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Bibliografias temáticas / Songs, Chinese - China - Texts

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Literatura científica selecionada sobre o tema "Songs, Chinese - China - Texts"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 1 de fevereiro de 2022

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Artigos de revistas sobre o assunto "Songs, Chinese - China - Texts"

1

Chen, Xi. "When the classic speaks for children." APTIF 9 - Reality vs. Illusion 66, no. 4-5 (2020): 780–95. http://dx.doi.org/10.1075/babel.00175.che.

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Abstract Bob Dylan has significantly influenced American song tradition and popular music for more than five decades. As his songs are famous for the creative poetic expressions, they are not merely song lyrics, but also can be regarded as lyric poems. This paper aims to investigate the retranslation of Bob Dylan’s songs in bilingual picture books to explore how his classic musical works are repackaged both verbally and visually for contemporary children. The data for analysis are selected from two bilingual picture books on Dylan’s songs published in China in 2018. Firstly, it conducts a deta

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2

Snow, Don, Zhou Xiayun, and Shen Senyao. "A short history of written Wu, Part I." Global Chinese 4, no. 1 (2018): 143–66. http://dx.doi.org/10.1515/glochi-2018-0007.

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AbstractIn two articles published in the 1920s, Hu Shi argued that China’s vernacular literature movement should encompass not only literature written in Mandarin but also other regional languages in China, and suggested that Wu, particularly Suzhounese, was the regional language most likely to achieve what he described as “independence” (独立) as a literary language. Beginning in the late Ming dynasty with Feng Menglong’s Mountain Songs collection, this study traces the literary journey of Suzhounese as used in various types of written texts such as Kun opera scripts,tancinovels, fiction, and W

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Liu, Chen, and Rong Yang. "Consuming popular songs online: Phoenix Legend’s audiences and Douban Music." cultural geographies 24, no. 2 (2017): 295–310. http://dx.doi.org/10.1177/1474474016684125.

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This article explores the creative consumption of popular music and explains how audiences involve their place-based emotions within their representations of popular music in an everyday setting, drawing on a qualitative study on people’s interpretations of Phoenix Legend (a popular music duo in mainland China) and its music. We collected the texts created by Phoenix Legend’s audiences from Douban Music ( http://music.douban.com/ ), a Chinese online music forum. Our analysis focuses on how fans, non-fans and anti-fans interpret and re-write the meanings of Phoenix Legend and its songs emotiona

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Xiao-bing, Zhao, and Zhao Wenqing. "About the Chinese Book “The Book of Poetry”." Humanitarian Vector 16, no. 1 (2021): 25–34. http://dx.doi.org/10.21209/1996-7853-2021-16-1-25-34.

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“The Shi Jing’’(‘‘The Book of Poetry”） is one of the first poems in the world, including Chinese poems, from the 11th century BC to the 6th century BC. During this period, about 3 000 verses appeared, of which 305 poems were selected by Confucius. Poetic texts in “The Shi Jing’are divided into three categories: regional songs, odes, hymns. The composition of the poems uses such techniques as Fu, Bi and Xing. These poems constitute the creative source (source) of Chinese poetry. “Fu”，“Bi” and “Xing” are important artistic features of “The Shi Jing”. “Fu”” - direct narration, parallelism. “Bi” i

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Yuda, Yang, and Nanny Kim. "Texts and Technologies in Chinese Silver Metallurgy, Twelfth to Nineteenth Centuries." East Asian Science, Technology, and Medicine 49, no. 1 (2019): 9–82. http://dx.doi.org/10.1163/26669323-04901003.

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The silver metallurgy of late imperial China has rarely been the subject of specific studies because silver exploitation has long been considered of minor importance and traditional sources are scarce. This article is an attempt at filling the research gap of the period from the Song to the late Qing. With a focus on the silver mines of the Southwest and the adjoining borderlands and employing an approach that combines textual analysis with the study of remains and oral histories, it presents a systematic discussion of process steps and traces technological transformations.

