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Artigos de revistas sobre o tema "Pern (imaginary place), fiction"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 31 de julho de 2024

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1

Glidden, David K. "The Elusiveness of Moral Recognition and the Imaginary Place of Fiction." Midwest Studies in Philosophy 16 (1991): 123–41. http://dx.doi.org/10.1111/j.1475-4975.1991.tb00234.x.

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Machado, Álvaro Manuel. "Culto do lúdico, heteronímia e espírito do lugar em Mário Cláudio / Worship of the playful, heteronomy and spirit of the place in Mario Cláudio." Revista do Centro de Estudos Portugueses 38, no. 59 (2018): 11. http://dx.doi.org/10.17851/2359-0076.38.59.11-21.

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Resumo: Análise do romance Tiago Veiga – uma biografia, a partir de uma reflexão sobre o imaginário do espaço portuense e minhoto, concentrada predominantemente na metáfora da casa. Palavras-chave: imaginário; ficção portuguesa contemporânea; Mário Cláudio.Abstract: Analysis of the novel Tiago Veiga – a biography, based on the consideration of the imaginary that the regions of Porto and Minho carry, focused mainly on the metaphor of the house.Keywords: Imaginary; Contemporary Portuguese Fiction; Mario Claudio.

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Nilsson, Louise. "Mediating the North in Crime Fiction." Journal of World Literature 1, no. 4 (2016): 538–54. http://dx.doi.org/10.1163/24056480-00104007.

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The multifaceted idea of the north is deeply embedded in literary and visual culture. This culturally forged and globally disseminated idea embraces the narratives of fear, as well elements of the supernatural and fantastic, political dimensions or specific topographies. By departing from the Nordic Noir subgenre, a globally dispersed literary genre, this article investigates how the depiction of local and global place creates an imaginary, which is in turn bound up with a broader notion of the north as an ostensible “elsewhere.” The article argues that the Nordic Noir’s foreign allure and ove

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León, Angelo, and Fernanda Badilla. "After Hegel: A postmodern genealogy of historical fiction." Filozofija i drustvo 35, no. 2 (2024): 299–316. http://dx.doi.org/10.2298/fid2402299n.

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In this article, we analyze a possible form of the relationship between modernity and postmodernity by examining the transformation of the place of enunciation of criticism as a philosophical narrative and using it as a historical and philosophical criterion. To achieve this, we first focus on key moments in the critical discourse of modernity, and then analyze the role of Kantian criticism in the formation of a postmodern imaginary associated with the notions of useful fiction and linguistification. Finally, from a Hegelian perspective, we consider the validity of the idea of universal histor

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Zaid, Ali. "The Camouflage of the Sacred in the Short Fiction of Hemingway." American, British and Canadian Studies Journal 21, no. 1 (2014): 61–78. http://dx.doi.org/10.2478/abcsj-2013-0020.

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Abstract This essay examines the short fiction of Ernest Hemingway in the light of Mircea Eliade’s notion of the camouflage of the sacred and the larval survival of original spiritual meaning. A subterranean love pulsates beneath the terse dialogue of Hemingway’s characters whose inner life we glimpse only obliquely. In the short play (“Today Is Friday”) and four short stories (“The Killers,” “A Clean Well-Lighted Place,” “Old Man at the Bridge,” and “The Light of the World,” discussed here, light imagery, biblical allusions, and the figure of Christ, reveal a hidden imaginary universe. This s

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James, Susan. "Responding Emotionally to Fiction: A Spinozist Approach." Royal Institute of Philosophy Supplement 85 (July 2019): 195–210. http://dx.doi.org/10.1017/s1358246118000759.

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AbstractWithin contemporary analytical philosophy there continues to be a lively debate about the emotions we feel for fictional characters. How, for example, can we feel sad about Anna Karenina, despite knowing that she doesn't exist? I propose that we can get a clearer view of this issue by turning to Spinoza, who urges us to take a different approach to feelings of this kind. The ability to keep our emotions in line with our beliefs, he argues, is a complex skill. Rather than asking why we depart from it in the case of fictions, we need to begin by considering how we get it in the first pla

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Jackson, Andrew J. H. "Conceptualising place in historical fact and creative fiction: rural communities and regional landscapes in Bernard Samuel Gilbert’s ‘Old England’ (c. 1910–1920)." Rural History 31, no. 2 (2020): 195–209. http://dx.doi.org/10.1017/s0956793319000359.

