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Artigos de revistas sobre o tema "Photography – Social aspects – History"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 19 de fevereiro de 2022

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1

Männig, Maria. "The Tableau Vivant and Social Media Culture." Acta Universitatis Sapientiae, Film and Media Studies 19, no. 1 (March 1, 2021): 132–55. http://dx.doi.org/10.2478/ausfm-2021-0009.

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Abstract The article aims to analyse the tableau vivant in social media culture by emphasizing its intermedial relation to technical visual media, particularly digital photography and film. By focusing on the living picture’s specific mimetic qualities, the study traces back the tableau vivant’s history in a media archaeological perspective primarily regarding photography. It explores the current revival of the tableau vivant within social media. The article examines living pictures and the aspect of self-staging, relevant to contemporary digital culture. The tableau vivant develops between tw

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Setiadi, Criscentia Jessica. "The Significance of Photography as Archives and Cultural Memory." Humaniora 8, no. 2 (April 30, 2017): 175. http://dx.doi.org/10.21512/humaniora.v8i2.3894.

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This research was conducted by using textual, qualitative approach while looking closer at the significant of the information that was produced in the form of photography. The aim of this research was to take a stance of the importance of photography as archives and cultural memory in its ability in promoting truths. Photography was observed as three forms; they were singular, plural, and archival. Singular forms suggested the selective association between the photographers and the photographs were taken. Plural formed resonance ideas and overall aspects in what sets of photography could bring

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Kong, Camillia. "Ethical dangers of facial phenotyping through photography in psychiatric genomics studies." Journal of Medical Ethics 45, no. 11 (July 30, 2019): 730–35. http://dx.doi.org/10.1136/medethics-2019-105478.

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Psychiatric genomics research protocols are increasingly incorporating tools of deep phenotyping to observe and examine phenotypic abnormalities among individuals with neurodevelopmental disorders. In particular, photography and the use of two-dimensional and three-dimensional facial analysis is thought to shed further light on the phenotypic expression of the genes underlying neurodevelopmental disorders, as well as provide potential diagnostic tools for clinicians. In this paper, I argue that the research use of photography to aid facial phenotyping raises deeply fraught issues from an ethic

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Abashev, Vladimir V. "VISUALIZING THE CITY IN ROOFTOPPING PHOTOGRAPHY." Ural Historical Journal 70, no. 1 (2021): 80–88. http://dx.doi.org/10.30759/1728-9718-2021-1(70)-80-88.

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The article examines the representation of the city in rooftopping photography. Methodologically, the research is based on A. Lefebvre’s concept of social space, and also M. de Certeau’s concept of spatial practices as agents of its production. The principal notions in this analytical framework employed in the article are the urban imaginary and the gaze in constructivist understanding, which not only reflects, but also forms the object of vision. Rooftopping photography is considered in the context of the history of the view of the city from above, which has become an important factor in the

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Kukiełko-Rogozińska, Kalina. "Following the Footprints of Edward S. Curtis: A Tale of the Vanishing Race." Przegląd Socjologii Jakościowej 16, no. 2 (May 31, 2020): 36–45. http://dx.doi.org/10.18778/1733-8069.16.2.03.

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In 2007, Marie Clements, a Canadian playwright, was asked to prepare a play about the cultural history of Canada. She decided to write a play about Edward S. Curtis, the author of an epic series of photographic works titled The North American Indian, published between 1900 and 1930. Clements invited to the project Rita Leistner, a Canadian photographer, who was responsible for the graphic aspect of the play. Her task was to recreate the way taken by Curtis while immortalizing scenes from the life of the indigenous peoples. Both artists took a fascinating journey following the footsteps of Curt

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Nordgaard, Ingrid. "Documenting/Performing the Vulnerable Body: Pain and Agency in Works by Boris Mikhailov and Petr Pavlensky." Contemporaneity: Historical Presence in Visual Culture 5 (November 30, 2016): 85–107. http://dx.doi.org/10.5195/contemp.2016.184.