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Wang, Xingrong, and Lei Zhang. "A comparative study of interpersonal meanings of traditional hymns and contemporary Christian songs in China." Text & Talk 39, no. 6 (2019): 775–96. http://dx.doi.org/10.1515/text-2019-0240.

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Abstract Contemporary Christian songs (CCSs) are gaining more favor in Chinese churches than traditional hymns (THs) nowadays; however, many scholars have criticized the intimate relationship established with God in CCSs from the perspective of theology. This study aims to explore whether the God-human relationship built in THs and CCSs has experienced a change by carrying out a comparative analysis of their respective constructed interpersonal meanings. Combining Halliday’s framework with judgment in Martin and White’s Appraisal system, this study compares 100 CCSs and THs from the aspects of

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7

Yang, Fuyin. "“Passatempi musicali” by GuillaumeLouis Cottrau as the way Neapolitan song actualization in 19th century music." Aspects of Historical Musicology 19, no. 19 (2020): 268–84. http://dx.doi.org/10.34064/khnum2-19.15.

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Background. In 19th century European music has been enriched by national phenomena, such as Polish mazurka, Austrian waltz, Hungarian czardas, which went into the academic genres system, expanded the boundaries of its intonational fund and audience perceptions. The Neapolitan song participated in this process. It was a real discovery for music lovers in different countries. Canzone Napoletana conquered the music salons area in France, from where it spread in all the Europe, and was reflected in the work of many composers. This genre phenomenon is not fully unraveled, probably due to the distor

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Vaseková, Veronika. "Analýza orientalizmu v Bowieho skladbe „China Girl“ / Analysis of Orientalism in David Bowie’s Song “China Girl”." Kulturní studia 2020, no. 2 (2020): 47–59. http://dx.doi.org/10.7160/ks.2020.150203.

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Among other areas, Orientalism is widespread in pop music. The aim of this essay is to analyze Chinese Orientalism in the song and video “China Girl” by British singer David Bowie. Bowie is known for his interest in Asian cultures, signified most notably by the influence of Japanese style on Bowie’s musical performances, among other examples. The song “China Girl” initiated a passionate discussion about racist motives in the video clip; although Bowie is known for his opposition to racism, and the intended purpose of the video was to criticize racism, it is clear from the public and profession

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Huang, Philip C. C. "The Monograph Tradition and Chinese Scholarship: Beginning with the “Best Young Scholar’s Monograph Prize in the Social Sciences of Practice”." Rural China 16, no. 2 (2019): 334–44. http://dx.doi.org/10.1163/22136746-01602007.

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This article first explains why our “Best Young Scholar’s Monograph Prize in the Social Sciences of Practice” selection committee has chosen the three books International Law and Late Qing China: Texts, Events, and Politics, Rural Development in Contemporary China: Micro Case Examples and Macro Changes, and Urbanizing Children: Identity Production and Political Socialization of Peasant-Worker Sons and Daughters for the award, and then goes on to discuss how monograph production is faced with deeply contradictory forces in the scholarly environment of China today when compared with the American

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Arsenio Nicolas, Zhang Jian,. "Zhuang Opera --- A study of Chinese Minority Arts in Guangxi Province, China." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 6 (2021): 2900–2912. http://dx.doi.org/10.17762/turcomat.v12i6.5799.

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This article is a study of Zhuang Opera in the Guangxi Province in China. There are three general genres of Zhuang Opera, the analysis of selected musical pieces of these four types focuses on the music structure of Pingban melody, and the rhyme of the song texts --- Yaojiaoyun. This study is a pioneering work on the Zhuang Opera's musical form as there is currently no published work on the music of the opera and its association with related music categories. Except for very few research collections on national opera, most studies mainly focus on the history, literature, and folklore of tradit

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Mais fontes

Teses / dissertações sobre o assunto "Songs, Chinese - China - Texts"

1

Gong, Xiaolin, and 宮小琳. "A study of modern Chinese Song Lyrics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B38628600.

