Bibliografias temáticas / Television

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Literatura científica selecionada sobre o tema "Television"

Autor: Grafiati
Publicado: 4 de junho de 2021
Última modificação: 25 de julho de 2025

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Artigos de revistas sobre o assunto "Television"

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Queiroz, Regina Farias de, and Rafael Ferreira da Silva. "O estereótipo do amante siciliano adaptado para a televisão italiana na série Il giovane Montalbano." Revista Italiano UERJ 13, no. 1 (2022): 23. http://dx.doi.org/10.12957/italianouerj.2022.70743.

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RESUMO: Este artigo tem como objetivo geral compreender a relação estabelecida entre sociedade e televisão, a partir da análise de trechos da série Il giovane Montalbano (2012). Para tanto, como objetivo específico, pretendemos analisar os processos de construção de identidade do protagonista atrelado ao estereótipo de amante siciliano, baseando-nos em discussões de pesquisadores dos Estudos Culturais e televisivos. Por exemplo, destacamos Menduni (2002), por enxergar a sociedade italiana por meio de sua produção televisiva, e também Casetti e Di Chio (2006), por apresentarem a possibilidade d
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Ortiz-Sobrino, Miguel Ángel, José Antonio Ruiz-San-Román, and Elba Díaz-Cerveró. "TV Broadcasters and Research on TV and Children." Comunicar 20, no. 40 (2013): 137–44. http://dx.doi.org/10.3916/c40-2013-03-04.

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This paper describes the main contributions of the TV broadcasters in Spain to the study of the relationships be­tween television and childhood. It is justified by the need of compile and organise these contributions. Quality contents broadcasted for children, children consumption of television and the role of TV channels to transfer a positive image of the childhood have been the mainstays of this text. The information that we report is the result of the study carried out from Observatorio Comunicación y Sociedad. Methodologically, consulting scientific bibliography about television and child
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Ortiz-Sobrino, Miguel-Ángel. "Television, globalization and social change." Comunicar 13, no. 25 (2005): 79–85. http://dx.doi.org/10.3916/c25-2005-011.

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XXI Century television is undergoing a process of transformation. New actors, new products and new ways of consuming television are on the lookout. Interactivity will make the traditional concept of television disappear. Television viewers can design their own grids independently of the operator’s schedule. The convergence of television and computer, Internet, telephone and video games bring us a new concept of television. Television faces two big transformations: digital transformation and that of the concept of «general public». The computer, the computer screen, has the calling of turning i
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Rincón, Omar. "New Television Narratives: Entertainment, Telling, Citizenship, Experimental." Comunicar 18, no. 36 (2011): 43–50. http://dx.doi.org/10.3916/c36-2011-02-04.

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Broadcasting and industrial television is a trip back to the past, to a space devoid of meaning, and to the boredom resulting from its moral conservatism, lack of creativity, thought and entertainment. But television’s monopoly over public screening is over; now, anyone can be a producer, an audiovisual narrator with his or her own screen. New television and other screens are daring to change the way stories are told: a more subjective, testimonial and imagebased journalism; a hyperrealist soap opera that dares to bring melodrama to comedy, documentary and local cultures; a bottom-up media wit
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Quiroz-Velasco, María Teresa. "Television: Seen, Heard and Read by Peruvian Adolescents." Comunicar 18, no. 36 (2011): 35–41. http://dx.doi.org/10.3916/c36-2011-02-03.

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This paper analyzes the current relationship between Peruvian teenagers and television. The information accessed from various sources concluded that adolescents are consuming television extensively, especially the poorer within the country. Teens appreciate the cable television as a source of learning, and its variety and ability to relate it with the world. The interest in cartoons, movies and series –fiction genre in general– affirms the value of this media in society as well as the possibility to make them more familiar with their environment. Information about what happens beyond their loc
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García-de-Castro, Mario. "Renewal movements in the Spanish television series." Comunicar 15, no. 30 (2008): 147–53. http://dx.doi.org/10.3916/c30-2008-02-008.