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This article explores the concepts of pain and agency in the photography series Case History (1997–1998) by the Ukrainian photographer Boris Mikhailov, and in four performance-actions (2012–2014) by the Russian performance-activist Petr Pavlensky. Although they represent different generations and respond to different historical contexts, Mikhailov and Pavlensky share a focus on the wounded body. Taking both the documentary and performative aspects of these artworks into account, Nordgaard argues that the wounded body stands forth as a body of agency which also reflects the social, political, a

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Henderson, Linda Dalrymple. "Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century." Science in Context 17, no. 4 (December 2004): 423–66. http://dx.doi.org/10.1017/s0269889704000225.

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This issue of Science in Context presents a sampling of current work by art historians examining modern artists' engagement with science as well as the relationship of photography to both science and art. The essays' topics span the mid-to-later nineteenth century to the 1960s and, thus, in a series of case studies provide an introduction to aspects of artistic modernism. Indeed, it is impossible to understand fully many of the radical innovations of modern art without some knowledge of an artist's cultural context, and developments in science have often played a critical role in defining that

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Dingle, Lesley. "Legal Oral Histories in the Cambridge ESA: Some Examples of Researching Personal, Institutional and Social Developments." Legal Information Management 19, no. 3 (September 2019): 192–207. http://dx.doi.org/10.1017/s1472669619000458.

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AbstractThe Eminent Scholars Archive (ESA) was established to record aspects of the history of the Faculty of Law at Cambridge University. It is based on 28 interviews with scholars and, currently, has 66 hours of audio recordings and transcripts, but also includes over 800 photographs and numerous associated items including biographies, bibliographies, obituaries and eulogies. Entries for faculty members cover the period from WWII to the present, while 13 entries focus on the incumbent Goodhart Visiting Professor of Legal Science. The archive is a rich source of information for researching as

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Catravas, P., K. Bubriski, M. D. Frey, M. E. Hagerman, B. Cohen, J. J. McGee, and S. S. Bowser. "NanoGrande: Electron Microscopy Education and Outreach Through a Collaboration of Scientists and Artists." Microscopy Today 21, no. 2 (March 2013): 42–46. http://dx.doi.org/10.1017/s1551929513000023.

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NanoGrande is the culmination of an art-science effort that brought undergraduate students and faculty from science, engineering, and the visual arts together with professional microscopists of the Capital District Microscopy and Microanalysis Society for electron microscopy education and outreach. Students from two independent undergraduate courses, an advanced photography course and a microscopy laboratory course, collaborated on the project. The participants represented a wide range of majors, including chemistry, biology, electrical engineering, computer engineering, mechanical engineering

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Hoffmann, Christoph, and Barbara Wittmann. "Introduction: Knowledge in the Making: Drawing and Writing as Research Techniques." Science in Context 26, no. 2 (April 30, 2013): 203–13. http://dx.doi.org/10.1017/s0269889713000033.

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ArgumentDrawing and writing number among the most widespread scientific practices of representation. Neither photography, graphic recording apparatuses, typewriters, nor digital word- and image-processing ever completely replaced drawing and writing by hand. The interaction of hand, paper, and pen indeed involves much more than simply recording or visualizing what was previously thought, observed, or imagined. Both writing and drawing have the power to translate concepts and observations into two-dimensional, manageable, reproducible objects. They help to develop research questions and they op

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Harris, Anna, Andrea Wojcik, and Rachel Vaden Allison. "How to make an omelette: A sensory experiment in team ethnography." Qualitative Research 20, no. 5 (December 4, 2019): 632–48. http://dx.doi.org/10.1177/1468794119890543.

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Sensory ethnographers deploy methods such as drawing, video and photography in order to examine the more ineffable and non-representational aspects of practices. Usually, these studies are conducted by individual researchers who deal only with their own material. What happens when a team of ethnographers explores questions of a sensory or non-representational nature? How do they share their findings not only with their audiences, but also with each other? Team ethnography is becoming increasingly common across the social sciences and humanities, yet to date there has been little attention paid

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Jo'rayev, Sherali. "Description of photos dedicated to Bukhara in Dmitriev-Kavkazsky's work "In Central Asia"." Infolib 25, no. 1 (March 30, 2021): 64–71. http://dx.doi.org/10.47267/2181-8207/2021/1-048.

