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Artigos de revistas sobre o tema "Songs, Chinese - China - Texts"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 1 de fevereiro de 2022

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1

Chen, Xi. "When the classic speaks for children." APTIF 9 - Reality vs. Illusion 66, no. 4-5 (2020): 780–95. http://dx.doi.org/10.1075/babel.00175.che.

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Abstract Bob Dylan has significantly influenced American song tradition and popular music for more than five decades. As his songs are famous for the creative poetic expressions, they are not merely song lyrics, but also can be regarded as lyric poems. This paper aims to investigate the retranslation of Bob Dylan’s songs in bilingual picture books to explore how his classic musical works are repackaged both verbally and visually for contemporary children. The data for analysis are selected from two bilingual picture books on Dylan’s songs published in China in 2018. Firstly, it conducts a deta

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Snow, Don, Zhou Xiayun, and Shen Senyao. "A short history of written Wu, Part I." Global Chinese 4, no. 1 (2018): 143–66. http://dx.doi.org/10.1515/glochi-2018-0007.

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AbstractIn two articles published in the 1920s, Hu Shi argued that China’s vernacular literature movement should encompass not only literature written in Mandarin but also other regional languages in China, and suggested that Wu, particularly Suzhounese, was the regional language most likely to achieve what he described as “independence” (独立) as a literary language. Beginning in the late Ming dynasty with Feng Menglong’s Mountain Songs collection, this study traces the literary journey of Suzhounese as used in various types of written texts such as Kun opera scripts,tancinovels, fiction, and W

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Liu, Chen, and Rong Yang. "Consuming popular songs online: Phoenix Legend’s audiences and Douban Music." cultural geographies 24, no. 2 (2017): 295–310. http://dx.doi.org/10.1177/1474474016684125.

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This article explores the creative consumption of popular music and explains how audiences involve their place-based emotions within their representations of popular music in an everyday setting, drawing on a qualitative study on people’s interpretations of Phoenix Legend (a popular music duo in mainland China) and its music. We collected the texts created by Phoenix Legend’s audiences from Douban Music ( http://music.douban.com/ ), a Chinese online music forum. Our analysis focuses on how fans, non-fans and anti-fans interpret and re-write the meanings of Phoenix Legend and its songs emotiona

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Xiao-bing, Zhao, and Zhao Wenqing. "About the Chinese Book “The Book of Poetry”." Humanitarian Vector 16, no. 1 (2021): 25–34. http://dx.doi.org/10.21209/1996-7853-2021-16-1-25-34.

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“The Shi Jing’’(‘‘The Book of Poetry”） is one of the first poems in the world, including Chinese poems, from the 11th century BC to the 6th century BC. During this period, about 3 000 verses appeared, of which 305 poems were selected by Confucius. Poetic texts in “The Shi Jing’are divided into three categories: regional songs, odes, hymns. The composition of the poems uses such techniques as Fu, Bi and Xing. These poems constitute the creative source (source) of Chinese poetry. “Fu”，“Bi” and “Xing” are important artistic features of “The Shi Jing”. “Fu”” - direct narration, parallelism. “Bi” i

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Yuda, Yang, and Nanny Kim. "Texts and Technologies in Chinese Silver Metallurgy, Twelfth to Nineteenth Centuries." East Asian Science, Technology, and Medicine 49, no. 1 (2019): 9–82. http://dx.doi.org/10.1163/26669323-04901003.

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The silver metallurgy of late imperial China has rarely been the subject of specific studies because silver exploitation has long been considered of minor importance and traditional sources are scarce. This article is an attempt at filling the research gap of the period from the Song to the late Qing. With a focus on the silver mines of the Southwest and the adjoining borderlands and employing an approach that combines textual analysis with the study of remains and oral histories, it presents a systematic discussion of process steps and traces technological transformations.

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Wang, Xingrong, and Lei Zhang. "A comparative study of interpersonal meanings of traditional hymns and contemporary Christian songs in China." Text & Talk 39, no. 6 (2019): 775–96. http://dx.doi.org/10.1515/text-2019-0240.

