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Artigos de revistas sobre o tema "Sound repetitions"

Autor: Grafiati

Publicado: 22 de fevereiro de 2025

Última modificação: 31 de julho de 2025

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1

Simchy-Gross, Rhimmon, and Elizabeth Hellmuth Margulis. "The sound-to-music illusion." Music & Science 1 (January 1, 2018): 205920431773199. http://dx.doi.org/10.1177/2059204317731992.

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The speech-to-song illusion tracks a perceptual transformation across repetitions where a stimulus that originally sounded like speech comes to sound like song. This article examines whether the illusion also generalizes to other kinds of nonspeech sounds. Participants heard each of 20 environmental sound clips repeated in either original or jumbled form. They rated the musicality of the clips on a 5-point scale where 1 represented sounds exactly like environmental sound and 5 sounds exactly like music. Average ratings increased significantly across repetitions, suggesting that the speech-to-s

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Ringer, Hanna, Erich Schröger, and Sabine Grimm. "Neural signatures of automatic repetition detection in temporally regular and jittered acoustic sequences." PLOS ONE 18, no. 11 (2023): e0284836. http://dx.doi.org/10.1371/journal.pone.0284836.

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Detection of repeating patterns within continuous sound streams is crucial for efficient auditory perception. Previous studies demonstrated a remarkable sensitivity of the human auditory system to periodic repetitions in unfamiliar, meaningless sounds. Automatic repetition detection was reflected in different EEG markers, including sustained activity, neural synchronisation, and event-related responses to pattern occurrences. The current study investigated how listeners’ attention and the temporal regularity of a sound modulate repetition perception, and how this influence is reflected in diff

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Lebrun, Yvan, and John Van Borsel. "Final sound repetitions." Journal of Fluency Disorders 15, no. 2 (1990): 107–13. http://dx.doi.org/10.1016/0094-730x(90)90037-s.

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Kubit, Benjamin M., Christine Deng, Adam Tierney, and Elizabeth H. Margulis. "Rapid Learning and Long-term Memory in the Speech-to-song Illusion." Music Perception: An Interdisciplinary Journal 41, no. 5 (2024): 348–59. http://dx.doi.org/10.1525/mp.2024.41.5.348.

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The speech-to-song illusion is a perceptual transformation in which a spoken phrase initially heard as speech begins to sound like song across repetitions. In two experiments, we tested whether phrase-specific learning and memory processes engaged by repetition contribute to the illusion. In Experiment 1, participants heard 16 phrases across two conditions. In both conditions, participants heard eight repetitions of each phrase and rated their experience after each repetition using a 10-point scale from “sounds like speech” to “sounds like song.” The conditions differed in whether the repetiti

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Conture, Edward G., Howard D. Schwartz, and David W. Brewer. "Laryngeal Behavior during Stuttering." Journal of Speech, Language, and Hearing Research 28, no. 2 (1985): 233–40. http://dx.doi.org/10.1044/jshr.2802.233.

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The purpose of this study was to provide detailed, objective descriptions of stutterers' laryngeal behavior during instances of stuttering within conversational speech. Subjects were 11 adult stutterers who produced stutterings (sound prolongations and sound/syllable repetitions) while their laryngeal behaviors were observed by means of a flexible fiber-optic nasolaryngoscope (fiberscope). Laryngeal behaviors during 86 of the 11 stutterers' stutterings were categorized as adducted, intermediate, or abducted. Results indicate that during sound prolongations the vocal folds were more likely to b

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Zebrowski, Patricia M. "Duration of the Speech Disfluencies of Beginning Stutterers." Journal of Speech, Language, and Hearing Research 34, no. 3 (1991): 483–91. http://dx.doi.org/10.1044/jshr.3403.183.

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This study compared the duration of within-word disfluencies and the number of repeated units per instance of sound/syllable and whole-word repetitions of beginning stutterers to those produced by age- and sex-matched nonstuttering children. Subjects were 10 stuttering children [9 males and 1 female; mean age 4:1 (years:months); age range 3:2–5:0], and 10 nonstuttering children (9 males and 1 female; mean age 4:0; age range: 2:10–5:1). Mothers of the stuttering children reported that their children had been stuttering for 1 year or less. One 300-word conversational speech sample from each of t

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Daikhin, Luba, Ofri Raviv, and Merav Ahissar. "Auditory Stimulus Processing and Task Learning Are Adequate in Dyslexia, but Benefits From Regularities Are Reduced." Journal of Speech, Language, and Hearing Research 60, no. 2 (2017): 471–79. http://dx.doi.org/10.1044/2016_jslhr-h-16-0114.