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Abstract The theme of place guides much exploration in rural history and local history. Attempts have been made to create definitions and typologies of place, but these have had to contend with the diverse, complex and dynamic realities of historical pattern and process, local and regional. Nonetheless, historians and those in other disciplines have evolved different approaches to the concept. This study considers how these can inform the investigation of places existing in historical fact in particular periods in the past, and can do similarly for those places located contemporaneously in fic

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Cogan, Michaëla. "Les imbéciles de Jerome Avenue." Cross-cultural studies review 3, no. 5-6 (2023): 135–48. http://dx.doi.org/10.38003/ccsr.3.5-6.8.

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This article explores the specific role of heterotopia in a literary context as a place located in-between reality and fiction, specifically in the light of the autofictional play at work in Charyn’s writing. As both a spatial landmark and imaginary background of a reinvented world, the Bronx intersects both fact and creation. This subjective cartography brings Charyn to reposition different possible first persons along a complex spectrum. Like Jerome Avenue, which cuts Charyn’s former borough in half, the line separating history and story is not wholly uncrossable, but rather a threshold to a

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Krishnan, Madhu. "When is biography fiction? Life writing, epistemophilia, and the limits of genre in contemporary Kenyan writing." Journal of Commonwealth Literature 55, no. 3 (2018): 361–75. http://dx.doi.org/10.1177/0021989418808836.

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In On the Postcolony, Achille Mbembe opens with the assertion that “[s]peaking rationally about Africa is not something that has ever come naturally”. In this article, I use Mbembe’s remarks as my starting point, using his observations around the place — or lack thereof — of “Africa” within a larger philosophical matrix predicated on Enlightenment-derived notions of knowledge, and applying it to three examples of auto/biographical life writing recently published by Kenyan authors: Billy Kahora’s The True Story of David Munyakei; Kwani Trust’s fifth issue of its flagship Kwani? journal, publish

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Al-Shamali, Farah. "The City of Baghdad in Iraqi Fiction: Novelistic Depictions of a Spatiality of Ruin." Middle East Research Journal of Linguistics and Literature 3, no. 02 (2023): 12–24. http://dx.doi.org/10.36348/merjll.2023.v03i02.002.

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The Iraqi novel has contended with brutish forms of violence for the better part of the past century that have essentially reshaped the narrative experience unto space. Writers are confronted with the challenge of typifying a search for meaning in and amongst character-altering ruin. At the height of its maturity today, as various works convey spatial woundedness particularly in the city of Baghdad, there is a relationship between fiction and urban reality symbolizing an image of complexity. They play host to a fantastical blending of the real and unreal. They see through to the mediational po

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Blatešić, Aleksandra. "Imaginary protagonists in idiomatic expressions of the contemporary Italian language." Kultura, no. 168 (2020): 112–32. http://dx.doi.org/10.5937/kultura2068112b.

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The aim of this paper is to present imaginary personalities from oral and written literature who have found their place in Italian fixed expressions due to their character, specific circumstances, events or the things they have done or said. Most of the analysed characters in this paper are fictional, while some are associated with the most diverse stories and legends, mostly of unclear origin. If the analysed characters have been taken from a literary work, their creator is an individual and therefore a known subject. The creator of these characters can also be a collective author, and theref

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Sevilla-Vallejo, Santiago. "Amusing Ourselves until (Dis)appearing in La invención de Morel by Adolfo Bioy Casares." Journal of Critical Studies in Language and Literature 1, no. 4 (2020): 72–78. http://dx.doi.org/10.46809/jcsll.v1i4.45.

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La invención de Morel reflect on how the use of technologies could be fascinating and dangerous at the same time; and the way the island seems to be a space of freedom while it is actually a place of prison and death. La invención de Morel presents a utopian situation that transforms into a dystopia. Characters, especially the narrator, project their desires along with the holograms, but they are deceived without realizing about their loss of reality. The novel uses phantasy and science fiction resources to reflect about the way humans self-imprison. This is studied by analogy to the effects o

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Telles, Helyom Viana, and Lynn Alves. "Narrative, history, and fiction: history games as boundary works." Comunicação e Sociedade 27 (June 29, 2015): 319–33. http://dx.doi.org/10.17231/comsoc.27(2015).2104.

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This work arises from the reflections generated by a post-doctoral study that investigates how history games can contribute to the production and dissemination of representations, pictures, and imaginaries of the past. We understand history games to be digital electronic games whose structure contains narratives or simulations of historical elements (Neves, 2010). The term notion of “border works” is used by Glezer and Albieri (2009) to discuss the role of literary and artistic works that, standing outside the historiographical field and having a fictional character, are forms of the dissemina

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Pyzikov, Denis D. "CULTURAL AND HISTORICAL CONTEXT OF THE MYTHMAKING OF H.P. LOVECRAFT." Study of Religion, no. 1 (2019): 137–42. http://dx.doi.org/10.22250/2072-8662.2019.1.137-142.

