Bibliografias temáticas / Rain man (Motion picture)

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Literatura científica selecionada sobre o tema "Rain man (Motion picture)"

Autor: Grafiati

Publicado: 29 de julho de 2024

Última modificação: 31 de julho de 2025

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Artigos de revistas sobre o assunto "Rain man (Motion picture)"

علي, زينب عبد الرضا. "صورة الرجل في مجموعة (العربة والمطر) للقاصة (بديعة أمين)". Journal of the College of Islamic Sciences 69 (30 березня 2022): 497–536. http://dx.doi.org/10.51930/jcois.21.69.0497.

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The research aims to monitor the image of the man in the group (The Cart and the Rain) by the storyteller (Badiaa Amin); With the aim of highlighting an aspect of feminist writing, especially with regard to the relationship of women to men, and determining the form adopted by the storyteller in drawing the features of men. The research used the descriptive-analytical method in the space of its textual formation, which aims to stand on the text and deconstruct its narrative significance. To provide a comprehensive picture of it. Three images of the man appeared in the group's stories, represent

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Falola, Toyin. "Tunde Kelani: The Man Exceeds the Frame." Yoruba Studies Review 4, no. 1 (2021): 1–7. http://dx.doi.org/10.32473/ysr.v4i1.130037.

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The extraordinary announcement, coming from the Federal University of Agriculture, Abeokuta, that ace filmmaker Kelani will now be based there as a Fellow is heartwarming. The news reveals the warmth and uniqueness of the University’s boundless imaginations and the humanistic vision of its Vice-Chancellor, Professor Kolawole Salako. The news of this deserving appointment follows on the heels of Kelani receiving the prestigious Leopold ́ Sédar Senghor Prize for African Cultural Creativity and Impact in July, 2019 at the annual TOFAC event at Babcock University. In that same month, he was also

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Segercrantz, Mikael, and Tapio Rantala. "Helsinki Court of Appeals prohibits the screening and distribution of the motion picture ‘Man Exposed’ (Riisuttu mies)." Journal of Intellectual Property Law & Practice 2, no. 7 (2007): 435–36. http://dx.doi.org/10.1093/jiplp/jpm085.

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Kalichová, Miriam, Sylva Hřebíčková, and Romana Labounková. "3D kinematická analýza bikrosového startu." Studia sportiva 6, no. 1 (2012): 35–44. http://dx.doi.org/10.5817/sts2012-1-4.

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Th e paper deals with techniques bicross start. Th e aim of this study is to analyse particular phases of BMX start through cinematographic metod and to evaluate basic cinematic parameters of fi rst movements. For scanning the picture we used two high-frequency synchronized digital cameras SIMI MOTION Version 7. Th e bicross start was performed by two representatives of the Czech Republic, one man and one woman. Th e result of our study is a distribution of start movement to fi ve basic phases. According to kinematic parameters of initial movements we compared diff erences between start techni

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Herbert, Stephen. "The man who stopped time: The illuminating story of Eadweard Muybridge – Pioneer photographer, father of the motion picture, murderer." Early Popular Visual Culture 7, no. 1 (2009): 106–8. http://dx.doi.org/10.1080/17460650902775450.

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Conti, Luca, Kelly Gatt, Christopher Zammit, and Karen Cassar. "Kounis syndrome uncovers severe coronary disease: an unusual case of acute coronary syndrome secondary to allergic coronary vasospasm." BMJ Case Reports 12, no. 12 (2019): e232472. http://dx.doi.org/10.1136/bcr-2019-232472.

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Acute coronary syndrome occurring during the course of a type I hypersensitivity reaction constitutes Kounis syndrome. We report a case of a 64-year-old man who presented with a non-ST elevation myocardial infarction and peripheral blood eosinophilia. He had rhinitis and constitutional symptoms for several days prior to presentation. Blood investigations revealed moderate eosinophilia and elevated IgE levels. A cardiac MRI showed generalised oedema with a subtle wall motion abnormality in basal inferior/inferolateral wall, and subendocardial high signal on late gadolinium enhancement suggestin

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Oworuszko, Andrzej. "Opiekuńcza miłość Boga do stworzenia w wybranych tekstach mądrościowych Starego Testamentu." Teologiczne Studia Siedleckie IX (2012) 9, no. 2012 (2021): 89–103. https://doi.org/10.5281/zenodo.5559882.