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Abstract Contemporary Christian songs (CCSs) are gaining more favor in Chinese churches than traditional hymns (THs) nowadays; however, many scholars have criticized the intimate relationship established with God in CCSs from the perspective of theology. This study aims to explore whether the God-human relationship built in THs and CCSs has experienced a change by carrying out a comparative analysis of their respective constructed interpersonal meanings. Combining Halliday’s framework with judgment in Martin and White’s Appraisal system, this study compares 100 CCSs and THs from the aspects of

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Yang, Fuyin. "“Passatempi musicali” by GuillaumeLouis Cottrau as the way Neapolitan song actualization in 19th century music." Aspects of Historical Musicology 19, no. 19 (2020): 268–84. http://dx.doi.org/10.34064/khnum2-19.15.

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Background. In 19th century European music has been enriched by national phenomena, such as Polish mazurka, Austrian waltz, Hungarian czardas, which went into the academic genres system, expanded the boundaries of its intonational fund and audience perceptions. The Neapolitan song participated in this process. It was a real discovery for music lovers in different countries. Canzone Napoletana conquered the music salons area in France, from where it spread in all the Europe, and was reflected in the work of many composers. This genre phenomenon is not fully unraveled, probably due to the distor

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Vaseková, Veronika. "Analýza orientalizmu v Bowieho skladbe „China Girl“ / Analysis of Orientalism in David Bowie’s Song “China Girl”." Kulturní studia 2020, no. 2 (2020): 47–59. http://dx.doi.org/10.7160/ks.2020.150203.

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Among other areas, Orientalism is widespread in pop music. The aim of this essay is to analyze Chinese Orientalism in the song and video “China Girl” by British singer David Bowie. Bowie is known for his interest in Asian cultures, signified most notably by the influence of Japanese style on Bowie’s musical performances, among other examples. The song “China Girl” initiated a passionate discussion about racist motives in the video clip; although Bowie is known for his opposition to racism, and the intended purpose of the video was to criticize racism, it is clear from the public and profession

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Huang, Philip C. C. "The Monograph Tradition and Chinese Scholarship: Beginning with the “Best Young Scholar’s Monograph Prize in the Social Sciences of Practice”." Rural China 16, no. 2 (2019): 334–44. http://dx.doi.org/10.1163/22136746-01602007.

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This article first explains why our “Best Young Scholar’s Monograph Prize in the Social Sciences of Practice” selection committee has chosen the three books International Law and Late Qing China: Texts, Events, and Politics, Rural Development in Contemporary China: Micro Case Examples and Macro Changes, and Urbanizing Children: Identity Production and Political Socialization of Peasant-Worker Sons and Daughters for the award, and then goes on to discuss how monograph production is faced with deeply contradictory forces in the scholarly environment of China today when compared with the American

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Arsenio Nicolas, Zhang Jian,. "Zhuang Opera --- A study of Chinese Minority Arts in Guangxi Province, China." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 6 (2021): 2900–2912. http://dx.doi.org/10.17762/turcomat.v12i6.5799.

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This article is a study of Zhuang Opera in the Guangxi Province in China. There are three general genres of Zhuang Opera, the analysis of selected musical pieces of these four types focuses on the music structure of Pingban melody, and the rhyme of the song texts --- Yaojiaoyun. This study is a pioneering work on the Zhuang Opera's musical form as there is currently no published work on the music of the opera and its association with related music categories. Except for very few research collections on national opera, most studies mainly focus on the history, literature, and folklore of tradit

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Kirkpatrick, Andy. "Medieval Chinese rules of writing and their relevance today." Australian Review of Applied Linguistics 27, no. 1 (2004): 1–14. http://dx.doi.org/10.1075/aral.27.1.01kir.

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Abstract Chen Kui was a scholar-official of the Southern Song dynasty. He published the Wen Ze (here translated as The Rules of Writing) in 1170. This book is commonly described by Chinese scholars as China’s first systematic account of Chinese rhetoric. The book comprises ten chapters, covering aspects of rhetoric and composition, including the use of rhetorical devices, the functions and methods of citation, and the importance of using everyday language. Despite its acknowledged importance by Chinese scholars, The Rules of Writing’ remains comparatively unknown, even within China. This artic

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Kaziev, Eduard V. "Materials of the Chinese official chronicles of the imperial dynasties Song and Yuan on the time of the massacre of the Alan warriors during the Mongol conquest of Southern China." Vestnik of North-Ossetian State University, no. 4(2020) (December 25, 2020): 31–38. http://dx.doi.org/10.29025/1994-7720-2020-4-31-38.