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H.P. Lovecraft created an original mythology that has not only become science fiction and fantasy classics, but also determined horror genre development in general. In his literary works, Lovecraft used images derived from both ancient religious traditions and contemporary western esotericism, filling his imaginary worlds with mysterious cosmic creatures. The writer’s cultural and historic environment played a very important role as the cultural landscape of New England and theosophical concepts widespread at that time had a great impact on the author’s work and writing. The original “mytholog

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Vuillemin, Alain. "The mysteries of power in the Republic of Doumarie in Death of a Poet (1981) by Michel Del Castillo." Chuzhdoezikovo Obuchenie-Foreign Language Teaching 49, no. 1 (2022): 54–66. http://dx.doi.org/10.53656/for22.14lesa.

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Michel Del Castillo's novel Death of a Poet was published in 1989, before the collapse of totalitarian systems in eastern countries. It is an autobiographical fiction. The action takes place in 1988. The narrator, Igor Védoz, relates the last events of the fall of a dictator, Marshal Carol Oussek, the "Guide" of an imaginary republic, Doumaria, a country located in the center of central Europe. It’s a reflection on absolute power. The intrigue is built on a detective plot. The investigation carried out by Igor Védoz allows us to glimpse some of the secret mysteries of power in this "Socialist,

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Oktaviani, Danissa Dyah. "Konsep Fantasi dalam Film." REKAM 15, no. 2 (2019): 125–36. http://dx.doi.org/10.24821/rekam.v15i2.3356.

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Fantasy films were born from the development of fiction films that have shown existence since the beginning of its history. Fantasy films have their own charm because they can penetrate time and space compared to other genres. Fiction films develop from their creators both in terms of story and cinematography because fiction films are at the center of the poles: real and abstract. Its greatest strength lies in its ability to integrate and combine with other genres without exception and can be broadly developed unlimitedly. That is because fantasy films contain elements with different character

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Schröter, Jens. "Imaginary economies: the case of the 3D printer." Review of Evolutionary Political Economy 1, no. 3 (2020): 357–70. http://dx.doi.org/10.1007/s43253-020-00014-3.

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AbstractIn the call for the special issue for the EAEPE Journal, we can find the word “scenario.” The question is if the authors can imagine scenarios in which “potential strategies for the appropriation of existing capitalist infrastructures […] in order to provoke the emergence of post-capitalist infrastructures” can be described. Obviously, the call verges on the border of science fiction—and this is not a bad thing. Diverse strands of media studies and science and technology studies have shown (e.g., Schröter 2004; Kirby 2010; Jasanoff and Kim 2015; McNeil et al. 2017) that not only the de

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Hamraie, Aimi. "Alterlivability." Environmental Humanities 12, no. 2 (2020): 407–30. http://dx.doi.org/10.1215/22011919-8623197.

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Abstract This article responds to two diverging notions of “livability”: the normative New Urbanist imaginary of livable cities, where the urban good life manifests in neoliberal consumer cultures, green gentrification, and inaccessible infrastructures, and the feminist and disability concept of livable worlds, such as those in which nonnormate life thrives. Whereas the former ought to broaden its notion of “lives worth living,” the latter would benefit from a more specific theory of design—the making and remaking of more livable worlds. In response, this article offers the concept of “alterli

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WILLIAMS, EVAN CALDER. "Salvage." Journal of American Studies 49, no. 4 (2015): 845–59. http://dx.doi.org/10.1017/s0021875815001735.

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This essay develops a history of salvage both as particular activity and as concept, arguing that it has quietly become one of the fundamental structures of thought that shape how we envision future possibility. However, the contemporary sense of the word, which designates the recuperation or search for value in what has already been destroyed, is a recent one and represents a significant transformation from the notion of salvage in early modern European maritime and insurance law. In that earlier iteration, salvage denoted payment received for helping to avert a disaster, such as keeping the

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Anim-Addo, Joan. "Translational Space and Creolising Aesthetics in Three Women’s Novels: the Radical Diasporic (Re)turn." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 7 (May 1, 2015): 7. http://dx.doi.org/10.12681/syn.16194.

