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Teses / dissertações sobre o tema "Saz music"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 28 de julho de 2025

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1

Webster, Peter Jonathan. "The relationship between religious thought and the theory and practice of church music in England, 1603-c.1640." Thesis, University of Sheffield, 2001. http://sas-space.sas.ac.uk/3208/.

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This thesis explores the ways in which people in early Stuart England understood the place of music in worship, its effect on the auditor, and the task of determining what was appropriate music for the task. Central to this is the task of exploring the validity of the trend in current historiography to assign to the ‘Laudian’ movement a polemically and practically distinctive view of music in worship. Part One deals with the published and manuscript discussions of the nature and role of music. It contends that in the 1630s music became associated with one of the two rival conspiracy theories o

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2

Andersson, Sofie. "I left my scat in San Francisco : Strategier för att stärka förmågan att improvisera vokalt inom jazzgenren." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74037.

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Syftet med arbetet är att undersöka olika övningsstrategier för attutveckla improvisationsförmågan inom jazzgenren. Jag har idag förmågan attimprovisera över låtar, men det jag eftersträvar är att utveckla den föratt få improvisationerna mer varierade. Avsikten med arbetet är attutveckla förmågan att improvisera i form av fler rytmiska och harmoniskaidéer.Jag har använt mig av ett flertal olika gehör- samt notläsningsövningar somjag tror kan påverka ens improvisationsförmåga positivt. Jag har spelat innär jag improviserar före, under samt efter övningsperioden. Jag har äventranskriberat och an

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3

Vickhoff, Björn. "A perspective theory of music perception and emotion /." Göteborg : Göteborgs Universitet, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016671611&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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4

Gaviola, Natalia. "De azufre y sal." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq37296.pdf.

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5

Morrison, Craig. "Psychedelic music in San Francisco : style, context, and evolution." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ54392.pdf.

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6

Robinson, Jason L. "Improvising California : community and creative music in Los Angeles and San Francisco /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3170218.

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7

Bergel, Erik. "Musik i förvandling : Bibliotekens övergång av klassifikationssystem från SAB till DDK och dess inverkan på musikområdet." Thesis, Uppsala universitet, Institutionen för ABM, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297633.

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In November 2008, the National Library of Sweden decided to change their standard classification system from the Swedish Library Classification System (SAB) to the american Dewey Decimal Classification (DDC). One of the main reasons to this transition was the assumption of gaining the possibility to exchange and import catalogue posts by using an outspread international classification system. Throughout the years, it has been disputed whether DDC’s treatment of music has been the most suitable. The system has been criticized for being biased in favor of Western music and not being updated with

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8

Swarts, Karen. "Studie van die huidige musikale gebruike onder die jeug van die !Xun en Khwe San." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/1942.

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Thesis (MMus (Music))--Stellenbosch University, 2008.<br>This study was undertaken to determine the present state of the musical practices of the youth of the !Xun and Khwe San. The study formed part of the NRF project, Mother’s Milk Mother’s Muse, of which the objective was to document and preserve the music of South Africa’s indigenous cultures. This was done by recording the music of children during a series of mini-festivals. A further aim was to develop a renewed interest in their own traditional musical culture. The writer was chosen in 2003 as the project coordinator of the San people o

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9

Ali, Shaker Alex Ali. "Examensarbete Saz : stilanalysarbete Mohamed Abdelkarim- Bizqens prins." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2215.

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Sammanfattning Efter att ha skrivit biografin om Mohamad Abdelkarim och analyserat hans olika stilar genom att skriva noter till melodierna så har jag förstått ännu mer varför Mohamad anses vara en av dem som genom historien haft bäst teknik och känsla för sitt instrument, Bizq. Han behärskade instrumentet och var väldigt självsäker i sin musik. Han hade rest runt, bekantat sig med många olika kulturer och tagit influsenser av respektive kultur, vilket gör honom till en unikt mångsidig instrumentalist och komponist. Jag har lärt mig mycket teknik om instrumentet genom att försöka spela låtarn

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10

Oyarzún, Sepúlveda Inti. ""Monasterio de Sal" : Om elbasens introduktion i flamencovärlden via Carles Benavent." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-129190.

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Flamenco guitarist Paco de Lucía, taking advantage of the ongoing cultural revolution in Spain during the seventies decided to break from tradition by shaping ”Nuevo Flamenco” through flamenco-jazz ensemble ”Paco de Lucía Sextet”. Within its repertoire, the first regular flamenco bass-line: ”Monasterio de Sal”. Electrical bassist Carles Benavent would have a key role in this development, a trait seldom found in academical works of musicology. The aim of the present thesis is to partially fill this void while shedding some light on the revolutionary contributions of Benavent. In order to do so,

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11

Åberg, Ellinor. "Game music: from composer to consumer." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27285.