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Purpose The reading deficit for people with dyslexia is typically associated with linguistic, memory, and perceptual-discrimination difficulties, whose relation to reading impairment is disputed. We proposed that automatic detection and usage of serial sound regularities for individuals with dyslexia is impaired (anchoring deficit hypothesis), leading to the formation of less reliable sound predictions. Agus, Carrión-Castillo, Pressnitzer, and Ramus, (2014) reported seemingly contradictory evidence by showing similar performance by participants with and without dyslexia in a demanding auditory

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S.A., Khashimova. "On the Concept of Reduplication in Linguistics." International Journal of Current Science Research and Review 05, no. 05 (2022): 1659–64. https://doi.org/10.5281/zenodo.6579806.

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Abstract : This article is devoted to the study of the notion of reduplication in linguistics; the concepts of full, partial are given. marvel reduplication and features of their construction. Reduplication in terms of expression is not limited to repeating the same units or repeating only one basis and syllable. Repetitions are also considered as repetitions associated with the complete or partial repetition of a reductive sound, as well as “repetition of synonymous lexical units, that is, the creation of repeats of a value. Their functional, structural, semantic capabilities are descri

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Vekshin, Georgy V., Mickhail N. Gertzev, and Yaroslav E. Loskot. "Automatic Detection of Sound Repetitions in Verse: Realising the Syllabocentric Approach in the Phonotext Program." RUDN Journal of Language Studies, Semiotics and Semantics 12, no. 3 (2021): 597–618. http://dx.doi.org/10.22363/2313-2299-2021-12-3-597-618.

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The article presents approaches to the automatic detection of sound repetitions and the measurement of sound coherence in Russian poetic text basing on the syllabocentric concept of the sound texture of the verse, which distinguishes the phonosyllabeme as its main operational unit and determines the main types of relations between the elements of repetition - equiphony and metaphony - and also allows describe the text in its unity of sound-segmental and rhythmic structure. The paper considers the linguistic prerequisites, main algorithms and methods, which form the basis of the PHONOTEXT compu

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FAGAN, MARY K. "Mean Length of Utterance before words and grammar: Longitudinal trends and developmental implications of infant vocalizations." Journal of Child Language 36, no. 3 (2008): 495–527. http://dx.doi.org/10.1017/s0305000908009070.

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ABSTRACTThis study measured longitudinal change in six parameters of infant utterances (i.e. number of sounds, CV syllables, supraglottal consonants, and repetitions per utterance, temporal duration, and seconds per sound), investigated previously unexplored characteristics of repetition (i.e. number of vowel and CV syllable repetitions per utterance) and analyzed change in vocalizations in relation to age and developmental milestones using multilevel models. Infants (N=18) were videotaped bimonthly during naturalistic and semi-structured activities between 0 ; 3 and the onset of word use (M=1

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Zebrowski, Patricia M. "Duration of Sound Prolongation and Sound/Syllable Repetition in Children Who Stutter." Journal of Speech, Language, and Hearing Research 37, no. 2 (1994): 254–63. http://dx.doi.org/10.1044/jshr.3702.254.

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The purpose of this study was to measure the duration of sound prolongations and sound/syllable repetitions (stutterings) in the conversational speech of school-age children who stutter. The relationships between duration and (a) frequency and type of speech disfluency, (b) number and rate of repeated units per instance of sound/syllable repetition, (c) overall speech rate, and (d) articulatory rate were also examined. Results indicated that for the children in this study the average duration of stuttering was approximately three-quarters of a second, and was not significantly correlated with

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Zebrowski, Patricia M., and Edward G. Conture. "Judgments of Disfluency by Mothers of Stuttering and Normally Fluent Children." Journal of Speech, Language, and Hearing Research 32, no. 3 (1989): 625–34. http://dx.doi.org/10.1044/jshr.3203.625.

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The purpose of this study was to examine the relation between selected aspects of speech disfluency and perceptual judgments of these events by mothers of young stutterers and mothers of age- and sex-matched normally fluent children. Each mother independently listened to and judged as either "stuttered" or "not stuttered" recorded examples of a young stutterer's imitated productions of: (a) five different types of speech disfluency, (b) sound prolongations, and (c) sound/syllable repetitions of five different durations each, along with a comparable number of fluent utterances. Results indicate

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Guitar, Barry E. "Stuttering and Stammering." Pediatrics In Review 7, no. 6 (1985): 163–68. http://dx.doi.org/10.1542/pir.7.6.163.

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Stuttering is a disorder characterized by intermittent difficulty in producing a smooth flow of speech. Stutterers may repeat or prolong sounds or may sometimes be unable to utter any sound without a great deal of effort. The disorder usually begins a year or two after the child has first learned to speak. The earliest symptoms are usually repetitions of parts of words. Signs of the problem may gradually progress, in a matter of months or during a period of several years, from these minor repetitions to prolongations of sounds, longer hesitations, and complete blockings of speech. Accessory si

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JENSEN, KRISTOFFER. "Atomic noise." Organised Sound 10, no. 1 (2005): 75–81. http://dx.doi.org/10.1017/s1355771805000695.