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The present paper analyzes the results of a qualitative investigation developed by the Spanish public television on the values and characteristics of the national television fiction genre, as well as other aspects of its latest evolution. The conclusions of this qualitative analysis and the audience ratings confirm the hegemony of the genre within the generalist television programming. In the same sense, the paper analyzes its latest tendencies and what is called the last renewal of domestic television fiction. El presente trabajo analiza los resultados de una investigación cualitativa desarro
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Alcívar Molina, Silvio Alejandro, Manuel Martínez Casanova, María Alejandra Alcívar Guillen, and Luis Ernesto Paz Enrique. "LA CULTURA POPULAR TRADICIONAL EN ECUADOR Y LA COMUNICACIÓN EDUCATIVA DESDE LAS TELEVISIONES COMUNITARIAS." Revista Cognosis. ISSN 2588-0578 2, no. 1 (2017): 73. http://dx.doi.org/10.33936/cognosis.v2i1.280.

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Los procesos de construcción colectiva deben abordarse desde actividades educativas, tanto para aprender las rutinas de la televisión como para comprender la naturaleza de la participación en los medios de comunicación. El reflejo de la cultura popular y tradicional es vital para nutrir los mensajes de las programaciones que se diseñen. Se plantea como objetivos del estudio: identificar las expresiones de la cultura popular y tradicional en los medios de televisión locales del Ecuador y examinar la influencia de la cultura popular y tradicional en el medio televisivo local para el logro de una
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Aierbe-Barandiaran, Ana, and Concepción Medrano-Samaniego. "Adolescents’ television viewing habits and its relation with values." Comunicar 16, no. 31 (2008): 109–14. http://dx.doi.org/10.3916/c31-2008-01-013.

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The aim of this study was to analyze whether television viewing habits themselves contribute to defining the gender significance in a sample of 577 adolescents (270 boys and 307 girls) from the Basque Autonomous Region. Using responses to the CTV (Television Habits Questionnaire), the authors found several groups of people according to various indicators. Results indicate that television reproduces social gender stereotypes and may contribute to their perpetuation. Furthermore, the group most exposed to contents is the adolescent girls, in which an explicit lack of distinction between private
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Posada-Álvarez, Alexandra. "Apuntes sobre la violencia en los programas de televisión." Comunicar 9, no. 17 (2001): 170–75. http://dx.doi.org/10.3916/c17-2001-27.

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The reflection on the possible effects that television violence may have on children watching it is a commonplace in scientific literacy about media education. The author of this paper analyzes some television programmes and comes to the conclusion that it is necessary to provide a critical vision about what television is and means in our societies avoiding prejudices or fears but with responsability and formation. La reflexión sobre las posibles consecuencias que puede tener la violencia de los programas que se transmiten en televisión en horarios en que los niños se encuentran, viéndola es y
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Mayugo-i-Majó, Carme. "Towards another model of television system in the global communication age." Comunicar 13, no. 25 (2005): 91–99. http://dx.doi.org/10.3916/c25-2005-013.

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Television plays a very important role in our societies but, until now, we have not been capable to stress on its social discussion and to promote a deep change of this media. Mostly channels (even public ones) remain closed to citizenship, too much influenced by advertising business and economic outcomes. Opening a big participation process within all social agents involved, it is possible to generate another television model, more open and connected with people. Three different questions are crucial in this process: a huge interaction between television producers and their multiples audience
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Teses / dissertações sobre o assunto "Television"

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Ling, Qi. "Televising feminism: the Chinese television industry, female television professionals, and neoliberal empowerment." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6179.