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Proposing the notion of translational space, I consider the classroom and the literary text as crucial though differentiated spaces of translation. The idea of translational space borrows from Doreen Massey’s elaboration of space as a “complex web of relations of domination and subordination, of solidarity and cooperation.” I interlink the complexity of Massey’s “web” with an intention by the radical Other to translate, and interrogate how selected Caribbean diasporic texts might be shown to engage a process of translation, and for whom, particularly in light of George Lamming’s pronouncement

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Abdullah Hasibuan, Nirmawan, and Putri Juwita. "Analysis of the Legends of the Green Princess as Literature Teaching Materials with Local Wisdommelay Tribe in Teaching Materials High School." International Journal of Educational Research Excellence (IJERE) 1, no. 1 (2022): 32–33. http://dx.doi.org/10.55299/ijere.v1i1.91.

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Literature is a form of one's ideas through a view of the social environment around him by using beautiful language. Literature is present as a result of the author's reflection on existing phenomena. Literature as a work of fiction with a deeper understanding, is not just an imaginary story or wishful thinking of the author, but a manifestation of the author's creativity in exploring and managing the ideas in his mind. This local wisdom is also owned by the North Sumatran Malay community through their folklore. In this folklore from North Sumatra, there is a legend, namely Putri Hijau with th

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Jordan, Deborah. "Vance and Nettie Palmer in Caloundra, 1925–29: The regional turn." Queensland Review 24, no. 2 (2017): 180–90. http://dx.doi.org/10.1017/qre.2017.29.

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AbstractVance and Nettie Palmer were among Australia's most important literary partnerships. Previous accounts of their life and work underplay their commitment to the creation of an environmental imagination. After the trauma and disillusion of the Great War, they lived in Caloundra from 1925 to 1929 (and from then had an ongoing connection). While it is generally acknowledged how important their time there was in terms of Vance's emerging work in literary fiction, and through Nettie's work as a freelance journalist, what has not been addressed is their extraordinary environmental writings ab

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Hageman, Andrew. "Machines, Topography, Organ Dialectic: The Science Fiction Ecology of Metropolis." Ecozon@: European Journal of Literature, Culture and Environment 3, no. 2 (2012): 57–73. http://dx.doi.org/10.37536/ecozona.2012.3.2.472.

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Since 1927, Fritz Lang’s Metropolis has circulated as stills, clips, and a sequence of increasingly more complete cuts in the global social imaginary. Whilst scholars have critiqued this science fiction film from gender, techno-culture, and German socio-political perspectives, this article analyzes the film afresh by reading it ecocritically. The article moves through three key components of Metropolis. The first movement examines the representational and ideological contradictions within the variety of machines inside the diegetic city to deconstruct the common interpretation of the film’s ma

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Roy, Dibyadyuti. "Illicit Motherhood: Recrafting Postcolonial Feminist Resistance in Edna O’Brien’s The Love Object and Jhumpa Lahiri’s Hell-Heaven." Humanities 8, no. 1 (2019): 29. http://dx.doi.org/10.3390/h8010029.

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Cultural constructions of passive motherhood, especially within domestic spaces, gained currency in India and Ireland due to their shared colonial history, as well as the influence of anti-colonial masculinist nationalism on the social imaginary of these two nations. However, beginning from the latter half of the nineteenth century, postcolonial literary voices have not only challenged the traditional gendering of public and private spaces but also interrogated docile constructions of womanhood, particularly essentialized representations of maternity. Domestic spaces have been critical narrati

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Leane, Elizabeth, Charne Lavery, and Meredith Nash. "“The Only Almost Germ-Free Continent Left”." Environmental Humanities 15, no. 1 (2023): 109–27. http://dx.doi.org/10.1215/22011919-10216184.

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Abstract This article examines the role of pandemics and viruses in cultural perceptions of Antarctica over the past century. In the popular imagination, Antarctica has often been framed as a place of purity, refuge, and isolation. In a series of fiction and screen texts from the nineteenth century to the present, viruses feature prominently. The texts fall into two categories: narratives in which Antarctica is the sole source of safety in a pandemic-ravaged world and those in which a virus (or another form of contagion) is discovered within the continent itself and needs to be contained. Viru

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Gilavyan, Martin. "Creative productive way." JOURNAL FOR ARMENIAN STUDIES 1, no. 60 (2023): 46–55. http://dx.doi.org/10.24234/journalforarmenianstudies.v1i60.32.

