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Teses / dissertações sobre o tema "Photography – Social aspects – History"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 19 de fevereiro de 2022

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1

Supartono, Alexander. "Re-imag(in)ing history : photography and the sugar industry in colonial Java." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11909.

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This thesis seeks to examine the ways that the success of the Dutch Empire at the turn of the twentieth century was represented and celebrated in the photographic albums of Dutch sugar industrialists in Java. It aims to show how the photographic practices that developed in the colony in parallel with its industrialisation informed the ways that the colony was imagined in the metropolis and the colony. Whether social portraiture, topographic studies or depictions of industrial machinery and infrastructure, the photographs of the sugar industry were part and parcel of a topical vernacular tradit

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2

Johnson, Stacey. "Taking pictures, making movies and telling time : charting the domestication of a producing and consuming visual culture in North America." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35900.

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The dissertation examines how image-making, a common pastime, was made common. It investigates the ways in which the production and consumption of images in the context of the North American family contributed to the development of a distinctly domestic and privatized visual culture, and the transformation of the home into a site for privatized spectatorship.<br>Four cultural forms (No. 1 Kodak, Box Brownie, Cine Kodak and Cine Kodak 8) are specified in this development, all pioneered by the Eastman Kodak Company. The dissertation traces Eastman Kodak's direct involvement in the popularization

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Laurence-Allen, Antonia. "Class, consumption and currency : commercial photography in mid-Victorian Scotland." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3469.

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This thesis examines a thirty year span in the history of Scottish photography, focusing on the rise of the commercial studio from 1851 to assess how images were produced and consumed by the middle class in the mid-Victorian period. Using extensive archival material and a range of theoretical approaches, the research explores how photography was displayed, circulated, exploited and discussed in Scotland during its nascent years as a commodity. In doing so, it is unlike previous studies on Scottish photography that have not attended to the history of the medium as it is seen through exhibitions

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4

Souza, Fernando Artur de. "A construção cultural da fotografia como discurso na arte contemporânea." Universidade Tecnológica Federal do Paraná, 2013. http://repositorio.utfpr.edu.br/jspui/handle/1/680.

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Este trabalho apresenta uma discussão acerca de relações estabelecidas entre a fotografia e a arte contemporânea, a partir de um viés em que a produção artística dialoga com a produção fotográfica de âmbito familiar. A fotografia é assumida como um processo mediador culturalmente construído, levando em conta aspectos de sua conformação tecnológica, bem como de seus usos sociais, ambas dimensões consideradas preponderantes para a produção de significado para estas imagens. Para estabelecer estas relações através de uma perspectiva interdisciplinar, o texto busca integrar pontos de vista de área

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Le, Febvre Emilie. "Tracing visual knowledge : the presence and value of images for Bedouin history and society in the Negev." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d588d57f-2137-47b2-9ff2-3ac46799f6ad.

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Based on eighteen months fieldwork with Bedouin of the Negev, this thesis explores the varied presence of images as photographs and digital copies for local historicity in order to achieve a greater understanding of representational politics in southern Israel. It emphasizes pictures' ability to transmute, circulate, and acquire value in various social settings in contrast to popular academic treatments, which primarily focus on photographs' iconography and visual history in the Middle East. To do so, the thesis details the biographies of a series of 'significant images' (c. 1906-2010) circula

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Zambello, Marco Henrique 1975. "O declínio ferroviário paulista : despojo do trabalho social e abandono racional." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281272.

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Orientador: Silvana Barbosa Rubino<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-26T20:59:09Z (GMT). No. of bitstreams: 1 Zambello_MarcoHenrique_D.pdf: 4127486 bytes, checksum: ce33dd23d7e745aba23ab1f9a661a411 (MD5) Previous issue date: 2015<br>Resumo: A pesquisa estudou o declínio ferroviário paulista, cujo progresso se baseou na relação econômica da monocultura cafeeira. As ferrovias paulistas do interior dependeram da ferrovia inglesa SPR, que se desenvolveu tecnologicamente pela pressão dos cafeic

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7

Coltelloni, Anne. "Le documentaire comme forme symbolique." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00812350.

