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Bibliografias temáticas / Photographic representation / Teses / dissertações

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Teses / dissertações sobre o tema "Photographic representation"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de julho de 2025

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1

Albahari, Steven W. "Photographic representation." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/71053.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.<br>Bibliography: leaves 51-52.<br>by Steven W. Albahari.<br>M.S.V.S.

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2

Ukmar, Victor Alexander. "The Photographic Representation of Refugees." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21902.

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This thesis tries to shed light on the visual portrayal of refugees within German and the British newspapers during the European refugee crisis in 2016. Furthermore, a visual autoethnography of my own refugee photography complemented this study.Through the analysis of 80 newspaper photographs from Germany and Britain (quality press & tabloids), as well as nine of my own pictures, the following research questions had to be answered:Q1: How were refugees photographically represented in German newspapers (quality press & tabloids) during 2016?Q.2 How were refugees photographically represented in

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3

Davey, Gerald John. "Understanding Photographic Representation : Method and Meaning in the Interpretation of Photographs." Diss., University of Iowa, 1992. https://ir.uiowa.edu/etd/5372.

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The "linguistic turn" in early twentieth-century philosophy established that through language we not only live in a world but create it as well. Language, in this sense, incorporates the entire range of media and cultural artifacts through which we create and share meaning. In contemporary post-industrial societies, photographic images play a central role in communicating and creating the world in which we live. In part, this increasingly visually oriented culture is possible because we tend to equate what we see in photographs with what is real. Photographs, however, bring to light a vision o

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4

Johnston, Paul Anthony. "Sero-logues, a collaborative approach to AIDS photographic representation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22859.pdf.

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5

BRANDAO, CLAUDIO DE SAO PLACIDO. "REFLECTIONS ON THE PHOTOGRAPHIC ACT AS MODERN SOCIAL REPRESENTATION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=21126@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Nos últimos anos temos ouvido que as novas tecnologias associadas à produção e circulação de informações e imagens são responsáveis por uma espécie de revolução da vida contemporânea, pautando ativismos sociais, bem como a forma como nos relacionamos socialmente. De fato as transformações ocorreram, mas não podemos pensar em uma relação determinista entre tecnologia e as mudanças sociais a ela atribuída. Mostramos neste trabalho que as tecnologias só se impõem na medida que encontrem um público que as aceite ou que de certa forma esteja pre

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6

Kama, Lunga. "Imaginative acts of photographic of self-representation as a critical response to representations of the black male body in South African photography." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86412.

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Thesis(MA)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: The first part of this thesis discusses some of the problematic photographic practices that form part of the modern visual discourse employed in defining the representation of the black man in South African photography. The aim of this thesis is to critically investigate the visual discourse in contemporary South African photography and to outline the inherent flaws whereby the black male subject is represented according to racial stereotypes inherited from the photographic conventions of colonial discourse. The purpose of th

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7

Warburton, Nigel William Reginald. "Mirror with a memory? : a philosophical analysis of photographic representation." Thesis, University of Cambridge, 1989. https://www.repository.cam.ac.uk/handle/1810/250960.

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8

Wise, Jonathan. "Photographic memory : Inuit representation in the work of Peter Pitseolak." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0019/MQ54350.pdf.

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9

Stotzer, Talhy. "Photography and the medium : a photographic dialogue in China." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/598.

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Using documentary photography with an ethnographic approach, this practice-ledbresearch project focuses on a case study of a Han-Chinese woman called Zai yu who practices mediumship in urban China. It aims to explore the relationships between herbmediumship practice and the medium of photography. During a mediumship session, a spirit is represented as temporarily displacing the agency of the medium by entering his/her body and causing a change of identity. For the duration of the episode, the spirit can potentially provide access to divine powers and knowledge in order to counsel and to heal.

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10

Hall, Alison. "The Shelter photographs 1968-1972 : Nick Hedges, the representation of the homeless child and a photographic archive." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6534/.

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The thesis examines the work of photographer Nick Hedges (b. 1953) who made photographs for the housing charity Shelter between 1968 and 1972. It concentrates on Hedges’ methodology, his representation of the homeless child, and how this was deployed in Shelter’s campaign strategy. Moreover, it examines the wider political, sociological and cultural debates surrounding the conception, production, dissemination and reception of the Shelter photographs. The thesis argues that Hedges’ photographs, although contextualised by an ostensibly radical charity agenda, were shaped by an established photo

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11

Budd, Peter Frederick. "Changing the Gaze: A Photographic Representation of the Australian Wine Identities." Thesis, Griffith University, 2012. http://hdl.handle.net/10072/367468.