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This article will describe photographs in the style of etching, telling about the history, social and cultural life of Central Asia at the end of the XIX century. The data presented in the work of the author of Dmitriev-Kavkazsky’s drawings «On Central Asia»are analyzed. The specifics of the work are described separately. The photos are also compared with each other, and scientific conclusions are given. Information about the architectural structures of Bukhara, their description, construction and appearance will be given. Social relations in the emirate and interesting aspects of ethnographic

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Hoar, Peter. "Editorial." Back Story Journal of New Zealand Art, Media & Design History, no. 2 (December 1, 2017): 2–3. http://dx.doi.org/10.24135/backstory.vi2.18.

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Kia ora and welcome to the second issue of BackStory. The members of the Backstory Editorial Team were gratified by the encouraging response to the first issue of the journal. We hope that our currentreaders enjoy our new issue and that it will bring others to share our interest in and enjoyment of the surprisingly varied backstories of New Zealand’s art, media, and design history. This issue takes in a wide variety of topics. Imogen Van Pierce explores the controversy around the Hundertwasser Art Centre and Wairau Māori Art Gallery to be developed in Whangarei. This project has generate

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Kamola, Aleksander, Sebastian Różycki, Paweł Bylina, Piotr Lewandowski, and Adam Burakowski. "Forgotten Nazi Forced Labour Camps: Arbeitslager Riese (Lower Silesia, SE Poland) and the Use of Archival Aerial Photography and Contemporary LiDAR and Ground Truth Data to Identify and Delineate Camp Areas." Remote Sensing 12, no. 11 (June 3, 2020): 1802. http://dx.doi.org/10.3390/rs12111802.

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The “Riese” project was a huge construction project initiated by German Nazi authorities, which was located in the northeast of the Sowie Mountains (Ger. Eulengebirge) in southwestern Poland. Construction of the “Riese” complex took place in 1943–1945 but was left unfinished. Due to the lack of reliable sources, the exact intended function of the Riese complex is still unknown. The construction was carried out by prisoners, mostly Jews, from the main nearby concentration camps, KL Gross-Rosen and KL Auschwitz-Birkenau. Thanks to the discovery in the National Archives (NARA, USA) of a valuable

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Ayeni, Olubimpe A., Olubukunola O. Ayeni, and Robert Jackson. "Observations on the Procedural Aspects and Health Effects of Scarification in Sub-Saharan Africa." Journal of Cutaneous Medicine and Surgery 11, no. 6 (November 2007): 217–21. http://dx.doi.org/10.2310/7750.2007.00026.

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Background: Scarification involves cutting or making an incision into the skin and then allowing the wound to heal, leaving a permanent scar. The purpose of this article is to examine the origins of scarification and its social and medical significance in sub-Saharan Africa. Methods: We conducted a computerized search in the MEDLINE electronic database with combinations of the following terms: scarification, tribal marks, keloid, hypertrophic scar, Africa, and sub-Saharan Africa. Inclusion criteria were studies published in English involving human participants. We reviewed the bibliography of

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Bordeniuk, Serhii, and Viktoriia Byshovets. "Psychological Aspects of Social Photography." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 1 (June 30, 2021): 78–83. http://dx.doi.org/10.31866/2617-2674.4.1.2021.235089.

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The purpose of the research is to analyze the main features of social photography in the psychological aspect of the photographer. The research methodology is based on the application of a system-integrated approach to the review of this problem, within the framework of which a whole range of cultural, philosophical, psychological and professional qualities that affect viewers when viewing photographs is considered. The scientific novelty lies in the analysis of modern typological features and characteristics of social photography. The opinions of scientists from different times on issues of t

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Adeng, Adeng. "SEJARAH SOSIAL KOTA BEKASI." Patanjala : Jurnal Penelitian Sejarah dan Budaya 6, no. 3 (September 1, 2014): 397. http://dx.doi.org/10.30959/ptj.v6i3.171.