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Stochastic, unvoiced sounds are abundant in music and musical sounds. Without irregularities, the music and sounds become dull and lifeless. This paper presents work on unvoiced sounds that is believed to be useful in noise music. Several methods for obtaining a gradual change towards static white noise are presented. The random values (Dice), random events (Geiger) and random frequencies (Cymbal) noise types are shown to produce many useful sounds. Atomic noise encompasses all three noise types, while adding much more subtle variations and more life to the noise. Methods for obtaining a harmo

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Kharismadewi, Yonnie, Ike Revita, and Rina Marnita AS. "A praat-based stuttering analysis of the main character in the king’s speech movie: a neuropsycholinguistic study." Journal of Applied Studies in Language 7, no. 1 (2023): 56–65. http://dx.doi.org/10.31940/jasl.v7i1.56-65.

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Stuttering is a speech disorder characterized by involuntary repetitions or prolongations of words or syllables, or by involuntary interruptions in the flow of speech, known as blocks. Stuttering can happen due to genetics and environmental factors or psychogenic. This research aims to identify the types of stuttering that occur and to explain the factors that contribute to stuttering and the effect on the main character's speech fluency in the movie "The King's Speech." The data for this research comes from The King's Speech movie. The descriptive qualitative approach was used in this study i

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Tierney, Adam, Aniruddh D. Patel, and Mara Breen. "Repetition Enhances the Musicality of Speech and Tone Stimuli to Similar Degrees." Music Perception 35, no. 5 (2018): 573–78. http://dx.doi.org/10.1525/mp.2018.35.5.573.

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Certain spoken phrases, when removed from context and repeated, begin to sound as if they were sung. Prior work has uncovered several acoustic factors that determine whether a phrase sounds sung after repetition. However, the reason why repetition is necessary for song to be perceived in speech is unclear. One possibility is that by default pitch is not a salient attribute of speech in non-tonal languages, as spectral information is more vital for determining meaning. However, repetition may satiate lexical processing, increasing pitch salience. A second possibility is that it takes time to es

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Bourquin, Nathalie M.-P., Micah M. Murray, and Stephanie Clarke. "Location-independent and location-linked representations of sound objects." Neuroimage 73 (January 26, 2013): 40–49. https://doi.org/10.1016/j.neuroimage.2013.01.026.

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For the recognition of sounds to benefit perception and action, their neural representations should also encode their current spatial position and their changes in position over time. The dual-stream model of auditory processing postulates separate (albeit interacting) processing streams for sound meaning and for sound location. Using a repetition priming paradigm in conjunction with distributed source modeling of auditory evoked potentials, we determined how individual sound objects are represented within these streams. Changes in perceived location were induced by interaural intensity differ

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Ceuterick, Maud. "Rawr: Kitchen, rage, Judith and I." Teknokultura. Revista de Cultura Digital y Movimientos Sociales 21, no. 1 (2024): 97–98. http://dx.doi.org/10.5209/tekn.90496.

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Through aggressive repetitions and superimpositions of sound and images, this video (essay) proposes to give an audiovisual form to Judith Butler’s theorisation of gender as a performance made of repetitions of stylised acts. This experimental film creates a formal or ‘autopoetic’ manifestation of the rage that generations of feminist theorists and filmmakers have expressed at the idealised and uninhabitable embodiment of gender.

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SVETLICHNAYA, V. YU. "Functioning and structure of sound repetitions in artistic style texts." Вестник Московского государственного лингвистического университета. Гуманитарные науки, no. 3 (2023): 96–103. http://dx.doi.org/10.52070/2542-2197_2023_3_871_96.

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Ediyono, Suryo, and Sopyan Ali. "Foregrounding and Metaphor: A Stylistic Study on Hamza Yusuf’s Religious Poems." Theory and Practice in Language Studies 9, no. 6 (2019): 746. http://dx.doi.org/10.17507/tpls.0906.21.

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Poetry not only communicates information but also arouses the readers’ feeling to a thoughtful sense and the life’s perception of the author through parable objects. Poetry could be perceptually prominent if it is expressed through linguistic deviation, which further defined as “foregrounding”. This article is an attempt to provide understandings from the analysis of Shaykh Hamza Yusuf’s religious poems that engage both semantic and sound patterns (phonological) analyses. The semantic level of the poems dealt with metaphorical analysis as realized in several lines that observed the foregrounde

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Wiranda, Nuruddin, and Agfianto Eko Putro. "Model Identifikasi Kata Ucapan Tuna Wicara." IJEIS (Indonesian Journal of Electronics and Instrumentation Systems) 9, no. 2 (2019): 131. http://dx.doi.org/10.22146/ijeis.47609.

