Bibliografias temáticas / Photographic representation

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Literatura científica selecionada sobre o tema "Photographic representation"

Autor: Grafiati
Publicado: 4 de junho de 2021
Última modificação: 25 de julho de 2025

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Artigos de revistas sobre o assunto "Photographic representation"

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Heriwanto, Heriwanto, Muhammad Faiz Bolkiah, and Oky Mauludya Sudradjat. "Photo Arts Concept as Alternative Photography Works." Jomantara: Indonesian Journal of Art and Culture, Vol. 4 No. 2 July 2024 (July 30, 2024): 136–43. http://dx.doi.org/10.23969/jijac.v4i2.13509.

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The development of photography so far has encouraged the birth of various forms of new concepts in the field of photography. The birth of digital photography technology has provided various conveniences and encouraged photographers to develop photography more widely. Currently, the concept of photo art has been widely used by photographers or photo artists through the development of new ideas and concepts in the form of photographic works. Fine art photography can be an assessment and representation for the photographer who created the photograph. Therefore, the time has come for photographers
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Sile, Agnese. "Through the mother’s voice: Exposure and intimacy in Lesley McIntyre’s photo project The Time of Her Life and Elisabeth Zahnd Legnazzi’s Chiara A Journey Into Light." Health: An Interdisciplinary Journal for the Social Study of Health, Illness and Medicine 24, no. 5 (2018): 461–75. http://dx.doi.org/10.1177/1363459318815933.

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When it comes to depicting ill or disabled children, the ethics of representation becomes increasingly complex. The perception of photographs as voyeuristic and objectifying is of particular concern here and resonates with widespread fear about the eroticisation, mistreatment and exploitation of children. Although these fears are reasonable, this view does not take into account the voice and agenda of the photographic subject, disregards the possibility of recognition and the participatory nature of photography. In this article, I focus on photography as a collaborative practice. I analyse two
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Chatterjee, Debangana. "Globalization and the Politics of Photographic Representation: Essentializing the Moments of Agony." Jadavpur Journal of International Relations 22, no. 2 (2018): 167–88. http://dx.doi.org/10.1177/0973598418782745.

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Prima facie photographic representations are reproducing reality, though in most of the cases they are artificially created and subjectively interpreted. Focusing on photography as a form of visual representation, the article argues that globalization as a process accelerates this agenda of photography. This article aims at exploring the cultural penetration of globalization through contemporary visual bombardments. The modern capitalist intervention has made globalization even more pregnable to the grassroots of everyday life. In this way, globalization creates stereotypical visual and cultur
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Markiewicz, Małgorzata. "„Takie jak w rzeczywistości”. Obraz fotograficzny - obiektywne odwzorowanie czy subiektywna kreacja? Fotografia w badaniach archeologicznych." Folia Praehistorica Posnaniensia 28 (December 27, 2023): 207–30. http://dx.doi.org/10.14746/fpp.2023.28.09.

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The article reviews the current state of knowledge on photography and the use of photographs in archaeological research. The discovery of photography was a breakthrough in the history of archaeology. The mechanical method of image registration, considered to be devoid of subjective human intervention, was supposed to guarantee the neutrality and objectivity of the visual representation. Belief in realism of photography has led to it becoming the primary form of documentation in archaeology, for both the research process and the relics themselves. This article will attempt to answer the questio
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Geurts, Merlijn. "The Atrocity of Representing Atrocity - Watching Kevin Carter's 'Struggling Girl'." Aesthetic Investigations 1, no. 1 (2015): 1–13. http://dx.doi.org/10.58519/aesthinv.v1i1.12001.

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Taking Kevin Carter's famous photograph of a Sudanese 'Struggling Girl' as an example, this article shows by criticizing the work of photography scholar Ariella Azoulay who argues for an ethic, reparative spectatorship that focuses on the social encounters behind the photograph, how discussions about atrocity photography often result in moral debates: discussions that center around the social relations behind photography and blame the photographer, but do not take into account and criticize the photographic representation of the atrocity. By giving an overview of the afterlife of Carter's phot
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Latto, Richard, and Bernard Harper. "The Non-Realistic Nature of Photography: Further Reasons Why Turner Was Wrong." Leonardo 40, no. 3 (2007): 243–47. http://dx.doi.org/10.1162/leon.2007.40.3.243.