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Based on the information presented in the official chronicles of the Chinese imperial dynasties Song and Yuan, the author discusses the issue of the time of the massacre of the Alan warriors in Mongol service, that occurred during their occupation of the southern Chinese city of Zhenchao. The study of this issue seems relevant, since the information of the mentioned Chinese official chronicles, in the same way conveying the general plot of this event, diverges in the designation of its time, attributing it to different reign years of the first emperor of the Yuan dynasty Kublai (Shi-zu) and to

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Kaziev, Eduard V. "Materials of the Chinese official chronicles of the imperial dynasties Song and Yuan on the time of the massacre of the Alan warriors during the Mongol conquest of Southern China." Vestnik of North-Ossetian State University, no. 4(2020) (December 25, 2020): 31–38. http://dx.doi.org/10.29025/1994-7720-2020-4-31-38.

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Based on the information presented in the official chronicles of the Chinese imperial dynasties Song and Yuan, the author discusses the issue of the time of the massacre of the Alan warriors in Mongol service, that occurred during their occupation of the southern Chinese city of Zhenchao. The study of this issue seems relevant, since the information of the mentioned Chinese official chronicles, in the same way conveying the general plot of this event, diverges in the designation of its time, attributing it to different reign years of the first emperor of the Yuan dynasty Kublai (Shi-zu) and to

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Zou, Yejun. "Female Solidarity as Hope: A Re-Examination of Socialist Feminism in the Literary Works of Ding Ling and Christa Wolf." British Journal of Chinese Studies 9, no. 1 (2019): 85–116. http://dx.doi.org/10.51661/bjocs.v9i1.27.

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Recent scholarship has questioned the validity of Western feminism as a model for feminist movements in contemporary China and highlights a gap in the scholarly understanding of the tradition and trajectory of socialist feminism in China (Song, 2012; Wang, 2017). In this article, I will examine the practicality of socialist feminism as an alternative model for contemporary Chinese feminism by comparing the depiction of women in the literary works of the Chinese writer Ding Ling and the East German author Christa Wolf. In Ding Ling’s novel In the Hospital, she strives for gender equality via co

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Chemla, Karine. "Numerical Tables in Chinese Writings Devoted to Mathematics: From Early Imperial Manuscripts to Printed Song-Yuan Books." East Asian Science, Technology, and Medicine 44, no. 1 (2016): 69–122. http://dx.doi.org/10.1163/26669323-04401005.

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This article establishes that the discursive parts of the earliest known mathematical manuscripts in Chinese were composed of (at least) two types of elements, marked by two types of texts. The manuscripts alternate continuous text, and text for numerical tables (what I call table-relations). I show that in these manuscripts, the latter were written down as ‘textual tables,’ and that two basic types of style were used for these textual tables. By contrast, tabular layouts have been used for a Qin period object and a Dunhuang manuscript carrying numerical tables. I suggest that these artifacts

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Wang (王頌), Song. "The Prevalence of Huayan-Chan 華嚴禪 Buddhism in the Regions of Northern China during the 11th Century". Journal of Chan Buddhism 1, № 1-2 (2020): 146–77. http://dx.doi.org/10.1163/25897179-12340005.

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Abstract In the 11th century, the dissemination of Buddhism in the territories of Northern Song 北宋 dynasty (960–1127) China, Khitan 契丹 Liao 遼 (907/916–1125), and Xixia 西夏 (Tangut 党項, 1038–1227) kingdoms each reached a peak. What united the learned peoples of these three kingdoms in terms of religious and intellectual development was the comparatively widespread study and adoption of the teachings of Huayan Buddhism, or studies of and commentaries to the translations of the Avataṃsaka-sūtra into Chinese in 60-, 80-, and 40-rolls (Huayan jing 華嚴經, esp. T nos. 278, 279, 293). In this article I ad

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Kim, Aeyoung. "A study of character forms and uses in Chanmen niansong ji 禅门拈颂集". Journal of Chinese Writing Systems 3, № 2 (2019): 87–100. http://dx.doi.org/10.1177/2513850219828193.

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This study aims to examine the features of the characters in Chanmen niansong ji 禅门拈颂集, a central text, while paying special attention to the variant Chinese characters (different characters with a similar pronunciation or meaning) it contains. Since Chanmen niansong ji 禅门拈颂集 includes a variety of such characters, it is possible to trace a diversity of changes in character forms from Lishu 隶书 to Kaishu 楷书. For this purpose, this study will classify variant Chinese characters in Chanmen niansong ji 禅门拈颂集 using two different classification standards, namely the structure of these characters and

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Almonte, Victoria. "Identifying the Country of Meilugudun and the Significant Value of Zhou Qufei’s Lingwai daida." Ming Qing Yanjiu 21, no. 1 (2017): 1–43. http://dx.doi.org/10.1163/24684791-12340012.

