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Artigos de revistas sobre o tema "Photograph collections"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 30 de julho de 2024

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1

Hinzler, H. I. R. "The Indonesian Archaeology Photograph and Documentation System (IAPDS)." Art Libraries Journal 18, no. 2 (1993): 34–38. http://dx.doi.org/10.1017/s0307472200008324.

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On December 1st 1989 the Indonesian Archaeology Photograph and Documentation System (IAPDS) was launched in Leiden. The project, which is scheduled to last three years, has both a photographic and a documentary aspect. The photographic aspect concerns firstly the conservation of the collection of black and white photographs of the Archaeological Service of the Netherlands-Indies, made between 1901 and 1941, and of the Indonesian Archaeological Survey, dating from 1945 to 1955. This collection consists of more than 25,000 photographs, of which 21,855 are kept in various institutions in Leiden.

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Meho Manjgo. "Photographs in the Photo Archive’s Old Stock in Gazi Husrev-beg’s Library in Sarajevo." Anali Gazi Husrev-Begove biblioteke 28, no. 42 (December 31, 2021): 211–33. http://dx.doi.org/10.51719/25663267.2021.28.42.211.

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Gazi Husrev-beg’s Library in Sarajevo, beside its rich stock of manuscripts, archival and museum collections, also houses a valuable collection of photographs within the photo archive’s stock, which is divided into the old and the new stock. The focus of this paper is on photographs from the photo archive’s old stock, taken at the time of the arrival of the Austro-Hungarian government, when the first professional photograph stores started up in this area. This paper aims at trying to determine whether the photographs from the photo archive’s old stock were signed by Anton Schadler, Walter Taus

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Baxter, Guy. "The historical photograph: record, information source, object, resource." Art Libraries Journal 28, no. 2 (2003): 4–12. http://dx.doi.org/10.1017/s0307472200013055.

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This article looks at the contributions that historical photograph collections can make to people’s lives, by examining the ideas that museums, archives and libraries explore and apply in the management of such collections. For instance, the theme of the photograph as an historical record of events will be used to examine the archivist’s approach; the photograph as a source of information for learning or enjoyment will introduce theories developed by the library community; and the value of the photograph as a physical object will form the basis for looking at how museums approach our vast and

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Abilova, Ramina O., and Tatiana P. Krasheninnikova. "Journey of the USA Citizen Frank Whitson Fetter to the USSR: History of the Foreign Photographic Collection in the Duke University Library (1930)." Herald of an archivist, no. 4 (2020): 1184–200. http://dx.doi.org/10.28995/2073-0101-2020-4-1184-1200.

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The article presents the results of studying the Whitson Fetter (1899-1991) photo collection on Fetter’s visit to the Soviet Union in the summer of 1930. He spent six days in Moscow and six weeks in Kazan, then took a trip down the Volga River and the Caspian Sea. In his journey, Frank W. Fetter took about 330 photographs, which are currently stored in the David M. Rubenstein Rare Book & Manuscript Library, Duke University (Durham, North Carolina, USA). The article reconstructs the origin of the photographic collection (USSR, June-August 1930) and its life in the family archive of Frank W.

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O'Connor, Maura. "Aerial photograph collections in Australia." Australian Surveyor 37, no. 4 (December 1992): 263–69. http://dx.doi.org/10.1080/00050326.1992.10438813.

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Wakelin, Daniel. "A New Age of Photography: ‘DIY Digitization’ in Manuscript Studies." Anglia 139, no. 1 (March 4, 2021): 71–93. http://dx.doi.org/10.1515/ang-2021-0005.

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Abstract Since c. 2008 many special collections libraries have allowed researchers to take photographs of medieval manuscripts: this article calls such self-service photography ‘DIY digitization’. The article considers some possible effects of this digital tool for research on book history, especially on palaeography, comparing it in particular to the effects of institutionally-led digitization. ‘DIY digitization’ does assist with access to manuscripts, but less easily and with less open data than institutional digitization does. Instead, it allows the researcher’s intellectual agenda to guide

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Wolska, Anna. "HISTORY OF PHOTOGRAPHY ON THE EXAMPLE OF SELECTED PHOTOGRAPHIC TECHNIQUES. A PHOTOGRAPH AS AN OBJECT." Muzealnictwo 61 (August 26, 2020): 192–200. http://dx.doi.org/10.5604/01.3001.0014.3639.