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L'étude sur le documentaire a suscité ces dernières années de nombreuses approches : historique, rhétorique, pragmatique, stylistique. Celles-ci posent la question de la réalité dans le film ou dans la photographie, problématique récurrente du documentaire. C'est à nouveau cette interrogation qui sera abordée dans cette recherche. La perspective envisagée a l'ambition de synthétiser toutes ces approches en remontant à l'origine de la photographie, au dix-neuvième siècle, et en faisant valoir sa spécificité d'image. Un parcours photographique est proposé montrant en quoi l'image photographique

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8

Leiva, Quijada Gonzalo. "Modernité et histoire de la photographie au Chili (1879-1920)." Paris, EHESS, 1997. http://www.theses.fr/1997EHESA033.

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Cette etude propose une reflexion sur l'image photographique et son role a l'interieur d'une societe traditionelle. Au meme temps, cette recherche s'insere dans une reflexion sur les indices tres visibles de la quete de modernite au chili. Nous observons a travers les documents photographiques comment la vision culturelle se modifie en fonction des diverses reponses apportees a la question cruciale de la capacite du pays face a la modernite. Pour son prestige dans le marche national reduit, la photographie sera consideree comme un patrimoine de l'elite urbaine a santiago et a valparaiso. La ph

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Agbo, George Emeka. "Photography, facebook and virtualisation of resistance in Nigeria." University of the Western Cape, 2016. http://hdl.handle.net/11394/5465.

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Philosophiae Doctor - PhD<br>Nigerian post-independence history (1960 to the present date) is steeped in socio-political upheavals. The majority of the citizens are frustrated with the injustice, inequality and fraudulent politics that pervade the country. The central argument of this thesis is that these conditions are critiqued through the photographic practices produced on Facebook. Through the circulation of photographs and the conversations around them on the social media platform, Nigerians demand social change. The sociality that underpins the visuality of social networking is explained

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10

Barberini, Marta. "The Impact of Humanitarian Photography on the Generation of Sympathy and on Donation Behavior." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/18.

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This paper presents findings of an exploratory study to evaluate the impact of humanitarian photography on the generation of sympathy and donation behavior. Considering the large amount of money spent each year by charity organizations on marketing strategies, it seems crucial to shed light on the persuasive impact of images in this context. The overarching purpose of this study was to discern what impact, if any, a number of features in a photograph have on sympathetic reactions. Specifically the author examined facial expressions (sad vs. happy), eye contact vs. no eye contact and total numb

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Walton, Shireen Marion. "Camera Iranica : popular digital photography in/of Iran." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:7f6516bf-64c6-4551-b58c-08e42915183f.

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This thesis explores the contemporary genre of popular digital photography, with a specific look at photographs taken in/of Iran. It focuses on the contemporary practice of 'photoblogging' or photography-based weblogging. Photoblogs are the result of the daily posting of digital photographs concerning everyday life in Iran on personal blogs specifically dedicated to photography. The title of the thesis, Camera Iranica, refers to the subject and scope of the study, as well as to its digital-ethnographic field site. I demarcate this as a conceptual and transnational cultural field, encompassing

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Lemay, Yvon. "Peter Henry Emerson : essai sur l'histoire sociale de la photographie." Doctoral thesis, Université Laval, 1990. http://hdl.handle.net/20.500.11794/33506.

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En étudiant le cas du photographe Peter Henry Emerson (1856-1936) à partir du discours tenu par les historiens de la photographie sur son principal traité (Naturalistic Photography) et sur son oeuvre, cette thèse vise non seulement à montrer la pertinence d'une approche sociale de 1'histoire de la photographie, mais à faire état de 1'importance des travaux du sociologue Pierre Bourdieu pour les fondements théoriques d'un tel type d'approche. En effet, des théories comme la division du domaine artistique à partir du dix-neuvième siècle en deux secteurs d'activités (champ de production restreint

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13

dos, Anjos Afonso Manoela. "Language and place in the life of Brazilian women in London : writing life narratives through art practice." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12000/.