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The Holy Scriptures not only show the truth about the creation of the world but also teaches that God constantly supports the world in its existence and cares about it. The article, which is an analysis of the Wisdom texts of the Old Testament, deals with God’s care of the world. Its first manifestation is the establishment of an unshakeable order of functioning of the world. God set the world in motion so that it would never be shaken, which guarantees the correct functioning of the world. God’s care of the world is also expressed by the way it is affected by various symptoms of t

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Susik, Abigail. ""The Man of these Infinite Possibilities": Max Ernst’s Cinematic Collages." Contemporaneity: Historical Presence in Visual Culture 1 (June 1, 2011): 61–87. http://dx.doi.org/10.5195/contemp.2011.27.

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On more than one occasion in his critical writings of the 1920’s, surrealist leader André Breton compared Max Ernst’s collages to cinema. In his first essay on the artist in 1921, Breton aligned Ernst’s collages with cinematic special effects such as slow and accelerated motion, and spoke of the illusionistic ‘transformation from within’ that characterized Ernst’s constructed scenes. For Breton, Ernst’s collages employing found commercial, scientific and journalistic images approximated the naturalistic movement of film, and thereby contributed to the radical obsolescence of traditional two-di

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Paul, Andrew. "“Sometimes a Bee Can Move an Ox”: Biblical Epics and One Man's Quest to Promote Jewish Values in Blacklist-Era Hollywood." Modern American History 1, no. 2 (2018): 173–94. http://dx.doi.org/10.1017/mah.2018.11.

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In the 1950s, the top American Jewish organizations chose a single man, John Stone, to represent their collective interests in Hollywood. Over the course of the decade, Stone's Motion Picture Project sought to prevent antisemitism on film and to inspire the creation of positive Jewish characters. Negotiating the cultural politics of the era, however, resulted in an increasing tendency to favor depictions of biblical Jews over contemporary American ones. In a strange twist, Stone endorsed no film with as much zeal asBen-Hur, a New Testament celebration of Jesus. By following Stone's tortuous at

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ELLIS, PATRICK. "A cinema for the unborn: moving pictures, mental pictures and Electra Sparks's New Thought film theory." British Journal for the History of Science 50, no. 3 (2017): 411–28. http://dx.doi.org/10.1017/s0007087417000644.

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AbstractIn the 1910s, New York suffragette Electra Sparks wrote a series of essays in theMoving Picture Newsthat advocated for cine-therapy treatments for pregnant women. Film was, in her view, the great democratizer of beautiful images, providing high-cultural access to the city's poor. These positive ‘mental pictures’ were important for her because, she claimed, in order to produce an attractive, healthy child, the mother must be exposed to quality cultural material. Sparks's championing of cinema during its ‘second birth’ was founded upon the premise of New Thought. This metaphysical Christ

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Teses / dissertações sobre o assunto "Rain man (Motion picture)"

Williams, Karen L. "Life After Man." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2003. https://ro.ecu.edu.au/theses/1658.

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This thesis comprises two parts: a creative component consisting of a first-draft script for a feature film, -followed by an exegesis. The intention with the creative component was to work within parameters that would hopefully be appealing to the local film-making industry. Thus, the script is for a low-budget feature that is set in Perth and makes use of a character-driven narrative, The exegesis comprises a theoretical analysis of the 'Life After Man' screenplay, placing it within the context of an examination of multiple protagonist film structure, with particular reference to the developm

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Erixon-Ågren, Malin. "Att skapa en användbar webbplats med ett kreativt utseende : En studie om hur man utformar en personlig webbplats som har både användbarhet och ett kreativt utseende." Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-27709.

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It becomes increasingly more difficult to stand out among the personal sites on the internet today and to become the one who actually gets remembered in the crowd. To be remembered, you need to have a useful website but also a creative appearance added to it. In this practical thesis I have focused on how a website should look like according to users and then added a creative look to the user-friendly website. The purpose of the study is to find out how to connect a useful website with a creative appearance. In order to do that, I first had to find out what users actually want. I used a survey

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Smolenski, Kristina Lyn. "High fidelity: Adapting narcissism to film." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2101.

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Chapman, Sharon Jeanette. "Classical Hollywood film directors' female-as-object obsession and female directors' cinematic response: A deconstructionist study of six films." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1258.

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Jovanovic, Nenad. "The part played by labour in transition from ape to man." 2003. http://wwwlib.umi.com/cr/yorku/fullcit?pMQ82935.