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Abstract During the last century, considerable interest arose regarding Chinese knowledge of western territories, with a long list of works being published on the topic. Joseph Needham’s Science and Civilisation in China (1959) states that Arab thinking had clearly influenced the Chinese conception of geography over the centuries. Zhang Xinglang analyses the relationship between the Chinese empire and countries overseas, focusing on Islamic countries and particularly those in the north of Africa. Feng Chengjun’s western territories toponyms and Gudai nanhai diming huishi have provided two powe

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Despeux, Catherine, and Penelope Barrett. "Visual Representations of the Body in Chinese Medical and Daoist Texts From the Song to the Qing Period (Tenth to Nineteenth Century)." Asian Medicine 1, no. 1 (2005): 10–52. http://dx.doi.org/10.1163/157342105777996827.

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This article is a preliminary survey of representations of the body produced in China from the Song to the Qjng period in the context of medicine, forensic medicine and Daoism. Despite much common theoretical background, bodily representation in each of these fields differs in function and intent. Each field came to be associated with a particular aspect of the body. For medicine, this was the description of the viscera and the channels and tracts through which qi and humours flowed; for forensic medicine, it was the description of the skeleton; for Daoism, it was the symbolic description of t

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Tsang, Gabriel F. Y. "Masculine Performance in Hong Kong Crime Films from Post-Bruce to the 2000s." Asian Journal of Humanity, Art and Literature 4, no. 2 (2017): 73–82. http://dx.doi.org/10.18034/ajhal.v4i2.319.

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Masculinity, in Lacan’s sense, is an imagination. To specifically theorise Chinese masculinity, Kam Louie examined the elements of wen (cultural attainment) and wu (martial valour) rendered through historical or artistic images, and Song Geng and Derek Hird guide the discussions about Chinese manhood represented in everyday life. With a Marxist perspective, Lo Kwai Cheung illustrated the dissolvability of Chinese masculinity under international capitalism. With reference to Aristotle, it is supposed that Chinese masculinity, similar to ‘tragicity’ in nature, can be represented through imitatin

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de Pee, Christian. "Circulation and flow: Immanent metaphors in the financial debates of Northern Song China (960–1127 CE)." History of Science 56, no. 2 (2018): 168–95. http://dx.doi.org/10.1177/0073275317724706.

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The Song Empire (960–1279 CE) had a larger population, a higher agricultural output, a more efficient infrastructure, and a more extensive monetary system than any previous empire in Chinese history. As local jurisdictions during the eleventh century became entangled in empire-wide economic relations and trans-regional commercial litigation, imperial officials sought to reduce the bewildering movement of people, goods, and money to an immanent cosmic pattern. They reasoned that because money and commerce brought to imperial subjects the goods they required to survive, money and commerce must b

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Wang, Robin R. "From Female Daoist Rationality to Kundao Practice." Review of Religion and Chinese Society 7, no. 2 (2020): 179–98. http://dx.doi.org/10.1163/22143955-00702003.

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Abstract By presenting Cao Wenyi (1039–1119), a female Daoist in the Song dynasty, and Kundao Academy 坤道学院, a training center for female Daoists in contemporary China, this essay challenges Max Weber’s description of Daoism. This analysis criticizes two aspects of Weber’s basic position on Daoism, namely, his claims that it is irrational and egoistical. The essay argues that Weber’s account of “magical and irrational” features in Daoism is due to a deep-seated philosophical framework that fails to appreciate Daoism’s relational rationality, which takes one part in relation to many other parts,

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Ye, Ye, and Erxin Wang. "Yuan-Ming Sanqu Songs as Communal Texts: Discovering Their Literary Vitality from a New Research Perspective." Journal of Chinese Literature and Culture 8, no. 1 (2021): 113–38. http://dx.doi.org/10.1215/23290048-8898648.

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Abstract When examining songs in Chinese literature, we can distinguish among literary, musical, and communal aspects of their circulation. Sanqu songs became popular in the form of musical texts in the Yuan and Ming dynasties, but the ci song lyrics, by the Southern Song dynasty (1127–1279) if not earlier, had already become a form of communal text in a broad sense. While relying on musical and literary aspects in the early stages of circulation, such ci song lyrics also became increasingly meaningful as social artifacts characterized by diverse forms of usage and participation, and they have

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Zhang, Xiqui. "Interpretive properties of recitation in the vocalist’s performing arts." Aspects of Historical Musicology 21, no. 21 (2020): 247–60. http://dx.doi.org/10.34064/khnum2-21.16.

