the volume considers a range of issues central to the study of children’s film, in

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42

Bergeron, David M. The Duke of Lennox, 1574-1624. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781399500449.001.0001.

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This is the first biography of Ludovic Stuart, Duke of Lennox, who served King James VI of Scotland/ I of England from his arrival in 1583 in Scotland until his untimely death in February 1624. Lennox arrived as a 9-year-old boy from France, a cousin of the king. For the next 40 years Lennox served James faithfully and skillfully, becoming the quintessential courtier, James’s confidant, adviser, and friend. Shrewd politician, ambitious and sometimes ruthless, but also beloved by the royal family, Lennox carefully negotiated political and diplomatic minefields. He also participated in the arts

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43

Starone, Gilberto, and Marina Boagno. Corelli a Man a Voice: A Man, a Voice (Great Voices). 2nd ed. Baskerville Publishers, 2006.

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44

Gosse, Johanna, and Timothy Stott, eds. Nervous Systems. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022053.

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The contributors to Nervous Systems reassess contemporary artists' and critics' engagement with social, political, biological, and other systems as a set of complex and relational parts: an approach commonly known as systems thinking. Demonstrating the continuing relevance of systems aesthetics within contemporary art, the contributors highlight the ways that artists adopt systems thinking to address political, social, and ecological anxieties. They cover a wide range of artists and topics, from the performances of the Argentinian collective the Rosario Group and the grid drawings of Charles G

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45

Prokop, Rainer, and Rosa Reitsamer, eds. Higher Music Education and Employability in a Neoliberal World. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350266995.

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In recent years, a growing body of research has been reassessing the role of higher music education institutions in light of the challenges posed by the dominant neoliberal economic system and the growing sensitivity to the reproduction of social inequalities in access to higher education and the labour market. This open access book offers international and interdisciplinary insights into these processes and practices and by examining the learning cultures, curricula designs and emancipatory initiatives within higher music education institutions. Drawing together empirical case studies from Au

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46

Milliman, Paul, ed. A Cultural History of Leisure In the Medieval Age. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350057258.

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During the Middle Ages (500-1450), active leisure was considered a productive activity, distinct from work and devotional pursuits. Running, fencing, playing ball, swimming, dancing, hunting or singing all could help to keep one’s humours in balance and therefore maintain one’s mental and physical health. Idle leisure, however, was supposed to be avoided because it could lead to the deadly sin of sloth, corrupting both mind and body. At least this was the theory. To what extent were medieval people weighing the risks and rewards of the leisure activities they engaged in, and to what extent wer

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47

Rodríguez, Richard T. A Kiss across the Ocean. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478023180.

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In A Kiss across the Ocean Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands’ importance for him and other Latinx kids and discusses their frequent identification with these bands’ glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspi

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48

Francis, Roger. Avoiding Corrosion in Desalination Plants. NACE International, The Worldwide Corrosion Authority15835 Park Ten Place, Houston, TX 77084, 2019. https://doi.org/10.5006/37647.

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Over the past decade, the author, Roger Francis, has looked at some very expensive corrosion failures in desalination plants. Avoiding Corrosion in Desalination Plants tells the reader how to avoid existing corrosion problems and how to avoid them in new builds. This book looks at corrosion problems specific to MSF, MED, and SWRO desalination plants, describing their causes, some solutions, and the relative performance of various materials. It gives advice on procuring materials for desalination plants to avoid quality problems. The world’s population is steadily increasing and with it is an i

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49

Carlson, Marvin A. Voltaire and the Theatre of the Eighteenth Century. Greenwood Publishing Group, Inc., 1998. http://dx.doi.org/10.5040/9798216033073.

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Born in the final years of the seventeenth century, and dying a decade before the beginning of the French Revolution, Voltaire was a quintessential figure of the eighteenth century, so much so that this era is sometimes called the Age of Voltaire. At a time when French culture dominated Europe, Voltaire dominated French culture. His influence was broad and powerful, and he made major contributions to almost every sphere of intellectual activity, including the sciences, trade and commerce, politics, and especially the arts. Despite the astonishing range of his literary activities, the theatre o

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50

Castro, Andrés Fabián Henao. Militant Intellect. Rowman & Littlefield, 2022. https://doi.org/10.5040/9798881818234.

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The Militant Intellect offers a way of rethinking the relationship between critical theory and politics. How does critical theory become self-conscious of its own relation to politics? How does it contribute to change the world through its reinterpretation of it? These are some of the questions that drive The Militant Intellect. In this book Andrés Fabián Henao Castro argues that critical theory cultivates the militancy of the general intellect by training that intellect to work towards the intersectional and structural death of the colonist and thus to envision at the same time the materializ

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