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Thesis (M.F.A.)--York University, 2003. Graduate Programme in Film and Video.<br>Typescript. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pMQ82935.

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Thorn, Michael. "Rocket Man : a feature length screenplay /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29622.

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Thesis (M.F.A.)--York University, 2007. Graduate Programme in Film (Screenwriting).<br>Typescript. Includes bibliographical references (leaves 147-149). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29622

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Livros sobre o assunto "Rain man (Motion picture)"

Randye, Kaye, National Professional Resources Inc, and Program Development Associates, eds. Celebrating diversity: A universal message from the real Rain Man. National Professional Resources, 2007.

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Muir, John Kenneth. Purple rain. Limelight Editions, 2012.

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Milcho, Manchevski, Kostova Marina, and Kunovski Blagoja, eds. Rain: The world about Milcho Manchevski's film "Before the Rain" = Dožd : svetot za filmot "Pred Doždot" na Milčo Mančevski. Museum of Contemporary Art, 2004.

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Cox, Alex. Repo man. Faber and Faber, 1987.

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Rosenbaum, Jonathan. Dead man. BFI Pub., 2000.

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Rosenbaum, Jonathan. Dead man. British Film Institute, 2000.

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Potter, Sally. The man who cried. Faber and Faber, 2001.

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A, Dabholkar Pratibha, ed. Singin' in the rain: The making of an American masterpiece. University Press of Kansas, 2009.

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Institute, British Film, ed. Odd man out. BFI Pub., 1995.

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Kelly, Gene, and Stanley Donen. Singin' in the rain. MGM/UA Home Video, 1993.

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Capítulos de livros sobre o assunto "Rain man (Motion picture)"

"1. The Birth of a Motion Picture Company." In Col. William N. Selig, the Man Who Invented Hollywood. University of Texas Press, 2012. http://dx.doi.org/10.7560/728707-004.

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Barnsley, M., and L. Barnsley. "Fractal Image Compression." In Image Processing: Mathematical Methods and Applications. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198511977.003.0008.

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Abstract What is multimedia? It is a special publication or “title”; it can be “read” inter actively on a computer screen and it is made up of text, pictures and probably sound and motion video as well. Early multimedia titles ran on microcomputers such as the Apple Mac or IBM PCs and popular sources of material for such early titles were the text and pictures in old-fashioned, paper-based encyclopaedias. These days however, multimedia titles do not need to be tied to one computer; they can be stored on company-wide networks or even on the information super-highway.

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Jackson, Robert H. "That Man As Economist." In That Man. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195168266.003.0007.

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Abstract Many of The Litigations and other matters that presented legal aspects were also economic matters. It always seemed to me that the President was at his weakest in dealing with economic or business problems. He had not engaged in business as my law practice had compelled me to do, and he had no personal knowledge of its methods or its problems. He tended to think of economic matters as personal rather than impersonal forces. He was much inclined to think about economic matters in terms of rights and wrongs. He was inclined to think that we were prosecuting a group of businessmen becaus

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Lomax, Cathy. "Dorothy Dandridge the Invisible Star: Racial Segregation in Hollywood Fan Magazines in the 1950s." In Stars, Fan Magazines and Audiences, edited by Tamar Jeffers McDonald, Lies Lanckman, and Sarah Polley. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399505901.003.0005.

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In 1954, Dorothy Dandridge’s career and stardom were approaching their peak: after many years playing small roles on screen and performing on the nightclub circuit she was cast as the lead in Otto Preminger’s all-black musical Carmen Jones, a role that won her an Academy Award nomination. Despite this, Dandridge was ignored by the American fan magazines. Though major mainstream publications like Life, Cosmopolitan, Esquire and Look ran features on her, the top movie magazines such as Photoplay, Modern Screen and Motion Picture downplayed her significance, denying her stardom. This chapter exam

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Nikultseva, Victoria V. "Color and Light in V. Mayakovsky’s Poem “Cloud in Pants”." In The Works of V.V. Mayakovsky. Issue 5: Interdisciplinary Approaches and Global Reception (For the 130th Anniversary of the Poet’s Birth). A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. https://doi.org/10.22455/3034-4026-2024-5-89-95.