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This research project took as its premise that Australian winemakers have contributed to Australia’s modern identity yet they remain, photographically, an unrepresented sector of Australian society, indeed almost a cliché. The photographic representation and promotion of the Australian wine industry it was argued created a wine gaze, but that imagery of winemakers took a secondary role to imagery projecting the cultural and industrial significance of that industry. Thus this project argues that the graphic documentation of Australian winemakers in contemporary Australia remains deeply inadequa

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12

Bakht, Nazli. "Analysis Of The Limits Of Representation Of Architectural Photographic Images In Periodicals." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608921/index.pdf.

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This study aims to analyze the limits of representation of architectural photographic images in periodicals within architectural media that shape today&amp<br>#8217<br>s architectural production. This aim is accomplished in three sections<br>examining the power of image in architecture<br>examining architectural media and examining the periodicals&amp<br>#8217<br>attitudes towards using architectural photography. A case study is done to uncover the relationship between the photograph and the medium that it takes place on and determine the continuities and discontinuities between the architect

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Sert, Gul Berrak. "A Survey On Photographic Representation In Architectural Magazine Covers: Covers Of Arredamento-mimarlik." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12608044/index.pdf.

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This study has an aim of exploring how a Turkish architectural magazine, Arredamento Mimarlik, communicates itself to the reader by its cover designs. Since, representation is a tool for architects to transmit ideas and express positions in the discipline of architecture, usage of representation in architectural media has a critical role to promote the communication in architecture. The theoretical framework of the research based on the photographic image investigation of Roland Barthes. In the light of this investigation, the study cites that photographic images with accompaniment of texts tr

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Brundrit, Jean. "Photographic representation of lesbian identity with special reference to the Southern African context." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51873.

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Thesis (MA)--Stellenbosch University, 2000.<br>ENGLISH ABSTRACT: This thesis presents a discussion of a photographic representation of lesbian identity in Southern Africa. Two photographic series, Does your lifestyle depress your mother? and the Dyke Career Series (collectively referred to/exhibited as Lavender Menace) produced during the period 1997 to 1999 form the practical component of this MA submission. Lavender Menace is considered in relation to lesbian identity, lesbian social visibility, stereotypes and the relationship between photography and 'reality'. The various readings t

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15

Tasini, Emma. "Photographic Representation and the Syrian Refugee Crisis: A Case Study at the Claremont Colleges." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/pitzer_theses/90.

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This thesis focuses specifically on student media consumption around the Syrian Refugee Crisis at the Claremont Colleges through interviews and participant observation in order to understand the role of media photos in knowledge production around the Syrian Refugee Crisis. Looking at the role of photos in a cross-cultural understanding of the Refugee Crisis, this thesis analyzes the way individuals read and interpret these photos. I argue that photos have a vital role in knowledge production of the Syrian Refugee Crisis however their presentation and consumption occurs in a complex world witho

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16

Herrerias, Cuevas Vesta Mónica. "Le masque social ou la representation de la bourgeoisie mexicaine dans le portait photographique (1854-2008)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030058.

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Loin de la dénonciation sociale ou d’un exercice strictement historique, le présent travail cherche à comprendre comment se construit l’image du personnage bourgeois à travers l’étude de portraits de la bourgeoisie mexicaine entre 1854 et 2008. Le concept de masque permet de rendre compte du portrait en tant que construction d’un modèle de représentation sociale. La première partie propose un aperçu général des origines et de l’évolution du portrait pictural, de son influence sur le portrait photographique, des conséquences des idées humanistes sur l’art, enfin de l’histoire de la bourgeoisie

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17

Bruce, Janine. "Static Moments Photographic Notions of Time in the Paintings of Degas, Vuillard, Bonnard and Sickert." Thesis, University of Canterbury. Art History and Theory, 2012. http://hdl.handle.net/10092/8192.

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This thesis explores the relationship between photography and painting from the mid-nineteenth-century to the early twentieth-century. Specifically, I focus on the artistic outputs of four painters, Degas, Vuillard, Bonnard and Sickert, and the different manners in which they incorporated photography within their creative practices. In particular, I concentrate on photography’s representation of and relationship with time, discussing this in relation to three concepts, that of the narrative moment, memory and motion; concepts that painters often experimented with and explored during the timefr

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18

Collard, Megan R. "Capturing Authority: Analyzing the Representation of the Authority of the Photographic Image in NADJA and WHITE NOISE." Miami University Honors Theses / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1178304977.

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19

Belete, Roman Yiseni. "The contest of representation : photographic images of Ethiopian women in national print media, development aid organisations and galleries." Thesis, Durham University, 2014. http://etheses.dur.ac.uk/10631/.