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Suren Ayvazyan's fiction is one of the remarkable pages of Armenian Modern literature of the latest period and stands out for its subtle psychological penetrations, uncomplicated style of narration, unique manifestations of language thinking. The heroes of his stories, novelettes and novels are presented in different dimensions of space and time: the chaos of the 18th century, the times of the feverish search for "The Armenian Road", pre-Soviet Armenia, economic recovery, and the Great Patriotic War. In those works, although the actions take place in different spatial dimensions, their basin i

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Romanets, V. M., and N. T. Podkovyroff. "COMPOSITION AND ARCHITECTONICS OF A WORK OF FICTION AS A CHARACTERISTIC OF THE AUTHOR’S STYLE. J. CHAUCER «THE CANTERBURY TALES»." Writings in Romance-Germanic Philology, no. 1(50) (October 13, 2023): 238–52. http://dx.doi.org/10.18524/2307-4604.2023.1(50).285566.

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The study presented here examines the problems of composition and architectonics of a work of fiction. The author analyses the correlation of these notions. A close examination of the types of compositional organization of a work of fiction has been carried out. It is noted that the problem of the composition of a work of fiction has a fairly long tradition. At the time, the problem was considered by Aristotle (4th century BC), who focused on the fact that the perfection of a work could be achieved by motivated selection and combination of separate elements into a single whole, which forms com

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Olmos Aguilera, Miguel. "Las creencias indígenas y neo-indias en la frontera MEX/USA." Revista Trace, no. 54 (July 5, 2018): 45. http://dx.doi.org/10.22134/trace.54.2008.310.

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En este artículo se analizan y describen las creencias indígenas originarias de la frontera norte, así como algunas creencias mestizas de tipo popular. Se hace hincapié en las creencias vinculadas con nuevas formas de identidad indígena y mestiza que se mueven en el terreno de la ficción. La identificación “neoindia” no es construida por los grupos indígenas, sino por mestizos que sin una identidad anclada en la memoria tradicional suelen adherirse a una identidad ancestral generada en múltiples religiones del escenario fronterizo o del imaginario mítico de la mesoamérica mexica. La Frontera N

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Alsaedi, Shaima Muzher Abid Alreda. "Dystopian Reality in Frankenstein in Baghdad a novel by Ahmed Saadawi." Al-Adab Journal, no. 133 (June 15, 2020): 7–22. http://dx.doi.org/10.31973/aj.v0i133.606.

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Dystopian literature is important in old and modern literature. It depicts a world in which everything is imperfect, chaotic and distorted. It shows a nightmarish image yet it is true in some afflicted communities. It mainly deals with war, oppression and disastrous situations. Almost all the characteristics of dystopian literature are real in Ahmed Saadawi’s novel Frankenstein in Baghdad. These characteristics are real and tangible in the place where the events of the novel occurred. These characteristics are manifested in people’s fear from the government, the American troops and terrorism a

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Danilova, N. K. "Parametric status of the subject of utterance." Vestnik of Samara University. History, pedagogics, philology 26, no. 4 (2020): 88–94. http://dx.doi.org/10.18287/2542-0445-2020-26-4-88-94.

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The article proposes a possible solution to the problem of the poly-subjectness of narrative discourse, associated with the hybrid nature of artistic communication, in which not only the world of narration is modeled, but also the communicative situation of communication. As one of the parameters of the discursive process, the analysis of which makes it possible to observe the intensive interaction of a number of systems participating in modeling the imaginary world of a work of art, the subject of the statement is considered, in M. Foucault's terminology, an empty position in discourse. The n

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Drianus, Oktarizal. "Emansipasi Intelektual Jacques Rancière." Tawshiyah: Jurnal Sosial Keagaman dan Pendidikan Islam 14, no. 1 (2019): 62–84. http://dx.doi.org/10.32923/taw.v14i1.1036.

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This paper aims to show at once critics and solutions for the logic of critical education, which has recently been sporadically appropriated by educational institutions and communities in Indonesia. This paper uses the method of library research with primary sources, namely: The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation by Jacques Rancière. Findings shed light on several things, namely: 1) Rancière's critics of critical education which perpetuates the paradox of equality; 2) The experience of “the teacher who did not know”, Josep Jacotot who accidentally found a way of l

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Братерська-Дронь, М. Т. "«У РОБОТІВ – СВОЇ КАЗКИ» (РОБОТОТЕХНІЧНА ПРОБЛЕМАТИКА В СОЦІОКУЛЬТУРНОМУ ПРОСТОРІ ХХ – ПОЧАТКУ ХХІ СТ.)". Humanities journal, № 2 (29 жовтня 2018): 19–34. http://dx.doi.org/10.32620/gch.2018.2.03.

