Bibliografias temáticas / Saz music

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Literatura científica selecionada sobre o tema "Saz music"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 28 de julho de 2025

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Artigos de revistas sobre o assunto "Saz music"

Çetinkaya, Bayram Ali. "Mevlânâ ve Müzik." Marife 7, no. 3 (2007): 175–94. https://doi.org/10.5281/zenodo.3343877.

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Mevlânâ, gök cisimlerinin dönüşlerinde çıkardığı sesleri müziğin kaynağı olarak değerlendirir. Onun düşüncesinde, güzel ses âşıkların gıdasıdır. Mevlânâ eserlerinde saz, davul, zurna, rebâp, kemençe, kudüm, def, tanbur, kopuz ve neyden bahsetmektedir. Mevlânâ için ney, dosttur, sevgilidir, sırdaştır ve panzehirdir.<b>Mawlana and Music</b>Mewlânâ, considers that the source of music is sounds that the celestial objects give out while turning. In his thought of Mewlânâ the fine voice is the nourishment of lovers. In his Work Mewlânâ mentions saz, drum, zurna (a kind of pipe), rebâp, kemenche (sma

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Değirmenci, Zehra Tülin. "Vestiges of Reftâr in historical music notations." Journal of Human Sciences 18, no. 2 (2021): 143–58. http://dx.doi.org/10.14687/jhs.v18i2.6064.

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Reftâr is known as a woman composer who lived in the Ottoman Empire Harem in the 17th century. We see compositions attributed to her in musical archives under names such as Reftâr Kalfa, Tanburi Reftâr Kalfa, and Musahip. Today, the claim that Reftâr was the first woman composer in Turkish classical music is based on a Peşrev – Der Makâm -ı Saba ‘‘Sabâ -yı Reftâr’’usüleş Düyek - found in the Kantemiroğlu Edvârı. In this study, Hamparsum Manuscripts, which were written using the Hamparsum musical notation developed at the beginning of the 19th century, were studied and it has been discovered th

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Perigo, Jeremy. "Beyond Translated vs. Indigenous: Turkish Protestant Christian Hymnody as Global and Local Identity." Religions 12, no. 11 (2021): 905. http://dx.doi.org/10.3390/rel12110905.

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At Turkey’s first national worship conferences in 2011, a passionate debate arose on whether Western music or indigenous Turkish music was most appropriate for worship. Some Turks felt that the Western missionaries were imposing indigenous musics on Turks as a type of “reverse colonization”. They felt that the current Western musical styles were best for worship. One Turk stated, “the saz is being forced down our throats”. Other Turks felt liberated to sing and play songs in traditional Turkish musical styles. The debate at the conference highlights the desire of missionaries and Turks to see

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Gurbanova, J., and O. Gujimov. "GENRE AND STYLE FEATURES AND PRINCIPLES OF SHAPING OF TURKMEN DUTAR MUSIC." Slovak international scientific journal, no. 74 (August 8, 2023): 31–39. https://doi.org/10.5281/zenodo.8223355.

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The purpose of this article is to identify the formative foundations and genre and style features of the Turkmen dutar saz (instrumental folk piece). For this purpose, more than 150 dutar pieces were analyzed, which made it possible to identify stable features that determine the compositional structure and genre features of the instrumental music of the Turkmens. In order to identify the principles of formation in Turkmen music, we, along with traditional terminology, needed the introduction of special terms that made it possible to adequately characterize the functions of compositional sectio

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Çınar, Sevilay. "Female Representatives of Traditional Folk Instruments (Saz): in The Representation of Sipsili, Uyguncaklı Düdük, Delbek and Bağlama." Rast Müzikoloji Dergisi 1, no. 1 (2013): 236–57. http://dx.doi.org/10.12975/rastmd.2013.01.01.0010.