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Lee, Cheuk-ying Esther, and 李卓瑛. "A study of Chao Zhou children songs." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36942935.

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Tang, Wai-yan. "Hong Kong : an unidentified subject under colonialism /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1739059X.

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Ho, Mei Fung Linda. "A cross-cultural analysis of the organization of English and Chinese texts." HKBU Institutional Repository, 1996. https://repository.hkbu.edu.hk/etd_ra/82.

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Li, Ren-Yuan. "Making Texts in Villages: Textual Production in Rural China During the Ming-Qing Period." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13065015.

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This dissertation uses the textual materials found in several villages in Pingnan, northeastern Fujian, from 2008 to 2011, to examine the use of texts in rural China during the imperial period. The discussion focuses on the texts produced by local people and used locally. The central theme of the dissertation is to contextualize the rise of textual culture and the spread literate mentality in a marginal society, and explore the relationship between text and society. The dissertation consists of two major parts. Part I covers the period when Pingnan was the northern part of Gutian County, and P

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6

Ng, Pong-wai Brenda, and 吳邦瑋. "The development in Hong Kong of commercial popular songs in Cantonese." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31213522.

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Li, Mo. "Musical and Lyrical Multiplicity of Hua’er Flower Songs." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306777564.

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黃美霞 and Mei-ha Hebe Wong. "The perceived and actual use of strategies of tertiary students in reading Chinese and English texts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31243782.

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Yu, Siu-lei, and 余小梨. "Strategy use by good and poor Chinese ESL readers in comprehending easy and difficult expository texts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31944735.

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Lee, Kwong-hung, and 李廣雄. "Bilingual texts: a study of the effects of providing L1 Chinese terms in L2 English texts on text comprehensionand on English vocabulary acquisition." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31958011.

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Mais fontes

Livros sobre o assunto "Songs, Chinese - China - Texts"

1

Zhongguo ge yao ji cheng Qinghai juan bian ji wei yuan hui, ed. Zhongguo ge yao ji cheng: Qinghai juan. Zhongguo ISBN zhong xin, 2008.

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2

1965-, Zhao Min, Xu Lin 1922-2005, and Duan Ling, eds. Chinese ethnic minority oral traditions: A recovered text of Bai folk songs in a sinoxenic script. Cambria Press, 2015.

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3

Mair, Victor H. Tʼang transformation texts: A study of the Buddhist contribution to the rise of vernacular fiction and drama in China. Council on East Asian Studies, Harvard University, 1989.

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4

Popular songs and ballads of Han China. University of Hawaii Press, 1993.

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5

Popular songs and ballads of Han China. Unwin Hyman, 1988.

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6

China in songs: For the 60th anniversary of the People's Republic of China. New Star Press, 2010.

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7

Liao, Fushu. Jian tang yun yu. Zhong yang yin yue xue yuan xue bao she, 1998.

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8

Weiran, Guang, and Shanghai wen yi chu ban she, eds. Tian Han Guang Weiran ge ci xuan: Tianhan Guangweiran gecixuan. Shanghai wen yi chu ban she, 1985.

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9

1979-, Zhou Jielun, and Fang Wenshan, eds. Ban dao tie he: Iron box of an island. Hua ren ban tu wen hua shi ye you xian gong si, 2002.

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10

Taiwan nan zi ge yao. Cheng xing chu ban you xian gong si, 2002.

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Mais fontes

Capítulos de livros sobre o assunto "Songs, Chinese - China - Texts"

1

Ho, Wai-Chung. "Propaganda Songs in Music Education: Between Chinese Nationalism and Chinese Socialism." In Culture, Music Education, and the Chinese Dream in Mainland China. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-7533-9_4.

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2

Ho, Wai-Chung. "The Confucian Value of Harmony in Music Education in Relation to Songs." In Culture, Music Education, and the Chinese Dream in Mainland China. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-7533-9_5.