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The repetition of particular photographic narratives may homogenise women from the non-European world, particularly those from sub-Saharan Africa, who are often portrayed as victims of drought, famine, war and conflict. The research critically analyses the historical and contemporary construction of female bodies in Ethiopia through photographic images. It provides a novel overview of the least explored representational practices, by comparing photographic works commissioned by aid and development organisations with those produced by Ethiopian photographers. It specifically considers how far s

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20

Scheffknecht, Sandra Art College of Fine Arts UNSW. "Doubledeath--the very presence of the absent." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43304.

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The notion of doubledeath, as an idea to generate work, can be seen as both an ironic reflection on the medium of photography and a critical attempt to comment on contemporary culture. In short, the inherent characteristics of the photographic medium and its function within society are combined. Photography embodies both death and the beginning of something autonomous and new in the very moment of the picture-taking process. A photograph is a mere simulation of what was once there, in front of the lens, transformed onto photographic paper. It then opens up a whole range of new possibilities t

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21

Kaunert, Chelsea Ann. "#underestimated: an intersectional approach to the exploration of girl athlete identities through photographic self-representations." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1498952710103778.

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22

Wong, Ka-fai. "The problems of visual discourse : a study of the politics of representation with special reference to the photographic image /." [Hong Kong : University of Hong Kong], 1988. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12380519.

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23

De, Lorenzo Nicholas. "Photography Post-Photography: Materiality of the Photograph." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16303.

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This exegesis examines the theoretical framework and artistic context of my studio practice. The primary focus of the work is on the materiality of the photograph. Through alchemical experimentations and abstractions, the work contemplates the question what is photography? in the complex context of a post-photographic world. While not attempting to answer such an elusive question, this paper seeks to investigate some of the relevant ideas and evaluate how they manifest in contemporary practice. I will use this exegesis as a means of recording an exploration of the mediums recent history, as th

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Falk, Rickard. "Jordnära : Erfarenheter från ett röse." Thesis, Södertörns högskola, Institutionen för historia och samtidsstudier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29678.

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The purpose of the essay is to see (1) how being a bricoleur works within the framework of academic discourse, specifically an archaeological one, (2) if, by usinga bricoleur approach, incorporating object-oriented philosophy, phenomenology, aesthetic theory and photography, one can get at different interpretations of an archaeological place and material; specifically the cairn at Skårby and how it ”should” be approached, and (3), if the incorporation of a photography that’s not aimed at textual illustration or representation, along with a looser language, can make an academic text like this o

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25

Whitehall, G. "The import(ance) of history and modernity : home, parish, and imperial order in the photographic representation of Simla 1860-1920." Thesis, University of the West of England, Bristol, 2014. http://eprints.uwe.ac.uk/23438/.

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The research sits in a gap between historical geography, colonial history, local micro-history and art history but also draws on wider fields such as museology, anthropology and cultural theory. It offers new perspectives onto the historiography of the photographic representation of British India whilst probing the benefits and limitations of using photography as a historical source. In particular it highlights how technological restrictions impacted on what was represented. Specifically it provides the first examination of the photographic representation of Simla, the summer capital of the Br

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26

Barromi, Perlman Edna. "Researching photographic representation of biological families in kibbutzim in Israel between 1948 and 1967 : family snaps on kibbutz : do they exist?" Thesis, University of Sussex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442443.

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27

Bonfiglioli, Cristina Pontes. "Discurso ecológico: a palavra e a fotografia no Protocolo de Kyoto." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27153/tde-19052009-162931/.

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Esta pesquisa teve como objetivo relacionar operações discursivas distintas a palavra e a imagem a partir de um recorte também duplo, o discurso ecológico constituído pelo Protocolo de Kyoto e as fotografias que se auto-designam como representações imagéticas do mesmo. O trabalho elabora relações, aproximando e diferenciando conceitos como formação discursiva e enunciação de Foucault; escritura, de Derrida; representação, de Heidegger; gesto fotográfico, de Flusser, e ato fotográfico, de Dubois, Sensação, de Deleuze, além de incluir as abordagens teóricas sobre a fotografia de paisagem, de K

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Jolly, Martyn. "Fake photographs making truths in photography /." Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.

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Jolly, Martyn. "Fake photographs : making truths in photography." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.

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Hurpia, Pedro Augusto Machado. "Cumplicidade : questões da pintura e da representação." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284112.