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Folk instruments, which play an important role in the production and transferof music, are cultural products that sometimes give voice to non-expressible feelings,save time for remembering the lyrics, increase the joy by adding to the sound, andsometimes maintain the rituals and serves as a means of communication. Thematerials they are made from, their shape and sound, they bear the traces of societyand they are also the most important indicator of character of music. As ancient ashumanity in terms of existence, they are the proof of cultural values of humanity withtheir rich variety. Besides

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Eraslan, İsmail. "AI-Supported Analysis of Formal and Stylistic Transformations in Ottoman-Turkish Music (16th–19th Centuries)." INSAM Journal of Contemporary Music, Art and Technology, no. 14 (July 20, 2025): 48–66. https://doi.org/10.51191/issn.2637-1898.2025.8.14.48.

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This study investigates the formal and stylistic transformations in Ottoman-Turkish music between the 16th and 19th centuries through artificial intelligence (AI)-assisted methodologies. While traditional musicology has often approached Ottoman music through qualitative and performance-centered analyses, this research offers a data-driven and computationally grounded alternative that leverages machine learning and digital humanities techniques to trace musical evolution across centuries. The corpus consists of 45 digitized compositions, including peşrevs and saz semais by three canonical compo

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Erdal, Gülşen. "The conveyance of Andalusian music culture to Medieval Europe through Qiyan GirlsEndülüs müzik kültürünün Qiyan Kızları aracılığı ile Ortaçağ Avrupasına aktarımı." Journal of Human Sciences 15, no. 4 (2018): 1817. http://dx.doi.org/10.14687/jhs.v15i4.5438.

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In this study, cultural influences of Andalusian music on medieval Europe was attempted to be assessed. In Andalusia, music was institutionalized in the field of education within the musical identity of the musician Ziryab from Baghdad. It was seen that the techniques and methods used in this school now take part in "conservatory" education. It was determined that some of the instruments used today are of Andalusian origin and were transferred to medieval Europe through cultural interactions. It was seen that the forms of singing move to Europe with examples of minstrels and religious music in

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Алиярзаде, Ф. Э. "Ashygsayagy in chamber and instrumental music by Azerbaijani composers." Музыкальное искусство Евразии. Традиции и современность, no. 2(15) (June 30, 2024): 37–48. http://dx.doi.org/10.26176/maetam.2024.15.2.004.

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Статья посвящена исследованию проблемы взаимодействия композиторского творчества с ашыгской музыкой на примере камерно-инструментальных произведений У.Гаджибейли, Ф.Амирова и Э.Дадашевой. Как показал сравнительный анализ, использование выразительных средств ашыгской стилевой модели связано с передачей приемов игры на сазе. Композиторы применяют кварто-квинтовые созвучия, длительные органные пункты, упругие четкие ритмы, переменную метрическую организацию, повторность звуков на одной высоте, вариантность мотивных ячеек. Рассмотренные произведения позволяют сделать вывод о том, что в азербайджан

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Uludağ, Ali Korkut, and Ferhat Devecioğlu. "Determining the level of usability the techniques of the Western music violin performer for the field of Turkish music violin teaching." Journal of Human Sciences 17, no. 2 (2020): 432–57. http://dx.doi.org/10.14687/jhs.v17i2.5788.

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This work has been made in order to see how much the techniques are useful at West music playing violin on teaching Turkish music playing violin. Studying group was formed by the graduate students (n=8) who attends Kafkas University State Conservatory Traditional Turkish Music during Autumn- sprig term. Experimental value which contains pre test and final test groups is used in the investigation. The investigation consists of control groups (n=4) and experience groups (n=4). During the experimental process which lasted 8 weeks, Although experience group students were applied a teaching p

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Nedlina, Valeriya. "Neotraditionalism and Innovations in Kazakh Instruments and Music-Making." International peer-reviewed journal 11, no. 4 (2023): 34–53. http://dx.doi.org/10.59850/saryn.4.11.2023.33.

