Bibliografias temáticas / Poets, Australian 20th century

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Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 29 de janeiro de 2023

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Artigos de revistas sobre o assunto "Poets, Australian 20th century"

Furaih, Ameer Chasib. "A Poetics of De-colonial Resistance: A Study in Selected Poems by Evelyn Araluen Cor." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 12, no. 02 (2022): 439–56. http://dx.doi.org/10.37648/ijrssh.v12i02.029.

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First Nations peoples in Australia, as in many other colonized countries, were forced to acquired English soon after the arrival of the colonists in their country during the second half of the 18th century. In response to their land dispossession, Indigenous Australian poets adopted and adapted the language and literary forms of colonists to write a politicized literature that tackles fundamental subjects such as land rights, civil, and human rights, to name but a few. Their literary response can be traced back to the early 1800s, and it had continued through the 20th century. One example is t

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Hoang, Mai. "Trần Dần: Selected Poetry Translations". Columbia Journal of Asia 1, № 1 (26 квітня 2022): 15–33. http://dx.doi.org/10.52214/cja.v1i1.9383.

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After Trần Dần criticized the poetry collection of Tỗ Hữu, a politician—calling his magnum opus a manual collection of propaganda and leadership—Tỗ Hữu assembled 150 poets and party intellectuals to criticize the poet, declaring Trần Dần and likeminded writers guilty of petty bourgeoisie. In February 1956, Trần Dần was purged from the party and sent to the infamous Hanoi Prison. Though he was released after an attempted suicide, Trần Dần was suspended from the Union of Arts and Literature for the next thirty years. In other words, for most of the poet's life, his works never saw the light of d

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Boltivets, Sergii. "EDUCATION AS HARMONY INTELLIGENCE AND HEALTH." Problems of Psychology in the 21st Century 12, no. 2 (December 25, 2018): 60–62. http://dx.doi.org/10.33225/ppc/18.12.60.

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The emergence of a public request for the realization of special abilities of a person, focused on children, is typical for countries where awareness of their own intellectual backwardness has become a consequence of comparison with others. This is the so-called post-totalitarian or, more specifically, post-communist countries, different from the free world, as thoroughly proved by the study "Psychotherapy in the Western World and in the USSR" (1973) by one of the most prominent hypnotherapists and psychotherapists of the world Dr. Eugene Hlywa (Sydney, Australia). In particular, a definite st

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García, María Isabel Maldonado. "The Spanish Women Poet’s Contribution To The Literature Of The 20th Century." Pakistan Journal of Gender Studies 10, no. 1 (March 8, 2015): 129–43. http://dx.doi.org/10.46568/pjgs.v10i1.230.

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The 20th century offers us a wealth of literary authors. The Spanish poets of the 20th century that usually come to mind are mainly male due to the fact that the female poets never received proper recognition and were ignored for many years. The historical events of the 20th century could have ceasedthe literary works of the Spanish authors. However, instead, the Spanish utilized the poetry of protest as a means of rebelling towards their social reality. Not only male poets but also women were extremely prolific in their craft. First during the Civil War and after during the thirty six years o

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정소연. "Poets' Translation on Traditional Hansi in the 20th Century." HANMUNHAKRONCHIP: Journal of Korean Literature in Chinese 51, no. ll (October 2018): 59–85. http://dx.doi.org/10.17260/jklc.2018.51..59.

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Mustafayeva, Nailya B. "Stanza form of mukhammas in Azerbaijan lyrics in 20th century." Neophilology, no. 21 (2020): 76–84. http://dx.doi.org/10.20310/2587-6953-2020-6-21-76-84.

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In Azerbaijan literature of the early 20th century mukhammas were created, they were distinguished by the search for new forms and the problematic range. For example, Sabir began mukhammas with beit (couplets) of tarji, repeated it at the end of each stanza. Many other poets repeated a similar technique afterwards. There are other features of the mukhammas of the specified period; the topic in general covered lyric and poetic, patriotic, social and political, philosophical, and religious issues. The patriotic mukhammas included a description of the nature beauties, the motherland defenders cou

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Kuttybaev, Sh, and Е. Abdimomynov. "TRADITION AND INNOVATION IN MODERN KAZAKH POETRY (XX century and independence)." BULLETIN Series of Philological Sciences 76, no. 2 (September 15, 2021): 118–28. http://dx.doi.org/10.51889/2021-2.1728-7804.15.