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Orientador: Luise Weiss<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T05:29:22Z (GMT). No. of bitstreams: 1 Hurpia_PedroAugustoMachado_M.pdf: 59064568 bytes, checksum: 81843fa7a6c05ef0acda0d3c61c2d86a (MD5) Previous issue date: 2009<br>Resumo: Esta pesquisa é uma reflexão sobre o processo criativo das pinturas realizadas entre 2006 e 2009. A utilização de imagens fotográficas como modelo para as pinturas é uma constante e evidencia uma postura diferente com o objeto representado. Com ênfase em questões ligadas a re

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Jacobson, Shelley. "Temporal landscapes : a thesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand." Massey University, 2009. http://hdl.handle.net/10179/907.

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Temporal Landscapes is a research project concerned with culture-nature relations in the context of contemporary industrial land use in New Zealand; explored visually through the photographic representation and presentation of gold mining sites – former, current and prospective – in the Hauraki region. In the current period of industrial capitalism, featuring the mass exploitation of natural resources, nature is commonly thought of as subservient to humankind. This stance, with its origin in scientific ideology of the 17th Century, is interesting to consider in relation to contemporary notions

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32

Cardim, Monica. "Identidade branca e diferença negra: Alberto Henschel e a representação do negro no Brasil do século XIX." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-01072014-123956/.

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Esta dissertação objetiva analisar a representação do negro no Brasil no século XIX a partir de retratos produzidos pelos estúdios fotográficos de Alberto Henschel (1827-1882), entre 1866 e 1882. Alemão radicado no Brasil, em 1866, este empresário bem sucedido do campo da fotografia chegou a ser agraciado com o título de fotógrafo da Casa Imperial, tendo produzido um grande número de retratos de negros no formato carte-de-visite. A investigação parte da hipótese de que essas imagens materializam certos estereótipos, característicos da representação da alteridade, além de fazerem us

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Edge, Sarah-Jane. "Photography and identities : a case study and related photographic practice : an investigation into the role of early photographic representations of working-class women from London (1860-1865) as represented in the photographic collection of Arthur J. Mu." Thesis, University of Ulster, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428807.

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Fossard, Aurore. "Paparazzi à l’écran : Présence et disparition d’un personnage photographe dans la fiction cinématographique et télévisée occidentale (1940 – 2008)." Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20028/document.

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Si le paparazzi est le parent pauvre de l’histoire de la photographie, il est une source précieuse d’inspiration pour la fiction cinématographique et télévisuelle. Personnage avant même d’apparaître à l’écran, le paparazzi instaure une tension à la fois narrative et visuelle qui autorise un questionnement sur ses modalités de représentations. À l’aide d’un corpus defilms et de séries télévisées occidental allant de 1940 à 2008, notre étude entend repérer et analyser les récurrences des représentations du paparazzi dans une approche socio-historique et culturelle. Séducteur, sauveur... chasseur

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Perez, Nissan N. "Picturing faith : Christian representations in photography." Thesis, University of Brighton, 2012. https://research.brighton.ac.uk/en/studentTheses/6f064e7d-f2a8-4427-8492-b8a5ca7f9d49.

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This dissertation addresses the largely unexplained phenomenon of the multitude of representations of Christian themes and symbolism in photography. It also considers the absence of photography in the extensive debates, conducted throughout art history, concerning relationships between art and religion.

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Silva, Sonia Maria Ferreira da. "Arquivo e memória fotográfica: manifestações populares da Bahia no olhar de Sílvio Robatto." Instituto de Ciência da Informação, 2013. http://repositorio.ufba.br/ri/handle/ri/18175.

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Pallas, Basile. "De la vue au regard : littérature et photographies au XIXe siècle." Thesis, Bordeaux 3, 2017. http://www.theses.fr/2017BOR30055.

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Au XIXe siècle, la photographie est vue comme une image vraie. Produite mécaniquement, elle serait la copie fidèle de la réalité, ce qui justifie la croyance en la vérité de ses images. Dès les premiers discours tenus à son égard, la photographie apparaît comme une image transparente, ne donnant rien d’autre à voir que la réalité, ce qui explique notamment les postures de rejet généralement adoptées par les écrivains et les artistes face à cette image, antithèse de l’art. Notre travail s’efforce de montrer comment, à l’inverse, la photographie a été, dans les textes littéraires en particulier,

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Wright, Terence Viner. "The self-reflexive attitude to photography : photography considered as a system of representation." Thesis, University College London (University of London), 1986. http://discovery.ucl.ac.uk/10019599/.

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Geller, Peter G. (Peter Geoffrey) Carleton University Dissertation History. "Northern exposures; photographic and filmic representations of the Canadian North, 1920-1945." Ottawa, 1995.