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Robotic problems are one of the most relevant in contemporary socio-cultural space. Mechanical man appeared in the cultural traditions of our civilization repeatedly. Its invariance is found even in the Upanishads, Kabbalah, the myths of Ancient Greece.However, the theme of an artificial man in his modern work-engineering interpretation made the first step in the world from the easy hand of Karel Chapek, in his play «R.U.R.» (1920). It is the Czech writer introducing the term «robot» (in English translation). In essence, Karel Chapek in the early twentieth century. has defined the main philoso

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Lorrimar, Victoria. "Human Technological Enhancement and Theological Anthropology." Perspectives on Science and Christian Faith 75, no. 2 (2023): 120–22. http://dx.doi.org/10.56315/pscf9-23lorrimar.

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HUMAN TECHNOLOGICAL ENHANCEMENT AND THEOLOGICAL ANTHROPOLOGY by Victoria Lorrimar. Cambridge, UK: Cambridge University Press, 2022. 300 pages, bibliography, index. Hardcover; $120.00. ISBN: 9781316515020. *In her introduction, Victoria Lorrimar states that "The goal of this book is to deepen our understanding of human creativity from a theological perspective, and to resource Christian theology (and more broadly the church) for reflecting on the possibilities for enhancing human capabilities through (plausible or far-fetched) technologies (p. 8)." *Given the contemporary relevance of this topi

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Jerelianskyi, P. (Velychko Yu P. ). "Equal among equals. Ukrainian women in historical and cultural context." Aspects of Historical Musicology 17, no. 17 (2019): 33–43. http://dx.doi.org/10.34064/khnum2-17.02.

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The article is an attempt to define a very special role of women in society, inherent in only Ukrainian historical realities. In particular, a somewhat non-trivial approach to the formation of a source base for the study allowed referring to works of fiction. Most attention is paid to the issue of women entering society medium in the times of the Cossacks. Among the conclusions – contrary to national, gender and social oppression for several centuries – Ukrainian women have maintained their commitment to universal human and Christian ideals and virtues. The role and place that women take in th

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Husa, Jaakko. "Comparative law, literature and imagination: Transplanting law into works of fiction." Maastricht Journal of European and Comparative Law, February 16, 2021, 1023263X2199533. http://dx.doi.org/10.1177/1023263x21995337.

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This paper discusses comparative law and literature as an approach to studying law culturally, addressing how the study of literature from the standpoint of comparative law identifies one way of coding legal cultural knowledge in literature. The interaction between the worlds of law and culture is addressed through imaginary legal transplants. By transplanting legal ideas from the real world to literature, authors imagine worlds as they construct legal meanings in their storytelling. Whereas a legal transplant is a notion filled with problems and paradoxes, in literature it is far less problem

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Fiuza, Ana Carolina. "Ex Machina e Her: géneros de narrativa e narrativas de género." AVANCA | CINEMA, October 25, 2021, 1040–46. http://dx.doi.org/10.37390/avancacinema.2021.a342.

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The films Her (Spike Jonze, 2013) and Ex Machina (Alex Garland, 2015) are works often framed in the genre of science fiction. In this essay, we will seek to identify narrative elements that confirm their “science fiction” status, as this is considered an inflection point. At first, the theme of alterity and the representations of the Other will be problematized, as these are founding elements of the genre in question. Then, a reflection on human-machine relations and their articulations with gender theories will be proposed; namely, Feminist Science Studies, which use technological advances as

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Lupașcu, Emanuel. "Postumanul ca world literature. Cazul SF-ului românesc interbelic." Transilvania, 2022. http://dx.doi.org/10.51391/trva.2022.11-12.04.

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This study deals with three science fiction novels published in the Romanian interwar period, using concepts and theories from the field of posthumanism. My approach will consist of three interconnected but equally important steps. In the first place, these novels are part of a larger cluster of 20th-century art that thematizes technological development and the ‘crisis’ of modern man. Their importance also arises from the need to expand our understanding of world literature beyond the phenomenon of translation and the national canon. In addition, I will examine how posthuman configurations act

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Patel Karika Digesh. "Review of Artificial Intelligence Applications and Modelling AI Framework in Education System." International Journal of Scientific Research in Computer Science, Engineering and Information Technology, October 1, 2023, 269–75. http://dx.doi.org/10.32628/cseit2390542.