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Studies on Brazilians living in Britain show that, along with loneliness, unemployment and cost of living, the lack of proficiency in English is a key problem. However, there is little qualitative information about how the host language affects their daily lives. This interdisciplinary practice-based research asks how an art practice activated by experiences of displacement and dislocation in language can become a place of enunciation for decolonial selves. To this end, this research includes not only individual practices, but also collective activities carried out with a group of Brazilian wo

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Ractliffe, Jo. "Nadir : a graphic interpretation of dispossession and aspects of conflict." Master's thesis, University of Cape Town, 1988. http://hdl.handle.net/11427/17181.

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Bibliography: pages 109-111.<br>Dispossession, aspects of conflict and the breakdown of the relationship between people and their environment is the subject of this thesis. The body of work presented consists of twenty-four photographs and sixteen screen-printed off-set lithographs (referred to as the prints). The photographs are largely intended to introduce and contextualize the prints which act as the main body and conclusion of the thesis. In the series of prints I have manipulated certain photographic imagery in order to explore the ways in which meaning can shift with changes in context,

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Delpeux, Sophie. "Les formes de la disparition : art corporel et photographie : 1963-1983." Paris 1, 2004. http://www.theses.fr/2004PA010610.

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De l'art corporel, il ne reste que des traces disséminées dans des fonds d'archives. Au sein de ces ensembles constitués par les artistes, la photographie est omniprésente. À la fois preuve palpable de ce qui a été et signe d'une continuité brisée, l'image d'action - dont cette étude analyse l'usage par Carolee Schneemann, les actionnistes viennois, Gina Pane, Michel Journiac, Valie Export et Chris Burden - matérialise une histoire en creux de ces pratiques et de leur temps.

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Blomgren, Constance, and University of Lethbridge Faculty of Education. "Family photos : an exploration of significant exposures." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Education, 1999, 1999. http://hdl.handle.net/10133/93.

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This hermeneutic inquiry into the significance of family photographs in our personal and public lives explores the relationship between the subject, the photographer and the viewer. The discussion uses the photgraphic oeuvres of the author's paternal grandfather and maternal grandmother as the basis of the exploration. Themes which appear include the following: the represented and projected images of a family within family photos; the significance of gender in the making of snapshots; and, the influence of history and religion upon families. The discussion also includes the relationship betwe

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Acar, Sibel. "Intersections:architecture And Photography In Victorian Britain." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/3/12611169/index.pdf.

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Architecture and photography have always been closely interacted since the invention of photography in the late 1830s.While architecture has been captured as one of the main subjects of photography, photography has served architecture as a valuable tool of representation. Focusing on the frame defined by Victorian Britain, this study tries to capture intersecting histories between photography and architecture. Accordingly three intersections were defined: the first intersection corresponds to the simultaneous development of photography and architectural photography<br>the second to theinterac

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Charpentier-Boude, Christine. "La photographie de groupe en classe comme palimpseste de l'institution scolaire : essai d'une approche sémiologique de ce document." Paris 10, 2006. http://www.theses.fr/2006PA100097.

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La photographie de groupe en classe constitue à force d'être répétée, et cela depuis le milieu du XIXe siècle, une partie de la mémoire de l'école et de la société qu'elle représente. Elle semble accompagner le deuil d'une multitude d'histoires scolaires et en même temps conjurer ces disparitions. Cette image particulière, mise en scène d'une réalité institutionnelle capturée par l'appareil photographique, répétée au cours d'un rituel codifié, conservée ou non par les usagers, loin d'être monolithique et univoque, paraît être porteuse d'un ensemble de significations institutionnelles et intime

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19

Tiberi, Dominique. "La photographie et l'image de la Corse : 1839 1962." Caen, 1992. http://www.theses.fr/1992CAEN1117.