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AbstrakKegiatan penelitian dan penulisan sejarah sosial baru dilakukan sekitar tahun 1950-an, baik di negara-negara maju maupun di negara-negara yang sedang berkembang. Di negara-negara yang sedang berkembang seperti Indonesia, kegiatan penelitian dan penulisan Sejarah Sosial masih sedikit dilakukan terutama yang bercorak sejarah sosial daerah. Penelitian dan penulisan sejarah yang sering dilakukan bercorak Sejarah Politik dan Sejarah Militer. Sejarah politik isinya menguraikan tentang pemerintahan kerajaan-kerajaan di Indonesia, pada masa pemerintahan Belanda, dan pendudukan Jepang. Sejarah M

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du S. Read, Leslie. "Social Space in Ancient Theatres." New Theatre Quarterly 9, no. 36 (November 1993): 316–28. http://dx.doi.org/10.1017/s0266464x00008228.

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How do modern archeological discoveries mesh with and affect present views of ancient theatrical techniques – specifically, of the interrelationship between performers and audience? Looking especially at the ways in which the audience itself was able to interact through the construction of the areas devoted to its own accommodation and circulation, Leslie du S. Read here blends narrative comment and photographic illustration to create a picture of the essential sociability of ancient theatre spaces – an aspect usually ignored by scholars primarily concerned with dramaturgical techniques. Lesli

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Oliveira, Maria Augusta Martiarena de, and Giana Lange do Amaral. "A Escola de Agronomia e Veterinária Eliseu Maciel em fotografias: aspectos da história de uma instituição de ensino superior / The School of Agronomy and Veterinary Eliseu Maciel in photographs: aspects of the history of an higher education institution." Revista Pedagógica 14, no. 28 (June 6, 2013): 555. http://dx.doi.org/10.22196/rp.v14i28.1381.

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No âmbito da História da Educação, a pesquisa sobre história das instituições educacionais estabeleceu-se como um dos ramos em que existe maior produção historiográfica, ao mesmo tempo que ainda existe uma grande demanda de instituições a serem investigadas. A Escola de Agronomia eVeterinária Eliseu Maciel constitui-se em um estabelecimento educacional de renomada importância para a cidade de Pelotas (RS). A presente pesquisa analisa a história dessa instituição durante a Primeira República, utilizando-se de fotografias e textos divulgados na imprensa local. O objetivo dessa investigação resid

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Neiva, Maria de Jesus Lopes Mousinho, Benevina Maria Vilar Teixeira Nunes, Inez Sampaio Nery, and Silvana Santiago Da Rocha. "A CRIAÇÃO DO CONSELHO REGIONAL DE ENFERMAGEM DO PIAUÍ: ASPECTOS HISTÓRICOS." Enfermagem em Foco 7, no. 3/4 (February 7, 2017): 75–80. http://dx.doi.org/10.21675/2357-707x.2016.v7.n3/4.921.

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Objetivo: descrever as circunstâncias históricas que antecederam e viabilizaram a criação do Conselho Regional de Enfermagem do Piauí. Metodologia: é uma pesquisa histórico-social, fundamentada nos conceitos de história e memória, e de história oral. Utilizou-se fontes orais, que foram os depoimentos de oito colaboradoras, membros do Conselho no período do estudo e fontes escritas e iconográficas (atas, resoluções, jornais e fotografias), e fontes secundárias como artigos, livros e a legislação sobre o tema. Resultados: com a promulgação da Lei 5.905/1973, foram implantados os Conselhos Region

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Ferreira, Carlos Miguel, and Sandro Serpa. "Photography in Social Science Research." Journal of Educational and Social Research 10, no. 4 (July 10, 2020): 62. http://dx.doi.org/10.36941/jesr-2020-0065.