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Tsiminaki, Vagia. "Appearance Modelling for 4D Representations." Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAM083/document.

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Ces dernières années ont vu l'émergence de la capture des modèles spatio-temporels (modélisation 4D) à partir d'images réelles, avec de nombreuses applications dans les domaines de post-production pour le cinéma, la science des sports, les études sociales, le divertissement, l'industrie de la publicité. A partir de plusieurs séquences vidéos, enregistrées à partir de points de vue variés, la modélisation 4D à partir de vidéos utilise des modèles spatio-temporels pour extraire des informations sur la géométrie et l'apparence de scènes réelles, permettant de les enregistrer et de les reproduire.

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Wienand, Annabelle. "Strategies of representation: South African photography of the HIV epidemic." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/9536.

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Includes bibliographical references.<br>This thesis is concerned with how South African photographers have responded to the HIV epidemic. The focus is on the different visual, political and intellectual strategies that photographers have used to document the disease and the complex issues that surround it. The study considers the work of all South African photographers who have produced a comprehensive body of work on HIV and AIDS. This includes both published and unpublished work. The analysis of the photographic work is situated in relation to other histories including the history of photogr

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Bessou, Anne-Line. ""Faire face(s)" au travail : entre stress et pression sociale dans le monde du travail, le corps à l'épreuve du regard photographique." Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20065.

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La thèse en Arts plastiques que nous proposons associe une pratique artistique personnelle de photographie et une recherche à la croisée des sciences de l’art, de la sociologie et de la psychologie. Elle développe une analyse de la représentation du travail dans l’art à travers l’utilisation du médium photographique, du début du 20ème siècle à aujourd’hui, avec un intérêt particulier pour l’extrême contemporain. L’enjeu principal de cette recherche est de démontrer comment une pratique artistique peut traduire un fait d’actualité pourtant peu visible, ici lié à la représentation sociale du tra

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Durrant, Abigail Christine. "Family portrayals design to support photographic representations of intergenerational relationships in family homes." Thesis, University of Surrey, 2011. http://epubs.surrey.ac.uk/846429/.

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Focusing on intergenerational relationships, this project combined theoretical and empirical studies to explore the use of photographs in self and family representation at home. This exploration was considered timely given the recent adoption of digital capture devices by both parents and children and the unprecedented amount of photographic content that they generate. This has raised interesting questions concerning the digitisation and democratisation of family photography, in terms of form and content. Inquiry was positioned in the field of Human Computer Interaction (HCI). The proposed con

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Otte, Gary. "Photographing the void, the camera and the representation of Islamic architecture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ43295.pdf.

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Otte, Gary (Gary James) Carleton University Dissertation Architecture. "Photographing the void: the camera and the representation of Islamic architecture." Ottawa, 1999.

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Baker, Carole. "Imaging the animal : visual media representation within creative practice." Thesis, University of Sunderland, 2000. http://sure.sunderland.ac.uk/5251/.

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Friday, Jonathan Charles. "Transparancy, representation and expression : an essay in the aesthetics of photography." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338326.

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Magagnoli, P. "Reclaiming the past : historical representation in contemporary photography and video art." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1355956/.

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Since the late 1990s a new tendency has emerged in contemporary art whereby artists deploy archival research to explore the mechanics of historical representation and evoke the past. This thesis examines the works of some of the most relevant practitioners of the new tendency who are working with video, photography and film and explores the reasons for the return of historical representation in art. In the introduction the study sets the tendency against the background of modernist, postmodernist theories and the historiographic debates of the last thirty years. The first chapter attempts a cr

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Xie, Jiahua. "Moment beyond moment." Click here to access this resource online, 2008. http://hdl.handle.net/10292/452.

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This practice-based project explores the photographic phenomenon of ‘moment beyond moment’, which refers to the combined representations of an existing image in an environment, together with the real-life situation at the moment the photograph is taken. I call this photograph an ‘extended photograph’. Employing practical works of extended photographs and focusing on interactions between the moment in real-life and the moment in an existing image, the research explores the transformation of meanings caused by the interactions of these moments in an extended photograph. The research owes its app

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Oyarce, Sara. "In Pursuit of Image: How We Think About Photographs We Seek." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115133/.

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The user perspective of image search remains poorly understood. the purpose of this study is to identify and investigate the key issues relevant to a user’s interaction with images and the user’s approach to image search. a deeper understanding of these issues will serve to inform the design of image retrieval systems and in turn better serve the user. Previous research explores areas of information seeking behavior, representation in information science, query formulation, and image retrieval. the theoretical framework for this study includes an articulation of image search scenarios as adapt

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