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In the first part of the paper, the focus is on historical and technical aspects of the invention of photography, beginning with the first research works conducted by J.N. Niépce up to the patenting of daguerreotype in 1839 by L. Daguerre. In the further section of the paper emphasis is put on the fast spread of photography; short profiles of the first Polish photographers who contributed to promoting photography: J. Giwartowski, K. Beyer, W. Rzewuski, and M. Strasz, are given. Furthermore, the early-19th-century discourse between the artistic and photographic circles is briefly discussed, wit

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Pierce, Rachel. "The Female Gaze? Postmodernism and the Search for Women in the Digitized Photographic Collections of Swedish Memory Institutions." Open Information Science 3, no. 1 (January 1, 2019): 61–75. http://dx.doi.org/10.1515/opis-2019-0005.

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Abstract Both the photograph and digitization are often defined as democratizing forces. But neither exists outside the system of power dynamics that structure art, history, and cultural heritage. This article uses postmodernist theorization of knowledge hierarchies in the archive developed by archival scholars Terry Cook and Joan Schwartz to examine the gendered nature of metadata and data connected to digitized photographic material available on the platforms of the three major Swedish memory institutions: the Royal Library, the Nordic Museum, and the National Archives. Given that digitized

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Chenxi Zhang, Jizhou Gao, Oliver Wang, Pierre Georgel, Ruigang Yang, James Davis, Jan-Michael Frahm, and Marc Pollefeys. "Personal Photograph Enhancement Using Internet Photo Collections." IEEE Transactions on Visualization and Computer Graphics 20, no. 2 (February 2014): 262–75. http://dx.doi.org/10.1109/tvcg.2013.77.

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Dooley, Jackie M. "Processing and Cataloging of Archival Photograph Collections." Visual Resources 11, no. 1 (January 1995): 85–101. http://dx.doi.org/10.1080/01973762.1995.9658320.

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Braker, Emily M. "Phototank setup and focus stack imaging method for reptile and amphibian specimens (Amphibia, Reptilia)." ZooKeys 1134 (December 9, 2022): 185–210. http://dx.doi.org/10.3897/zookeys.1134.96103.

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Fluid-preserved reptile and amphibian specimens are challenging to photograph with traditional methods due to their complex three-dimensional forms and reflective surfaces when removed from solution. An effective approach to counteract these issues involves combining focus stack photography with the use of a photo immersion tank. Imaging specimens beneath a layer of preservative fluid eliminates glare and risk of specimen desiccation, while focus stacking produces sharp detail through merging multiple photographs taken at successive focal steps to create a composite image with an extended dept

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Kondo, Dorinne. "Turning Leaves: The Photograph Collections of Two Japanese American Families:Turning Leaves: The Photograph Collections of Two Japanese American Families." Visual Anthropology Review 8, no. 2 (September 1992): 101–2. http://dx.doi.org/10.1525/var.1992.8.2.101.

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Kempf, Alois. "Von Waldbildern und Bildern zum Wald | On forestry photography and historical images of forests." Schweizerische Zeitschrift fur Forstwesen 155, no. 8 (August 1, 2004): 345–48. http://dx.doi.org/10.3188/szf.2004.0345.

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The Swiss Federal Institute for Forest, Snow and Landscape Research WSL, holds several historical collections of images related to forestry and forests in Switzerland. A majority of the photographs, negatives and slides in the collections are stored on glass plates. The archives also contain some paper copies and special thematic sub-collections on cardboard. This contribution describes various aspects of forest images dating from the first half of the 20th century. A photograph of a wood pasture taken by Hermann Knuchel (1884–1964) near the village Sufers, Canton Grisons, in June 1913 serves

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Manoli, Vasiliki, and Ioannis Triantafyllou. "Personal photograph collections ontology development through thematic tags." Journal of Integrated Information Management 3, no. 1 (July 18, 2018): 30–37. http://dx.doi.org/10.18780/jiim.v3i1.4275.