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Cette etude retrace l'apparition de la photographie et son developpement dans la societe corse dont la specificite a determine l'orientation de l'objectif photographique. La tentative d'analyse du role du dispositif photographique dans l'image de la corse utilise des elements plus specifiques a l'ile comme la notion de corps primitif ou d'une portee plus generale comme ceux de l'ombre et du double tels qu'ils apparaissent dans les mythes. Par la mise en lumiere qu'elle opere la photographie se presente comme l'alliee objective du pouvoir domin ant et l'ennui de la loi de l'ile. Obeissant ainsi

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20

Hollowell, Steven. "Aspects of Northamptonshire inclosure : social and economic motives and movements." Thesis, University of Nottingham, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243662.

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21

Stumberger, Rudolf. "Klassen-Bilder : sozialdokumentarische Fotografie 1900 - 1945 /." Konstanz : UVK-Verl.-Ges, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2961071&prov=M&dok_var=1&dok_ext=htm.

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Baker, Sarah Lindsey, and Sarah Lindsey Baker. "Constructing the Contemporary Nostalgic Image." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/621843.

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This thesis focuses on the intrinsic relationship between nostalgia and vernacular photography, with specific attention to the networked vernacular photograph. Through an examination of early Kodak advertising and current in-phone digital editing and smartphone photography-sharing apps, this paper demonstrates the role of constructed aesthetic nostalgia in contemporary vernacular photography. This research argues that contemporary vernacular photography is a product of contemporary nostalgia, as evidenced through photographs born digital and shared publicly via social media sites such as Insta

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Scheffknecht, Sandra Art College of Fine Arts UNSW. "Doubledeath--the very presence of the absent." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43304.

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The notion of doubledeath, as an idea to generate work, can be seen as both an ironic reflection on the medium of photography and a critical attempt to comment on contemporary culture. In short, the inherent characteristics of the photographic medium and its function within society are combined. Photography embodies both death and the beginning of something autonomous and new in the very moment of the picture-taking process. A photograph is a mere simulation of what was once there, in front of the lens, transformed onto photographic paper. It then opens up a whole range of new possibilities t

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Wong, Wilson Heitung. "The cultural politics of foodie criticism in Hong Kong : a case study of foodies on Instagram." HKBU Institutional Repository, 2019. https://repository.hkbu.edu.hk/etd_oa/704.

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This thesis investigates the cultural politics of taste in contemporary food media of Hong Kong through the lens of foodie stylistics on Instagram. By bearing on the semiotic theory and analysis by Roland Barthes, this research seeks to closely examine the mythmaking of taste in foodie criticism--the food and restaurant review written by foodies on social media platform. The theory will be used to spell out the layered meaning of foodie criticism: a linguistic depiction of food, visual stylistic of writing about taste, tactics of gaining voice of authority by foodie critics and their intention

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Potter, Christopher Thomas. "An exploration of social and cultural aspects of motorcycling during the interwar period." Thesis, Northumbria University, 2007. http://nrl.northumbria.ac.uk/2509/.

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This thesis covers social and cultural aspects of the motorcycling movement during the interwar period of 1919 to 1939. Using contemporary records of both written and oral nature, a diverse set of themes are explored, beginning with the origins of the motorcycle enthusiasm, from its invention towards the end of the nineteenth century, to the dawn of the twenties, when for a while it held the dominant position in personal motorised transport, until through processes of economics such as the trickle down theory of consumer goods ownership, dominance was transferred to the motorcar. Next, the phe

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Raiford, Leigh. "'Imprisoned in a luminous glare' : history, memory, and the photography of twentieth-century African American social movements." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Kerr_Diss_03.