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In the XX and XXI centuries, Kazakh music went through three waves of innovations: first, after centuries of solo-only performance, ensembles and orchestras appeared in the first decades of the Soviet period. Then, ethnographic, iconographic, and archaeological research brought back to life lost or nearly-forgotten instruments in 1970-80s, and in the 2000s new types of ensembles and neo-folk instruments appeared under global influences. All these changes were driven by two opposite tendencies: intensive cross-cultural interaction (primarily on the West-East axis) met the growing interest to th

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Teses / dissertações sobre o assunto "Saz music"

Webster, Peter Jonathan. "The relationship between religious thought and the theory and practice of church music in England, 1603-c.1640." Thesis, University of Sheffield, 2001. http://sas-space.sas.ac.uk/3208/.

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This thesis explores the ways in which people in early Stuart England understood the place of music in worship, its effect on the auditor, and the task of determining what was appropriate music for the task. Central to this is the task of exploring the validity of the trend in current historiography to assign to the ‘Laudian’ movement a polemically and practically distinctive view of music in worship. Part One deals with the published and manuscript discussions of the nature and role of music. It contends that in the 1630s music became associated with one of the two rival conspiracy theories o

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Andersson, Sofie. "I left my scat in San Francisco : Strategier för att stärka förmågan att improvisera vokalt inom jazzgenren." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74037.

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Syftet med arbetet är att undersöka olika övningsstrategier för attutveckla improvisationsförmågan inom jazzgenren. Jag har idag förmågan attimprovisera över låtar, men det jag eftersträvar är att utveckla den föratt få improvisationerna mer varierade. Avsikten med arbetet är attutveckla förmågan att improvisera i form av fler rytmiska och harmoniskaidéer.Jag har använt mig av ett flertal olika gehör- samt notläsningsövningar somjag tror kan påverka ens improvisationsförmåga positivt. Jag har spelat innär jag improviserar före, under samt efter övningsperioden. Jag har äventranskriberat och an

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Vickhoff, Björn. "A perspective theory of music perception and emotion /." Göteborg : Göteborgs Universitet, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016671611&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Gaviola, Natalia. "De azufre y sal." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq37296.pdf.

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Morrison, Craig. "Psychedelic music in San Francisco : style, context, and evolution." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ54392.pdf.

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Robinson, Jason L. "Improvising California : community and creative music in Los Angeles and San Francisco /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3170218.

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Bergel, Erik. "Musik i förvandling : Bibliotekens övergång av klassifikationssystem från SAB till DDK och dess inverkan på musikområdet." Thesis, Uppsala universitet, Institutionen för ABM, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297633.

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In November 2008, the National Library of Sweden decided to change their standard classification system from the Swedish Library Classification System (SAB) to the american Dewey Decimal Classification (DDC). One of the main reasons to this transition was the assumption of gaining the possibility to exchange and import catalogue posts by using an outspread international classification system. Throughout the years, it has been disputed whether DDC’s treatment of music has been the most suitable. The system has been criticized for being biased in favor of Western music and not being updated with

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Swarts, Karen. "Studie van die huidige musikale gebruike onder die jeug van die !Xun en Khwe San." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/1942.

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Thesis (MMus (Music))--Stellenbosch University, 2008.<br>This study was undertaken to determine the present state of the musical practices of the youth of the !Xun and Khwe San. The study formed part of the NRF project, Mother’s Milk Mother’s Muse, of which the objective was to document and preserve the music of South Africa’s indigenous cultures. This was done by recording the music of children during a series of mini-festivals. A further aim was to develop a renewed interest in their own traditional musical culture. The writer was chosen in 2003 as the project coordinator of the San people o

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Ali, Shaker Alex Ali. "Examensarbete Saz : stilanalysarbete Mohamed Abdelkarim- Bizqens prins." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2215.