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The authors discuss the limitations of photography in producing representations that lead to the accurate perception of shapes. In particular, they consider two situations in which the photographic representation, although an accurate reproduction of the geometry of the two-dimensional image in the eye, does not capture the way human vision changes this geometry to produce a three-dimensionally accurate perception. When looking at a photograph, the viewer's uncertainty of the camera-to-subject distance and the fact that, unnaturally, a photograph presents almost exactly the same view of an obj
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Merlijn, Geurts. "The Atrocity of Representing Atrocity Watching Kevin Carter's Struggling Girl." Aesthetic Investigations 1, no. 1 (2015): 1–13. https://doi.org/10.5281/zenodo.4013367.

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Taking Kevin Carter's famous photograph of a Sudanese 'Struggling Girl' as an example, this article shows by criticizing the work of photography scholar Ariella Azoulay who argues for an ethic, reparative spectatorship that focuses on the social encounters behind the photograph, how discussions about atrocity photography often result in moral debates: discussions that center around the social relations behind photography and blame the photographer, but do not take into account and criticize the photographic representation of the atrocity. By giving an overview of the afterlife of C
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Samarkina, Mariia. "Ekphrasis in Photography Lyrics: Methods of Representation." Slavic World in the Third Millennium 14, no. 1-2 (2019): 206–18. http://dx.doi.org/10.31168/2412-6446.2019.14.1-2.13.

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The article deals with ekphrasis (verbal description of visual artworks) in lyrics about photography. The purpose of this article is to clarify the possibility of using the term “ekphrasis” in relation to photographic lyrics and to divide the phenomena of photopoetics and photoekphrasis. The difference becomes obvious as we analyze the following texts: “Photograph from September 11” and “Hitler’s First Photograph” by Polish poet Wislawa Szymborska, “A Snapshot” by Russian poet Bella Akhmadulina and “From the Album” by Russian poet Genrikh Sapgir. The four texts are characterized by a special t
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Sile, Agnese. "Mental illness within family context: Visual dialogues in Joshua Lutz’s photographic essay Hesitating beauty." Arts and Humanities in Higher Education 17, no. 1 (2018): 84–103. http://dx.doi.org/10.1177/1474022216684635.

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The status of photography within medical arts or humanities is still insecure. Despite a growing number of published photographic essays that disclose illness experience of an individual and how illness affects close relatives, these works have received relatively little scholarly attention. Through analysis of Joshua Lutz’s Hesitating Beauty (2012) which documents his mother who was suffering from schizophrenia, this article will explore how the photographic essay attempts to reconstruct a dialogue between mother and son out of fragmented, broken and undeveloped communications, and in the pro
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Tarasenko, L. L. "Photographic work as an object of copyright." Uzhhorod National University Herald. Series: Law 1, no. 87 (2025): 299–304. https://doi.org/10.24144/2307-3322.2025.87.1.44.

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The article considers certain problematic aspects of the legal regime of photographic works under the legislation of Ukraine. It has been established that the Law of Ukraine “On Copyright and Related Rights” pays insufficient attention to photographic works as objects of copyright. It has been proved that it is advisable to systematize the legislative provisions on photographic works into a separate article in the Law of Ukraine “On Copyright and Related Rights”, which will allow for a comprehensive definition of the legal regime of a photographic work, the grounds for acquisition and the feat
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Teses / dissertações sobre o assunto "Photographic representation"

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Albahari, Steven W. "Photographic representation." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/71053.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.<br>Bibliography: leaves 51-52.<br>by Steven W. Albahari.<br>M.S.V.S.
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Ukmar, Victor Alexander. "The Photographic Representation of Refugees." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21902.