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Laughton, Jane. "Aspects of the social and economic history of late medieval Chester, 1350-c.1500." Thesis, University of Cambridge, 1993. https://www.repository.cam.ac.uk/handle/1810/273128.

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Geyer, Xanthe Amanda. "Correction, addition and deletion : memory and its function in creating "visual narratives" (and identity) in photographic art." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1002198.

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With this dissertation I propose to investigate critical theories dealing with memory and its role in photography. The function of memory is a well discussed and analysed topic within the ambit of historical research. Drawing from theoretical texts by critical theorists, namely, Roland Barthes, Annette Kuhn and Marianne Hirsch, I will critically address the function of memory in the understanding of photography; particularly how photographs have the ability to construct our identity in terms of history and narrative. I will study the content of memory in relation to visual images, focusing on

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Peacock, Dave. "Morals, rituals, and gender : aspects of social relations in the Diocese of Norwich, 1660-1703." Thesis, University of York, 1996. http://etheses.whiterose.ac.uk/2452/.

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Davies, J. D. "The seagoing personnel of the navy, 1660-1689 : Political, religious and social aspects." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375859.

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Nicholls, Paul. "The social expectations of Anglican clergy in England and Australia, 1850-1910." Thesis, University of Oxford, 1988. http://ora.ox.ac.uk/objects/uuid:52828db5-d273-41db-8516-c873e1e7a91a.

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In the early nineteenth century, the ideal type of Anglican parish clergyman was a member of a gentlemanly profession. Although he had few formal duties, he exercised a benevolent influence in a small, deferential community. His liberal education, independent income and ample leisure enabled him to pursue scholarly hobbies. In every English village, he was a light of civilization. The parson was spiritual half-brother of the squire, and the Church as a whole was closely identified with the landed classes in the social rank, governing role (the magistracy) and political sympathies of the paroch

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Brown, Robert Bruce. "Holy war as an instrument of theocratic and social ideology in Judaic, Christian, and Islamic history." CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/1428.

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Damron, Jason Gary. "Transgressing Sexuality: An Interdisciplinary Study of Economic History, Anthropology, and Queer Theory." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/622.

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This interdisciplinary thesis examines the concept of sexuality through lenses provided by economic history, anthropology, and queer theory. A close reading reveals historical parallels from the late 1800s between concepts of a desiring, utility-maximizing economic subject on the one hand, and a desiring, carnally decisive sexological subject on the other. Social constructionists have persuasively argued that social and economic elites deploy the discourse of sexuality as a technique of discipline and social control in class- and gender-based struggles. Although prior scholarship discusses how

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Stacchio, Lorenzo. "Detecting social patterns within 20th century documentary photos: a deep learning based approach." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/21552/.

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The job of a historian is to understand what happened in the past, resorting in many cases to written documents as a firsthand source of information. Text, however, does not amount to the only source of knowledge. Pictorial representations, in fact, have also accompanied the main events of the historical timeline. In particular, the opportunity of visually representing circumstances has bloomed since the invention of photography, with the possibility of capturing in real-time the occurrence of a specific events. Thanks to the widespread use of digital technologies (e.g. smartphones and dig

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Borsay, Anne. "Patrons and governors : aspects of the social history of the Bath Infirmary, c.1739-1830." Thesis, University of Wales Trinity Saint David, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683159.

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Quick, Abdullah Hakim. "Aspects of Islamic social intellectual history in Hausaland, 'Uthman Ibn Fudi, 1774-1804 C.E." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1995. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ28150.pdf.

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Musemwa, Muchaparara. "Aspects of the social and political history of Langa Township, Cape Town, 1927-1948." Master's thesis, University of Cape Town, 1993. http://hdl.handle.net/11427/21707.