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Visual communication is critical in contemporary societies. Research in social sciences increasingly tends to mobilize the image, for example, in the form of photography, in its processes (in the collection and interpretation of information) and products (in the communication of research results), which leads to the need to reflect critically on its specificities. This paper aims to add to the analysis of the potentialities, limitations and challenges of the use of photography in social sciences research. For this purpose, the paper presents and discusses empirically collected documentary expr

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Pinho, Maria De Fátima de Morais, and Sônia Maria de Meneses Silva. "NO SILÊNCIO OBSEQUIOSO, PREPARO MINHA PRÓPRIA DEFESA PADRE CÍCERO: arquivista de si mesmo." Revista Observatório 3, no. 2 (April 1, 2017): 172. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n2p172.

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O presente trabalho tem por objetivo analisar a prática contumaz do padre Cícero Romão Baptista em, ao longo de sua trajetória religiosa e política, copiar e guardar todos os documentos escritos, hemerográficos e iconográficos, constituindo um considerável e consistente arquivo de si que dava conta, igualmente, de aspectos da história política, econômica e social não apenas da localidade em se estabelecera, Juazeiro do Norte, mas do Ceará e do Brasil nas primeiras décadas da República Velha. O chamado “grande arquivo do padre Cícero” é composto por cartas e telegramas tanto de natureza eclesiá

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Popple, Simon. "Photography, crime and social control." Early Popular Visual Culture 3, no. 1 (May 2005): 95–106. http://dx.doi.org/10.1080/17460650500057137.

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Bunting, Lynda, and Ani Matosian. "Classifying photography." Art Libraries Journal 36, no. 4 (2011): 44–49. http://dx.doi.org/10.1017/s030747220001720x.

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Photography has long been a part of the Library of Congress classification tables. At the time of its inclusion, photography was not considered an art form and thus was placed in the T – Technology schedule instead of the N – Fine Arts schedule. This article will discuss various aspects of photography classification, including its history, the reasons behind and development of alternative schedules, the challenges of classifying artists’ books with a photographic basis, and the feasibility of maintaining alternative schedules with the proliferation of shelf-ready books.

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Sousa, Gustavo Rugoni de. "Desafios em torno da pesquisa sobre o mobiliário escolar: uma conversa com Marcus Levy Bencostta." Revista Educação e Emancipação 13, no. 3 (December 9, 2020): 324. http://dx.doi.org/10.18764/2358-4319.v13n3p324-340.

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Nesta entrevista, Marcus Levy Bencostta, professor e pesquisador da Universidade Federal do Paraná, discorre sobre os aspectos que envolvem a produção historiográfica e a potencialidade em torno da construção de pesquisas que tomam como objeto de estudo o mobiliário escolar. Ao longo de sua trajetória profissional, Marcus Levy Bencostta tem elaborado um conjunto significativo de trabalhos acerca da História da Educação no Brasil e, mais precisamente, sobre a cultura material escolar, com a qual tem contribuído com referenciais analíticos utilizados por muitos pesquisadores que investigam a rea

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Gao, James Z. "Shooting Social Suffering: Photography and China's Human Disasters." Chinese Historical Review 18, no. 2 (September 2011): 99–124. http://dx.doi.org/10.1179/tcr.2011.18.2.99.

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Lange, Łucja. "An Attempt to Restore the Ordinary Death to the Visual Realm—Artistic, Therapeutic, and Ethical Aspects of the Post-Mortem Photography of Children in the 21st Century. Short Introduction." Qualitative Sociology Review 16, no. 3 (August 7, 2020): 106–16. http://dx.doi.org/10.18778/1733-8077.16.3.07.

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Post-mortem photography was a transcendental element in the 19th century, which not only democratized portraiture, but also helped in the bereavement process. The comeback of post-mortem photography as a psychological tool helping parents of deceased children to cope with death was only a matter of time. The role and importance of memento-moris has to be taken into account in order to make significant changes in the grieving process, but all of the aspects of this kind of photography need to be considered. The artistic, therapeutic, and ethical dimensions of post-mortem photography in the 21st

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Johnston, William. "The History of Japanese Photography (review)." Journal of Japanese Studies 31, no. 1 (2005): 248–52. http://dx.doi.org/10.1353/jjs.2005.0010.