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3

Kanwen, Ma. "Classic Chinese Medical Literature in Contemporary China: Texts Selected for Modern Editions, and Problems Associated with This Work." In Approaches to Traditional Chinese Medical Literature. Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2701-8_2.

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4

Au, Connie. "Catholic Apologetic Mission in Pre-Vatican II China: A Study of Two Chinese Catholic Texts." In Pathways for Ecumenical and Interreligious Dialogue. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73069-7_3.

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5

Bryson, Megan. "Baijie’s Background." In Goddess on the Frontier. Stanford University Press, 2016. http://dx.doi.org/10.11126/stanford/9780804799546.003.0002.

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Chapter one goes back to the Nanzhao (649-903) and Dali kingdoms (937-1253) to understand the broader context in which the Buddhist Baijie arose. It shows that though Nanzhao and Dali rulers adopted most of their Buddhist texts from Chinese territory, they embraced Indian Buddhist images and claimed Indian origins for their Buddhist tradition. Moreover, it was their worship of distinctive deities with Indian iconography that distinguished their Buddhist tradition from that of Tang and Song China. This emphasis on India did not just stem from India’s prestige as Buddhism’s birthplace, but also from Dali’s position in relation to China. While Nanzhao and Dali rulers could not claim equality with Chinese rulers as Sons of Heaven, their relative proximity to India meant that they could claim superiority as Buddhist monarchs.

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6

Van Bibber-Orr, Edwin. "Alcoholism and Song Literati." In Behaving Badly in Early and Medieval China. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824867812.003.0008.

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Crystallized in the alterity of an ancient Chinese past, alcohol use and abuse have often in the field of sinology become synonymous with romanticized literati affect: Tao Qian’s 陶潛‎ (365-427)’s “Twenty Poems on Drinking” and Li Bai 李白‎’s (701-762) “Drinking Alone Under the Moon” come immediately to mind. This glorification has precipitated a blind spot regarding the self-destructive effects of alcoholism in Chinese cultural history. Through an analysis of Song encyclopedia, anecdotes, and medical texts, I uncover a Song discourse on alcoholism: shijiu嗜酒‎. Reading poems of Mei Yaochen 梅堯臣‎ (1002-1060) and Yang Wanli 楊萬里‎ (1127-1206), the chapter reveals personal accounts of these literati’s struggles to stop drinking (zhijiu止酒‎). To define alcoholism, I employ the diagnostic criteria of the Diagnostic and Statistical Manual of Mental Disorders: DSM-5 (DSM-V), evincing the presence of five distinct diagnostic criteria of “Alcohol Use Disorder” amongst Song literati.

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Hui, Wang. "The Mixed Han-Tang-Song Structure and Its Moral Ideal." In The Constitution of Ancient China. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691171593.003.0006.

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In this chapter, the author replies to Su Li's account of the constitution and the political order of ancient China. Su Li proposes an idea of the constitution that is different from the Constitution or constitutional law. According to the author, Su Li has made a methodological turn from constitutional text to effective constitution, which overcomes the conventional approach of legal interpretation that treats Western constitutions as models for the Chinese constitution. The author expresses his reservations regarding Su Li's functionalist approach, noting that the classical constitution of China cannot be reduced to a set of structural-functional relationships appealing to the taste of modern social sciences. The author offers his own approach by citing the evolution of ancient China's cosmology and system of beliefs and knowledge, which he insists are also active forces that shape political life and can help us understand the cultural foundation underlying Chinese institutions.

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"Bibliography of Premodern Chinese Medical Texts." In Chinese Medicine in Contemporary China. Duke University Press, 2002. http://dx.doi.org/10.1215/9780822383710-012.

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"Bibliography of Premodern Chinese Medical Texts." In Chinese Medicine in Contemporary China. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822383710-017.