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The article analyzes views on innovation in the literary science of the early twentieth century and the work of Alash representatives in an era that is a period filled with profound changes and large-scale innovations in Kazakh society. In addition, works related to freedom, enlightenment, politics, spiritual values, the position of the people as a whole and social changes are considered the idea of independence and continuity. On the way of evolutionary development of the Kazakh literature, artistic power, thematic and ideological character, substantial and stylistic features of poetry of poe

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Janowska, Karolina. "Amor udrí – la poesía cortesana árabe en la Península Ibérica." Forum Filologiczne Ateneum, no. 1(7)2019 (December 31, 2019): 323–42. http://dx.doi.org/10.36575/2353-2912/1(7)2019.323.

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The poetry of Arab-Andalusian poets is a bridge between Eastern and Western culture. Its roots date back to the sixth century, when the first Bedouin songs resounded in the limitless areas of the Arabian desert. His echoes resounded in the poetry of Provençal troubadours. Traces of this poetry can be found in the works of Renaissance poets, including Petrarc. Elements of Andalusian poetry were also visible in the poetry of the Spanish court since the 16th century. The characteristic poetic forms still appeared in 20th century poetry – at least one of the most outstanding Spanish poets, Federic

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Mieder, Wolfgang. "The Poets' Grimm: 20th Century Poems from Grimm Fairy Tales (review)." Marvels & Tales 18, no. 2 (2004): 331–35. http://dx.doi.org/10.1353/mat.2004.0046.

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Moody, Ivan. "Mensagens: Portuguese Music in the 20th Century." Tempo, no. 198 (October 1996): 2–10. http://dx.doi.org/10.1017/s0040298200005313.

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These lines of Fernando Pessoa (1888–1935), the great poet of Portuguese modernism, may seem at first sight to invoke the principal element of fado, Portugal's national music: the element represented by that famously untranslatable word suadade, implying longing, nostalgia, homesickness … However, they hide far deeper resonances. Mensagen (Message), the poetic sequence from which they come, is a profound exploration of Portugal's history, a modern counterpart to Camoens's great 16th-century epic The Lusiads. It is connected to the nationalist Integralismo Lusitano movement, and to Sebastianism

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Teses / dissertações sobre o assunto "Poets, Australian 20th century"

Buchanan, David. "Contextual thesis Part I & Part II : Book of poems, "Looking off the Southern Edge" ; Stage play (full-length): Ecstasis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1015.

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This thesis, which accompanies my book of poems Looking Off the Southern Edge and my full-length stage play Ecstasis, is submitted in two parts: Part-I and Part-II. Part-l contextualises the writing practice of the above poems in considering the epistemological, autobiographical and landscape contexts of my poetry. Part-I then discusses how the poetry is involved in the process of decentring subjectivity within the southern India/Pacific arena. It should be pointed out that Part-I was submitted and marked last year, as the first year component of the Master of Arts (Writing) course. It is incl

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Burke, Andrew. "Two collections of poetry, Whispering gallery [and] Flight log: Selected Poems 1967-2001: Plus an Essay: The Roots of My Writing." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/291.

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This presentation includes two collections of poetry and one essay. There are two collections of poetry because one of them, Flight Log, is a 'Selected Poems' which necessarily includes much work not written during the course of my MA. However, I contend that the process of constructing a 'selected' collection is as creative as the editing process one knows through writing poetry, and that respect for one former creativity is a vital part of the artist's continuing productivity. The new manuscript, Whispering Gallery, is the text of my fifth book, published by Sunline Press in November 2001. O

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Cooley, Shevaun. "Homing : poetry ; &, An essay on the poetic leap in the late work of R.S. Thomas." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/850.

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Homing, as a collection, speaks to the capacity and yearning to navigate our way towards something we might call home. In animal behaviour, this seems like an instinct, hard-wired to the body. It is something I envy. By comparison, the instinct, in human behaviour, feels muffled and complicated. These poems move between two places in which I feel ‘at home’, whatever that means: the south-west of Western Australia, where I was born and raised, and the north-west of Wales, where I lived for a time, and find myself returning to, drawn not by blood, but by longing, and a deep affinity for the land

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Papanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /." London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Dowd, Ann Karen. "Elizabeth Bishop: her Nova Scotian origins and the portable culture of home." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238427.

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Gleeson, Damian John School of History UNSW. "The professionalisation of Australian catholic social welfare, 1920-1985." Awarded by:University of New South Wales. School of History, 2006. http://handle.unsw.edu.au/1959.4/26952.

