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Artigos de revistas sobre o tema "Sculpture"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de julho de 2025

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1

Li, Zepeng, and Mykhailo Opaliev. "Abstract monumental metal sculpture: development of expressive means." Bulletin of Lviv National Academy of Arts, no. 53 (November 27, 2024): 50–61. https://doi.org/10.37131/2524-0943-2024-53-5.

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The paper focuses on the new types of artistic expression in the form of monumental sculptures of the modernist period. At the beginning of the 20th century, new types of symbolic associations of sculpture appeared. The significance of this work is determined by the great attention of contemporary sculptors to abstraction in their work and the powerful social resonance of abstract monumental sculpture. The aim of the article was also to identify new messages that were embedded in the concept of significant monumental works. The focus was on abstract sculpture of the modernist and contemporary

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Ozokeraha, Akpowowo Bensandy. "Mind-Building Sculpture: Forging Thought Through Form." International Journal of Art and Design 2, no. 1 (2025): 47–54. https://doi.org/10.69648/ligb7560.

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This article explores the concept of mind-building sculpture—a sculptural approach that transcends aesthetics and function to engage with the intellectual, emotional, and psychological landscapes of the observer. It examines how contemporary and classical sculptors embed cognitive frameworks within form, material, and spatial interaction, transforming sculpture into a catalyst for reflection, learning, and internal transformation. Drawing on examples from art history, phenomenology, and neuroscience, the study underscores sculpture’s profound capacity to shape not only physical space but the h

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Mammadova, L. "TOKAY MAMEDOV - THE UNRIVALED MASTER OF PORTRAIT AND MONUMENTAL SCULPTURE." Slovak international scientific journal, no. 86 (August 12, 2024): 27–29. https://doi.org/10.5281/zenodo.13299410.

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The article discusses the work of outstanding Azerbaijan sculptor Tokay Mamedov, as well as an analysis of the artist's sculptural works. At the beginning of the 20th century, a large national school of sculpture was formed in Azerbaijan with its own traditions and themes. The wide and multifaceted creative search of sculptors not only contributed to the birth of these traditions but also created the preconditions for the development of new characteristics and qualities of modern Azerbaijani plastic art. This is the most acute sense of modernity and aspiration to monumentality. Among the works

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4

Luecking, Stephen. "Sculpture from Patchwise Modules." Mathematics 7, no. 2 (2019): 197. http://dx.doi.org/10.3390/math7020197.

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The sculptor adapts the geometry of spline surfaces commonly used in 3D modeling programs in order to translate some of the topological nature of these virtual surfaces into his sculpture. He realizes the patchwise geometry of such surfaces by gluing square modules of neoprene rubber edge to edge to define the surface which he then torques and bends into sculptures. While limited by the nature of actual materials, the finished sculptures successfully incorporate the expressive tension and flow of forms sought by the sculptor. He presents images of finished works and provides an analysis of the

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Fang, Zhiyu. "Contemporary Chinese Sculpture Promoting the “Idea of China” (the case of Cao Chunsheng and Deng Ke)." Scientific and analytical journal Burganov House. The space of culture 18, no. 6 (2022): 95–100. http://dx.doi.org/10.36340/10.36340/2071-6818-2022-18-6-95-100.

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Ever since the beginning of the Reform Era, China rapidly and steadily walks the path of socialism with Chinese characteristics. Moving towards the new era, the Chinese government and society do not forget about their values and guidelines, the "Idea of China" is developed in art. Art pieces aim to promote Chinese cultural traditions, patriotism, the fighting spirit of Chinese nation. Sculpture is actively involved in this process as one of the art forms that allows broadcasting ideas about beauty and justice. Over the years, sculptors have persisted in exploring different genres and styles, w

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Putney, Dani. "Sino-Filipino Artistic Collaboration." Athanor 39 (November 22, 2022): 35–52. http://dx.doi.org/10.33009/fsu_athanor130974.

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   The Hispano-Philippine style of ivory sculpture production in colonial Manila is almost synonymous with the growth of Spain’s global empire from the sixteenth century onward. These sculptures have been studied by historians and art critics alike in terms of Latin American consumer demand, marketability, Catholic devotion and conversion, and “Chineseness,” among other veins of inquiry. Common across these investigations is discussion of the significance of Chinese immigrants within the Spanish colony, who have been consistently identified as the creators of these sculptures

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Yang, Zeyin. "Interoperability Analysis between Traditional Chinese Sculpture and Painting Modeling from the Perspective of Big Data Management." Mathematical Problems in Engineering 2022 (August 8, 2022): 1–9. http://dx.doi.org/10.1155/2022/3237282.