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Pinheiro, Nuno. "Photographhy and social history: the use of photography as a source for history." Revista Estudos do Século XX, no. 11 (2011): 105–19. http://dx.doi.org/10.14195/1647-8622_11_7.

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Sushko, A. V., and D. I. Petin. "“Send Us Some Guns and Grenades ...”: Appeal of Young Ukrainian Nationalists from Siberia to Their Confederates from the OUN–UPA in Ukraine in 1950." Herald of an archivist, no. 1 (2021): 232–47. http://dx.doi.org/10.28995/2073-0101-2021-1-232-247.

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The article is to study the Soviet special services’ attempt to prevent youth extremist organization of Ukrainian nationalists deploying their activities in the Omsk region in early February 1951, as they expressed an obvious readiness wage an anti-Soviet fight using agitation and terror. It is based on the analysis of a completely unknown and previously unintroduced into scientific use historical source, which remains in departmental storage. The source is fully reproduced in the final part of the article. Its facsimile copy and photograph used in the article as an illustration is exhibited i

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Al Faruqi, Ismail, and Lamya’ Al Faruqi. "The Cultural Atlas of Islam." American Journal of Islam and Society 3, no. 1 (September 1, 1986): 169–70. http://dx.doi.org/10.35632/ajis.v3i1.2768.

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This magnifrcent book, published by Macmillan a month after the Faruqis’deaths, presents the entire world view of Islam-its beliefs, traditions, institutions,and its place in the cultures in which it has taken mot. THE CULTURALATLAS OF ISLAM is not only a comprehensive introduction to the Islamicexperience in history and the modern world. It is an authoritative and deeplyfelt statement of the faith of Islam, written for those of all faiths. Isma‘il andLois Lamya’ al Faruqi’s book is, in fact, Islam explaining itself.Rich with more than 300 photographs, drawings, and other illustrations,and wit

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STREET, RICHARD STEVEN. "Lange's Antecedents: The Emergence of Social Documentary Photography of California's Farmworkers." Pacific Historical Review 75, no. 3 (August 1, 2006): 385–428. http://dx.doi.org/10.1525/phr.2006.75.3.385.

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Photographers focusing on California farmworkers are often described as heirs to a tradition that emerged midway through the Great Depression, mainly from the heroic efforts of one iconic photographer, Dorothea Lange. By calling attention to a diverse group of underappreciated antecedents who have never been linked together, this article presents a more sequential, less tidy account of how social documentary photography focused on farmworkers in the Golden State in the years before Lange moved out of her studio into the countryside. Without ever referring to their work as social documentary ph

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Caicedo Barreto, Sandra Liliana. "Photography as a Visual Literacy Tool." Colombian Applied Linguistics Journal, no. 8 (June 2, 2016): 228. http://dx.doi.org/10.14483/22487085.10514.

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This article is an attempt to show some theoretical issues founded on how visual literacy processescome about through a photography project. The framework explained is based on Wendy Ewald’s literacythrough photography study (LTP), and on Freire’s reading conception which stare at literacy as a processfor social inclusion. Further a literature review, I provide some practical aspects based on a visual literacyexperience carried out in a private school in Bogotá. Likewise, I describe some key moments of the visualliteracy process that can be developed by an image’s viewer. All this process is b

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Tok, Selay Yurtkuran, Ian Kaplan, and Yavuz Taneli. "Photography in architectural education: A tool for assessing social aspects of the built environment." Procedia - Social and Behavioral Sciences 2, no. 2 (2010): 2583–88. http://dx.doi.org/10.1016/j.sbspro.2010.03.377.

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Setayesh, Saeedeh Rahman, and Mahgan Farhang Khaghanpour. "Sociology of Social Documentary Photography in Forming Social Movements and its Effect on Iran Islamic Revolution." Journal of Arts and Humanities 6, no. 4 (March 27, 2017): 10. http://dx.doi.org/10.18533/journal.v6i4.1114.