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"BIBLIOGRAPHY OF PREMODERN CHINESE MEDICAL TEXTS." In Chinese Medicine in Contemporary China. Duke University Press, 2002. http://dx.doi.org/10.2307/j.ctv125jgmn.19.

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Trabalhos de conferências sobre o assunto "Songs, Chinese - China - Texts"

1

Protsukovich, Elena A., and Olga N. Chernogradskaya. "LINGUISTIC PECULIARITIES OF THE TEXTS OF EVENKI SONGS ACCOMPONYING ROUND DANCES." In TEACHING THE FOREIGN LANGUAGE OF STUDENTS OF HIGHER AND SECONDARY EDUCATIONAL INSTITUTIONS AT PRESENT STAGE. PROBLEMS OF PRESERVING THE LANGUAGE AND CULTURE OF EVENKS OF RUSSIA AND OROCHONS OF CHINA. Amur State University, 2020. http://dx.doi.org/10.22250/tfl.2020.35.

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2

Li, Wang, Ang Lay Hoon, Sabariah Md Rashid, and Hazlina Abdul Halim. "Narrative Constitution of Identities and Profiles of Multinational Corporations of China: A Case Study." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.15-1.

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Under the context of the ‘Trade War,’ Chinese multinational corporations are experiencing difficulty in overseas markets due to retarded globalization. Therefore, they have become increasingly aware of the significance of presenting themselves to foreign markets through ‘telling good stories.’ Narratives in these contexts are reframed from Chinese into English corporate profiles of these multinational corporations, so as to present the corporate identities of these corporations as more acceptable to target foreign stakeholders. This paper purports to investigate how profiles of Chinese corpora

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3

Budnik, E., and E. Novoselova. "The Problem of Russian Reading Training for Chinese Students: State and Prospects." In The 3rd International Conference on Future of Education 2020. The International Institute of Knowledge Management, 2020. http://dx.doi.org/10.17501/26307413.2020.3103.

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The article aims to discuss the main features of teaching reading in the lessons of RFL (Russian as a foreign language) in the Chinese audience. Foreign language reading is significant speech activity because it is the basis of developing other speech activities. The article analyses the phonetical and methodological barriers, which may meet Chinese students while improving their reading skills, and provide some methods of removing the difficulties in reading. When teaching Russian to Chinese students, especially outside the linguistic environment, teachers do not pay due attention to practici

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4

Meijuan, Zhao, Ang Lay Hoon, Florence Toh Haw Ching, and Sabariah Md Rashid. "Translating space from Chinese to English: A Case Study of Cao Wenxuan’s Bronze and Sunflower." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.5-2.

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Translated children’s works from English to Chinese have flooded China unprecedentedly since the end of the 19PthP century. However, there is a discrepancy in the translation of Chinese children’s works into the English language. This is maybe because western scholars are still largely ignoring Asian texts for young readers. Therefore, the research aims to fill the gap in the scholarship by studying the translated Bronze and Sunflower, which is a renowned work written by the Chinese first Hans Christian Anderson winner Cao Wenxuan, from the aspect of narrative space. A qualitative approach is

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5

Lee, Yuk Yee Karen, and Kin Yin Li. "THE LANDSCAPE OF ONE BREAST: EMPOWERING BREAST CANCER SURVIVORS THROUGH DEVELOPING A TRANSDISCIPLINARY INTERVENTION FRAMEWORK IN A JIANGMEN BREAST CANCER HOSPITAL IN CHINA." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact003.

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"Breast cancer is a major concern in women’s health in Mainland China. Literatures demonstrates that women with breast cancer (WBC) need to pay much effort into resisting stigma and the impact of treatment side-effects; they suffer from overwhelming consequences due to bodily disfigurement and all these experiences will be unbeneficial for their mental and sexual health. However, related studies in this area are rare in China. The objectives of this study are 1) To understand WBC’s treatment experiences, 2) To understand what kinds of support should be contained in a transdisciplinary interven

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