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Chinese traditional sculpture and painting have strong interoperability in terms of patterns, colors, and lines. Chinese sculpture and painting art are traditional Chinese works of art. The art of painting is often the basis for sculptural art. A good sculptural work of art often requires the pattern and color foundation of the painting. Moreover, Chinese traditional sculpture artworks often reflect certain historical information and humanistic spirit. Traditional artificial methods are often difficult to discover the intercommunication between cultural information between Chinese sculpture an

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Khattri, Om. "Art in nature: Shifting trends in Nepali sculpture." Journal of Fine Arts Campus 3, no. 1 (2021): 35–43. http://dx.doi.org/10.3126/jfac.v3i1.42494.

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Art has its environment and meaning, and it can exist free from a pedestal. Different approaches have sprung up with current environmental impacts, including other outdoor sculptures in Nepal as a modern movement. This form of activity has given new meaning to local indigenous values, art, and crafts. The transition started after some naturalistic sculptures, including equestrian statues, were brought from Europe and installed in the open environment. Environmental sculpture is a type of public art that creates or changes the spectators' surroundings. Nepalese sculptors have practiced a new ge

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van Broekhuizen, Dick. "The Plaster Trace: Reading Creative Processes." Amsterdam Museum Journal 2, no. 2 (2024): 46–65. https://doi.org/10.61299/re874vhe.

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One can read the creative and making processes in the plaster models left by the sculptor. Hans/Jean Arp and Mari Andriessen provide excellent examples in the Gipsotheek collection (Museum Beelden aan Zee). Although Andriessen and Arp had very different sculptural ideas, their creative and making methods were sometimes similar: working in models, reworking, taking parts they liked and reintegrating them into other models. Of course, they ended up with very different results. The plaster sculptures are mostly steppingstones on the way to a final sculpture. This emphasizes the flexibility of pla

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Alam, Habib, and Samina Nasim. "A Journey of Non-Figurative Sculpture in Pakistan Developmental Course of Sculpture in Pakistan." Human Nature Journal of Social Sciences 4, no. 4 (2023): 89–110. https://doi.org/10.71016/hnjss/8jdpgp14.

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Aim of the Study: The objective of this research is to provide information on the development, relevance, and specific artists who have contributed to the non-figurative sculpting trend in the nation. This study tries to answer questions: What has been historical development of non-figurative sculpture in Pakistan, and how does it relate to contemporary art movements around the world? Methodology: The context, content, and form of the non-figurative sculptures are examined in order to comprehend their communicative potential and visual language. Additionally, the works are placed within the ba

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Friedman, Nat. "An introduction to hyperseeing and hypersculptures." Kybernetes 40, no. 7/8 (2011): 1015–20. http://dx.doi.org/10.1108/03684921111160241.

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PurposeThe purpose of this paper is to introduce the cybernetics audience to the fundamental interdisciplinary concept of hyperseeing and its application to hypersculptures.Design/methodology/approachBriefly, hyperseeing is seeing from multiple viewpoints in a very general sense. In particular, the author first discusses hyperseeing a sculpture. A sculpture is defined as an object in a fixed position relative to a horizontal plane (base, ground). Two sculptures are congruent if they consist of the same object. A hypersculpture is a set of congruent sculptures. A hypersculpture is a more comple

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Sazonov, Vadim V. "THE UNITY OF MONUMENTAL SCULPTURE AND THE ENVIRONMENT IN THE MONUMENT “TO THE FIRST BUILDERS OF KOMSOMOLSK-ON-AMUR”: TO THE QUESTION OF THE PROBLEMS OF THE EARLY WORK OF V.E. GOREVOY." Articult, no. 1 (2022): 18–24. http://dx.doi.org/10.28995/2227-6165-2022-1-18-24.

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The article deals with the problem of synthesis of sculpture with natural and architectural spaces. Attention is drawn to the peculiarities of human perception of this cultural phenomenon. Already in the 1960s, there was considerable interest in the effect of including the surrounding landscape in the figurative structure of an architectural and sculptural ensemble. The author reveals how the creative method of V.E. Gorevoy, one of the largest sculptors of Leningrad-St. Petersburg over the past fifty years, was formed against the background of a powerful rise in monumental sculpture and memori

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खत्री Khatri, ओम Om. "आधुनिक नेपाली मूर्तिकला : सन्दर्भ ऐतिहासिक सैनिक स्मारक मूर्तिहरू {Modern Nepali Sculpture: Reference Historical Military Memorial Statues}". SIRJANĀ – A Journal on Arts and Art Education 4, № 1 (2017): 98–107. http://dx.doi.org/10.3126/sirjana.v4i1.44520.