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By conducting an experiment involving interviews with successful video game music composers about the emotions they wish to convey to the players with their music, and a survey questioning consumers about what emotions they actually experienced while listening to these musical pieces, this bachelor's thesis tries to provide a deeper understanding for music in games and the impact it has on the player and whether or not the three composers that has been interviewed has succeeded with conveying the emotions they wished to convey to their consumers. The results showed that each composer that has

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12

Collazo, Carmen D. "The effect of after-school music programs in at-risk students' self-esteem and social skills in San Juan, Puerto Rico." FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/2405.

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The purpose of this study was to examine and expand upon the role the Programas de Orquestas Sinfonicas Juveniles (POSJU) experiences play in self-esteem and social skills. The research took place in Felipe Gutierrez y Espinoza School, one of ten POSJU centers, located in the San Juan, Puerto Rico. Thirty-eight students (N=38) aged 7 to 17 participated in this study. Participants rated their self-esteem and social skills using the Rosenberg Self-Esteem Scale (RSES) and the Social Skills Competence Checklist (SSCC). No significant differences between pre- and post-evaluations on RSES and. SSCC

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13

Boonsermsuwong, Praphai. "A Contextual Approach to Multi-dimensional Analyses of Sai Bhajan: A Vocal Genre from South India." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1398093465.

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14

Taruffi, Liila [Verfasser]. "Why We Listen to Sad Music: Effects on Emotion and Cognition / Liila Taruffi." Berlin : Freie Universität Berlin, 2017. http://d-nb.info/1137509910/34.

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15

Crutchfield, Rory. "'I saw America changed through music' : an examination of the American collecting tradition." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3392/.

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This thesis is concerned with the history of folk music collecting in America and seeks to demonstrate the overriding importance of the political, socio – cultural, intellectual, and technological contexts on this work of folk music collecting. It does so via an examination the work of five of the principal folk music collectors in America in the 19th and 20th centuries: Francis Child, Cecil Sharp, John Lomax, Alan Lomax, and Harry Smith, arguing that the work of each of them was impacted by various contexts which were central to their theories of folk music, their collecting methodologies, an

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16

Rabatoko, Matheanoga Fana. "San indigenous songs as cultural heritage for inclusion in Botswana music education programmes." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/65599.

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Botswana is a heterogeneous society and therefore the elements of dualism as well as cultural pluralism should be reflected in social institutions such as schools. The Naro of D’Kar are among the few minority ethnic San groups in Botswana still practicing their indigenous songs. While the government is positively continuing to implement the recommendations of the 1994 Revised National Policy on Education, this study explored Naro music, songs and dances to find possible ways in which these intangible elements of cultural heritage could be included in the music education curriculum. A qualitati

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17

Farris, Daniel. "Intertextualization, an historical and contextual study of the battle villancico, El más augusto campeón." connect to online resource, 2009. http://digital.library.unt.edu/ark:/67531/metadc12122.

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18

Samuels, David William. "A sense of the past : music, place, and history on the San Carlos Apache Reservation /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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19

Yoshioka, Masataka. "Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33220/.

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During the late sixteenth and early seventeenth centuries, Venetian society and politics could be considered as a "polychoral culture." The imagination of the republic rested upon a shared set of social attitudes and beliefs. The political structure included several social groups that functioned as identifiable entities; republican ideologies construed them together as parts of a single harmonious whole. Venice furthermore employed notions of the republic to bolster political and religious independence, in particular from Rome. As is well known, music often contributes to the production and tr

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20

Mahony, Marinela. "An investigation of the polyphonic folk music of Albania." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/27337.

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Geographically Albania is divided into two main regions: northern Ghegeria and southern Toskeria. The southern part (Toskeria) consists of two sub-regions, Toske and Laberia. These share many commonalities yet the musical styles of each are distinctly different. The Shkumbini River serves as a boundary between the two main regions, as well as a cultural divide distinguishing the varying musical performances and styles. Monodic music is practiced mainly in the north whilst polyphonic music is most commonly performed in the south. These two diverse systems impact on the folk songs of the two reg

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21

Kirk, Douglas Karl. "Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1." Diss., McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=77431.