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<p>Photography is taken as one of the modern disciplines of the art world. Social documentary photography, with its realistic, impartial and truthful nature, is aimed at keeping a record of social events. It is a document of an event happened in front of the camera which may symbolize history and identity of a society. As a science, sociology has emerged concurrently. Sociology of art is aimed at introducing the art or style of a given era which has been created by a given society. Reflection and formation are two significant approaches of sociology of art. It is aimed to highlight the e

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Sichel, Kim, and Maren Stange. "Symbols of Ideal Life: Social Documentary Photography in America, 1890-1950." Journal of American History 77, no. 2 (September 1990): 689. http://dx.doi.org/10.2307/2079269.

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Moeller, Susan, and Maren Stange. "Symbols of Ideal Life: Social Documentary Photography in America, 1890- 1950." American Historical Review 95, no. 4 (October 1990): 1274. http://dx.doi.org/10.2307/2163662.

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Dorofeeva, Yuliya, and Aleksey Moiseev. "Systematization of theory and methodology for teaching advertising and portrait photography based on the Russian experience." E3S Web of Conferences 210 (2020): 18112. http://dx.doi.org/10.1051/e3sconf/202021018112.

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This article aims at systematizing the key methods, principles, and approaches that underlie the proprietary integrated methodology for teaching advertising and portrait photography. Summarizing the authors’ wealth of educational expertise and successful experiments in teaching photography in Russia has become the primary objective of this article. The main research methods we employed were as follows: comparative analysis and pedagogical experiment (ascertaining, searching, educational). Findings: Essential aspects of the proprietary integrated methods of teaching advertising and portrait pho

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Mitchell, Daniel Jon. "Reflecting nature: chemistry and comprehensibility in Gabriel Lippmann's ‘physical’ method of photographing colours." Notes and Records of the Royal Society 64, no. 4 (October 13, 2010): 319–37. http://dx.doi.org/10.1098/rsnr.2010.0072.

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The origins of colour photography are typically traced to mid-nineteenth-century ‘three-colour’ processes based on a mixture of three primary colours. At the time, however, images produced by these means were pejoratively labelled ‘photographs in colours’ and not ‘colour photographs’ because they did not result solely from the direct action of light. In 1891, the French physicist Gabriel Lippmann claimed to have developed a direct, ‘physical’ method of colour photography, which the French industrialists Auguste and Louis Lumière subsequently improved. This article charts the rise and fall of s

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Halilović, Muamer. "Philosophical and social aspects of al Ya'qubi's history." Kom : casopis za religijske nauke 8, no. 2 (2019): 85–113. http://dx.doi.org/10.5937/kom1901085h.

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Sheehi, Stephen. "A SOCIAL HISTORY OF EARLY ARAB PHOTOGRAPHY OR A PROLEGOMENON TO AN ARCHAEOLOGY OF THE LEBANESE IMAGO." International Journal of Middle East Studies 39, no. 2 (May 2007): 208a. http://dx.doi.org/10.1017/s0020743807070341.

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This article examines Arab photography in Ottoman and Mandate Lebanon. It begins to explain how the photographic image naturalized the discourses of individualism, class identity, and nationalism that were germinated in the political economy and the organic intellectual culture of the late Ottoman Empire. Inspired less by Orientalist imagery or mimicry of the West than by specific ideological planks of capitalism and modernity, images produced by professionals Sabunji and the Kovas and such amateurs as Salim Abu Izz al-din and Marie Khazen instituted a new process of desiring capitalist produc

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Horevalov, Serhiy, and Natalia Zykun. "Photography and Development of Photo Industry in Ukraine: History and Modernity (to the 180th Anniversary of Photography)." Scientific notes of the Institute of Journalism, no. 1 (76) (2020): 53–65. http://dx.doi.org/10.17721/2522-1272.2020.76.4.