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नेपालमा मूर्तिकलाको समृद्ध र उत्कृष्ट परम्परा रहि आएको छ । हामीसंग शास्त्रीय परम्परामा आधारितमूर्तिकलाको गौरवशाली इतिहास रहेको छ भने समसामयिक मूर्तिकलाको क्षेत्रमा पनि नेपालीमूर्तिकारहरूले उल्लेखनीय योगदान पुर्याउंदै आएका छन् । प्रस्तुत लेख आधुनिक नेपाली मूर्तिकलाकाप्रकरणमा ऐतिहासिक दृष्टिले महत्त्वपूर्ण सैनिक स्मारक मूर्ति रचनाहरूबारे केन्द्रित रहेको छ । {Nepal has a rich and excellent tradition of sculpture. Based on the classical tradition we have. There is a glorious history of sculpture and Nepali in the field of contemporary sculpture. Sculptors have made significant contributions. This

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Kem, Tatiana E. "SARAH BERNHARDT IN SCULPTURAL SELF-PORTRAITS AND WORKS OF SCULPTORS - HER CONTEMPORARIES." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 4 (2024): 224–49. https://doi.org/10.28995/2073-6401-2024-4-224-249.

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The work analyzes sculptural portraits of Sarah Bernhardt, created either by French artists of the second half of the 19th – early 20th century, or by the actress herself. Understanding the need for self-expression not only on stage, but also in the sculptor’s studio, Bernard used her fame to promote her own creations at exhibitions and in theaters during tours, putting on public display both sculptures and busts of her friends and famous contemporaries, as well as self-portraits. To embody the images of the great French actress in marble, bronze, terracotta, clay, and plaster, artists used a

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Ulugbek, Sh. Usmonov. "HISTORICAL STAGES OF SCULPTURE OF UZBEKISTAN." LOOK TO THE PAST 5, Special issue 1 (2022): 218–22. https://doi.org/10.5281/zenodo.6758452.

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This article scientifically highlights the stages of development and historical aspects of sculpture in Uzbekistan. In particular, mature sculptors and works of art created in the field of sculpture in our country are analyzed. The styles and types of traditional sculpture, bas-relief, high relief, relief and examples of decorative sculpture are considered. It is shown that the sculptures found on the territory of the republic are made of various materials, such as stone, iron, bone, wood, plaster, clay, copper, gold, silver, and the significance of this type of art. In recent years, positive

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الاء عيسى كريم and علي عبدالله عبود. "Fashion Aesthetics in Contemporary Arab Sculpture." Basrah Arts Journal, no. 27 (November 30, 2023): 136–42. http://dx.doi.org/10.59767/2023.11/27.10.

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The art of sculpture in the Arab world formed a solid foundation in the field of art through the various sculptural products presented by Arab sculptors in employing art through which they contributed to the reflection of the cultural heritage due to the forms, symbols, images, forms of clothing and their external formal influences that were included in their works, which reflected the aesthetics of fashion in Arab sculpture. Contemporary, which necessitated highlighting the knowledge of its aspects from the cognitive, social, artistic and cultural aspects, and the connotations expressed by th

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MARTIROSYAN, MADONA. "THE CHARACTER OF TIGRAN THE GREAT IN COINS AND SCULPTURE." Scientific bulletin 1, no. 44 (2023): 170–85. http://dx.doi.org/10.24234/scientific.v1i44.54.

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The well-known image of Tigran the Great of modern drams occupies a central place in monumental sculpture as well as high-sculpture iconography. While creating round statues, sculptors-engravers depicted Tigran the Great in their own way, dressing him in imitation of the clothes of the famous Roman rulers of the time. The sculptors did not even protect the well-known portrait from the dram: they were guided by their own ideas. In that sense, the episodes are more conservative. In their high sculptures, Tigran the Great has a recognizable image and repeats the image on the drams. Among the Arme

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wang, Fang. "Stages and Features of the Development of Chinese Monumental Sculpture." Человек и культура, no. 1 (January 2023): 59–66. http://dx.doi.org/10.25136/2409-8744.2023.1.39852.

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Monumental and religious sculpture was the main form of ancient Chinese sculpture. There were very few public monumental sculptures. This phenomenon was associated with traditional Chinese culture and the socio-economic situation. It was only after 1949 that many monumental sculptures on the theme of the revolution appeared in China, which had an important connection with the politics of that time. This article is written in the following three parts: an overview of the development of monumental sculpture in ancient China; The history of the development of monumental sculpture from 1840 to 194

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Villegas-Broncano, Maria A., and J. Alberto Durán-Suárez. "Historical and technical insight into the human motifs in the glass sculpture." Arte, Individuo y Sociedad 33, no. 2 (2021): 589–604. http://dx.doi.org/10.5209/aris.69159.

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Although glass proto-sculptures were made with deep artistic value since the most remote times, in the late 19th century the glass sculpture was developed, and during the 20th century the Studio Glass Movement reached the maximum level of technical perfection and aesthetic variety. The scientific and technical glass knowledge contributed to achieve appropriate hot and cold working procedures, and the artists improved their designs and creations. This paper focuses on the binomial glass sculpture and human motifs. The historic evolution of the glass sculpture with human motifs is analyzed, taki

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MD., Hashmi, Nitesh Kushwaha Prof., and Manawer Ali Prof. "A Review Paper on Modeling and Designing of Human Statue Tall Structure using Staad Pro Software." International Journal of Trend in Scientific Research and Development 3, no. 4 (2019): 1698–702. https://doi.org/10.5281/zenodo.3591570.