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Speech impaired is the inability of someone to speak, even though speaking ability is important in order to communicate with other people. Dealing with this as someone who has speech impairments has their own way of communicating, namely by using sign language, but not everyone understands the sign language. The MFCC and Backpropagation ANN methods are implemented on a Single Board Computer (SBC) designed to overcome speech impaired communication problems. The MFCC method is used to retrieve the features of speech impairment and the Backpropagation ANN is used for sound pattern recognition.The

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Paredes-Ramos, Pedro, Joanna V. Diaz-Morales, Manuel Espinosa-Palencia, Genaro A. Coria-Avila, and Apolo A. Carrasco-Garcia. "Clicker Training Accelerates Learning of Complex Behaviors but Reduces Discriminative Abilities of Yucatan Miniature Pigs." Animals 10, no. 6 (2020): 959. http://dx.doi.org/10.3390/ani10060959.

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Animal training is meant to teach specific behavioral responses to specific cues. Clicker training (CT) is a popular training method based on the use of a device that emits a sound of double-click to be associated as a first-order conditioned stimulus in contingency with positive reinforcements. After some repetitions, the clicker sound gains some incentive value and can be paired with the desired behavior. Animal trainers believed that CT can decrease training time compared to other types of training. Herein, we used two-month old miniature piglets to evaluate whether CT decreased the number

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Sadigova, Ayten Pilahga kyzy. "OPTIONS OF PHRASEOLOGICAL UNITS CONTAINING TEONIMA IN THE AZERBAIJAN LANGUAGE." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 2 (2019): 373–80. http://dx.doi.org/10.22363/2313-2299-2019-10-2-373-380.

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In the article, the idea is put forward that in the phraseological system of the Azerbaijani language, alliteration and assonances are less active in the manifestations than in other languages. Comparative analysis of theonyms and demonims in composite phraseological units in the Azerbaijani language shows that a sufficient degree of functionality is demonstrated here not only by the presence of types of sound reproduction of both sound repetitions, but also by the widespread joint (alliterativeassonance) model of figurative phonetic image techniques.

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MOLCHANOV, ANDREY S. "G. LIGETI’S WORK WITH SINGLE-TONE STRUCTURES." Университетский научный журнал, no. 83 (December 29, 2024): 133–39. https://doi.org/10.25807/22225064_2024_83_133.

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The article is devoted to the works of G. Ligeti of the 1950-1960s, which present the tendency of organising a composition by means of a single tone. The starting point is the question formulated by the composer: “What can I do with a single note?”, which he solves in different ways. In the earlier cycle of “Musica ricercata” Ligeti most strictly follows the chosen pitch, relies on repetitions of one tempered sound scattered over all octaves, applies a change in texture density, tempo, dynamics, register. In a later Concerto for Cello and Orchestra, the composer prefers the sonoristic interpre

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Blake, David T., and Michael M. Merzenich. "Changes of AI Receptive Fields With Sound Density." Journal of Neurophysiology 88, no. 6 (2002): 3409–20. http://dx.doi.org/10.1152/jn.00233.2002.

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Primates engage in auditory behaviors under a broad range of signal-to-noise conditions. In this study, optimal linear receptive fields were measured in alert primate primary auditory cortex (A1) in response to stimuli that vary in spectrotemporal density. As density increased, A1 excitatory receptive fields systematically changed. Receptive field sensitivity, expressed as the expected change in firing rate after a tone pip onset, decreased by an order of magnitude. Spectral selectivity more than doubled. Inhibitory subfields, which were rarely recorded at low sound densities, emerged at highe

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Nozaradan, Sylvie, André Mouraux, and Marion Cousineau. "Frequency tagging to track the neural processing of contrast in fast, continuous sound sequences." Journal of Neurophysiology 118, no. 1 (2017): 243–53. http://dx.doi.org/10.1152/jn.00971.2016.

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The human auditory system presents a remarkable ability to detect rapid changes in fast, continuous acoustic sequences, as best illustrated in speech and music. However, the neural processing of rapid auditory contrast remains largely unclear, probably due to the lack of methods to objectively dissociate the response components specifically related to the contrast from the other components in response to the sequence of fast continuous sounds. To overcome this issue, we tested a novel use of the frequency-tagging approach allowing contrast-specific neural responses to be tracked based on their

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Gura, Aleksandr. "On an archaic way of motivation of meaning in interpretation of dreams." Slavic Almanac, no. 3-4 (2018): 373–84. http://dx.doi.org/10.31168/2073-5731.2018.3-4.5.03.