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This thesis tries to shed light on the visual portrayal of refugees within German and the British newspapers during the European refugee crisis in 2016. Furthermore, a visual autoethnography of my own refugee photography complemented this study.Through the analysis of 80 newspaper photographs from Germany and Britain (quality press & tabloids), as well as nine of my own pictures, the following research questions had to be answered:Q1: How were refugees photographically represented in German newspapers (quality press & tabloids) during 2016?Q.2 How were refugees photographically represented in
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Davey, Gerald John. "Understanding Photographic Representation : Method and Meaning in the Interpretation of Photographs." Diss., University of Iowa, 1992. https://ir.uiowa.edu/etd/5372.

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The "linguistic turn" in early twentieth-century philosophy established that through language we not only live in a world but create it as well. Language, in this sense, incorporates the entire range of media and cultural artifacts through which we create and share meaning. In contemporary post-industrial societies, photographic images play a central role in communicating and creating the world in which we live. In part, this increasingly visually oriented culture is possible because we tend to equate what we see in photographs with what is real. Photographs, however, bring to light a vision o
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Johnston, Paul Anthony. "Sero-logues, a collaborative approach to AIDS photographic representation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22859.pdf.

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BRANDAO, CLAUDIO DE SAO PLACIDO. "REFLECTIONS ON THE PHOTOGRAPHIC ACT AS MODERN SOCIAL REPRESENTATION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=21126@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Nos últimos anos temos ouvido que as novas tecnologias associadas à produção e circulação de informações e imagens são responsáveis por uma espécie de revolução da vida contemporânea, pautando ativismos sociais, bem como a forma como nos relacionamos socialmente. De fato as transformações ocorreram, mas não podemos pensar em uma relação determinista entre tecnologia e as mudanças sociais a ela atribuída. Mostramos neste trabalho que as tecnologias só se impõem na medida que encontrem um público que as aceite ou que de certa forma esteja pre
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Kama, Lunga. "Imaginative acts of photographic of self-representation as a critical response to representations of the black male body in South African photography." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86412.

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Thesis(MA)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: The first part of this thesis discusses some of the problematic photographic practices that form part of the modern visual discourse employed in defining the representation of the black man in South African photography. The aim of this thesis is to critically investigate the visual discourse in contemporary South African photography and to outline the inherent flaws whereby the black male subject is represented according to racial stereotypes inherited from the photographic conventions of colonial discourse. The purpose of th
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Warburton, Nigel William Reginald. "Mirror with a memory? : a philosophical analysis of photographic representation." Thesis, University of Cambridge, 1989. https://www.repository.cam.ac.uk/handle/1810/250960.

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Wise, Jonathan. "Photographic memory : Inuit representation in the work of Peter Pitseolak." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0019/MQ54350.pdf.

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Stotzer, Talhy. "Photography and the medium : a photographic dialogue in China." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/598.

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Using documentary photography with an ethnographic approach, this practice-ledbresearch project focuses on a case study of a Han-Chinese woman called Zai yu who practices mediumship in urban China. It aims to explore the relationships between herbmediumship practice and the medium of photography. During a mediumship session, a spirit is represented as temporarily displacing the agency of the medium by entering his/her body and causing a change of identity. For the duration of the episode, the spirit can potentially provide access to divine powers and knowledge in order to counsel and to heal.
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Hall, Alison. "The Shelter photographs 1968-1972 : Nick Hedges, the representation of the homeless child and a photographic archive." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6534/.

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The thesis examines the work of photographer Nick Hedges (b. 1953) who made photographs for the housing charity Shelter between 1968 and 1972. It concentrates on Hedges’ methodology, his representation of the homeless child, and how this was deployed in Shelter’s campaign strategy. Moreover, it examines the wider political, sociological and cultural debates surrounding the conception, production, dissemination and reception of the Shelter photographs. The thesis argues that Hedges’ photographs, although contextualised by an ostensibly radical charity agenda, were shaped by an established photo
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Livros sobre o assunto "Photographic representation"

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Vincent, Lavoie, Dorenbaum David, Choinière France 1967-, and Dazibao (Art gallery), eds. Shock waves: Photography rocks representation. Dazibao, 2003.

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Sroka, Iris E. Young children's photographic practice: Representation and world knowledge. UMI Dissertation Services, 2002.