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Integrating design processing using various designing and modelling software's in high rise sculpture creates new opportunities for aesthetics discovery. These technologies enable artists to make high rise sculptures and provide safety, modify and disseminate art and make possible a new type of work. By using a behaviour based software architecture to control a sculptures movement, complex series of coordinated motion can be performed in response to the sculpture's environment and in relation to its internal state. Adding behaviour to sculpture changes the conversation between people a

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MD., Hashmi, Nitesh Kushwaha Prof., and Manawer Ali Prof. "Modeling and Design of High Rise Statue of Lard Shree Ram using Staad Pro Software." International Journal of Trend in Scientific Research and Development 3, no. 5 (2019): 2008–12. https://doi.org/10.5281/zenodo.3591791.

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Integrating design processing using various designing and modelling software's in high rise sculpture creates new opportunities for aesthetics discovery. These technologies enable artists to make high rise sculptures and provide safety, modify and disseminate art and make possible a new type of work.By using a behaviour based software architecture to control a sculptures movement, complex series of coordinated motion can be performed in response to the sculpture's environment and in relation to its internal state .Adding behaviour to sculpture changes the conversation between people an

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Ozokeraha, Akpowowo Bensandy. "Mind-Building Sculpture and Cognitive Engagement." Journal of Arts, Humanities and Social Science 2, no. 2 (2025): 181–85. https://doi.org/10.69739/jahss.v2i2.692.

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This paper examines the idea of mind-building sculpture, that is a specialty of sculpture that is beyond aesthetics and utility to explore the intellectual, emotional and psychological topographies of the viewer. It discusses how the modern and classical sculptors incorporate a cognitive framework into the sculptural form, material and spatial engagement and sculpture turns out to become a generator of reflection, knowledge and self-transformation. The study relies on art history, phenomenology, and neuroscience to note the great potential of sculpture in shaping physical territory, as well as

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Zhou, Acheng, and Chao Gao. "Research on the Involvement of Computer Graphics Algorithms in Systems for the Creation of Public Sculpture." Scientific Programming 2021 (October 21, 2021): 1–9. http://dx.doi.org/10.1155/2021/4520642.

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Currently, there is less research on how to improve the efficiency of the application of computer graphics technology in the creation of public sculpture. Therefore, this paper will focus on how computer graphics algorithms can enable systems for the creation of public sculpture with the intervention of computer graphics technology to create more accurate and completed works of public sculpture. It will explore and analyze how computer image algorithms can help creators apply computer image technology to finish complete and accurate public sculptures, and individual studies, computer imagery,

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Trefný, Martin, Doris Mischka, Michal Cihla, et al. "Sculpting the Glauberg “prince”. A traceological research of the Celtic sculpture and related fragments from the Glauberg (Hesse, Germany)." PLOS ONE 17, no. 8 (2022): e0271353. http://dx.doi.org/10.1371/journal.pone.0271353.

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Article presents the results of a complex traceological research of the famous statue of the „prince”of Glauberg, found in an Early La Tène funeral complex in Glauberg (Hesse). Research focused also on two other fragments of related sandstone sculptures, found together with the Glauberger prince. The sandstone „prince”of Glauberg was already in the past a subject of many archaeological studies. Nevertheless, all or absolute majority of them were focused on aspects of art historian nature or on the question of the origin, role and function of such sculptures in the Early Iron Age Central Europe

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Dzwonkowska, Paulina. "Photography and sculpture:The multifaceted relation of sculpture to photography and new media in the light of the evolving concept of sculpture." Journal of Education Culture and Society 1, no. 1 (2020): 26–36. http://dx.doi.org/10.15503/jecs20101.26.36.

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The relationship between photography and sculpture, unlike the dialogue between the latter and painting, was long treated as a peripheral issue. Yet as early as the mid-20th century photography began to show potential that sculpture seemed to be lack. Aware of a large degree of overlap between the two forms of artistic expression, (e.g. with respect to materiality, spatiality, or accentuating frozen gestures) sculptors did not leave sculpture for photography, but attempted to create works that were interdisciplinary in structure. The rise of interest in photography displayed by Polish sculptor

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Sanjay, Kumar. "Use of Founds and Prefabricated Objects in Indian Contemporary Sculpture." International Journal of Innovative Science and Research Technology (IJISRT) 9, no. 2 (2024): 7. https://doi.org/10.5281/zenodo.10777306.