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The article describes ways of interpretation of dreams based on language assonance (rhyme, anaphora, anagram etc.) as a specific type of verbal magic. The genre of interpretation of dreams is defined through the archaic function of divination and prophecy applied in the process of interpretation, as well as through language archaism of magic qualities of sound repetitions that shape a binary interpretive formula. Motivation of symbolic meanings based on sound proximity of words give an idea about ways of creating a mythopoetic image of the world and peculiarities of archaic language thinking.

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Bourquin, Nathalie M.-P., Lucas Spierer, Micah M. Murray, and Stephanie Clarke. "Neural plasticity associated with recently versus often heard objects." Neuroimage 62, no. 3 (2012): 1800–1806. https://doi.org/10.1016/j.neuroimage.2012.04.055.

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In natural settings the same sound source is often heard repeatedly, with variations in spectro-temporal and spatial characteristics. We investigated how such repetitions influence sound representations and in particular how auditory cortices keep track of recently vs. often heard objects. A set of 40 environmental sounds was presented twice, i.e. as prime and as repeat, while subjects categorized the corresponding sound sources as living vs. non-living. Electrical neuroimaging analyses were applied to auditory evoked potentials (AEPs) comparing primes vs. repeats (effect of presentation) and

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Amorim, Maria Clara P., Marti L. McCracken, and Michael L. Fine. "Metabolic costs of sound production in the oyster toadfish, Opsanus tau." Canadian Journal of Zoology 80, no. 5 (2002): 830–38. http://dx.doi.org/10.1139/z02-054.

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The energetics of mate calling has been studied in insects, frogs, birds, and mammals, but not in fishes. The oyster toadfish, Opsanus tau, produces a boatwhistle advertisement call using one of the fastest muscles known in vertebrates. Because toadfish will not boatwhistle in a respirometer, we measured oxygen consumption after eliciting sound production by electrically stimulating the sonic swim bladder muscle nerve. Induced sounds were similar to a male calling at a rapid rate. Stimulation of the sonic nerve increased the respiration rate by 4060% in males, but they became agitated. Repeat

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Dubova, Agnese. "Rekurence kā teksta saistījuma līdzeklis latviešu zinātniskajos rakstos." Vārds un tā pētīšanas aspekti: rakstu krājums = The Word: Aspects of Research: conference proceedings, no. 26 (November 23, 2022): 211–18. http://dx.doi.org/10.37384/vtpa.2022.26.211.

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Text cohesion can be achieved through grammatical and lexico-semantic means. Lexico-semantic means used in text cohesion can be defined as recurrence, as in Latin, the word recurrere means returning to a previous utterance or repeating it. Repetition of lexico-semantic means in the text can be named using a foreign word in the Latvian language, rekursija (recursion in English). In Latvian, the concept rekursija is related to phonology, defining it as ‘the final part of pronouncing a sound, in which speech organs deviate from the previously assumed state characteristic of a particular sound’ (t

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Pimonov, V. I. "TATYANA’S DREAM AS A FORESHADOWING OF ONEGIN’S DEATH." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 25, no. 89 (2023): 86–91. http://dx.doi.org/10.37313/2413-9645-2023-25-89-86-91.

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Object of the article: Tatyana's dream in the novel in verse by A. S. Pushkin "Eugene Onegin" (EO, V, XI-XXI). Subject of the article: the poetics of Tatyana’s dream. Purpose of research: discovering the role of the dream in the compositional structure of the novel. Results: the author argues that the final scene of Tatyana’s dream, in which Onegin kills Lensky with a knife, is, in fact, a covert foreshadowing of the symbolic death of Onegin himself at the end of the novel (EO, 8, XLVIII, 1-10). The motif of the protagonist's death is concealed in the letter-sound pattern of the text that cont

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., Kasiyarno, and Japen Sarage. "HIDDEN OR COGNITIVE RHYMES AND DIRTY JOKE IN JAVANESE PUN." Humanities & Social Sciences Reviews 7, no. 3 (2019): 298–305. http://dx.doi.org/10.18510/hssr.2019.7345.

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Purpose: This article tries to overview different forms of rhyme in Javanese literature to exhibit the existence of possible distinct rhymes in it. This article puts more emphasis on the logical riddle of wangsalan, which invites readers to frown at it. This kind of rhyme may be unclassified in English so that it may be proper to name it cognitive rhyme. This article also tries to see the use of repetition in a Javanese pun, which can be considered to be a dirty joke. Methodology: The data of Javanese literary works, which are obtained from fossilized wangsalan and puns found in songs an

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Nicastro, Humberto, Nelo Eidy Zanchi, Claudia Ribeiro da Luz, Daniela Fojo Seixas Chaves, and Antonio Herbert Lancha. "An Experimental Model for Resistance Exercise in Rodents." Journal of Biomedicine and Biotechnology 2012 (2012): 1–7. http://dx.doi.org/10.1155/2012/457065.