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Bibliography: pages 198-213.<br>This study focuses on the social and political history of Africans in Langa Township from 1927 to 1948. Langa conveniently and justifiably serves as a good case study of the urban African experience because it is the area in Greater Cape Town, during this period, where there was the largest concentration of a relatively organised, stabilised and permanent African working class community. It is also the oldest township with the deepest roots and longest evolution in Cape Town. Langa also makes an interesting area of study because the politics surrounding its evol

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Vallie, Zubeida. "Social dynamics of a resistance photographer in the 1980s in Cape Town." Thesis, Cape Peninsula University of Technology, 2014. http://hdl.handle.net/20.500.11838/1327.

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Thesis submitted in fulfilment of the requirements for the degree Master of Technology: Design in the Faculty of Informatics and Design at the Cape Peninsula University of Technology 2014<br>This study seeks to contribute to the field of documentary photography by looking at a resistance photographer who documented events during the liberation struggle against Apartheid in the 1980s in Cape Town, South Africa. The research explores the richness, depth and complexity of the reflective knowledge of the phenomenon and develops a sense of understanding of the meanings of the circumstances and

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Davis, August Jordan. "Bringing the war back home : the anti-war photomontages of Martha Rosler (1967-2008)." Thesis, University of Liverpool, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548761.

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This doctoral thesis investigates the question 'How and why does Martha Rosier, artist and activist, bring the wars of Vietnam and Iraq back home time and again?' The aims of the investigation are to consider the two series of Martha Rosier's photomontages entitled "Bringing the War Home: House Beautiful" (1967 -1972) and "Bringing the War Home: House Beautiful, New Series" (2004 - 2008). The aims of such a consideration include: address of the photomontages themselves asthey relate to Rosier's particular development of a critical and activist photomontage practice (as initially developed in h

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Devon, Terrence J. (Terrence John). "Language, media, and the concept of a machine : toward a unified theory of communication in history." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39778.

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This thesis is focused upon the development of the computer as a communication medium in history. To accomplish this, the computer is understood as constructed by language and technology where these are in turn grounded upon their roles as forms of cultural mediation. As methodology is of paramount importance, the digital medium is heuristically employed to discuss the epistemic and phenomenological significance of communications media. The more general inference therefore concerns the role of socially constructed media in the fabric of cultural development. In addressing this concern, the pap

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Wells, Camille. "Social and economic aspects of eighteenth-century housing on the northern neck of Virginia." W&M ScholarWorks, 1994. https://scholarworks.wm.edu/etd/1539623857.

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This study is an attempt to discern what eighteenth-century houses--their forms, dimensions, internal organization, and external settings--have to contribute to scholarly understanding of colonial Virginia's society, economy, and culture.;Historic Virginia houses usually were built more recently than traditional scholars and popular writers have supposed, and standing eighteenth-century houses are, almost without exception, far larger and finer than the dwellings most colonial Virginians inhabited. Yet even lightly constructed and shabbily finished houses stood at the center of a complex of bu

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Walters, Handri. "Religion, intolerance, and social identity." Thesis, Stellenbosch : Stellenbosch University, 2010. http://hdl.handle.net/10019.1/4175.

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Thesis (MA (Political Science))--Stellenbosch University, 2009.<br>ENGLISH ABSTRACT: Over the past few decades the secular world has witnessed an increasing assault, specifically from the monotheistic religious fundamentalist community, on their beliefs and values. The undeniable intolerance shown by the religious fundamentalist community has often translated into violent terrorist attacks against the secular world. The fact that religious beings can resort to such atrocious acts of violence has certainly baffled many onlookers. It surely comes as no surprise that religious fundamentalism is g

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MacArthur, E. Mairi. "The Island of Iona : aspects of its social and economic history from 1750 to 1914." Thesis, University of Edinburgh, 1989. http://hdl.handle.net/1842/19067.

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This study centres on the inhabitants of the Hebridean island of Iona from the mid-eighteenth century until the First World War. It examines the events and influences which, over this period, affected the people's economy, society and way of life. The first Chapter sets Iona in its geographical and historical context and outlines the reasons for undertaking the research. It then assesses the wide range of sources used, both documentary and oral, and describes the methodology by which these have been gathered together and integrated. Chapters 2 to 17 trace the history of the islanders chronolog

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Futterer, Patricia. "Cultural studies of science : skinning bodies in Western medicine." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23332.