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Numerous studies have shown that in the sixteenth and seventeenth centuries Spanish churches (both metropolitan and monastic) employed bands of wind instrumentalists to play frequently in liturgies and processions throughout the church year. Exactly what this music was, though, beyond colla parte participation in masses and motets has remained conjectural because not a note of it has been found. This dissertation is a study and edition of a major, newly-discovered manuscript which contained part of the repertory of the minstrels who served the Duke of Lerma, c. 1607, in the collegial church of

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22

Lanzoni, Pablo Alberto. "Sinfonia fílmica : aproximações entre o discurso cinematográfico e o discurso musical em 'Sal de Prata'." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/60369.

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Esta pesquisa concentra-se na articulação entre o discurso cinematográfico e o discurso musical, a partir da observação de determinado corpus fílmico: „Sal de Prata‟ (2005) de Carlos Gerbase. O filme, organizado através de intertítulos narrativos, cujo conteúdo semântico o remete à estrutura de uma sinfonia, propicia a reflexão acerca das aproximações e das apropriações entre ambas as manifestações. Inicialmente, se discorre acerca da estrutura em música e da estrutura no cinema, em que se insere a montagem e suas apropriações à terminologia musical. Complementam a discussão vieses cinematográ

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23

Olson, Ted. "Recording Review of Sam Phillips and the Sun Records Legacy." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1164.

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24

Weiss, Katherine. "‘…long before the stars were torn down...: The Music of Bob Dylan and Sam Shepard." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etsu-works/2271.

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25

Clinton, Zerric. "What adolescent African American male adolescents say about music videos with implications for art education." Tallahassee, Florida : Florida State University, 2010. http://etd.lib.fsu.edu/theses/available/etd-05032010-184907.

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Thesis (Ph. D.)--Florida State University, 2010.<br>Advisor: Tom Anderson, Florida State University, College of Visual Arts, Theatre and Dance, Dept. of Art Education. Title and description from dissertation home page viewed on July 26, 2010. Document formatted into pages; contains vii, 247 pages. Includes bibliographical references.

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26

Asquith, Mark Simeon. "The 'Sad Music of Humanity' : metaphysics and musical aesthetics in the novels of Thomas Hardy." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369131.

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27

Galletta, Thiago Pires 1979. "Cena musical independente paulistana - início dos anos 2010 : a "música brasileira" depois da internet." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279205.

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Orientador: Pedro Peixoto Ferreira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-23T22:31:07Z (GMT). No. of bitstreams: 1 Galletta_ThiagoPires_M.pdf: 3758270 bytes, checksum: a1f138696ba939ba60a2b8d830e1c60b (MD5) Previous issue date: 2013<br>Resumo: Os desenvolvimentos sócio-técnicos observados em torno da internet, ao longo dos anos 2000, são fundamentais para entendermos o processo de formação de uma nova geração produtora e consumidora de música no Brasil. Este processo é especialmente signi

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28

Clavere, Javier. "Semiotic Analysis of Osvaldo Golijov’s Musical Setting of the Passion Narrative in La Pasión según San Marcos." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227221958.

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29

Salazar, Amador. "Mariachi Music in San Antonio| The Construction of Cultural and Ethnic Identity in a Hybridized City." Thesis, The University of Texas at San Antonio, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10279937.

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<p> The intent of this research is to reveal and understand the symbolic meanings of cultural and ethnic identity that cultural creators and receivers perceive through their involvement in mariachi. This study’s shows the way those involved in mariachi perceive their cultural and ethnic identity while living in a city that infuses Mexican and Texan cultural sensibilities. A mixed-method approach was taken between in-depth qualitative interviews and participant observation. Participant observation was utilized as a means to build a stratified snowball sample of the various cultural produc

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30

Kim, Hae-Jeong. "Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278255/.

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This dissertation describes the musical and religious support of the Medici family to the Medici Chapel in Florence and the historical role of the church of San Lorenzo in the liturgical development of the period. During the later Middle Ages polyphony was allowed in the Office services only at Matins and Lauds during the Tenebrae service, the last three days of Holy Week, and at Vespers anytime. This practice continued until the end of the sixteenth century when more polyphonic motets based on the Antiphon and Responsory began to be included in the various Office hours during feast days. This

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31

Meiggs, Baldeon Enrique Javier. "Nueva sede para la Universidad Nacional de Música (Ex Conservatorio de Música) en San Borja." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652395.

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En el Perú existe una falta de difusión cultural y debido a esto muchas carreras artísticas como la música no tienen el valor que se merece, esta despreocupación ha llevado a que la única casa nacional de educación superior de música se encuentre en un estado lamentable con respecto a su infraestructura. Con este proyecto se busca satisfacer las necesidades educacionales para aquellos interesados en algunas de las 25 especialidades que ofrece La Universidad Nacional de Música (ex conservatorio) y teniendo en cuenta las especificaciones técnicas de los ambientes a desarrollar. El partid

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32

Fusik, James Paul. "The Theatrical Saxophone: Visual and Narrative Elements in Contemporary Saxophone Music." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363599296.