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Contemporary sculpture in India has undergone a profound transformation in recent decades, with artists increasingly turning to found and prefabricated objects as mediums for creative expression. This research paper delves into the innovative and evolving practice of incorporating found and prefabricated objects in Indian contemporary sculpture. In recent decades, Indian sculptors have expanded the boundaries of traditional sculptural techniques by embracing unconventional materials and found objects, redefining the way sculpture is perceived and experienced. This paper examines the historical

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Srhoj, Vinko. "Između originalnosti i epigonstva - slučaj Šime Dujmovića, kipara u Meštrovićevoj sjeni." Ars Adriatica, no. 2 (January 1, 2012): 225. http://dx.doi.org/10.15291/ars.451.

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Šime Dujmović (1887 - 1968), a sculptor from Hvar, is an almost unknown and unrecognized artist in the sphere of Croatian art. If one is aware that he created most of his ‘oeuvre’ as the executor of numerous statues conceived by Ivan Meštrović, and that he considered himself merely a technical assistant to the great master, the silence surrounding Dujmović’s name can be seen to be partly his fault, due to the fact that he never emphasized his share in this work, and did not attempt to ‘bring into question’ Meštrović’s art by individuating his own style. By abstaining from a personal style and

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முனைவர், நா. மங்களம் /. Dr. N. Mangalam. "திருக்குறுக்கை வீரட்டேசுவரர் கோயிலின் சிற்பங்கள் / Sculptures of the Thirukurukkai Veeratteswarar Temple". பாண்டியன் கோவில் கலைகள் தமிழ் ஆய்விதழ் / Pandian Tamil Journal of Temple Studies Volume 3, Issue 1 (2022): 40–57. https://doi.org/10.5281/zenodo.7365707.

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<em>Tamil Nadu is known for its famous Hindu temples and its architecture. The Mahabalipuram Cave Temple Sculptures of the Pallavas in Tamil Nadu are historically famous. The Pandiya period sculptures are also a testament to the artistry of Tamil Nadu sculptures as seen in Madurai Meenakshi Amman Temple, Nellaiappar Temple etc. The sculptures in the Chola period like Kuttan Nageswarar Temple, the Tanjore Big Temple, the Gangai Konda Cholicuram and the Iravadesuvar Temple in Tarasuram are world famous. These made the world aware of the development of sculpture and the greatness of the sculptors

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Dobrolyubov, Petr V. "School of sculptor Alexander Terentyevich Matveev and his students." Scientific and analytical journal Burganov House. The space of culture 18, no. 4 (2022): 29–43. http://dx.doi.org/10.36340/2071-6818-2022-18-4-29-43.

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This article is dedicated to the “School of sculptor Alexander Terentyevich Matveev and his students.” A.T. Matveev had a profound influence on the development of Russian and Soviet sculpture both through his creativity and his purposeful teaching activities. The beginning was laid by the sculptor while studying at the Bogolyubov School (modeling classes with blind children). The pedagogical experience of A.T.Matveev is measured by half a century, and the official one is only thirty years, due to the fact that this practice was interrupted. But the connection of generations of masters of sculp

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Elezović, Zvezdana. "Affirmation of Serbian sculptures in Kosovo and Metohija." Bastina, no. 56 (2022): 553–62. http://dx.doi.org/10.5937/bastina32-36832.

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The paper discusses the affirmation of Serbian sculptors in Kosovo and Metohija in the second half of the XX century. It began to develop in the province in parallel with painting, and the founding of the Academy of Arts in Pristina in 1973 can be taken as a turning point. Most artists have already been involved in current creative trends in fine arts in Kosovo and Metohija and beyond. Bužančić says that sculptural achievements, as well as facts from the art scene at the time and a promising future, reject any allusion that sculpture was still a less important sector of Kosovo's art. As the fo

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Musacchio, Jacqueline Marie. "Americans, Italy and Donatello." Sculpture Journal 34, no. 2 (2025): 139–52. https://doi.org/10.3828/sj.2025.34.2.03.

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According to the American art historian Charles Callahan Perkins, in his groundbreaking study Tuscan Sculptors (1864), Donatello ‘was undoubtedly the greatest Tuscan sculptor before Michael Angelo, and though by no means his equal in vigour and grandeur of conception, by far his superior in delicacy of handling, in truth of detail, rendering of character, and technical ability as a worker in marble or bronze’. Perkins’s nineteenth-century readers, largely composed of members of the American intellectual and cultural elite, were duly impressed by this evocative description. But they were mostly

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Bin, Li. "The Humanistic Spirit in Sculptor’s Work (on the Example of Li Xiangqun’s work)." Scientific and analytical journal Burganov House. The space of culture 15, no. 4 (2019): 136–46. http://dx.doi.org/10.36340/2071-6818-2019-15-4-136-146.