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Background. One of the main positions of the vocalist’s practice is to understand the recitation as a kind of interpretation of the musical text, which is fixed in the notes. In the process of performing a piece of music, be it the song, the romance, the recitative, the aria in an opera or a musical drama, one specific variant is selected each time from its many potential meanings. This is the performer’s interpretation of the declamatory intonation, because the composer usually does not indicate the tone, timbre and strength of the voice, minimally orienting a singer in the desired intonation

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Chuang, Yin C. "Divorcing China: The Swing from the Patrilineal Genealogy of China to the Matrilineal Genealogy of Taiwan in Taiwan's National Imagination." Journal of Current Chinese Affairs 40, no. 1 (2011): 159–85. http://dx.doi.org/10.1177/186810261104000106.

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This paper explores the popular concept of the relationship between Taiwan and China as a feminine/ masculine dichotomy which has been constructed within Taiwan's national imagination. First, I will focus on how this dichotomy has been created within the process of identity-shifting in Taiwan since the 1990s as manifested in Taiwanese pop songs. Second, I will demonstrate how it has been appropriated within the process of nation-building. Two primary questions will be addressed: How is the national imagination of Taiwan in Taiwanese pop songs constructed through maternal and feminine images? H

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Raphals, Lisa. "ARGUMENTS BY WOMEN IN EARLY CHINESE TEXTS." NAN NÜ 3, no. 2 (2001): 157–95. http://dx.doi.org/10.1163/156852601100402261.

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AbstractA corpus of ethical and political arguments specifically attributed to women in Warring States and Han texts are philosophically comparable to the arguments of the Masters texts, but are not associated with teaching lineages. These hierarchical persuasions and instructive arguments cannot be attributed to ministers. They suggest new perspectives on contemporary discussions of the nature of philosophical debate, adversariality, and authority in Warring States China.

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Nappi, Carla. "Bolatu's Pharmacy Theriac in Early Modern China." Early Science and Medicine 14, no. 6 (2009): 737–64. http://dx.doi.org/10.1163/138374209x12542104914000.

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AbstractIn early modern China, natural history and medicine were shifting along with the boundaries of the empire. Naturalists struggled to cope with a pharmacy's worth of new and unfamiliar substances, texts, and terms, as plants, animals, and the drugs made from them travelled into China across land and sea. One crucial aspect of this phenomenon was the early modern exchange between Islamic and Chinese medicine. The history of theriac illustrates the importance of the recipe for the naturalization of foreign objects in early modern Chinese medicine. Theriac was a widely sought-after and hotl

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Lavagnino, Alessandra C. "A Chinese regard oblique." Asiatische Studien - Études Asiatiques 71, no. 3 (2017): 1003–13. http://dx.doi.org/10.1515/asia-2017-0026.

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Abstract The wealth of topics and the vast range of themes dealt during the Zurich Workshop have stimulated me to propose some preliminary remarks coming from a Chinese point of view. The difficulty of dealing with different set of words and different way of classifying things makes it necessary to provide some basic information, sources and insights into how such fundamental issues as the power of writing, the categorisation of knowledge, and the preeminence of the role of the traditional Classic texts in intellectual, political and administrative life were developed in ancient China. The wri

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Brindley, Erica. "Authoring Non-Action in Early China." Journal of Chinese Philosophy 42, no. 3-4 (2015): 267–83. http://dx.doi.org/10.1163/15406253-0420304003.

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This essay explores a call for non-action in certain ancient Chinese texts that, contrary to expectation, implicitly upholds definitions of action that are comparable to Western understandings of the term. The call for non-action in ancient Chinese texts differs significantly, however, from what Western theorists usually define as legitimate, agent-led action through its negation of viewing means-end calculations as the basis of action. Closer analysis of such formulations on non-action reveal that that there is room for a broader definition in action theory of what constitutes a coherent, uni

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Goble, Geoffrey C. "Three Buddhist Texts from Dunhuang." Asian Medicine 12, no. 1-2 (2017): 265–78. http://dx.doi.org/10.1163/15734218-12341396.