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Wielinga, Alice. North Korean perspectives: An exhibition on our perception of North Korea through photographic representation. Stichting Aurora Borealis, 2015.

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Murkin, Susan. Breathing out: A critical commentary to investigate the photographic representation of the fat body. De Montfort University, 1998.

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Robert, Buitrón, and Heard Museum, eds. Picarte!: Photography beyond representation. Heard Museum, 2003.

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Brenner, Frédéric. Jews, America: A representation. Harry N. Abrams, 1996.

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Tagg, John. The burden of representation: Essays on photographies and histories. University of Minnesota Press, 1993.

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Knape, Gunilla, Tyrone Martinsson, Louise Wolthers, and Hans Hedberg. Auto: Self-representation and digital photography. Edited by Erna and Victor Hasselblad Foundation and Göteborgs universitet. Högskolan för fotografi. Art and Theory Publishing, 2014.

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Dewdney, Andrew. Racism, representation, and photography. Inner City Education Centre, 1994.

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1948-, Alvarado Manuel, Buscombe Edward 1941-, and Collins Richard 1946-, eds. Representation and photography: A Screen Education reader. Palgrave, 2001.

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Capítulos de livros sobre o assunto "Photographic representation"

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Van Essen, Yael Eylat. "From Photographic Representation to the ‘Photographic Genotype’." In Fragmentation of the Photographic Image in the Digital Age. Routledge, 2019. http://dx.doi.org/10.4324/9781351027946-7.

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Czúni, László, and Dezsö Csordás. "Depth-Based Indexing and Retrieval of Photographic Images." In Visual Content Processing and Representation. Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-540-39798-4_12.

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Tagg, John. "A Democracy of the Image: Photographic Portraiture and Commodity Production." In The Burden of Representation. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19355-4_2.

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Hood, Stephanie L. "Science, Photography, and Objectivity? Exploring Nineteenth-Century Visual Cultures through the HMS Challenger Expedition (1872–1876)." In Scientific Visual Representations in History. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-11317-8_9.

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AbstractPreparing to set off from England in 1872 on an oceanographic expedition around the globe, the officers and crew of HMS Challenger gathered on board the ship for a photographic portrait. It was one of the first photographs of crew on a scientific voyage of exploration ever taken. Over eight hundred photographs were taken or acquired on the Challenger in addition to drawings and paintings. This chapter uses these photographs to reexamine Daston and Galison’s theory that photography was successful in nineteenth-century science on account of its perceived “objectivity” as an epistemic ide
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Tagg, John. "Evidence, Truth and Order: Photographic Records and the Growth of the State." In The Burden of Representation. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19355-4_3.

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Sanyal, Saptarshi. "Framing Fragments The Image, Modernity, and Architecture." In Architekturen. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467169-009.

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By focusing on how image making practices and architecture are inextricable from one another, in this essay, Saptarshi Sanyal explores some ways in which the photograph is a site of architectural production. Sanyal views the postcard as an artefact of popular cultures over time, draws attention to its representation of fragments of urban and architectural modernity, while also simultaneously underscoring the uneven nature of such modernity. Studying the photographic gaze then becomes an important agenda in uncovering new histories of modernity that, rather than clear, colonial taxonomies and c
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Proverbio, Paola. "The Value System of Objects Through the Interpretation of Photographic Language." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_15.

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AbstractThe design object finds in photographic representation a way - parallel to that of graphics - to the indispensable process of design reading. Photographic research has long been intertwined with the process of cultural qualification of the design object. The project that photography brings to bear on design is a visual narrative which, through an immediately comprehensible language, stands as a true parallel narrative, interrelated, yet not necessarily coinciding altogether with that of the written word. The object begins to circulate through the different channels of communication - f
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Mazza, Caterina. "Tracce dell’invisibile. Poesia e fotografia in dialogo per raccontare il triplice disastro del Tōhoku." In Connessioni. Studies in Transcultural History. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0422-4.09.