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The potential of using artificial intelligence in education to enhance learning, assist teachers and fuel more effective individualized learning is exciting, but also a bit challenging. To even have an intelligent conversation about AI in education, one must first push past imaginary science-fiction scenarios of computers and robots teaching our children, replacing teachers and reducing the human element from what is a fundamentally human activity. AI can automate grading so that the tutor can have more time to teach. AI chatbot can communicate with students as a teaching assistant. This resea

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Menadue, Christopher Benjamin. "Cities in Flight: A Descriptive Examination of the Tropical City Imagined in Twentieth Century Science Fiction Cover Art." eTropic: electronic journal of studies in the tropics 17, no. 2 (2018). http://dx.doi.org/10.25120/etropic.17.2.2018.3658.

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A search for imaginary cities and city-like objects portrayed in twentieth century science fiction magazine cover art employed digital tools and followed a PRISMA methodology for systematic analysis. The findings include a correlation between indigenous peoples being portrayed as possessing less advanced technology than human visitors or human city builders in the tropics. Human cultural tropes are identified in the depiction of indigenous peoples, and trends over time in the increasing sophistication of portrayals, and a decline in gratuitously sexual artwork are visible, which supports findi

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Cooper, Annabel. "Nō Ōrākau: Past and People in James Cowan’s Places." Journal of New Zealand Studies, no. 19 (May 13, 2015). http://dx.doi.org/10.26686/jnzs.v0i19.3766.

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In tracing the interconnections of place and people in James Cowan's writing, this article argues that his widely-disseminated body of work complicates current orthodoxies and warrants more consideration in the study of settlement than it has had to date. Analyses of newspaper features and short non-fiction narratives, and of book chapters which centre on the prototype for Cowan’s cultural landscapes, Ōrākau, provide the basis for an argument that even in an era when the picturesque appeared to have wrought a division between scenic and inhabited landscapes, Cowan’s writing refused that distin

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"Social outlines of the English «campus novel»: historical revision of the subgenre." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 79 (2018). http://dx.doi.org/10.26565/2227-1864-2018-79-13.

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Campus novel or academic fiction is a specific genre that has gained worldwide readership. Campuses spread throughout the world provide rich productive raw material for fiction. The trend of campus novels started back a century ago and mainly in the UK. The paper refers to the diachronic transformations that took place in the history of English literature of the twentieth century with such a novelistic subgenre as «campus novel». The key issues related to this subgenre have been outlined taking into account the novels written by Dorothy Sayers, Evelyn Waugh, Charles Percy Snow, John Wain, and

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"THE ROLE OF THE SPEECH OF THE CHARACTER, PORTRAIT AND LANDSCAPE IN OPENING THE SPIRIT OF THE CHARACTER." Philology matters, December 21, 2019, 12–23. http://dx.doi.org/10.36078/987654377.

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In the works of fiction, the writer creates an artistic world that can happen in life, and shows life and imaginary events in our eyes as if they are true, real, had happened. Sometimes this literary phenomenon requires such an artistic composition that it breaks the boundaries of reality. In the following years, as in all types and genres literature, specific changes, evolutions are taking place in the world of fantasy works, themes, poetics, style, and images. In the works of Ray Bradbury and Hojiakbar Shaikhov, a number of features such as myth, the stream of consciousness, the image of the

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Carroll, Richard. "The Trouble with History and Fiction." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.372.

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Historical fiction, a widely-read genre, continues to engender contradiction and controversy within the fields of literature and historiography. This paper begins with a discussion of the differences and similarities between historical writing and the historical novel, focusing on the way these forms interpret and represent the past. It then examines the dilemma facing historians as they try to come to terms with the modern era and the growing competition from other modes of presenting history. Finally, it considers claims by Australian historians that so-called “fictive history” has been best

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Rolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1028.

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Introduction When a text is said to be re-appropriated, it is at times unclear to what extent this appropriation is secondary, repeated, new; certainly, the difference between a reiteration and an iteration has more to do with emphasis than any (re)duplication. And at a moment in the development of crime fiction in France when the retranslation of now apparently dated French translations of the works of classic American hardboiled novels (especially those of authors like Dashiell Hammett, whose novels were published in Marcel Duhamel’s Série Noire at Gallimard in the decades following the end

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Leão Neto, Pedro. "NEXT EDITION AND SCOPIO & CONTRAST INTERNATIONAL CONFERENCE." SCOPIO MAGAZINE ARCHITECTURE, ART AND IMAGE 1, no. 1 (2023). http://dx.doi.org/10.24840/1647-8274_2023-0001_0001_12.