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This study aimed to develop an equipment and system of resistance exercise (RE), based on squat-type exercise for rodents, with control of training variables. We developed an operant conditioning system composed of sound, light and feeding devices that allowed optimized RE performance by the animal. With this system, it is not necessary to impose fasting or electric shock for the animal to perform the task proposed (muscle contraction). Furthermore, it is possible to perform muscle function testsin vivowithin the context of the exercise proposed and control variables such as intensity, volume

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Grigorieva, Elena N., and Veniamin T. Zolotukhin. "Pushkin’s “Winter Evening” in the genre context of the era." Vestnik of Saint Petersburg University. Language and Literature 21, no. 2 (2024): 332–43. http://dx.doi.org/10.21638/spbu09.2024.204.

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The analysis of a textbook Pushkin poem is aimed primarily at identifying how the lower levels of its structure are organized. Phonetic repetitions and rhythmic patterns simultane ously reproduce the monotony and chaotic unpredictability of the winter cataclysm: the first verse, thanks to its instrumentation, not only names, but recreates the sounds of the storm; alliteration forms a spiral movement built on return and shift — like the moving tornadoes of a snow blizzard. The meaning of words is projected onto the general musicality of their sound structure and forces the reader to correlate p

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Mar'i Akbar, Firzan, Robert Napitupulu, and Eko Yudo. "Karakteristik Serat Tandan Kosong Kelapa Sawit Sebagai Komposit Resin Polyester Untuk Mengetahui Nilai Absorpsi Suara." Jurnal Inovasi Teknologi Terapan 1, no. 2 (2023): 367–73. http://dx.doi.org/10.33504/jitt.v1i2.43.

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The development of composite materials currently not only with synthetic reinforcing materials but also with natural fiber reinforcing materials, because natural fibers have diverse characteristics. In this research, looking at the characteristics of Oil Palm Empety Fruit Bunch (OPEFB) fiber which has a high cellulose and hemicellulose content, which is generally used for soundproofing materials. So a composite research will be made from the main material of OPEFB fiber with polyester resin as the matrix. The purpose of this research is to determine the sound absorption value of the compositio

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Иглицкая, А. К., and М. М. Иглицкий. "Fausto Romitelli: Harmony of Altered Mind." Научный вестник Московской консерватории, no. 4(43) (December 24, 2020): 30–41. http://dx.doi.org/10.26176/mosconsv.2020.43.4.003.

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Музыкальный язык Фаусто Ромителли представляет собой характерное и легко узнаваемое сочетание принципов спектральной школы (с ее вниманием к музыкальному звуку, его краске и внутренней структуре) и психоделического рока 1960–70-х годов. Языку Ромителли не чуждо и ощущение тонального центра, осмысленного, однако, в новых темброгармонических условиях. Сочинение Professor Bad Trip (1998–2000) состоит из трех «уроков» (lessons), вдохновленных текстами Уильяма Берроуза и Анри Мишо. На примере этого сочинения в статье рассматриваются особенности гармонической техники Ромителли и предлагаются адекват

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Jordi, O., A. Farina, and S. Mañosa. "Sound amplitude (dB) of male Western Capercaillie Tetrao urogallus." Revista Catalana d'Ornitologia, no. 39 (February 8, 2024): 60–64. http://dx.doi.org/10.62102/2340-3764.2023.1.8.

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Knowledge of the true amplitude (dB) of sound signals is necessary for calculating how far they can travel and the distance at which they can be detected, two crucial aspects for planning bio-acoustic sampling protocols, particularly if endangered species such as the Western Capercaillie are involved. In order to be able to measure the true emission amplitude of male Western Capercaillie Tetrao urogallus calls, we recorded 90 repetitions of the call of a single male using a calibrated microphone located 1 m away from the bird. In this way, we were able to determine for the first time the true

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Dern, John A. "“I knew the sound well”." Edgar Allan Poe Review 22, no. 2 (2021): 312–28. http://dx.doi.org/10.5325/edgallpoerev.22.2.0312.

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Abstract Like the Saxon king Alfred the Great, the narrator of “The Tell-Tale Heart” hears “with both his ears.” However, whereas Alfred's chronicler, Bishop Asser, describes Alfred's talent for listening as a complement to the king's eager rationality, the narrator of “The Tell-Tale Heart,” who also hears “with both his ears,” is eager but not rational. He characterizes his acute hearing as a happy byproduct of an unnamed “disease,” arguing that it validates his claim of sanity, but his hearing is actually a vehicle for Poe's irony. While drawing on prior criticism, this article stresses how

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Senchuk, Iryna. "Musical Code of Samuel Beckett’s Novel “Murphy”." Слово і Час, no. 11 (November 15, 2019): 50–62. http://dx.doi.org/10.33608/0236-1477.2019.11.50-61.