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This thesis explores the neglected history of Australian Catholic social welfare, focusing on the period, 1920-85. Central to this study is a comparative analysis of diocesan welfare bureaux (Centacare), especially the Sydney, Melbourne and Adelaide agencies. Starting with the origins of professional welfare at local levels, this thesis shows the growth in Catholic welfare services across Australia. The significant transition from voluntary to professional Catholic welfare in Australia is a key theme. Lay trained women inspired the transformation in the church???s welfare services. Prepared pr

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Park, Christopher 1966. "La modernité poétique des femmes chinoises : écriture et institution." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56656.

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Women's poetic writing in modern China, its context and position in literary history as well as its ideological and social constitution are at the root of this thesis' subject. Having stated my intellectual and personal limitations regarding its writing as an introduction, examples of contemporary women's poetic text will serve to broaden its conclusion. My analysis begins with a reflection on its own terminology in philosophical debate, followed by a study of the modernist background that from 1977 leads to what is termed as neo-modernity in literature. A paradox in the women's avant-garde of

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Slaymaker-Jones, Lois. "Dylanwad gwaith Waldo Williams a'r ymateb iddo er 1971." Thesis, Swansea University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678532.

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Riley, Peter. "Moonlighting in Manhattan : American poets at work 1855-1930." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610494.

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Gibson, Donald. "Twentieth-century poetry and science : science in the poetry of Hugh MacDiarmid, Judith Wright, Edwin Morgan, and Miroslav Holub." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/8059.

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The aim of this thesis is to arrive at a characterisation of twentieth century poetry and science by means of a detailed study of the work of four poets who engaged extensively with science and whose writing lives spanned the greater part of the period. The study of science in the work of the four chosen poets, Hugh MacDiarmid (1892 – 1978), Judith Wright (1915 – 2000), Edwin Morgan (1920 – 2010), and Miroslav Holub (1923 – 1998), is preceded by a literature survey and an initial theoretical chapter. This initial part of the thesis outlines the interdisciplinary history of the academic subject

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Livros sobre o assunto "Poets, Australian 20th century"

Elizabeth, Gurr, and De Piro Celia, eds. 19th & 20th century women poets. Oxford: Oxford University Press, 1997.

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McCallum, John. Belonging: Australian playwriting in the 20th century. Sydney: Currency Press, 2009.

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Schofield, Anne. Australian jewellery: 19th and early 20th century. Woodbridge: Antique Collectors' Club, 1990.

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McCallum, John. Belonging: Australian playwriting in the 20th century. Sydney: Currency Press, 2009.

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Belonging: Australian playwriting in the 20th century. Sydney: Currency Press, 2009.

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Schofield, Anne. Australian jewellery: 19th and early 20th century. Woodbridge, Suffolk: Antique Collectors Club, 1991.

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Korada, Suryanarayana, Satapathy Harekrishna 1956-, and Rāṣṭrīyasaṃskr̥tavidyāpīṭhaṃ Tirupati, eds. 20th century Sanskrit poets and their contribution. Tirupati: Rashtriya Sanskrit Vidyapeetha, 2010.

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Ellen, Snodgrass Mary. CliffsNotes American Poets of the 20th Century. New York: John Wiley & Sons, Ltd., 2000.

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Richard, McKane, ed. Ten Russian poets: Surviving the 20th century. London: Anvil Press Poetry, 2003.

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Harold, Bloom. Twentieth-century British poets. New York: Bloom's Literary Criticism, 2011.

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Capítulos de livros sobre o assunto "Poets, Australian 20th century"

Belasky, Paul. "“Pochveniks”—“The Poets of The Soil”: The Geological School of 20th Century Poetry in Leningrad, USSR (St. Petersburg, Russia)." In Soil and Culture, 173–204. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2960-7_12.

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Toner, Kieron. "The cart before the horse? Australian exchange rate policy and economic reform in the 1980s." In Exchange Rates and Economic Policy in the 20th Century, 172–200. Routledge, 2017. http://dx.doi.org/10.4324/9781315255729-6.

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O'Donoghue, Bernard. "5. Poets and readers." In Poetry: A Very Short Introduction, 112–24. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199229116.003.0005.

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‘Poets and readers’ is concerned with the respective roles of poets and readers in the creation of meaning as well as the function of critics and readers: a function that has attained increasing prominence in the 20th century and since, with the emergence of theories of reader response and the reception of poetry. Is the term poet reserved for a kind of elect or is it a name anyone can aspire to? The whole question of authorship and authority is also considered: whether the poem generally—or ever—speaks in the voice of the poet, and how that voice may relate to its audience.