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The article examines the color palette of artistic images of V.V. Mayakovsky’s poem “A Cloud in Pants”. The unusual nature of the storyline is emphasized by the intensification or depletion of light contrasts between its constituent parts and events. Mayakovsky himself was an artist and treated poetry as painting a picture, expressing in words the bright color shades of the created images. In our opinion, the theme of unrequited love for Mary, central to the poem, develops into a universal tragedy with its expression of red and black, burning and charred, bloody and dead. Sublime love is repla

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Stokes, Melvyn. "Thomas Dixon Jr." In D. W. Griffith’s The Birth of a Nation. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336788.003.0003.

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Abstract The essential narrative and the principal fictional characters of The Birth of a Nation were originally created by Thomas Dixon Jr. Any attempt to understand the genesis of the film, therefore, must start with Dixon. Successively lawyer, politician, minister, lecturer, novelist, dramatist, actor, theatrical and motion picture producer, and real estate entrepreneur, he was a man of tremendous energy, considerable versatility, and enormous ambition. Almost forgotten nowadays, he was a significant figure in early twentieth-century American culture. He was a highly successful minister and

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Bauer, Mark S. "Anonymous (published 1751)." In A Mind Apart. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336405.003.0038.

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Abstract Strip Me Naked, or Royal Gin for Ever. A Picture I must, I will have gin!–that skillet take, Pawn it.—No more I’ll roast, or boil or bake. This juice immortal will each want supply; Starve on, ye brats! So I but bung my eye. Starve? No! This gin ev’n mother’s milk excels, Paints the pale cheeks, and hunger’s darts repels. The skillet’s pawned already? Take this cap; Round my bare head I’ll yon brown paper wrap. Ha! Half my petticoat was torn away By dogs (I fancy) as I maudlin lay. How the wind whistles through each broken pane! Through the wide-yawning roof how pours the rain! My bed

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Erish, Andrew A. "1909–1913." In Vitagraph. University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181196.003.0004.

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Chapter Three charts Vitagraph's ascendency in becoming the world's leader in motion picture production, during which time the company earned one million dollars in annual net profit. This was derived exclusively from foreign earnings due to the mismanagement of the Patents Company's domestic distribution arm. Part of Vitagraph's popularity is attributed to the crediting and promotion of its actors via the creation of the first trade and fan magazines devoted exclusively to the movies. There are in-depth profiles of such leading players "Vitagraph Girl" Florence Turner, matinee idol Maurice Co

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Claverie, Ezra. "Copyright Vigilantes." In Copyright Vigilantes. University Press of Mississippi, 2024. https://doi.org/10.14325/mississippi/9781496851338.003.0002.

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Chapter one examines common variations of the duopoly’s narrative of IP defense across films by multiple studios, explaining this pattern in light of seemingly unrelated phenomena: the invasion and occupation of Iraq; the growth of home video sales; and campaigns against video piracy by the Motion Picture Association of America, particularly the rhetoric of MPAA president Jack Valenti. The chapter explains the proliferation of superhero films not in terms of improvements in special effects but in terms of the profitability of DVDs, corporate acquisitions of film rights, and studios’ practice o

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Tidwell, John Edgar, and Mark A. Sanders. "“Insurance Executive”." In Sterling A. Brown’s, A Negro Looks At The South. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195313994.003.0027.

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Abstract Though quite busy, E. M. Martin, secretary of the Atlanta Life Insurance Company, affably gave me much time, and proved to be a good talker. He is a sturdily built, sharp-featured man with shrewd eyes; his color is that of sunburned white Southerners; his thin, graying hair is straight. He is energetic and forceful, and from all quarters I heard that he was a resourceful business man. One of his immediate concerns was an eight millimeter technicolor motion picture called “The Parade of Negro Progress” that the Atlanta Life Company had been exhibiting throughout the South. The picture

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Trabalhos de conferências sobre o assunto "Rain man (Motion picture)"

Toyoda, Takashi, Yasunari Miyake, Hiroshi Tanno, et al. "Man-machine interfaces using image information obtained by a 32x32-pixel artificial retina chip." In Optics in Computing. Optica Publishing Group, 1997. http://dx.doi.org/10.1364/oc.1997.othc.4.

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The image is one of the most suitable information input representations for future multimedia systems. However, it is difficult for conventional charge coupled device (CCD) systems to handle such image information, especially in high speed image processing such as motion picture processing. This is caused by the limitation of the frame rate of the CCD (1/60-1/30sec) and by the bus capacity between the CCD and the computer. To solve the problem of this transmission bottle neck, we have proposed a novel type of image sensor, an artificial retina (AR) chip, and we have demonstrated flexible and h

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