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Li Xiangqun, the famous Chinese sculptor, managed to evolve his creative style developing a confident and fine ability to create forms, a special and distinctive perspective on reality, skillfully mastering the refined expressive language of sculpture and creating sculptural works filled with spiritual value, the spirit of the times and a sense of humanism. In this paper, the importance of humanistic factors in the fine sculptural art is emphasized by analyzing a part of Li Xiangqun’s works, transferring the experience of understanding the style and power of involvement of Li Xiangqun’s sculpt

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Polubok, Andrii, and Oksana Pylypchuk. "REGULARITIES OF RELATIONSHIP OF MONUMENTAL-DECORATIVE SCULPTURE AND OPEN PUBLIC SPACE." Urban development and spatial planning, no. 78 (October 29, 2021): 435–44. http://dx.doi.org/10.32347/2076-815x.2021.78.435-444.

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Taking into account the peculiarities of the relationship between the open public space of the architectural environment and the monumental and decorative sculpture, the article examines the main patterns of the relationship between sculpture and urban space. It also identified and analyzed the importance of taking into account the main factors that affect the perception of a sculptural composition in any type of urban space: scale ratio, methods of placement, formation of the environment, generalization of the silhouette, detailing and perception of the expressiveness of the silhouette of a s

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Deng, Wei, Yan Chen, and Shen Jian Hu. "Analysis of Current Situation of Digital Sculpture Development." Advanced Materials Research 690-693 (May 2013): 3482–85. http://dx.doi.org/10.4028/www.scientific.net/amr.690-693.3482.

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Digital sculpture is an emerging sculpture form. The current digital sculptures are dominated by abstract modeling and digital sculpture should also be conducted by simulating the method of traditional realistic sculpture. 3d printing technology still lacks application experience in making large-size digital sculptures, while digital controlled sculpting technology has some limitations for sculpture modeling. In instantiation of works, how to maintain digital characteristics of digital sculpture is an issue that requires in-depth discussion in the field of digital sculpture. 3d scanning techno

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Boomkamp, Margreet. "Sleeping Beauty." Rijksmuseum Bulletin 67, no. 2 (2019): 142–61. http://dx.doi.org/10.52476/trb.9727.

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The interest in fairy tales grew strongly over the course of the nineteenth century, particularly in Germany, the birthplace of Frans Stracké (1820-1898). Renowned artists made illustrations for popular publications of fairy tales and in the middleof the century characters from fairy tales also appeared in paintings and sculptures. The sculptor Frans Stracké was inspired by this development and in the eighteen-sixties created a Sleeping Beauty and a Snow White. He may have chosen these designs because the sleeping figure offers greater sculptural possibilities, for example in funeral art. He s

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Hanyong, Yu. "Contemporary Transformation of Traditional Cultural Elements in Sculpture at China’s National Art Exhibition Since the 21st Century." Scientific and analytical journal Burganov House. The space of culture 20, no. 6 (2024): 74–85. https://doi.org/10.36340/2071-6818-2024-20-6-74-85.

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Chinese traditional culture has rich contents after more than five thousand years of its history and development. This article examines the sculptures presented at five National Art Exhibitions held since the beginning of the 21st century, and analyzes the ways of contemporary transformation, the forms of representation, the value and significance, as well as the challenges and prospects of future development of traditional culture elements in sculpture. By analyzing the representative sculptures of the last five National Art Exhibitions, the article explores how elements of traditional cultur

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Fang, Zhiyu. "Traditions and Innovations in Chinese Contemporary Sculpture." Scientific and analytical journal Burganov House. The space of culture 18, no. 2 (2022): 28–39. http://dx.doi.org/10.36340/2071-6818-2022-18-2-28-39.

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After the Cultural Revolution, an unprecedented period of openness began in China. The gradual deepening of the Reform and Openness Policy created more opportunities for the development of contemporary Chinese sculpture. For "tradition", sculptors combine the form and content of traditional culture and sculpture, expressing the problems of modern life and human society, forming a rich creative thought and a broad creative outlook. Two art directions were formed. The first direction follows the creative method of sculptors who studied in France before the formation of the People's Republic of C

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Liu, Yiwen, Ruiyi Shen, and Jinyu Weng. "The Research on the Portrait Sculpture from Ancient Rome and Han Dynasty." Journal of Education, Humanities and Social Sciences 5 (November 23, 2022): 140–48. http://dx.doi.org/10.54097/ehss.v5i.2894.

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Han Dynasty and the Roman Republic are two prosperous reigns that established huge differences between the content, material, form, and aesthetic preference in sculptural art. Even though many scholars have researched both Han Dynasty and Roman sculptures, not much comparison research has been done yet. In this paper, the study closely examines and compares the artistic style of portrait sculptures from both the Roman Republic and the Han Dynasty to explore the possible cultural and historical reasons for the differences. This paper takes the Head of a Roman Patrician and the Ceramic Figure of

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Nowakowska, Maria. "Open-Air Łódź Sculpture Gallery and Its Influence on the City’s Aesthetics in 1972–1978." on the w terfront Public Art Urban Design Civic Participation Urban Regeneration 63, no. 11 (2021): 26–48. http://dx.doi.org/10.1344/waterfront2021.63.11.02.