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In the article the multi-subject phenomenon of photography, which clearly combines the fea-tures of a document, a work of art, modern technologies and a means of communication is stud-ied in the diachronic aspects using the methods of comparative analysis, systematization and generalization. It summarizes the information about the long history of photography as a form of fixation of reality, as a way of storing and transmitting information. The changes in functional and instru-mental characteristics of photography are outlined. The rapid expansion of the direction of development of photography

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ENGEL, ELISABETH. "Southern Looks? A History of African American Missionary Photography of Africa, 1890s–1930s." Journal of American Studies 52, no. 2 (May 2018): 390–417. http://dx.doi.org/10.1017/s002187581700192x.

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This article traces and analyzes the missionary photography of the African Methodist Episcopal Church (AME), the most important independent black American institution that began to operate in colonial South Africa at the onset of the politics of racial segregation in the 1890s. It argues that AME missionary photography presents a neglected archive, from which a history of black photographic encounters and a subaltern perspective on the dominant visual cultures of European imperialism and Christian missions in Africa can be retrieved. Focussing in particular on how AME missionaries deployed tro

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Woźny, Jacek. "Archeology as a Metaphor in Contemporary Culture." Qualitative Sociology Review 17, no. 1 (February 8, 2021): 28–38. http://dx.doi.org/10.18778/1733-8077.17.1.3.

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The scientific discipline of archeology has gone through various stages of its development and improvement of research methods. First, it was combined with ancient history and the history of art. In the mid-nineteenth century, the base of its chronology was on biblical events. Modernist archeology of the twentieth century focused on classifying monuments and reconstructing cultural processes. In the second half of the twentieth century, archeology inspired other disciplines of culture and science to “stratigraphically” look at their own history. In this way, the stratification of scientific th

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Brown, Douglas A. "The modern romance of mountaineering: Photography, aesthetics and embodiment." International Journal of the History of Sport 24, no. 1 (December 2006): 1–34. http://dx.doi.org/10.1080/09523360601005389.

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Mazur, Adam. "Brief Glimpses of Beauty. Thinking about the History of Lithuanian Photography." Acta Academiae Artium Vilnensis, no. 99 (July 5, 2021): 342–62. http://dx.doi.org/10.37522/aaav.99.2020.21.

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   The article proposes a critical rethinking of the multi-layered phenomenon of Lithuanian photography. From the beginning, in the 19th century Lithuanian photography cherished an exceptional status within a cultural landscape, being considered a vehicle of lofty, patriotic emotions. The article is reassessing the social and cultural role of Lithuanian photo- graphers and is looking into a symptomatic lack of synchronicity with the medium’s grand narratives. The Lithuanian history of photography seems to be a consistent and exceptional narrative developed within a relative-

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Steckel, Richard H. "Big Social Science History." Social Science History 31, no. 1 (2007): 1–34. http://dx.doi.org/10.1017/s0145553200013638.

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Social science historians engage in relatively few large, collaborative projects, yet many of their activities, especially data collection and several aspects of analysis, benefit from what economists call economies of scale. Here I briefly review the historical background of big projects, place research by social science historians in perspective relative to other disciplines, and ponder possible explanations for the dearth of collaborative efforts. Large projects are not to everyone’s taste, and they demand vision, logistical skills, and fund-raising. In conclusion, I suggest 15 large projec

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Bradley, John, Philip Adgemis, and Luka Haralampou. "“Why Can't They Put Their Names?”: Colonial Photography, Repatriation and Social Memory." History and Anthropology 25, no. 1 (July 9, 2013): 47–71. http://dx.doi.org/10.1080/02757206.2013.813851.

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Hayes, MicheÃ¡l. "Indigenous Otherness: Some Aspects of Irish Traveller Social History." Éire-Ireland 41, no. 3 (2006): 133–61. http://dx.doi.org/10.1353/eir.2007.0006.

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Sanderson, Steven E., Clark W. Reynolds, and Carlos Tello. "U.S.-Mexico Relations: Economic and Social Aspects." Hispanic American Historical Review 68, no. 3 (August 1988): 627. http://dx.doi.org/10.2307/2516563.

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