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Purpose- The number and the variety of photos have grown to a great extent as they can be created anytime, everywhere and spontaneously. Searching for a particular photo file has become a boring, repetitive and tedious activity. The application of an ontology to express the user profile characteristics relation with the narrative, spatial, time and other types of information of the collected photos becomes imperative.Design/methodology/approach -The work presented in our article includes the development of a personal photograph collections ontology (MyOntoPhotos) specialising in documenting th

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Belton, Tom. "Resurrecting Images from the Morgue: A Case Study of the London Free Press Collection of Photographic Negatives." Collections: A Journal for Museum and Archives Professionals 16, no. 4 (December 2020): 381–92. http://dx.doi.org/10.1177/1550190620964073.

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This paper is a case study of the ongoing transformation of the London Free Press Collection of Photographic Negatives from a physical archive to a digital one. This Collection is a typical medium-sized newspaper photographic negative morgue dating between 1938 and 1992. These morgues possess enormous value as visual evidence of the development of communities, and society in general. The London Free Press serves a market of around a million people in Southwestern Ontario, Canada. The Collection’s current custodian, the University of Western Ontario Archives and Special Collections, is in the p

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Kanicki, Witold. "Wundercamera Obscura." Cabinet, Vol. 2, no. 2 (2017): 70–73. http://dx.doi.org/10.47659/m3.070.art.

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Archives abounding in collections of nineteenth-century photographs contain numerous examples of works dealing with the subject of bodily anomalies. Information about such pictures being taken used to be published on a regular basis in daily press, in which the readership were notified about photo ateliers which immortalised a variety of “monstrosities”. Although it would seem that such pictures were taken solely for scientific purposes, the many and varied contexts of their use let us link them to a much older tradition of viewing and collecting visual curiosities. Having the above facts in m

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Margolis, Eric. "Representations of Race, Gender and Ability in School Photography." education policy analysis archives 8 (July 4, 2000): 31. http://dx.doi.org/10.14507/epaa.v8n31.2000.

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This article examines photographs taken of American public school classes between the 1880's and the 1940's. Most of the images were found in two virtual archives: The American Memory site at the Library of Congress and The National Archives and Record Center. These very large photograph collections were searched for representations of race, gender, and physical ability. The photographs were compared and contrasted and analyzed for elements of hidden curricula using techniques drawn from the social sciences and humanities. It was found that these large photo collections have significant gaps a

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Soto Sepúlveda, Maximiliano, and Diego Artigas San Carlos. "The represented image of a gift: The case of the Taltal flake stones." Revista de Antropología Visual 4, no. 31 (November 23, 2023): 1–22. http://dx.doi.org/10.47725/rav.031.11.

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Archaeological objects are often accompanied by recording units that constitute a corpus of information contained in museums and archives, but also in publications. These scientific writings deal with archaeological objects and collections through images that generally do not give the reader the possibility to physically interact with the photographed or drawn piece. In this context, we have chosen a picture of three flaked stones that appeared for the first time in a publication by Aureliano Oyarzun in 1917, on the discussion about the ‘paleolithic station’ of Taltal. The chosen photograph wa

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Bate, Jason. "Bonds of Kinship and Care: RAMC Photographic Albums and the Making of ‘Other’ Domestic Lives." Social History of Medicine 33, no. 3 (December 24, 2018): 772–97. http://dx.doi.org/10.1093/shm/hky120.

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Abstract This article critically interrogates the nature of facial wounds themselves, their visceral, dehumanising quality, visibility, and social meaning. Little attention has been paid to the cultural ramifications and difficult questions concerning the futures of facially injured soldiers that Britain had to address in the post-war era. Focusing on photograph albums as socially salient objects, this article challenges medical photographic archives. Building on unexplored family archives, it revises understandings of the difficulties of veterans' homecoming, and how they achieved a level of

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Godfrey, Jenny. "The DACS Slide Collection Licensing Scheme." Art Libraries Journal 26, no. 4 (2001): 10–17. http://dx.doi.org/10.1017/s030747220001244x.