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Abstract“Three Buddhist Texts from Dunhuang” provides an introduction to and translation of texts that are representative of the larger genre of Chinese Buddhist medical literature. These examples are indigenous Chinese Buddhist scriptures dating to the early ninth century. They were recovered in the early twentieth century at Dunhuang in western China. Although they often draw from Indian Buddhist sources, these texts are local Chinese products and are characterized by etiologies and therapeutics drawn from both Indian Buddhist traditions and Chinese worldviews. In these texts, disease is alt

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Xiao-Yuan, Jiang. "Indian Astronomy in Ancient China." Highlights of Astronomy 11, no. 2 (1998): 703–4. http://dx.doi.org/10.1017/s1539299600018517.

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Indian astronomy was introduced into China along with the intrusion of Buddhism. This process lasted about one thousand years in the Mediaeval age. For the study of this process, there are a lot of materials in ancient Chinese historic texts, while the Buddhist scriptures in Chinese translation are very important first-hand materials.

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Yue, Zhang. "RUSSIAN FOLK SONG "OVER THE SILVER RIVER" AND ITS FATE IN CHINA." Arts education and science 1, no. 2 (2021): 160–67. http://dx.doi.org/10.36871/hon.202102020.

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The article deals with the history of the Russian poet F. N. Glinka's poem "Veiled Traces", which was the basis for the famous folk song "Over the Silver River". The article reveals the content of the text and shows different variants of its "plot". This refers to several Russian collections containing the song "Over the Silver River", including "Ural Folk Songs" by L. Christiansen and "Folk Songs of Krasnoyarsk Region" by K. Skobtsov. Folklore collectors considered this song as an example of Russian lyrical song genre. The author analyzes the arrangement of this song included in A. Chernyavsk

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CHEN, LILY. "Evaluation in media texts: A cross-cultural linguistic investigation." Language in Society 33, no. 5 (2004): 673–702. http://dx.doi.org/10.1017/s0047404504045026.

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A quantitative/interpretative approach to the comparative linguistic analysis of media texts is proposed and applied to a contrastive analysis of texts from the English-language China Daily and the UK Times to look for evidence of differences in what Labov calls “evaluation.” These differences are then correlated to differences in the roles played by the media in Britain and China in their respective societies. The aim is to demonstrate that, despite reservations related to the Chinese texts not being written in the journalists' native language, a direct linguistic comparison of British media

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Yingsheng, Liu, and Ralph Kauz. "Armenia in Chinese Sources." Iran and the Caucasus 12, no. 2 (2008): 175–90. http://dx.doi.org/10.1163/157338408x406001.

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AbstractThis paper discusses several toponyms in Chinese sources, which may possibly be identified with Armenia. First, Aman country, which can be found in the "History of the Later Han" (compiled 3rd–5th centuries) and in the "Account of the Wei Dynasty" (compiled between 239 and 265), is discussed, and it is suggested that there are reasons for an identification, though doubts remain. Armenia was well known by the Mongols and the "Korean Worldmap", which originates in Chinese geographical scholarship during the Mongol period and depicts possibly even Greater and Lesser Armenia. Another sourc

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Li, Shuanglong, and Fei Yan. "Searching for Red Songs: The Politics of Revolutionary Nostalgia in Contemporary China." China Quarterly 242 (September 10, 2019): 508–28. http://dx.doi.org/10.1017/s0305741019001103.

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AbstractApplying a novel approach based on online query volume data, this study provides the first large-scale portrait of revolutionary nostalgia among the Chinese, undertaking an empirical analysis of how the aggregate level of nostalgia is shaped. For each Chinese province, we use the normalized frequency of searches for red songs on Baidu, the most widely used online search engine in China, to quantify the local level of nostalgia. We find that the evolving trends of nostalgia among the provinces are similar but stratified. The results from the dynamic panel data analysis using the General

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An, Byung-Sam, and Su-Jin Kim. "A Study on the Musical Characteristics of Chinese-Korean School’s Songs in China." Journal of Koreanology 79 (July 31, 2021): 189–238. http://dx.doi.org/10.15299/jk.2021.7.79.189.

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Davis, Sara. "The Hawaiification of Sipsongbanna: Orality, Power, and Cultural Survival in Southwest China." TDR/The Drama Review 45, no. 4 (2001): 25–41. http://dx.doi.org/10.1162/105420401772990315.

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Near the Burmese border, ethnic Chinese Tai villagers perform zhangkhap songs based on Buddhist epics and improvised oral poetry. Repressed from the 1950s as through the 'as, zhanghap has revived dramatically in recent years. Tourists are taking notice, but this may not be good news.