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The paper explores the ways in which music manifests itself on lexical-semantic, structural and rhythmic-syntactic levels of the novel “Murphy” (1938) by Samuel Beckett, whose Anglo- and Francophone writing is an attempt to synthesize prose and music. Beckett’s aesthetic ideas, his understanding of the expressivity of word and music were considerably inﬂuenced by Wittgenstein’s philosophy of linguistic skepticism and Schopenhauer’s vision of music as the only way of expressing the essence of the world. In his work, not only does Beckett combine the two forms of art through allusions and

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Middlebrooks, John C., Li Xu, Ann Clock Eddins, and David M. Green. "Codes for Sound-Source Location in Nontonotopic Auditory Cortex." Journal of Neurophysiology 80, no. 2 (1998): 863–81. http://dx.doi.org/10.1152/jn.1998.80.2.863.

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Middlebrooks, John C., Li Xu, Ann Clock Eddins, and David M. Green. Codes for sound-source location in nontonopic auditor cortex. J. Neurophysiol. 80: 863–881, 1998. We evaluated two hypothetical codes for sound-source location in the auditory cortex. The topographical code assumed that single neurons are selective for particular locations and that sound-source locations are coded by the cortical location of small populations of maximally activated neurons. The distributed code assumed that the responses of individual neurons can carry information about locations throughout 360° of azimuth and

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مِصطفى, إِدريس سِليمان. "The vocal suggestion of the contexts of the verses of prostration in the Holy Qur’an." JOURNAL OF LANGUAGE STUDIES 6, no. 3, 1 (2023): 243–54. http://dx.doi.org/10.25130/jls.6.3.1.18.

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The linguistic sound, the smallest unit from which the verbal chain is formed, has a space that cannot be ignored, how is that when it is the basic building block in the rest of the linguistic levels? Morphology, structure, and rhetoric, and just as the above three levels have connotations through which one can reach the realization of the nature of the text, the sounds of linguistic contexts have an impact and suggestions in depicting meanings that cannot be overlooked, and they are sought through the repetitions of sounds and their groupings in the same context and in the association of phon

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Obruchnykova, Olena. "ON ANTECEDENTS OF PARONYMY IN ANTONIO MACHADO’S LYRICS." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS 31 (2017): 65–80. http://dx.doi.org/10.17721/2663-6530.2017.31.06.

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The article investigates the peculiarities of the poetic language of the Spanish poet Antonio Machado considering the phenomenon of paronymy (paronymic attraction) – a special kind of phonetic repetition, in which the sound resemblance of two or more unrelated word forms induce a semantic link between them. Poetry of A. Machado is characterized by a variety of both lexical and phonetic repetitions. Although pairs of word forms, which by their phonetic structure, could be defined as the examples of paronymic attraction, are common for the poet’s lyric, the system is rather potential than fully

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Yaruss, J. Scott, and Edward G. Conture. "F2 Transitions During Sound/Syllable Repetitions of Children Who Stutter and Predictions of Stuttering Chronicity." Journal of Speech, Language, and Hearing Research 36, no. 5 (1993): 883–96. http://dx.doi.org/10.1044/jshr.3605.883.

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The purpose of the present study was to examine the relationships between second formant (F2) transitions during the sound/syllable repetitions (SSRs) of young children who stutter and their predicted chronicity of stuttering. Subjects were 13 youngsters who stutter, who were divided into two groups based on their predicted chronicity of stuttering as measured by the Stuttering Prediction Instrument (SPI; Riley, 1984): a high-risk group, consisting of 7 boys. (mean age=50.6 months), and a low-risk group, consisting of 5 boys and 1 girl (mean age=48.5 months). Each child was audio/videotape-rec

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Al-Ghazali, Abeer. "Features of Disfluent speech by EFL Learners at Taiz University." ELS Journal on Interdisciplinary Studies in Humanities 2, no. 3 (2019): 398–409. http://dx.doi.org/10.34050/els-jish.v2i3.7520.

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This paper aims at investigating the features of disfluent speech by EFL learners at Taiz University. Disfluent speech features usually lead to listeners’ negative impressions on the EFL learners’ speech. This paper focuses on repair fluency aspects as fillers, repetitions, restarts and reformulations. Analysing those features contributes to the understanding of the ongoing learner’s needs that should be put into concentration during teaching. The data was collected from 20 level four students of English Language major, Faculty of Education, Taiz University. The participants were asked to narr

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Filipowcz, Piotr, and Bozena Kostek. "Applying machine learning algorithms for stuttering detection." Journal of the Acoustical Society of America 153, no. 3_supplement (2023): A371. http://dx.doi.org/10.1121/10.0019207.