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For many years slide libraries in higher education institutions in the UK grew steadily in size as they accommodated the needs of new and expanding art and design courses. Although some slide librarians acquired new slides by photographing works of art in museums and art galleries, and most bought slides of the traditional art history canon from commercial publishers and art galleries, the largest proportion of these ever growing slide collections was made up of slides produced by copy photography, using slide film to photograph images taken from books, journals and exhibition catalogues. Chan

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Chbib, Raida, and Julius Matuschik. "Mosque Archives of the 1950s in Focus." Journal of Muslims in Europe 11, no. 3 (November 29, 2022): 397–418. http://dx.doi.org/10.1163/22117954-bja10073.

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Abstract This contribution aims at illuminating Muslim community life in the 1950s in Germany with the help of photographs. In 2020, probing into a research field that until then was largely terra incognita, the photojournalist Julius Matuschik with the support of a sociologist of religion, Raida Chbib, contacted mosques they knew had been built in the 1960s and wrote to 100 city archives in search of photographic and other evidence. In this way, photograph collections and paper records of religious gatherings and activities of Muslims in Berlin, Munich, Aachen, Hamburg, Frankfurt and Schwetzi

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Rodríguez, Juanita. "Picturing the Peasant in Orlando Fals Borda’s Work 1950s-1970s." Master, Vol. 5, no. 2 (2020): 60–69. http://dx.doi.org/10.47659/m9.060.art.

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Orlando Fals Borda, a renowned Colombian sociologist, who worked for both the academia and the government from the 1950s to 90s, wrote two works on Colombian peasantry and its relation with big landowners that were published with a selection of photographs of peasants, landowners, and grassroots movements. These works and their images have had an impact on the construction of peasant- and landowner visual icons in recent Colombian history, as they have been used in books, primers, and exhibitions since their creation, and they had a crucial influence on the visual propaganda of the Agrarian Re

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Chancellor, Gordon. "Lost & Found: 156. A well-travelled plesiosaur femur." Geological Curator 4, no. 6 (July 1986): 344. http://dx.doi.org/10.55468/gc264.

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Gordon Chancellor (City Museum and Art Gallery, Priestgate, Peterborough PEl ILF) writes: *0n flicking through Geol. Curator 4(4) my eye caught the photograph of the *well travelled plesiosaur femur* - the reason being that only days before I had been wondering what had become of a Muraenosaurus humerus, missing from the Peterborough collections (catalogue no. R91). Could the *Australian* femur be connected with our humerus I wondered? I immediately wrote to Robert Jones and told him about R91, and he kindly returned a long reply, enclosing better photographs of the *Australian* bone, and conf

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НИКИТИНА, А. К., and С. В. НИКИФОРОВА. "The story of one photo (experience of visual anthropological analysis)." Vestnik of North-Eastern Federal University. Series "Economics. Sociology. Culturology", no. 1(17) (November 19, 2020): 29–40. http://dx.doi.org/10.25587/svfu.2020.17.1.002.

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Рассмотрена проблема документальности на материале фотографического снимка неизвестной, датированного 1914 г. Предложен анализ события фотографирования, имевшего место в Сунтарском улусе Вилюйского округа, выполненного в историко-культурном контексте. В рамках комплексного подхода использованы визуально-антропологический анализ, опрос, интервью и др. методы. В ходе анализа контента фотоисточника мы опирались на классификацию, предложенную специалистом Музея антропологии и этнографии Российской академии наук Е. Б. Толмачевой. Реконструирована легенда фотографического снимка. Проведена идентифик

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Late, Elina, Hille Ruotsalainen, and Sanna Kumpulainen. "In a Perfect World: Exploring the Desires and Realities for Digitized Historical Image Archives." Proceedings of the Association for Information Science and Technology 60, no. 1 (October 2023): 244–54. http://dx.doi.org/10.1002/pra2.785.