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Richter, Matthias L. "Handling a double-edged sword: Controlling rhetoric in early China." Asiatische Studien - Études Asiatiques 68, no. 4 (2014): 1021–68. http://dx.doi.org/10.1515/asia-2014-0048.

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Abstract The present essay discusses rhetorics as an instrument of both persuasion and deception. Early Chinese political thought shows a keen awareness of the deceptive potential immanent in rhetorical skills. Multiple texts warn against certain types of rhetorical behaviour that entail a potential threat to the ruler's control over political power. Yet, at the same time rhetorical skills were also a desirable qualification. While most texts from early China discuss rhetorical skills in general terms as an asset or a threat to the ruler's power, some texts reflect rhetorical skills in more de

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An, Byung-Sam, and Su-Jin Kim. "Analysis of the Musical Characteristics of the Chinese-Korean School’s School Songs in China." Journal of Koreanology 76 (August 31, 2020): 235–88. http://dx.doi.org/10.15299/jk.2020.08.76.235.

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Mcneal, Robin. "Constructing Myth in Modern China." Journal of Asian Studies 71, no. 3 (2012): 679–704. http://dx.doi.org/10.1017/s0021911812000630.

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This study presents an overview of attempts by Chinese literati during the twentieth century to articulate a coherent Chinese mythology, primarily based on ancient texts but eventually to some extent drawing from ethnographic materials and folklore as well, and all much beholden to Western examples such as Greek and Norse mythology. This examination of text-based activities sets the stage for an inquiry into a wave of monument building during the Reform Era, much of which has celebrated China's ancient myth, history, and legend. A recent park in Wuhan dedicated to the legendary sage ruler and

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Ho, Wai-chung. "The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the People's Republic of China since the 1980s." Popular Music 19, no. 3 (2000): 341–53. http://dx.doi.org/10.1017/s0261143000000209.

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IntroductionThe aim of this paper is to analyse shifting themes in the meanings of Hong Kong popular songs relating to ideological and political changes in Hong Kong since the 1989 Tiananmen Square incident (TSI). In particular, the paper examines the relationship between Hong Kong and the People's Republic of China (PRC) concerning the transmission of Hong Kong popular music, and argues that Chinese, Hong Kong and Taiwanese popular musics articulate fluctuating political meanings. Attention will be focused predominantly on the lyrics, but some aspects of the music are also invoked. After high

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Zhu, Zheng. "Re-constructing “China” in a transnational context." Global Media and China 4, no. 2 (2019): 286–303. http://dx.doi.org/10.1177/2059436419852506.

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This study critically examines two Chinese newspapers’ representation of China as a “nation” and “culture.” Prior studies have deeply and broadly explored various ways through which China, Chinese culture, and nationalism were constructed in popular media forums. What has been missing is a continued exploration of these constructions offered by the Chinese media sources that are published outside the dominant Chinese cultural, national, and political contexts. Using World Journal and Sing Tao Daily, two major Chinese immigrant newspapers, as the texts for analysis, this study produces importan

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Kuo, Sai-hua. "“Is there only one China?”:." Journal of Asian Pacific Communication 11, no. 2 (2001): 287–303. http://dx.doi.org/10.1075/japc.11.2.10kuo.

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By means of the analytic method of critical linguistics, this study illustrates and discusses how Chinese nationalism manifests itself in the language of a newspaper text, what linguistic devices are employed for this purpose, and how the media production process in China shapes news texts. The study also analyzes how ideological positions can be reflected through lexical and grammatical choices.

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Kory, Stephan N. "Presence in Variety: De-Trivializing Female Diviners in Medieval China." Nan Nü 18, no. 1 (2016): 3–48. http://dx.doi.org/10.1163/15685268-00181p02.

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This article argues that the relative absence and trivialization of female diviners apparent in medieval Chinese texts does not accurately reflect the presence of these figures in medieval Chinese society. It further contends that this dearth in representation is the direct result of a more comprehensive and sustained annihilation or marginalization of women in third- through ninth-century Chinese texts. Narrative accounts and the institutional perspectives on divination informing them are critically analyzed and compared to help de-trivialize the roles that female diviners played in medieval

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Yangutov, Leonid E., and Marina V. Orbodoeva. "On Early Translations of Buddhist Sutras in China in the Era the Three Kingdoms: 220–280." Herald of an archivist, no. 2 (2019): 331–43. http://dx.doi.org/10.28995/2073-0101-2019-2-331-343.