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This work aims to develop algorithms designed to detect stuttering in speech signals effectively. The background of this speech disorder is given with particular attention paid to its subcategories, i.e., extensions, blocks, sound repetitions, word repetitions, and interjections. A review of state-of-the-art machine learning-based approaches to detect and classify stuttering is presented. A deep model capable of detecting stuttering in the speech signal at the f1 measure level of 0.93 for the general class is built. Also, two baseline algorithms, i.e., Support vector machine (SVM) and k-neares

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Hirsch, Fabrice, and Ivana Didirková. "Speech Sound Realization in Stuttering: An RT-MRI Case Study." Journal of Connected Speech 1, no. 2 (2025): 191–219. https://doi.org/10.3138/jcspeech.2024.0009.

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Stuttering is a speech disorder primarily characterized by disfluencies such as prolongations, repetitions, and blocks. Previous studies have highlighted specific articulatory behaviors during these disfluencies, including supraglottic movements. However, there is no consensus in the literature regarding the coordination of speech movements during stuttering moments. Hence, the aim of this article is to provide new insights into coarticulation during stuttering-like disfluencies by examining (1) the constriction magnitude of fricative consonants and vowels, and (2) the contact magnitude of sto

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Usova, Nina V. "Names and counterpoints of M.Yu. Lermontov’s poem “The Demon”." Russian Language Studies 18, no. 2 (2020): 181–94. http://dx.doi.org/10.22363/2618-8163-2020-18-2-181-194.

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The paper deals with poetonymological study of the text of M.Yu. Lermontovs poem Demon. The poem is for the first time investigated in terms of onomastics. The features of the poem and the ways of their interaction with the poetic context are considered. The focus is on the lexical-semantic and phonetic aspects of key myth- and anthropoetonyms. The identified poetonyms go back to proper names of different categories and represent mythopoetonyms, anthropoetonyms, cosmopoetonyms, topopoetonyms (including hydropoetonyms, poetonymschoronyms, poetonyms-oronyms). The counterpoint combination of the

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Werner, Christian. "O som ao redor." Classica - Revista Brasileira de Estudos Clássicos 37 (September 5, 2024): 1–22. http://dx.doi.org/10.24277/classica.v37.2024.1088.

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In this article, we demonstrate (1) the textual density and cohesion of the opening of the Iliad (Il. 1.1-42); (2) the emphatic, albeit implicit, comparison of Achilles’ anger to Apollo’s in this passage; and (3) the subliminal ways of communicating Apollo’s power in verses 8 to 42, that is, before his epiphany itself through the plague that strikes the Achaeans. In order to do this, we will focus on sound repetitions and examine the metrical architecture to see how these poetic phenomena reiterate or supplement the surface meaning of the poetic text.

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ЄМЕЦЬ, О. "РОЛЬ СТИЛІСТИЧНОГО АНАЛІЗУ У ПЕРЕКЛАДІ ПОЕТИЧНОЇ ПРОЗИ". Current issues of linguistics and translation studies 21, № 2 (2021): 24–28. https://doi.org/10.31891/2415-7929-2021-21-33.

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The article considers the stylistic devices of creating prose poeticalness in the fairy tales by Oscar Wilde and the short stories by Dylan Thomas as well as in the contemporary flash fiction stories. The novelty of the research lies in the fact that the main criterion for determining the language means of poeticalness is the stylistic principle of foregrounding, i.e. such principle of text organization when the author attracts attention to the most important elements of the message. According to our investigation, the most important type of foregrounding is stylistic convegence. Due to the ac

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K R., Jagadisha, Anjali Manoj Phadthare, Harshitha N P., Likhitha S., and Bhavana H L. "Advanced Fluency Augmentation Framework for Stuttered Speech Recognition and Articulation Correction." International Journal of Research and Innovation in Applied Science X, no. VI (2025): 1360–66. https://doi.org/10.51584/ijrias.2025.100600104.

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Stuttering which is also known as stammering, is a speech disorder in which people suffer while communicating with disorders like prolonged words, syllables or phrases, repetitions and also sometimes stop while speaking or make no sound for a certain syllables. Current speech recognition systems such as Google Assistant, Apple’s Siri etc have very efficient Speech recognition system for normal speech, but they fail to recognise when the person stutters. This paper proposes to create a better algorithm for improving speech recognition in stuttering people. The suggested method uses an amplitude

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