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ABSTRACTThe primary goal of this paper is to explore users' desires for digitized historical image collections, examining their desires based on different use purposes and information interaction activities. In addition, we investigate the image attributes that users wish to search from the collection. To accomplish this, we conducted 21 qualitative interviews with active users of a digitized historical photograph archive. Our findings suggest that users' desires relate to three contexts: tools, collection, and socio‐organizational issues. Moreover, our results indicate that users require supp

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GONZÁLEZ-GALLEGOS, JESÚS GUADALUPE, and BRENDA Y. BEDOLLA-GARCÍA. "Rediscovery of Salvia dugesiana (Lamiaceae) in Guanajuato, Mexico, after 129 years." Phytotaxa 629, no. 1 (December 4, 2023): 1–12. http://dx.doi.org/10.11646/phytotaxa.629.1.1.

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A wild population of Salvia dugesiana is recorded for the first time after 129 years since the last collections made of the species. It was known only in base to two different gatherings with imprecise localities by Alfred A. D. Dugès in 1880 and 1894. The taxon was detected by a photograph published in an online website for citizen science, iNaturalist. The population was found in southern Guanajuato, in tropical deciduous forest. The species is akin to S. karwinskii (sect. Holwaya). A lectotype was designated, and a detailed description, photographs and distribution map are presented. Additi

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Bilson, Tom. "The Courtauld’s Witt and Conway Photographic Libraries: Two approaches to digitisation." Art Libraries Journal 45, no. 1 (January 2020): 35–42. http://dx.doi.org/10.1017/alj.2019.38.

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The Courtauld Institute of Art is two years into a digitisation project of the Witt and Conway photograph archives (in addition to other, smaller collections) – a massive project that will make accessible over three million images of works of art from these internationally important photo collections. This article looks closely at the digitisation project and in particular, at the small army of volunteers assembled to carry out the digitisation and how this element of public engagement is essential to the success of the project.

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Semenova, Valeria. "Ethiopian Photo Collections 1896-1913: Some Aspects of Arrangement, Attribution and Interpretation." African Research & Documentation 135 (2019): 71–85. http://dx.doi.org/10.1017/s0305862x00023906.

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Peter the Great Museum of Anthropology and Ethnography/Muzei antropologii i etnografii im. Petra Velikogo RAN (Kunstkamera) includes a few photograph collections dedicated to Ethiopia. Amongst them, a considerable quantity refers to the period of-1896-1913 characterised by the active work of the Russian diplomatic mission. This cluster of visual material has not been interpreted in a proper manner. This article is an attempt to arrange this material so as to make it suitable for further research. With this purpose, the inventory numbers of the photos are given to assist searching on the offici

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ROSA, AUGUSTO HENRIQUE BATISTA, LAURA BRAGA, RICARDO RUSSO SIEWERT, GUSTAVO RODRIGUES MAGNAGO, and ANDRÉ VICTOR LUCCI FREITAS. "Distribution expansion of Petrocerus catiena (Hewitson, 875) (Lepidoptera: Riodinidae) and description of the previously unknown female." Journal of Insect Biodiversity 44, no. 1 (December 22, 2023): 14–20. http://dx.doi.org/10.12976/jib/2023.44.1.2.

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Petrocerus catiena is a rarely observed Riodinidae butterfly, known from a few specimens from two locations in Serra do Mar (Atlantic Forest) in the Brazilian state of Rio de Janeiro. This species was listed as “Endangered” in the Brazilian Red List due to its small area of occupation and isolated populations under strong anthropogenic pressure. Based on scientific collections and citizen science data, the present study provides information about new geographic records of P. catiena and its perspectives on conservation. A total of 19 specimens of P. catiena were found in six public / private c

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Buriak, Larysa, and Wiktoria Kudela-Świątek. "Decoding the Images of the Polish Countryside, by Louise Arner Boyd (1887-1972)." Krakowskie Pismo Kresowe 15 (December 16, 2023): 97–126. http://dx.doi.org/10.12797/kpk.15.2023.15.07.

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This article looks at the photographic legacy of Louise Arner Boyd’s (1887-1972) expedition through the Second Polish Republic in the context of her discovery of the otherness and social diversity of the country she visited in 1934. The authors were particularly captivated by the portrayal of the Ruthenians/Ukrainians of what is now Western Ukraine, as depicted in the Boyd photography. The authors focus lies on the unprocessed photographic content from the library collections of the University of Wisconsin-Milwaukee and the book she published a few years after her journey with the cooperation

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Piekielek, Nathan. "A semi-automated workflow for processing historic aerial photography." Abstracts of the ICA 1 (July 15, 2019): 1. http://dx.doi.org/10.5194/ica-abs-1-299-2019.