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The paper primarily centres around the volume titled Out of Sight. Fukushima à l’abri du regard. Aimaina sōshitsu, which was published in France in 2020. This composite volume features a collection of photographs by French photographer Delphine Parodi, who has resided in Japan since 2009. It also includes twenty-four poetic texts by bilingual writer Tawada Yōko, who has been based in Germany since 1982, as well as a compilation of anonymous testimonies from survivors of the triple Tōhoku disaster in March 2011. The paper engages in a reflection on the mediating role of literary and documentary
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Arese Visconti, Francesco. "1960–1970 Photographic Representation of Italian Migrants on the Arc Lémanique." In Palgrave Studies in Creativity and Culture. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-74925-4_2.

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Salucci, Antonella. "Disciplines of Representation and Photographic Culture. The Strategic Plan for Photography Development in Italy 2018–2022." In Advances in Intelligent Systems and Computing. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12240-9_10.

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Trabalhos de conferências sobre o assunto "Photographic representation"

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Mengi, Nitin Kumar, Jyotsana Thakur, and Manish Sirhindi. "Exploring Novel Horizons and Dimensions in Visual Representation and Interpretation as Transmedia Storytelling Through the Intersection of Photography and AI-Driven Generative Images: A Study." In 2024 International Conference on Information Science and Communications Technologies (ICISCT). IEEE, 2024. https://doi.org/10.1109/icisct64202.2024.10956432.

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Januario, Joao Afonso, and Abilio Oliveira. "Photographic image representation — User perceptions." In 2017 12th Iberian Conference on Information Systems and Technologies (CISTI). IEEE, 2017. http://dx.doi.org/10.23919/cisti.2017.7975887.

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Yaacob, Husaini, Mustaffa Halabi Hj Azahari, and Adzrool Idzwan Hj Ismail. "Social Commentary Through Photographic Representation in Malaysia." In 2013 International Conference on the Modern Development of Humanities and Social Science. Atlantis Press, 2013. http://dx.doi.org/10.2991/mdhss-13.2013.88.

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Hill, Rodrigo, and Tom Roa. "Place-making: Wānanga based photographic approaches." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.188.

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Ka matakitaki iho au ki te riu o Waikato Ano nei hei kapo kau ake maaku Ki te kapu o taku ringa, The words above are from the poem Māori King Tawhiao wrote expressing his love for his homelands of the Waikato and the region known today as the King Country. The words translate to: “I look down on the valley of Waikato, As though to hold it in the hollow of my hand.” Now imagine a large-scale photograph depicting a close-up frame of cupped hands trying to hold something carefully. The words above inform Professor Tom Roa and Dr. Rodrigo Hill’s current research project titled Te Nehenehenui - The
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"Photography in Indonesian Archaeology of the 19th to the Early 20th Century | Fotografi dalam Arkeologi Indonesia pada Abad ke-19 sampai Awal Abad ke-20 Masehi." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-28.

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In Dutch East India, photographic documentation for antiquities was as up-to-date as in Europe that was developed in the last half of the 19th century. Photography became a tool for archaeological surveys which resulted in thousands of enormous resources. In this paper, the historical background regarding how these old photographs were collected and how the material circulated within archaeological activities will be elaborated. The timeline studied is limited to pre-independence Indonesia with the subject mostly focused on Hindu-Buddhist remains. The method used is literature review of both r
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BEJENARU, Matei. "Examining the materiality of the photographic medium." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0027.

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This article analyzes a series of artistic projects whose focus is the study of the materiality of the photographic medium within contemporary visual arts. More than two decades after the digital “revolution”, the relevance of this type of artistic research lies in the analysis of analogue photographic language and medium as part of a postconceptual approach. The artistic projects have examined the nature of photographic print, slide and visual projection. The photographic images used are pretexts for medial analysis, they should not be interpreted in isolation, but in the context in which the
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Мадина Ахметовна, Цаликова, та Меликова Алина Казбековна. "ФОТОГРАФИЯ КАК РЕСУРС В ТРЭВЕЛ ЖУРНАЛИСТИКЕ". У Исследования и практика в социально-экономической и гуманитарной сфере: сборник статей XXXVI всероссийской (национальной) научной конференции (Санкт-Петербург, Октябрь 2024). Crossref, 2024. https://doi.org/10.37539/241007.2024.54.85.002.