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Kuo, Mei-fen. "Reading Gender in Early Chinese Australian Newspapers." In Locating Chinese Women, 27–44. Hong Kong University Press, 2021. http://dx.doi.org/10.5790/hongkong/9789888528615.003.0002.

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Although women were largely absent from male-dominated Chinese community discussions on democratic values, brotherhood, diaspora unity, and Han-identity nationalism, they were not absent from Chinese Australians’ modern social life from the end of the 19th century to the beginning of the 20th century. By examining public comments and views in Chinese Australian newspapers regarding gender as a new social relationship, this chapter argues that the newspapers provide a window through male narratives that now enables us to espy how the Chinese population deliberated women’s social role and the way it was changing. The chapter aims to uncover through an investigation of the historic records, in the social life of Chinese Australians, the male-dominated view of gender role reconciled on the one hand the desire to segregate women from public discussions and participation, and on the other the need to involve women’s presence to demonstrate respectability and social standing to meet Australian social expectations. These public narratives and social networks provide a new approach to apprehending the nature and importance of Chinese Australian social life.

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Smith, Adam, Minna Korhonen, Haidee Kotze, and Bertus van Rooy. "Modal and Semi-modal Verbs of Obligation in the Australian, New Zealand and British Hansards, 1901–2015." In Exploring the Ecology of World Englishes in the Twenty-first Century, 301–23. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474462853.003.0015.

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Research by Adam Smith, Minna Korhonen, Haidee Kotze and Bertus van Rooy is reported in this longitudinal study of changes in the language of parliamentary discourse, focusing on the modals and semi-modals of obligation: must, should, need to, have to. The researchers used a large diachronic corpus of material from the three regional Hansards (Australian, New Zealand and British), to compare the profiles of modal usage at five key points from the early 20th to 21st century. They found overall declining frequencies for must, should and have to in all three Hansards, but also remarkably high levels and peaks in Australian and New Zealand usage when the subject of the verb was we or the Government. Some of these co-occur with key points in national history, suggesting waves of collective sentiment in parliamentary rhetoric and setting national priorities. Other contextual factors – such as changing editorial conventions, and newer parliamentary practices in presenting speeches and broadcasting debates – may also have modulated the expression of obligation in individual Hansards over time.

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Yu, Timothy. "The Multicultural Cringe." In Diasporic Poetics, 70–113. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867654.003.0004.

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The category of the “Asian Australian” has emerged only in recent years, as the exclusionary “White Australia” policy gave way in the late-twentieth century to substantial waves of Asian immigration. Journals and anthologies from the mid-2000s onward have employed the idea of “Asian” identification with an eye on North American examples and shared history, but also with a discomfort with US-style “identity politics.” Ouyang Yu, among the first and best-known Asian Australian poets, is harshly critical of Australian multiculturalism, seeing it as a means of continuing to exclude non-white writers from Australian writing; remaining suspicious of any notion of belonging, his work instead presents itself as a kind of “invasion literature” that seeks to disrupt the English language.

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Conners, Carrie. "Introduction." In Laugh Lines, 3–18. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496839534.003.0001.

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The introduction shows that humor became a powerful political tool during the last half of the 20th century for poets who fought, or at least scoffed at, the establishment and dominant cultural narratives. Poets, like many stand-up comics working contemporaneously, voiced controversial issues, spoke for marginalized people, and encouraged others to explore difficult subjects through their humor. For grounding, it surveys different types of poetry widely recognized as political and offers a brief synopsis of how theories of humor facilitate analysis of political critiques. The introduction posits that the interplay between humor and poetic genre creates special opportunities for political critique as poetic genres invoke the social constructs that the poets deride. It concludes that integral to the humor in the poetry analyzed in the book is the hope that if we laugh at what is wrong with our world and ourselves, we might be inspired to try and make things right.

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Saunders, Peter. "The development, value and application of budget standards: reflecting on the Australian experience." In Minimum Income Standards and Reference Budgets, 139–54. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447352952.003.0010.

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This chapter draws attention to Australia's very rich tradition of family budget research, which was associated with the Social Policy Research Centre. It explains that the idea of a basic living standard enshrined in wage laws became a reality in Australia at the start of the 20th century. It also charts the history of budget standards research in Australia, focusing on the four major studies that were coordinated during the 1990s, 2000s and 2010s. The chapter looks at the latest work that relates to the budget for healthy living and combines public health knowledge and focus group deliberations. It concludes that budget standards only provide a rough-and-ready adequacy benchmark, which should be used with care and in conjunction with other measurement approaches to living standards whenever possible.