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<p><strong>Abstract.</strong> Libraries, museums and archives were the original big geospatial information repositories that to this day house thousands to millions of resources containing research-quality geographic information. However, these print resources (and their digital surrogates), are not easily incorporated into the contemporary research process because they are not structured data that is required of web-mapping and geographic information system tools. Fortunately, contemporary big data tools and methods can help with the large-scale conversion of historic resour

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Mifflin, Jeffrey. ""The Story They Tell": On Archives and the Latent Voices in Documentary Photograph Collections." American Archivist 73, no. 1 (May 2010): 250–62. http://dx.doi.org/10.17723/aarc.73.1.f0m334052804uh1h.

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Gilmore, Jennifer, Annie Polland, Suzanne Wasserman, and Judith Rosenbaum. "From the Collections of the American Jewish Historical Society: Photograph of a Kosher Delicatessen." American Jewish History 98, no. 2 (2014): 65–70. http://dx.doi.org/10.1353/ajh.2014.0021.

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Šejbl, Jan. "Čína ve třech rozměrech. Nejstarší fotografie z Číny ve sbírce stereoskopů Náprstkova muzea v Praze." Muzeum Muzejní a vlastivedná práce 60, no. 1 (2022): 14–27. http://dx.doi.org/10.37520/mmvp.2022.003.

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The study deals with the representation of photographs from China in the Náprstek Museum’s stereoscope collection. A brief summary of the historical development of the Náprstek Museum’s photographic collections and the phenomenon of stereoscopic photography in the 19th century is followed by the results of a survey itself. The images were categorised by an authorship and analysed both technically and thematically. It turned out that the stereoscope collection contains the oldest photographs of China, which can be dated to the turn of the 1850’s and 1860’s.

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Hatano, Hiroyuki. "Photographic collections in Japan: accessibility and new technology." Art Libraries Journal 14, no. 4 (1989): 7–10. http://dx.doi.org/10.1017/s0307472200006453.

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Photographic collections are relatively undeveloped in Japan, although in the last decade a national photographic museum has been established, and other museums have opened departments of photography. Problems of access to collections of photographs of works of art have impeded the study of art history, but the capacity of new technologies to store, and to facilitate the retrieval of, visual images, is beginning to transform the situation.

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Larsson, Marianne. "Images of Leisure and Outdoor Activities in the 1930s: A Mixed Archive Sources Methodology." Culture Unbound 12, no. 1 (May 26, 2020): 90–115. http://dx.doi.org/10.3384/cu.2000.1525.2020v12a06.

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In Sweden, leisure time and outdoor activities were important parts of the 1930s welfare society. The aim of this study is to examine the usefulness of some different source categories in the Nordic Museum’s collections and to complement representations of 1930s ideals about health, leisure time and outdoor activities. The article is written within the scope of the Nordic Museum and Stockholm University research project Images and Stories of Everyday Life. With digitising as an overall purpose, the project focuses on two categories of source material in the museum collections—the responses to

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Drossart, Pierre, Françoise Roques, Cyril Birnbaum, René Boyer, and Eliane Neyvoz. "Base de Données d’Images Planétaires (BDIP): One Century of Planetary Images: 1870-1977." Highlights of Astronomy 12 (2002): 646. http://dx.doi.org/10.1017/s1539299600014519.

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The digitization of the planetary database of IAU has been performed, to give access to historical data in digital format. The database is constituted from the planetary photograph center collections, which was organized in 1961 at the request of the IAU (IAU conferences; Last reference: 1979, IAU Trans., XVIIA, 109). From this collection, 8473 images have been digitalized and are now accessible on line in a compressed format at the Web address: http://bdipwww.obspm.fr. The catalog information, including date and time of observations, and geometric configuration is completed for Jupiter and Sa

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Board, Editorial. "Allows Librarians at each Institution to take Custody of and Preserve Access to the E-Content." Global Journal of Enterprise Information System 9, no. 2 (June 28, 2017): 133. http://dx.doi.org/10.18311/gjeis/2017/16180.