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В статье анализируются тенденции, связанные с публикацией фотоматериалов в журналистике путешествий: жанровая представленность фотографий, их особенности, динамика использования разных видов фотографий в современных медиа. Рассматривается повышение требований к эстетическому качеству визуальной составляющей текстов: фотографий и их привязки к тексту. Указываются факторы, влияющие на востребованность иллюстративного материала данного типа. The article analyzes the trends associated with the publication of photographic materials in travel journalism: the genre representation of photographs, thei
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Gao, Sheng, Jean-Pierre Chevallet, and Joo-Hwee Lim. "Rich representation and ranking for photographic image retrieval in ImageCLEF 2007." In 2008 IEEE 10th Workshop on Multimedia Signal Processing (MMSP). IEEE, 2008. http://dx.doi.org/10.1109/mmsp.2008.4665139.

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Miletitch, Roman, Raphaël de Courville, Morgane Rébulard, Claire Danet, Patrick Doan, and Dominique Boutet. "Eliciting Writing-like Behaviour in Sign Language through Photographic Representation of Movement." In Electronic Visualisation and the Arts (EVA 2012). BCS Learning & Development, 2012. http://dx.doi.org/10.14236/ewic/eva2012.37.

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Hill, Rodrigo. "Memories and Reveries: photography, memory and diaspora." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.200.

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This presentation aims to explore the intersection of photography with notions of memory and diaspora as catalysers for the development of a lens-based model of representation connected to affect, cultural perception and nostalgia. I will discuss and present my recent creative practice research project titled Desacoplado: Memórias e Devaneios (Displacement: Memories and Reveries) exhibited at the Auckland Museum as part of Toró: é tudo tanto group exhibition from March to October 2023. The project compiles personal archival imagery produced throughout the last twenty years, marking temporal po
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Relatórios de organizações sobre o assunto "Photographic representation"

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Jablon, Sara. What do fashion designers look like? Comparing representations of stock photograph designers and professional designers. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1166.

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DiDomizio, Matthew, and Jonathan Butta. Measurement of Heat Transfer and Fire Damage Patterns on Walls for Fire Model Validation. UL Research Institutes, 2024. http://dx.doi.org/10.54206/102376/hnkr9109.

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Fire models are presently employed by fire investigators to make predictions of fire dynamics within structures. Predictions include the evolution of gas temperatures and velocities, smoke movement, fire growth and spread, and thermal exposures to surrounding objects, such as walls. Heat flux varies spatially over exposed walls based on the complex thermal interactions within the fire environment, and is the driving factor for thermally induced fire damage. A fire model predicts the temperature and heat transfer through walls based on field predictions, such as radiative and convective heat fl
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Muldavin, Esteban, Yvonne Chauvin, Teri Neville, et al. A vegetation classi?cation and map: Guadalupe Mountains National Park. National Park Service, 2024. http://dx.doi.org/10.36967/2302855.

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A vegetation classi?cation and map for Guadalupe Mountains National Park (NP) is presented as part of the National Park Service Inventory &amp; Monitoring - Vegetation Inventory Program to classify, describe, and map vegetation communities in more than 280 national park units across the United States. Guadalupe Mountains NP lies in far west Texas and contains the highest point in the state, Guadalupe Peak (8,751 ft; 2,667 m). The mountain escarpments descend some 5,000 ft (1,500 m) to the desert basins below forming a complex geologic landscape that supports vegetation communities ranging from
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The Art of Belize, Then and Now. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0006432.

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The exhibition gives an overview of contemporary visual arts in Belize, and features works representing Belize City and the country¿s Mayan past, with artifacts and photographs documenting the Mayan sites of Lamanai, Xunantunich and Caracol. The exhibition was organized with logistical support from the IDB Country Office in Belize and its Representative Mr. Hugo Souza, and the collaboration of the Museums of Belize, the Image Factory Foundation, and the Craig Family Collection. Artists such as Gilvano Swasey, Michael Gordon, Jeannie Shaw, Yasser Musa, Mercy Sabal, Jules Vásquez, Ivan Duran, Da
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