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The aim of the paper is to outline the circumstances of the establishment of the Łódź Sculpture Gallery in Rubinstein’s Alley (formerly: Aleja ZMP) and its impact on the aesthetics of Łódź.  Despite the city’s history dating back to the beginning of the 15th century, the first fully-fledged sculpture in public space appeared only in 1912. By the beginning of World War II, the number of sculptures increased to a dozen or so, but all of those works were destroyed by the Germans in the first years of the occupation. In the period 1945–1970, two monuments and a dozen or so smaller form

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Munive Maco, Manuel. "Escultor itinerante. Aldo Shiroma y los simposios de escultura." Illapa Mana Tukukuq, no. 18 (December 21, 2021): 92–105. http://dx.doi.org/10.31381/illapa.v0i18.4424.

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Este trabajo revisa sucintamente la obra escultórica que Aldo Shiroma ha realizado e instalado, entre 1999 y 2020, en el espacio público de numerosos lugares de América, Europa y Asia, mediante su participación en más de cuarenta simposios de escultura. Además de tratar sobre su lenguaje escultórico y su trayectoria iniciada a fines de la década de los noventa, subraya la importancia de aquellos certámenes como una estrategia ideal para transformar el espacio público de nuestras ciudades en ámbitos en los cuales vivenciar la escultura monumental. Palabras clave: Escultura peruana contemporánea

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Liu, Xiaofei. "Dimensional Defect Detection Research on the Sculpture Surface Combining the Convolutional Neural Network and Gabor." Wireless Communications and Mobile Computing 2022 (September 5, 2022): 1–11. http://dx.doi.org/10.1155/2022/8259265.

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Thematic sculpture creation is an important part of sculpture creation. In particular, the current thematic sculpture creation in China has broken the shackles of serving politics and has shown a variety of aspects such as theme selection, modelling method, material language, and creative purpose. Since the new century, Chinese thematic sculptors have made in-depth analysis and research on the diversity of creative objects, the infinite possibilities of creative expression, and the diversity of creative purposes, especially through the phenomenon of different thematic sculptures to explore the

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Plotnikov, Y. A., D. V. Cheremisin, V. I. Molodin, and D. Batbold. "The “Jack of Cards” Ancient Turkic Sculpture from North-Western Mongolia." Problems of Archaeology, Ethnography, Anthropology of Siberia and Neighboring Territories 30 (2024): 669–76. https://doi.org/10.17746/2658-6193.2024.30.0669-0676.

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Among the ancient Turkic sculptures presented in the Central Museum of Bayan-Ulga aymak of Mongolia, there is a particular sculpture discovered by Mongolian archeologists in Tsengel somon (Khooh-Bulag territory). It was part of a typical ancient Turkic memorial structure: a rectangular enclosure from flat vertical slabs and a line of balbal stones from the eastern side. This sculpture is notable due to a very particular feature: having two heads on the opposite ends of one slab. Essentially, it is two sculptures carved from one slab of stone, much like a jack of cards. In 1999, D. Bayar and D.

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Nisa, Khairun, Elvis Elvis, and Armen Nazaruddin. "Karya Patung Abstrak Lisa Widiarti Ditinjau Dari Bentuk Dan Medium." V-art: Journal of Fine Art 1, no. 1 (2021): 36. http://dx.doi.org/10.26887/vartjofa.v1i1.2219.

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This study discusses the form and medium used by Lisa Widiarti in making abstract sculptures. This study also briefly discusses Lisa Widiarti's short artistic journey. The discussion uses qualitative research methods, which include: observation, interviews, and literature study as well as research conducted in the city of Padang, West Sumatra. Based on the results of research on Lisa Widiarti's abstract sculpture, Lisa has produced dozens of abstract sculptures and almost every year always participates in exhibition events. Lisa tends to bring objects with the themes of love, social, everyday

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Thurlby, Malcolm. "The Romanesque Church of St Michael and All Angels, Upper Sapey (Herefordshire): Associations with Hereford Cathedral and other works." Church Archaeology 20 (January 2021): 67–84. http://dx.doi.org/10.3828/churcharch.2021.20.67.