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The LOCKSS («Lots of Copies Keep Stuff Safe») project, under the auspices of Stanford University, is a peer-to-peer network that develops and supports an open source system allowing libraries to collect, preserve and provide their readers with access to material published on the Web. The system attempts to replicate the way libraries do this for material published on paper. It was originally designed for scholarly journals<sup>1</sup>, but is now also used for a range of other materials. Examples include the SOLINET project to preserve theses and dissertations at eight universities

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DE ALMEIDA, RAFAEL FELIPE, and CLIMBIÊ FERREIRA HALL. "Taxonomic Revision of Coleostachys (Malpighiaceae)." Phytotaxa 277, no. 1 (September 23, 2016): 77. http://dx.doi.org/10.11646/phytotaxa.277.1.7.

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Coleostachys is a monospecific genus of Neotropical Malpighiaceae, known in the literature from only two collections. After a thorough analysis of Brazilian and International herbaria, we present a taxonomic revision of Coleostachys. This work includes a complete morphological description of the genus and its single species, C. genipifolia, along with line drawings and photograph plates, a distribution map, and comments on taxonomy, ecology and conservation of this obscure Amazonian genus.

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Chen, Po-Yen, and Pei-Jeng Kuo. "Archiving of Personal Digital Photograph Collections with a MPEG-7 Based Geotag Related Annotation Methodology." Archiving Conference 9, no. 1 (January 1, 2012): 107–10. http://dx.doi.org/10.2352/issn.2168-3204.2012.9.1.art00025.

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Ferenc, Tomasz. "Praca, robotnicy, archiwa, fotograﬁa — utrwalanie stereotypów i walka o emancypację". Kultura i Społeczeństwo 59, № 3 (11 серпня 2015): 203–21. http://dx.doi.org/10.35757/kis.2015.59.3.10.

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Work, workers, and workers’ living conditions quickly became a ﬁeld of interest for photographers. Already by the middle of the 19th century there were photographs showing working people. Nevertheless, the contexts in which such photographs were taken varied considerably. The ﬁrst part of this article presents, in the historical perspective, the different causes and strategies involved in making these types of documents, up to the moment when photographs began to appear that had been made by workers themselves. The movement to photograph workers, which developed in the ﬁrst decades of the 20th

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Vogelsang, Helena. "A Nostalgic Longing for the 20th Century: Past and Present Backdrops and Scenes in the Skylight Studio of Josip Pelikan." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 56–61. http://dx.doi.org/10.47659/m5.056.art.

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Taking a visual stroll down the backdrops and sceneries of the master photographer Josip Pelikan is accompanied by commentary supplied by the Celje Museum of Recent History’s senior educator and carer of Pelikan’s collection, Helena Vogelsang. Painted backgrounds with various motifs used by Pelikan in both portraying and in his everyday work in the studio represent a key part of the photographer’s heritage and are part of a permanent exhibition in a skylight studio. It is the only preserved example of a skylight photo studio from the end of the 19th century in Slovenia. Various backdrops enabl

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Abilova, Ramina O., and Yana Yu Kirillova. "Photographic Heritage of the Kazan Pharmacist Arnold Brening: History and Composition of the Collection (1904–37)." Herald of an archivist, no. 3 (2023): 861–75. http://dx.doi.org/10.28995/2073-0101-2023-3-861-875.

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The article presents results of studying photographic heritage of the Kazan pharmacist Arnold Brening (1879–37). Its first part examines his biography drawing on documents from the State Archive of the Republic of Tatarstan and on private archive of his granddaughter Tatyana Brening. Close attention is paid to the professional development of A. Brening, from his apprenticeship at the Brening Heirs Pharmacy to obtaining a pharmacist's degree at the Imperial Kazan University, from tenant to owner of the pharmacy at the corner of Bolshaya Prolomnaya (Bauman street, since 1930) and Universitetskay

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Kim, Jae Sung. "The application of near-automated georeferencing technique to a strip of historic aerial photographs in GIS." Library Hi Tech 36, no. 1 (March 19, 2018): 43–56. http://dx.doi.org/10.1108/lht-10-2016-0115.

