Literatura científica selecionada sobre o tema "Syria – Fiction"

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Artigos de revistas sobre o assunto "Syria – Fiction"

1

Kadavan, Abdul Samad. "The Journey to Death: Fictionalizing the Syrian Refugee Crisis in Khaled Hosseini’s Sea Prayer." International Journal of English and Comparative Literary Studies 2, no. 5 (2021): 1–11. http://dx.doi.org/10.47631/ijecls.v2i5.283.

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This paper explores the fictional representation of the Syrian refugee crisis in Khaled Hosseini's novel Sea Prayer (2018). The novel is considered a refugee narrative, examining the question of home, displacement, and the fateful journeys of the Syrian refugees. The novel depicts the heart-wrenching experiences of the refugee community in war-torn Syrian city Homs before and after the outbreak of the civil war in the country. Evoking the tragic death of Alan Kurdi, Hosseini vividly illustrates the various dimensions of the Syrian refugee crisis, including the outbreak of the civil war in Syri
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2

Kadavan, Abdul Samad. "The Journey to Death: Fictionalizing the Syrian Refugee Crisis in Khaled Hosseini’s Sea Prayer." International Journal of English and Comparative Literary Studies 2, no. 5 (2021): 1–11. http://dx.doi.org/10.47631/ijecls.v2i5.283.

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This paper explores the fictional representation of the Syrian refugee crisis in Khaled Hosseini's novel Sea Prayer (2018). The novel is considered a refugee narrative, examining the question of home, displacement, and the fateful journeys of the Syrian refugees. The novel depicts the heart-wrenching experiences of the refugee community in war-torn Syrian city Homs before and after the outbreak of the civil war in the country. Evoking the tragic death of Alan Kurdi, Hosseini vividly illustrates the various dimensions of the Syrian refugee crisis, including the outbreak of the civil war in Syri
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3

Shahid, Hamas. "Tracing Death as a Political Instrument: A Study of Osama Alomar’s Selected Collections of Flash Fiction." NUML journal of critical inquiry 21, no. II (2023): 20–33. http://dx.doi.org/10.52015/numljci.v21iii.262.

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This research article analyzes two collections of flash fiction including Fullblood Arabian (2014) and The Teeth of the Comb and Other Stories (2017) written by Osama Alomar, a Syrian refugee author. Guided by the theoretical framework of necropolitics as proposed by Achille Mbembe, this article investigates the constant presence of death and its multifaceted role in the wake of the Syrian civil war as portrayed in Alomar’s selected collections of flash fiction. The article attempts to study how death becomes an instrument in the civil war, widely used, manipulated, and exploited by various ac
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4

Zachs, Fruma, and Yuval Ben-Bassat. "WOMEN'S VISIBILITY IN PETITIONS FROM GREATER SYRIA DURING THE LATE OTTOMAN PERIOD." International Journal of Middle East Studies 47, no. 4 (2015): 765–81. http://dx.doi.org/10.1017/s0020743815000975.

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AbstractThis article focuses on petitions by Ottoman women from Greater Syria during the late Ottoman era. After offering a general overview of women's petitions in the Ottoman Empire, it explores changes in women's petitions between 1865 and 1919 through several case studies. The article then discusses women's “double-voiced” petitions following the empire's defeat in World War I, particularly those submitted to the King-Crane Commission. The concept of “double-voiced” petitions, or speaking in a voice that reflects both a dominant and a muted discourse, is extended here from the genre of lit
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5

Mohammadpur, Ahmad, Norbert Otto Ross, and Nariman Mohammadi. "The fiction of nationalism: Newroz TV representations of Kurdish nationalism." European Journal of Cultural Studies 20, no. 2 (2016): 167–79. http://dx.doi.org/10.1177/1367549416638524.

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Benedict Anderson’s seminal work on imagined communities has opened a multitude of explorations in how mass media construct and represent social identities in relation to nationalism. Depicting and at the same time creating social groups, media representations are permeated by questions of inclusion and exclusion. As a result, it is important to study media representations of social identities as strategic ideologies that debilitate or stabilize, support or condemn a specific identity discourse. In this study, we explore how Kurdish identity has been represented in Newroz TV, one of the most p
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6

Priyadarshini, Arya, and Suman Sigroha. "The ‘Gentle Recitation’: Writing Trauma in Contemporary Children's and Young Adult Literature." International Research in Children's Literature 17, no. 2 (2024): 115–28. http://dx.doi.org/10.3366/ircl.2024.0558.

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Trauma signifies the collapse of personal, social, and cultural meaning systems that causes a rupture to the bond that unifies the individual and the society. While narration of such devastation has been deemed impossible, and its presence in children's and young adult (YA) literature has been debated at great length, writers have attempted, nevertheless, to narrate the ‘unspeakable’ and ‘unrepresentable’ through memoirs and fiction for adults as well as children. Through the study of a select list of titles for children and young adults on the contemporary suffering and displaced populations
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7

Summers, Nicole Marie, and Falak Saffaf. "Fact or Fiction: Children’s Acquired Knowledge of Islam through Mothers’ Testimony." Journal of Cognition and Culture 19, no. 1-2 (2019): 195–215. http://dx.doi.org/10.1163/15685373-12340054.

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AbstractOne way in which information about the unknown is socialized to children is through adult testimony. Sharing false testimony about others with children may foster inaccurate perceptions and may result in prejudicially based divisions amongst children. As part of a larger study, mothers were instructed to read and discuss an illustrated story about Arab-Muslim refugees from Syria with their 6- to 8-year-olds (n = 31). Parent-child discourse during two pages of this book was examined for how mothers used Islam as a talking point. Results indicated that only 50% of mothers and 13% of chil
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8

Bastan, Ajda. "The Hagia Sophia and the Other Turkish Locations in Agatha Christie’s “Murder On the Orient Express”." International Journal of Social, Political and Economic Research 8, no. 1 (2021): 37–46. http://dx.doi.org/10.46291/ijospervol8iss1pp37-46.

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British author Agatha Christie, who is one of the best-selling novelists in world literature, is the pioneering figure of detective fiction. Christie, the queen of mystery, wrote about eighty novels during her life. A great number of the author’s books were also adapted into movies. Viewed as one of Agatha Christie's most noteworthy accomplishments, the novel Murder on the Orient Express was released in 1934. It is highly believed that Agatha Christie wrote this novel during her long stays in Istanbul. The story is about a Belgian detective investigating a crime that occurred on the train. In
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9

Weiss, Max. "Sight, Sound, and Surveillance in Baʿthist Syria: The Fiction of Politics in Rūzā Yāsīn Ḥasan’s Rough Draft and Samar Yazbik’s In Her Mirrors". Journal of Arabic Literature 48, № 3 (2017): 211–44. http://dx.doi.org/10.1163/1570064x-12341347.

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Jamili, Marzia, Brittany Nugent, and Dove Barbanel. "Unimaginable Dreams." Journal of Anthropological Films 3, no. 02 (2019): e2823. http://dx.doi.org/10.15845/jaf.v3i02.2823.

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Written and directed by Marzia Jamili, a Hazara refugee now living in Sweden, Unimaginable Dreams is an auto-ethnographic essay film that traces Marzia’s last days in Athens, Greece. Blending documentary and fiction, Marzia casts her best friends to recreate magically real versions of her dearest memories of Athens as she delivers a cutting address to Afghanistan, in which she tells the sea about her broken homeland.
 
 This film project seeks to demonstrate the possibilities of collaborative filmmaking as a methodology, particularly in response to the limitations of etic observation
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