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Sammanfattning Efter att ha skrivit biografin om Mohamad Abdelkarim och analyserat hans olika stilar genom att skriva noter till melodierna så har jag förstått ännu mer varför Mohamad anses vara en av dem som genom historien haft bäst teknik och känsla för sitt instrument, Bizq. Han behärskade instrumentet och var väldigt självsäker i sin musik. Han hade rest runt, bekantat sig med många olika kulturer och tagit influsenser av respektive kultur, vilket gör honom till en unikt mångsidig instrumentalist och komponist. Jag har lärt mig mycket teknik om instrumentet genom att försöka spela låtarn

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Oyarzún, Sepúlveda Inti. ""Monasterio de Sal" : Om elbasens introduktion i flamencovärlden via Carles Benavent." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-129190.

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Flamenco guitarist Paco de Lucía, taking advantage of the ongoing cultural revolution in Spain during the seventies decided to break from tradition by shaping ”Nuevo Flamenco” through flamenco-jazz ensemble ”Paco de Lucía Sextet”. Within its repertoire, the first regular flamenco bass-line: ”Monasterio de Sal”. Electrical bassist Carles Benavent would have a key role in this development, a trait seldom found in academical works of musicology. The aim of the present thesis is to partially fill this void while shedding some light on the revolutionary contributions of Benavent. In order to do so,

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Livros sobre o assunto "Saz music"

Kyi︠a︡mov, Ildar. Mon︠g︡ly "Saz", mon︠g︡ly gomer. "Matbugat ĭorty,", 2003.

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Yakut, Atilla. Saz mit Übungen auf CD: Die türkische Laute und Volksmusik. Verlag Y. Landeck, 1999.

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Okur, Yaşar. Yaşanmış olaylarla Atatürk ve müzik: Riyâset-i Cumhûr İnce Saz Hey'eti şefi binbaşı Hâfız Yaşar Okur'un anıları, 1924-1938. Müzik ansiklopedisi yayınları, 1993.

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Ağbabali, İsgändär. Sazda fırtına, sözde ümmanam: 2 cilddä. "Elm vä tähsil", 2011.

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Harald, Scholz. "Statische Musik": Zum I. Satz aus G. Ligetis "Musica Ricercata". LIT, 2018.

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Seshadri, Hiramalini. Sai kriti sangraha: Carnatic music with the mudra "Sai". Sai Kriti and Literature Trust, 2000.

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Zhu, Yihong. Li sao qin qu ji cheng. Nanjing da xue chu ban she, 2017.

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Wang, Yao-hua. Chūgoku to ryūkyū no sangen ongaku. Daiichi Shobō, 1998.

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Garrido, Sandra. Why Are We Attracted to Sad Music? Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-39666-8.

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Clark, Guy. Great American music Hall, san Francisco 1988. Keyhole Records, 2017.

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Capítulos de livros sobre o assunto "Saz music"

Garrido, Sandra. "What Is Sad Music?" In Why Are We Attracted to Sad Music? Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_2.

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Davies, Stephen. "11. Why Listen to Sad Music If It Makes One Feel Sad?" In Music and Meaning, edited by Jenefer Robinson. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501729737-013.

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Shechner, Mark. "Malamud: The Still, Sad Music." In The Conversion of the Jews and Other Essays. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21020-6_7.

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Garrido, Sandra. "Physiological Effects of Sad Music." In Why Are We Attracted to Sad Music? Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39666-8_4.

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Pairon, Lukas. "Why Make Music at All?" In Music Saved Them, They Say. Routledge, 2020. http://dx.doi.org/10.4324/9781003024736-4.

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Adhiyatmaka, Ignatius Aditya, and Lilawati Kurnia. "Community-Based Practices of Archiving Indonesian Popular Music: Redefining the Notion of Indonesia." In Collective Memory, Marginality, and Spatial Politics in Urban Indonesia. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-4304-9_9.