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This thesis explores the cultural implications underlying the medical practice of cutting human flesh. The examination focuses, in particular, on the function of representational technologies--from anatomy sketches to computer imaging--in the scientific understanding of the body in the West. By foregrounding the technologies of representation which inform and have directed a history of surgery, it is hoped that the cultural aspects of modern medicine will be made apparent. This thesis argues that while science benefitted from art to construct its image of 'the' body, it has had to rid itself o

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Wong, Lai-man David, and 黃禮文. "The contemporary history of press commentaries on the English languagein Hong Kong (1 January 1997 to 30 June 1997)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31951545.

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Fitzpatrick, Andrea D. "Approaching the dying and the dead : an analysis of contemporary, lens-based artworks and the potential for ethical intersubjectivity." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85906.

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Photographic, film and video representations of dying and dead subjects bring to light delicate balancing acts of agency involving representational perspective. In this thesis, I examine contemporary, lens-based artworks by Sarah Charlesworth, Eric Fischl (whose sculptural medium is an exception), Alejandro Gonzalez Innaritu, Gillian Wearing, Andres Serrano, Nan Goldin, AA Bronson and Jorge Zontal, as well as works by photojournalists Richard Drew and Theresa Frare, to show how they effectively convey facets of identity to dying and dead subjects. The voice, visuality, touch and embodim

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Josephy, Svea Valeska. "The development of a critical practice in post-apartheid South African photography." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52508.

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Thesis (MA)--Stellenbosch University, 2001.<br>ENGLISH ABSTRACT: South African photography in the 20th century was dominated by the documentary genre. This genre has its roots in 19th century Modernist and colonialist belief in the accuracy of the camera as a tool of representation, and faith in the camera's objectivity and ability to present empirical evidence and 'truth'. These positivist notions were carried into South African documentary practice during the apartheid era. Apartheid-era South African documentary photography was particularly focused on exposing the socio-political ills

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Wilson, John Campbell. "A history of the UK renewable energy programme, 1974-88 : some social, political, and economic aspects." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3121/.

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Following the global oil crisis of October 1973 the UK government funded and administered a range of R&D programmes in renewable energy. Despite the discoveries of large deposits of oil and gas in the North Sea during the late 1960s and continuing faith in nuclear energy the government was keen to explore the potential of renewable energy as what it described as an ‘insurance technology’. This thesis examines the creation and evolution of the UK renewable energy programme from 1974 until its demise prior to the privatisation of the UK’s nationalised energy industries in the late 1980s. The the

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Hall, Valerie Gordon. "Aspects of the political and social history of Ashington, a Northumberland coal mining community, 1870-1914." Thesis, London School of Economics and Political Science (University of London), 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.530758.

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This thesis examines the political and social history of Ashington, a coal mining community in Northumberland, in the years 1870 to 1914. This community was the first in the county to move from the Liberal Party to the Labour Party in the early twentieth century and to reject the conciliatory policies of the late Victorian era in favour of a position of assertiveness and national solidarity in industrial relations. It was also central to persuading the accommodationist county union to adopt a similar stance. This study explores the process by which Ashington made such changes and took the lead

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au, deb quarmby@supernerd com, and Debbie Quarmby. "The politics of parks : a history of Tasmania's national parks 1885-2005." Murdoch University, 2006. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20090422.140836.

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This thesis examines the history of Tasmanias national parks and protected areas from 1885-2005, analysing the interests, and the organisations and individuals representing them, which have influenced outcomes. Significant organisations representing different and sometimes competing interests have been community based groups, chiefly the naturalist and scientific bodies, bushwalking clubs and environmental organisations; tourism associations, industry interests, notably forestry, mining and hydro-electricity, federal, local and state governments and government agencies, notably the National P

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