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33

Popolin, Daniela Francine Lino. "Lagrime di San Pietro de Orlando di Lasso : um estudo de preparação e execução através de uma nova edição crítica e revisada." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284519.

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Orientador: Carlos Fernando Fiorini<br>"O segundo volume apresenta uma nova edição, crítica e revisada, de Lagrime di San Pietro"<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-22T03:24:23Z (GMT). No. of bitstreams: 2 Popolin_DanielaFrancineLino_D.pdf: 30668844 bytes, checksum: 792422ea820dade8c485cb8c13f1f408 (MD5) Popolin_DanielaFrancineLino_D_ANEXO.zip: 1638597 bytes, checksum: 643d2c51b49b32f196e1cd7ab01bbb9c (MD5) Previous issue date: 2013<br>Resumo: Lagrime di San Pietro é uma das obras mais relevantes dentro da vasta

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34

Quaranta, Elena. "Oltre San Marco : organizzazione e prassi della musica nelle chiese di Venezia nel Rinascimento /." Firenze : L.S. Olschki, 1998. http://catalogue.bnf.fr/ark:/12148/cb37001073s.

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Liljeqvist, Björn. "StockholmsOperan, Galärvarvet : En smal sak." Thesis, KTH, Arkitektur, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-37316.

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Galärvarvet är på många sätt en utmärkt plats för en ny och framträdande kulturbyggnad i Stockholm. Samtidigt utgöt operans komplexa och omfattande program en stor utmaning. I detta projekt löses konflikten mellan program och plats meddels en långsmal byggnad som bevarar naturvärden och rörelsemönster.<br>Galarvarvet is in many ways an great site for a new and prominent cultural building in Stockholm. At the same time the complexity and size of the program of an opera poses a great challenge. In this project the conflict between program and site is solved with a stretched out building that pre

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Ferraro, Mathew C. "The Missing Saxophone: Why the Saxophone Is Not a Permanent Member of the Orchestra." Youngstown State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1341342139.

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Cook, Cameron J. "And I Heard 'Em Say: Listening to the Black Prophetic." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/pomona_theses/138.

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This thesis aims to explore how conceptions of the black prophetic tradition, as discussed by thinkers Cornel West and George Shulman, might be expanded into the realm of African American musical traditions and genres. I argue that musical genres like the blues and hip-hop function as an affective discourse that aesthetically, politically and religiously function as sites of resistance to white supremacy and provide alternate pathways to liberation as compared to more canonical instantiations of the black prophetic. In particular I provide close readings of performances and art by Nina Simone

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Orsen, Jason A. "The Italian Double Concerto: A study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937563.

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Eriksson, Jesper, and Karl-Oskar Freij. "Musikklassifikation : En jämförande studie av de tre generella klassifikationssystemen DDC, SAB och UDC." Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19017.

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The purpose of this Master's thesis is to determine which of the three general classification schemes, DDC, SAB, and UDC is the most appropriate for classifying music documents. This is done by analysing and classifying 60 music documents such as recordings, scores and books about music. The codes resulting from the classification are analysed according to a number of evaluation criteria based on classification theory. The criteria focus on the systems specificity, exhaustivity, exclusivity, helpful sequence, hospitality, notation and that related classes are kept together. The study show

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40

Farris, Daniel. "Intertextualization: An historical and contextual study of the battle villancico, El más augusto campeón." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12122/.

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This document addresses the cultural and significance of the battle villancico, El más augusto campeón, and its historical, social, and musical contexts within the villancico genre of the Latin American Baroque. This study focuses on the villancico, El más augusto campeón, and explores the possible origins of the text and its relevance to the political and social structure of Cuzco's San Antonio Abad Seminary. Other areas of investigation are the musical analysis of the score and performance practice issues that surface when making choices as a conductor. Considering the seminal position vi

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41

Pettersson, Susanne. "Att klassificera populärmusik : en studie med förankring i SAB-systemet = [Classifying popular music : a study with its focus on the Swedish library classification system] /." Borås : Högsk. i Borås, Bibliotekshögskolan/Biblioteks- och informationsvetenskap, 2005. http://www.hb.se/bhs/slutversioner/2005/k05-2.pdf.