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AbstractBetween 2009 and 2016, Indonesia saw the emergence of at least four initiatives working together to collect, archive, and preserve recordings and other materials related to Indonesian popular music: Irama Nusantara, Arsip Jazz Indonesia, Lokananta Project, and Museum Musik Indonesia. In this chapter, we explore how these initiatives preserved Indonesian popular music and how the genre has influenced notions of cultural heritage in Indonesia. The absence of a formal institution for archiving Indonesian popular music emphasizes the importance of community archives in developing and maint

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Pairon, Lukas. "Music as an End in Itself." In Music Saved Them, They Say. Routledge, 2020. http://dx.doi.org/10.4324/9781003024736-8.

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Donnelly, K. J. "Saw Heard." In The Synergy of Music and Image in Audiovisual Culture. Routledge, 2023. http://dx.doi.org/10.4324/9781003299653-3.

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Pairon, Lukas. "Introduction." In Music Saved Them, They Say. Routledge, 2020. http://dx.doi.org/10.4324/9781003024736-1.

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Pairon, Lukas. "The Case Studies." In Music Saved Them, They Say. Routledge, 2020. http://dx.doi.org/10.4324/9781003024736-2.

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Trabalhos de conferências sobre o assunto "Saz music"

Szymanska-Stulka, Katarzyna. "IGNACY ZALEWSKI�S DIE SPINNERIN AS A CATEGORY OF �COLORFUL MINDEDNESS� IN MUSIC." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs08.20.

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Color is not only a matter of visual arts but also of music. It can influence how we feel, how we perceive the world, and even tell a lot about one�s personal artistic style based on their favorite colors choices. Color is also a powerful means of communication. It can signify action, influence mood, and even physiological reactions. Colors can stimulate creativeness and affect productivity. Some experts tells about the powerful red, restful green, emotional yellow, playful orange or intellectual blue. Colors appear in art as a kind of mix, which is why we can describe art as colourful. Colorf

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Sazzed, Salim. "The Melancholic Muse: Analyzing Listeners’ Emotional Resonance with Sad Music." In 2024 IEEE International Conference on Big Data (BigData). IEEE, 2024. https://doi.org/10.1109/bigdata62323.2024.10825429.

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Kahlert, Moritz, Lifan Xu, Tai Fei, Markus Gardill, and Shunqiao Sun. "High-Resolution DOA Estimation Using Single-Snapshot Music for Automotive Radar with Mixed-ADC Allocations." In 2024 IEEE 13th Sensor Array and Multichannel Signal Processing Workshop (SAM). IEEE, 2024. http://dx.doi.org/10.1109/sam60225.2024.10636418.

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Tanabayeva, Anar, Samal Sagnaikyzy, and Marzhan Alikbayeva. "THE PATTERN OF THE �PERFECT MAN� IN SUFISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs07.19.

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In the history of culture, one of the most important periods in the study of the problem of the nature and formation of the �perfect man� was the historical stratum of medieval Islamic culture, in which the Sufi discourse played an important role. Sufism as a religious and mystical direction in Islam is actualized in the light of the study of the classical cultural heritage of the peoples of the East and modern socio-cultural processes. Sufism played a significant role in the development of medieval Islamic culture and made its unique contribution to the concept of the �perfect man�. The Sufi

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Serrano Soliva, Miriam, and Conrado Enrique Carrascosa López. "Live music, the new, safer and more effective pill on the market. A case study with hemodialysis patients in a hospital." In 3rd International Conference. Business Meets Technology. Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/bmt2021.2021.13688.

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Abstract People are more vulnerable to presenting anxiety, depression, nervousness, unfavorable quality of life, when they face situations that can threaten their life. Among these situations we find the disease, medical treatments and surgical interventions as the main ones on the list. When people get sick they endure very big and sudden changes in their lives, income, aggressive treatments, endure physical pain, these changes usually generate an unfavorable mood situation to face the disease, and in most cases worsen the previous clinical situation . Throughout history there has always been

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Qin, Jiwei, and Wendong Zhang. "Connotative space for music affective recommendation." In 2016 SAI Computing Conference (SAI). IEEE, 2016. http://dx.doi.org/10.1109/sai.2016.7556027.