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Purpose The purpose of this paper is to describe the procedure for near-automation of the most commonly used manual georeferencing technique in a desktop GIS environment for historic aerial photographs strip in library archives. Design/methodology/approach Most of the archived historic aerial photography consists of series of aerial photographs that overlap to some extent, as the optimal overlap ratio is known as 60 percent by photogrammetric standard. Therefore, conjugate points can be detected for the overlapping area. The first image was georeferenced manually by six-parameter affine transf

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Salu, Luc. "A library and a bibliography to cope with the torrent of pictures? A glimpse into the Antwerp FotoMuseum." Art Libraries Journal 33, no. 3 (2008): 25–29. http://dx.doi.org/10.1017/s0307472200015443.

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Between 1965 and 1985, the library of the FotoMuseum Provincie Antwerpen acquired three large collections: that of the library of the Association Belge de Photographie, the collection of magazines from Fritz L. Gruber and the company library of the photographic firm Agfa-Gevaert. The bibliographic activities associated with the history of photography were started in 1978 at the European Society for the History of Photography and resulted in a four-part History of photography: a bibliography of books, published 1989 to 1999. The FotoMuseum Provincie Antwerpen produced an augmented version of th

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Simmons, Becky. "A GUIDE TO THE PREVENTIVE CONSERVATION OF PHOTOGRAPH COLLECTIONS. Bertrand Lavédrine , Jean-Paul Gandolfo , Sibylle Monod." Art Documentation: Journal of the Art Libraries Society of North America 23, no. 1 (April 2004): 54. http://dx.doi.org/10.1086/adx.23.1.27949302.

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Fry, Eileen. "CONSERVATION PRACTICES FOR SLIDE AND PHOTOGRAPH COLLECTIONS. (VRA Special Bulletin No. 3, 1989). Christine L. Sundt." Art Documentation: Journal of the Art Libraries Society of North America 9, no. 2 (July 1990): 109. http://dx.doi.org/10.1086/adx.9.2.27948213.

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Kuo, Pei-Jeng, Po-Yu Cheng, Wei-Chen Su, and Sheng-Chih Chen. "Continuous Archiving of Group Digital Photograph Collections with a MPEG-7 Based Crowd Sourcing Annotation Methodology." Archiving Conference 8, no. 1 (January 1, 2011): 144–49. http://dx.doi.org/10.2352/issn.2168-3204.2011.8.1.art00033.

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O’Brien, Aoife. "Pacific photographs from the Vanadis expedition, 1883–85." Journal of New Zealand & Pacific Studies 8, no. 1 (May 1, 2020): 7–21. http://dx.doi.org/10.1386/nzps_00012_1.

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The Vanadis expedition was a Swedish–Norwegian scientific and trade mission that circumnavigated the globe between 1883 and 1885. The scientific aspect of the expedition focused on the collection of objects, archaeological excavations and the documentation of the peoples, places and material culture encountered on the voyage. Responsible for much of this collecting and documentation was ethnographer Hjalmar Stolpe, as well as photographer Oscar Birger Ekholm. An estimated 7500 objects from the Vanadis expedition today form part of Etnografiska museet (The Museum of Ethnography) collections in

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Vonog, E. A. "ON THE PHOTOGRAPH COLLECTIONS TAKEN BY AMERICAN MILITARY OF THE POLAR BEAR EXPEDITION ON THE NORTH OF RUSSIA DATED TO THE CIVIL WAR PERIOD 1918–1919." Northern Archives and Expeditions 5, no. 3 (September 30, 2021): 26–37. http://dx.doi.org/10.31806/2542-1158-2021-5-3-26-37.

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Nowadays visual history and its significance characterized by a broad interdisciplinary approach cannot be overestimated. Since 1991 when the Austrian historian and researcher of images Gerhard Jagschitz (1940–2018) first used the term «visual history», photographs and, perhaps, film documents began to be perceived by the scientific world not only as illustrative material, but also as a storehouse of new, but somewhere forgotten information, for example, concerning the appearance of settlements and people living there, everyday life and imperatives of human behaviour, as well as events in cert

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