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42

Ruebsaat, Ulrika Hedwig. "What the songs say, an examination of the role of song in the BC music curricula and their required song books, 1919-1995." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0028/MQ51463.pdf.

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Arias, Abanto Josue Renato. "Nueva Sede para la Universidad Nacional de Música en San Borja." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/657102.

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En la actualidad, la Universidad Nacional de Música (UNM) está sobrellevando una serie de problemas que no permiten el buen desarrollo de la enseñanza musical, siendo esta institución una de las más prestigiosas que tiene la nación, lamentablemente, no cuenta con el apoyo suficiente de las autoridades. Esta propuesta plantea un diseño: una nueva sede para la Universidad Nacional de Música, que manifiesta una solución a la institución donde no solo se beneficie la universidad, sino también la población peruana. El trabajo se enfoca en un nuevo edificio que resuelva las actuales problem

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Mitterschiffthaler, Martina Theresia. "The sound of music, the appeal of pictures and the colour of words : neural correlates of happy and sad affect processing in healthy and depressed individuals." Thesis, King's College London (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428083.

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ENCISO, SALINAS VÍCTOR ALEXIS. "La música norteña como cultura: Un estudio de caso en el Puente de San Bernabé; Almoloya de Juárez, Estado de México." Tesis de Licenciatura, UNIVERSIDAD AUTÓNOMA DEL ESTADO DE MÉXICO, 2021. http://hdl.handle.net/20.500.11799/111687.

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Martí, Mendoza Joan Maria. "La música del dia de Sant Esteve: les epístoles farcides." Doctoral thesis, Universitat Autònoma de Barcelona, 2020. http://hdl.handle.net/10803/671259.

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Les epístoles farcides són les lectures de la missa en dies concrets a les que s’hi afegeixen trops. Aquestes addicions de text i música es poden trobar tant al començament de l’epístola, com al seu interior o al final, combinant de manera diferent amb el text original. Les epístoles farcides les trobem en festes particulars del calendari litúrgic, especialment per a Nadal, Sant Esteve, Sant Joan Evangelista i els Sants Innocents. També n’hi ha per a la Dedicació de l’Església, Sant Tomàs de Canterbury, etc. Els trops o farses, en les epístoles, poden estar escrits en llatí i en llengua ve

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Paes, Jurema Mascarenhas. "São Paulo em noite de festa: experiências culturais dos migrantes nordestinos (1940-1990)." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/13134.

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Made available in DSpace on 2016-04-27T19:32:21Z (GMT). No. of bitstreams: 1 Jurema Mascarenhas Paes.pdf: 7221063 bytes, checksum: 8c55aa2324dc379e208f2acea94cd514 (MD5) Previous issue date: 2009-05-22<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>In this thesis, the experiences and cultural translations of the northeastern migrants are analyzed in their processes of miscegenation by means of music, dance and the sociability spaces, in the second half of the 20th century (decades of 1950 to 1990), in the city of São Paulo. The successful trajectory of the artist Luiz Gonz

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Grut, Johanna. ""Din sökning gav tyvärr inga träffar" : en kvalitativ enkätstudie om användares svårigheter med att söka noter i Statens musikbiblioteks onlinekatalog." Thesis, Uppsala University, Department of ALM, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-107795.

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<p>The purpose of this Master’s thesis is to study how well the online catalogue of The Music Library of Sweden works when ordinary users are searching for sheet music. The issues studied are: Why do the users fail to find the sheet music they are looking for? Do the users take advantage of the possibilities that the classification codes of the SAB system offer? If not, why?</p><p>The source material of the study is 144 comments from a user questionnaire about the online catalogue and, in addition, the search log for one day (513 queries). The comments were sorted into seven groups depending o

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Binder, Fernando Pereira. "Profissionais, amadores e virtuoses: piano, pianismo e Guiomar Novaes." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-13092018-153941/.

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Esta pesquisa estuda a atividade pianística no século XIX e início do século XX no Rio de Janeiro e em São Paulo. Inscrito no campo da história social da música, o trabalho problematiza a afirmação segundo a qual a disseminação do piano, seu ensino e seu cultivo foram resultado de uma exigência social imposta às mulheres em função do matrimônio e da maternidade. Como, então, uma atividade descrita como mero verniz cultural produziu uma pianista como Guiomar Novaes? Os objetivos da pesquisa foram investigar as práticas musicais pianísticas amadoras em São Paulo e desvendar a mobilização de mulh

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Betancourt, Mariel M. "On the Cover of Rolling Stone: What the Faces of Rock 'n' Roll Say about Music's Most Popular Magazine." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1199302563.

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