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The paper discusses the early days of translation in China which began with the translation of Buddhist texts from Sanskrit into Chinese. The article addresses one of the most difficult and dramatic periods in the history of translation activities, the era of Three Kingdoms (220-280). First efforts of the Buddhist missionaries in translating the Buddhist texts from Sanskrit into Chinese are poorly studied in the Russian science. The article aims to fill the gap. This goal sets the following tasks: (1) to analyze the translation activities in the kingdoms of Wei (220–265) and Wu (222–280) durin

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Snuviškis, Tadas. "Indian Philosophy in China." Dialogue and Universalism 30, no. 3 (2020): 89–106. http://dx.doi.org/10.5840/du202030336.

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Daśapadārthī is a text of Indian philosophy and the Vaiśeṣika school only preserved in the Chinese translation made by Xuánzàng 玄奘 in 648 BC. The translation was included in the catalogs of East Asian Buddhist texts and subsequently in the East Asian Buddhist Canons (Dàzàngjīng 大藏經) despite clearly being not a Buddhist text. Daśapadārthī is almost unquestionably assumed to be written by a Vaiśeṣika 勝者 Huiyue 慧月 in Sanskrit reconstructed as Candramati or Maticandra. But is that the case? The author argues that the original Sanskrit text was compiled by the Buddhists based on previously existing

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Bréard, Andrea. "What Diagrams Argue in Late Imperial Chinese Combinatorial Texts." Early Science and Medicine 20, no. 3 (2015): 241–64. http://dx.doi.org/10.1163/15733823-00203p02.

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Attitudes towards diagrammatic reasoning and visualization in mathematics were seldom spelled out in texts from pre-modern China, although illustrations figure prominently in mathematical literature since the eleventh century. Taking the sums of finite series and their combinatorial interpretation as a case study, this article investigates the epistemological function of illustrations from the eleventh to the nineteenth century that encode either the mathematical objects themselves or represent their related algorithms. It particularly focuses on the two illustrations given in Wang Lai’s (1768

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Lewis, Mark Edward. "SARAH ALLAN,BURIED IDEAS: LEGENDS OF ABDICATION AND IDEAL GOVERNMENT IN EARLY CHINESE BAMBOO-SLIP MANUSCRIPTS: A REVIEW ARTICLE." Early China 39 (2016): 265–84. http://dx.doi.org/10.1017/eac.2016.22.

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AbstractBuried Ideasis a major contribution to the study of early China, and of ancient civilizations in general. It analyzes four important, recently discovered texts that in some manner deal with the idea that the position of the ruler should be transferred by voluntary abdication from one sage to another. In addition to analyzing in detail the arguments of these texts and their relations to the received tradition, it also provides a useful introductory survey of the current state of the study of Chu-script bamboo-slip texts, facilitates direct confrontation with these texts for anyone who d

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WANG, ZHIXI. "“What Has Jesus to Do with Socialism”? Protestant Intellectuals, Political Use of the Mandarin Union Version, and the Remaking of a Socialistic Jesus in Republican China." Journal of the Royal Asiatic Society 30, no. 1 (2019): 105–17. http://dx.doi.org/10.1017/s1356186319000440.

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AbstractThis article explores the ways Chinese Protestant intellectuals, when facing up to the challenge of socialism, interpreted and appropriated Chinese Gospel texts to refashion the image of Jesus. It argues that Protestant intellectuals’ political use of the Chinese Bible remade a socialistic Jesus with some religious qualifications. Both the reading of the Chinese Bible and the interaction of Chinese biblical texts with the socio-political milieus dramatically influenced the textual practice of Chinese Protestant communities in the Republican era.

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Weil, Dror. "Islamicated China: China’s Participation in the Islamicate Book Culture during the Seventeenth and Eighteenth Centuries." Intellectual History of the Islamicate World 4, no. 1-2 (2016): 36–60. http://dx.doi.org/10.1163/2212943x-00401005.

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By the seventeenth century, Arabo-Persian scholarship in China had adopted elements from Muslim and Chinese book cultures and synthesized them into a new form of scholarship, attested by the hundreds of Arabo-Persian manuscripts extant in repositories in China and around the world and the hundred of copies of printed Chinese works on Islamic themes. This article surveys the history of Chinese participation in Muslim book culture, beginning with a review of the history and general features of texts, in terms of their language and period of composition. The second part of the article provides a

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