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Andreiushkina, Tatiana N. "Russian Poetry in Museum der modernen Poesie (1960/2002) by Hans Magnus Enzensberger: Translation as “a Dialect of the Universal Language of Poetry”." In Russia – Germany: Literary Encounters (after 1945), 749–66. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0683-3-749-766.

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The article deals with a part of the anthology of Hans M. Enzensberger, which is dedicated to Russian poets Velimir Khlebnikov, Vladimir Mayakovski, Sergey Yesenin, Leonid Pasternak, Osip Mandelstam. We also analyze the Afterword to Museum, where the author sets out his views on world poetry of the first half of the 20th century, in particular on the avant-garde poetry. The second part of the article is dedicated to the analysis of Enzensberger`s novel Tumult (2014, transl. 2018) and his attitude to Russian poetry.

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Giraud, Paul-Henri. "El otro, nosotros y yo." In Diaspore. Venice: Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-396-0/019.

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Mexico saw a dramatic rise in violence during the first two decades of the 20th century. While mass media news (tabloid papers, television, internet) fed its audience what Octavio Paz called “the same dish of blood” day after day, these outbreaks of violence found a more internalised and subjective echo in works of poetry. Yet, how can one speak in the first person in the face of horror? What does it mean for poetry to say ‘I’ or indeed ‘we’ in these circumstances, at the risk of veering into civic and patriotic reflections? This article examines the challenges raised by these questions through the works of four contemporary Mexican poets.

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Trabalhos de conferências sobre o assunto "Poets, Australian 20th century"

Carter, Nanette. "The Sleepout." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3999pm4i5.

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Going to bed each night in a sleepout—a converted verandah, balcony or small free-standing structure was, for most of the 20th century, an everyday Australian experience, since homes across the nation whether urban, suburban, or rural, commonly included a space of this kind. The sleepout was a liminal space that was rarely a formal part of a home’s interior, although it was often used as a semi-permanent sleeping quarter. Initially a response to the discomfort experienced during hot weather in 19th century bedrooms and encouraged by the early 20th century enthusiasm for the perceived benefits

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Moulis, Antony. "Architecture in Translation: Le Corbusier’s influence in Australia." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.752.

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Abstract: While there is an abundance of commentary and criticism on Le Corbusier’s effect upon architecture and planning globally – in Europe, Northern Africa, the Americas and the Indian sub-continent – there is very little dealing with other contexts such as Australia. The paper will offer a first appraisal of Le Corbusier’s relationship with Australia, providing example of the significant international reach of his ideas to places he was never to set foot. It draws attention to Le Corbusier's contacts with architects who practiced in Australia and little known instances of his connections

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Valero, Alicia, Antonio Valero, and Inmaculada Arauzo. "Exergy as an Indicator for Resources Scarcity: The Exergy Loss of Australian Mineral Capital — A Case Study." In ASME 2006 International Mechanical Engineering Congress and Exposition. ASMEDC, 2006. http://dx.doi.org/10.1115/imece2006-13654.

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Over the span of the 20th century, the global demand for metals and minerals has increased dramatically. This is associated with a general trend of declining ore grades from most commodities, meaning higher quantities of ore needed to be processed and thus more energy. Hence, quantifying the loss of mineral capital in terms of mass is not enough since it does not take into account the quality of the minerals in the mine. Exergy is a better indicator than mass because it measures at the same time the three features that describe any natural resource: quantity, composition and a particular conce

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Relatórios de organizações sobre o assunto "Poets, Australian 20th century"

Kholoshyn, I., T. Nazarenko, O. Bondarenko, O. Hanchuk, and I. Varfolomyeyeva. The application of geographic information systems in schools around the world: a retrospective analysis. IOP Publishing, March 2021. http://dx.doi.org/10.31812/123456789/4560.

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The article is devoted to the problem of incorporation geographic information systems (GIS) in world school practice. The authors single out the stages of GIS application in school geographical education based on the retrospective analysis of the scientific literature. The first stage (late 70 s – early 90s of the 20th century) is the beginning of the first educational GIS programs and partnership agreements between schools and universities. The second stage (mid-90s of the 20th century – the beginning of the 21st century) comprises the distribution of GIS-educational programs in European and

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