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Takamatsu, Yusuke. "Synthese als Modus der Prozessualität bei Schubert: Sein spezifisches Wiederholungsprinzip im langsamen Satz." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.73.

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In contrast to Beethoven’s music, Schubert’s music has been described through the concept of “a-finality” (Fischer 1983), employing the same elements repeatedly. In this sense, Schubert’s music seems incompatible with the kind of “processual” thinking which is typical for Beethoven’s music. This paper addresses such incompatibility through a comparison of the slow movements of Schubert’s piano sonata D 840 with those of Beethoven’s piano sonata No. 8 (op. 13) which is one of the possible precursors for D 840. The second movement of D 840 features an ABABA structure in which the themes of the f

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Ciuonzo, Domenico, Gianmarco Romano, and Raffaele Solimene. "On MSE performance of time-reversal MUSIC." In 2014 IEEE 8th Sensor Array and Multichannel Signal Processing Workshop (SAM). IEEE, 2014. http://dx.doi.org/10.1109/sam.2014.6882326.

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Kaneko, Kazumasa, and Akira Sano. "Music-like iterative DOA estimation in multipath environments." In 2008 IEEE Sensor Array and Multichannel Signal Processing Workshop (SAM). IEEE, 2008. http://dx.doi.org/10.1109/sam.2008.4606857.

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Jang, Sunggun, and DongMin Kim. "Distance music." In SA '20: SIGGRAPH Asia 2020. ACM, 2020. http://dx.doi.org/10.1145/3414686.3427134.

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Relatórios de organizações sobre o assunto "Saz music"

Harlow, Bob, Thomas Alfieri, Aaron Dalton, and Anne Field. Attracting an Elusive Audience: How the San Francisco Girls Chorus is Breaking Down Stereotypes and Generating Interest Among Classical Music Patrons. Bob Harlow Research and Consulting, LLC, 2011. http://dx.doi.org/10.59656/a-ad1852.001.

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Wang, Lili, Xuesong Wang, Yin Wu, Lingxiao Ye, Yahua Zheng, and Rui Fan. The Effects of Non-Pharmacological Therapies for Psychological State of Medical Staff in the Post-epidemic Era: A Protocol Network Meta-Analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.2.0080.

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Review question / Objective: To compare and rank the clinical effects of Non-Pharmacological Therapies for Psychological State of Medical Staff in the Post-epidemic Eradifferent. Eligibility criteria: The published randomized controlled trials (RCT) of non-Pharmacological Therapies for Psychological State of Medical Staff in the Post-epidemic Era, regardless of age and gender. Patients had clear diagnostic criteria to be diagnosed. Interventions in the treatment group included were various types of non-pharmacological therapies, including various types of acupuncture therapies (such as simple

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Gross, Friedhelm, and Radovan Ďurana. Nová inovačná politika EÚ. INESS, 2025. https://doi.org/10.70016/ttej2969.

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Ako uvádzajú správy Draghiho (2024) a Lettu (2024), EÚ v súčasnosti zaostáva za USA a Čínou v oblasti rastu a konkurencieschopnosti. Inovácie sú hlavným motorom rastu produktivity. Fundamentálne zlé podmienky pre inovácie – najmä nadmerná regulácia – sú primárnym dôvodom ekonomického spomaľovania EÚ. Prísne predpisy potláčajú lokálnu inovačnú dynamiku aj produktivitu. Byrokracia – jeden z mnohých faktorov ovplyvňujúcich každého ekonomického aktéra – bráni rýchlej expanzii a rozvoju ďalších kľúčových faktorov dôležitých pre obchodné rozhodnutia. Zníženie byrokracie na podporu inovácií by malo b

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