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The Romanesque church of St Michael and All Angels, Upper Sapey (Herefordshire) is investigated with particular reference to the sculpture of its north and south doorways and tower (former chancel) arch. Parallels with Hereford cathedral indicate that the Upper Sapey sculptor(s) received their training in the cathedral workshop and also worked at St Peter, Bromyard (Herefordshire), and other churches associated with the Dymock School of Sculpture. The nature of the restoration of Romanesque sculpture at Hereford cathedral is examined, and some preliminary thoughts are offered on the transmissi

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f, f. "A study on the Artistic Conception of Chinese Portrait Sculpture." Society for Chinese Humanities in Korea 85 (December 31, 2023): 539–52. http://dx.doi.org/10.35955/jch.2023.12.85.539.

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Portrait sculpture is an important part of sculpture classification.Portrait sculptures have a long history, but their origins are relatively late in China.In the process of studying abroad, Chinese elders introduced Western portrait sculptures to China.The combination of Chinese native art culture and western sculpture creates portrait sculptures that conform to Chinese aesthetics.especially in the context of consciousness.The artistic conception of sculpture art is to extend the limited time space to the infinite time space, which is to break through the small space and explore the infinite

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Moskaliuk, Marina V. "Polychromy in Modern Russian Sculpture." Journal of Siberian Federal University. Humanities & Social Sciences 15, no. 1 (2022): 61–74. http://dx.doi.org/10.17516/1997-1370-0876.

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This publication analyzes the possibilities of using polychromy in the creative practice of Russian sculptors. The emphasis is on highlighting the main criteria for the use of color. Hermeneutical and analytical approaches are used in combination with induction and comparison. In general, formal stylistic analysis prevails in the research methodology. The novelty of the study is due to the low level of study of the work of Russian sculptors and the weak elaboration of the problem of polychromy in the theory of sculpture as a whole. Having briefly demonstrated the experience of using polychromy

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Asif qız Nəzərova, Aysel. "Azerbaijan sculpture in the period of independence." SCIENTIFIC RESEARCH 10, no. 6 (2022): 64–67. http://dx.doi.org/10.36719/2789-6919/10/64-67.

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Bu məqalədə Azərbaycan heykəltəraşlığının 1991 - ci ildən günümüzə qədər olan inkişaf tarixi öz əksini tapmışdır. Məqalənin birinci fəslində müstəqillik dövründəki monumental heykəltəraşlıq tarixi onun keçdiyi inkişaf yolu öz əksini tapmışdır. Eyni zamanda məqalədə heykəltəraşlığın bədii həllinə görə maraqlı olan nümunələrinin yerləşdiyi Fəxri Xiyabanın abidələrinə toxunulmuşdur. Burada Ömər Eldarov, Azad Əliyev, Natiq Əliyev və b.yaratdığı qəbirüstü abidələrin bir qismi haqqında məlumat verilmişdir. Məqalənin ikinci fəslində gənc heykəltəraşların yaradıcılığından, onların vətənpərvərlik mövzu

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Klose, Christian. "Johan Niklas Byström and the so-called Venus of Stockholm. New research on a presumably lost sculpture." Opuscula. Annual of the Swedish Institutes at Athens and Rome 16 (November 15, 2023): 225–47. http://dx.doi.org/10.30549/opathrom-16-10.

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The inventory books of the Skulpturensammlung (Sculpture Collection) in the Staatliche Kunstsammlungen Dresden (Dresden State Art Collections, SKD) mention a plaster cast of a Venus sculpture, moulded from the marble so-called Venus of Stockholm. In the first half of the 19th century this statue—always considered an ancient artwork—had been owned by the Swedish sculptor Johan Niklas Byström, before it was sold to an English art collector. From that time on, the sculpture has been considered lost and it has remained unregarded by research. By contextualizing the Dresden plaster cast with other

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Sarvaiya, Shanta. "Best Practices in Sculpture Making: Embracing Sustainability and Environmental Concerns." Edumania-An International Multidisciplinary Journal 03, no. 01 (2025): 3–11. https://doi.org/10.59231/edumania/9093.

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Sculpture making, as an artistic endeavor, has traditionally prioritized aesthetics and craftsmanship. However, in contemporary practices, there is an increasing awareness of the environmental impact associated with sculptural materials and processes. This research article explores the best practices in sculpture making that emphasize sustainability and address environmental concerns. Through a comprehensive review of literature and case studies, this article identifies strategies and techniques that sculptors can adopt to minimize their ecological footprint while creating meaningful and impac

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Verhunova, Nataliia, and Serhii Verhunov. "Sculpture as an Industrial Design Product. Application in Design Practice." Bulletin of KNUKiM. Series in Arts, no. 39 (December 10, 2018): 191–99. https://doi.org/10.31866/2410-1176.39.2018.153688.

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The purpose of the article is to reveal and consider the term «industrial sculpture» in the context of the activity of an industrial designer. The research methodology consisted in applying a set of general scientific methods (chronological and historical-comparative, the method of terminological analysis), which helped to identify and examine examples of industrial sculpture in design practice. The scientific novelty of the work lies in categorizing the objects of industrial sculpture and their consideration as a separate segment in modern material cu

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