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With this Open Call "Exploring contemporary realities", we launch the annual major theme of interest for scopio Magazine AAI – Visual Spaces of Change: Exploring contemporary realities, Volume 2, and initiate a new collaboration with the project Contrast: Multidisciplinary network of artistic initiatives in Art, Architecture, Design and Photography through SCOPIO & CONTRAST International Conference. The call will have as responsible Editors academics / artists coming from both scopio Magazine AAI and the Contrast project. This editorial team will ensure the necessary peer review work throu

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Novitz, Julian. "“Too Broad and Deep for the Small Screen”: Doctor Who's New Adventures in the 1990s." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1474.

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Introduction: Doctor Who's “Wilderness Years”1989 saw the cancellation of the BBC's long-running science fiction television series Doctor Who (1965 -). The 1990s were largely bereft of original Doctor Who television content, leading fans to characterise that decade as the “wilderness years” for the franchise (McNaughton 194). From another perspective, though, the 1990s was an unprecedented time of production for Doctor Who media. From 1991 to 1997, Virgin Publishing was licensed by the BBC's merchandising division to publish a series of original Doctor Who novels, which they produced and marke

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Bartlett, Lexey A. "Who Do I Turn (in)to for Help?" M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2627.

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   Many theories address the material adaptations that organisms—including humans—make to their environments, and many address the adaptation of art to different forms. The film Adaptation (Spike Jonze, 2002) by Charlie Kaufman, ostensibly an adaptation of Susan Orlean’s The Orchid Thief, addresses both kinds of adaptation, but also suggests how humans might psychically adapt to their emotional and mental environments, namely by doubling or multiplying their identities to create companions and helpmates who can help them cope with emotional and mental stresses. To expose some

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李, 豐楙. "暴力修行：道教謫凡神話與水滸的忠義敘述". 人文中國學報, 1 жовтня 2013, 147–80. http://dx.doi.org/10.24112/sinohumanitas.192182.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English. 對於《忠義水滸傳》可以采取宗教文學的現代讀法，就是從“暴力修行”的角度切入解讀，所采用的即是“出身修行”的奇傳文體，在三教與小説的關係中，只有從道教文化才能深入理解其創作旨趣。從《宣和遺事》所保存的古本到後來的百回定本，兩本之間的敘述儘管繁簡的差異極大，但是在宗教文化的淵源上仍可見其間存在的内在關聯，其一即是天書母題（motif）：從一卷到三卷，都反映道教與民間的九天玄女信仰，相信其秘授兵符與王朝的開國創業神話有關；其二爲謫凡母題：從下凡到謫凡乃是在凡間的修行，這種思想既爲小説戲劇夙所傳承，也是全真道與净明忠孝道的教内思想；其三則是一僧一道母題：代表佛教之眼與道教之眼，從出現魯智深與公孫龍之名到繁本的詳細敘述，都各以高僧與高道的身份預示宋江的未來命運。從遺事本到定本的敘述者都依據道教文化改造巨盜宋江，使其成爲星主宋江，其形成的時期應該在金元統治下的華北地區，反映漢軍世家在北方持久抗金、抗元的忠義意識，連同華北的漢人都曾基於民族認同，借用傳述宋江及其兄弟的“忠義”事迹，寓托其同情忠義軍首領所遭遇的命運，類似的事例就如邵青、李全等其人其事。歷來的索隱派均指陳水滸好漢曾被用於影射忠義軍的領袖，而小説敘述形成的關鍵，則是借用謫凡神話夸説其人物的

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Starrs, Bruno. "Hyperlinking History and Illegitimate Imagination: The Historiographic Metafictional E-novel." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.866.

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‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Linda Hutcheon in 1988, and which refers to the postmodern practice of a fiction author inserting imagined--or illegitimate--characters into narratives that are intended to be received as authentic and historically accurate, that is, ostensibly legitimate. Such adventurous and bold authorial strategies frequently result in “novels which are both intensely self-reflexive and yet paradoxically also lay claim to historical events and personages” (Hutcheon, A Poetics 5). They can be so entertaining and

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Bartlett, Alison. "Ambient Thinking: Or, Sweating over Theory." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.216.

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If Continental social theory emerges from a climate of intensely cold winters and short mild summers, how does Australia (or any nation defined by its large masses of aridity) function as an environment in which to produce critical theory and new knowledge? Climate and weather are intrinsic to ambience, but what impact might they have on the conditions of producing academic work? How is ambience relevant to thinking and writing and research? Is there an ambient epistemology? This paper argues that the ambient is an unacknowledged factor in the production of critical thinking, and draws on exam

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