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Television drama is a crucial site where notions of gender, as well as other cultural issues, are formed. Since 2010, the Chinese television industry has shown a growing interest in representing feminism-inflected content, most evident in cashing in on serials centering on a strong female character. These women-centric dramas mark a departure from previous constructions of gender, women, and feminism due to their narrative centrality of women, portrayal of strong female leads, expansion of women’s spheres of action, and endorsement of female power and independence. This dissertation explores t
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SAMPIETRO, SARA. "Teen Television: televisione crossmediale e adolescenti in Italia." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1529.

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Obiettivo della ricerca presentata in questa tesi è la comprensione delle pratiche televisive convergenti degli adolescenti, a partire da una ricostruzione dei fattori che possono orientare i differenti atteggiamenti fruitivi. Al di là dell’adesione al mito dei “nativi digitali” come soggetti dotati di competenze e abilità superiori a quelle dei loro genitori appare infatti necessario studiare le esperienze crossplatform, contestualizzandole all’interno del set di opportunità e di vincoli, culturali, sociali e contestuali che strutturano la quotidianità dei ragazzi. L’importanza data ai moltep
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SAMPIETRO, SARA. "Teen Television: televisione crossmediale e adolescenti in Italia." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1529.

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Obiettivo della ricerca presentata in questa tesi è la comprensione delle pratiche televisive convergenti degli adolescenti, a partire da una ricostruzione dei fattori che possono orientare i differenti atteggiamenti fruitivi. Al di là dell’adesione al mito dei “nativi digitali” come soggetti dotati di competenze e abilità superiori a quelle dei loro genitori appare infatti necessario studiare le esperienze crossplatform, contestualizzandole all’interno del set di opportunità e di vincoli, culturali, sociali e contestuali che strutturano la quotidianità dei ragazzi. L’importanza data ai moltep
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Neptune, Nordahl Christian. "A televisão pública no Brasil." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284400.

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Orientador: Adilson José Ruiz<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-20T06:30:05Z (GMT). No. of bitstreams: 1 Neptune_NordahlChristian_D.pdf: 1352842 bytes, checksum: 9d7ad827c4901910648a1320b02e4df1 (MD5) Previous issue date: 2011<br>Resumo: A televisão pública no Brasil constitui o objeto central da Tese. O objetivo é avaliar possíveis alternativas que viabilizem sua sustentabilidade econômica e cultural; modelos de negócio, formas de financiamento e fomento. Um marco histórico para a televisão brasileira foi a cri
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Vidigal, Fernanda Rezende. "A televisão pública no Brasil: um estudo sobre estratégias de manutenção da ordem." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-16062008-134113/.

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Partindo do pressuposto de que, nas sociedades contemporâneas, as mídias - e, no Brasil, a televisão - ocupam papel de destaque na produção e difusão de valores e referências identitárias, buscou-se compreender as razões socio-históricas que impediram a construção de um sistema público de televisão brasileiro. A partir de um trabalho comparativo com outros sistemas de radiodifusão, bem como a partir de uma investigação sobre o processo de implantação e consolidação de um mercado nacional de cultura televisiva, foi possível identificar um feixe de condicionamentos de ordem histórica, política e
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Önnevall, Elin. "Television Practices : Ethnography, Television and User Practices." Licentiate thesis, Stockholms universitet, Institutionen för data- och systemvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-100369.

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This thesis explores television practices in a time when new technology has made it possible to interact with and create your own TV content. The work is focused on how user practices need to be understood in a context of chan- ging technology. The practices studied also show the relevance of ethno- graphic methods, and especially the wide spectrum of these different meth- ods within the field of Human-Computer Interaction. We distinguish be- tween sociologically informed ethnography and anthropological ethnogra- phy. Two questions are addressed: how can new forms of television practices be un
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Gallo, Stephen. "Interactive television : advancing television through integrated technology /." Online version of thesis, 2008. http://hdl.handle.net/1850/9602.

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Cao, Xuenan. "Discourses on urbanism: "Reality televisions" by Jiangsu Satellite Television since 2010." HKBU Institutional Repository, 2014. https://repository.hkbu.edu.hk/etd_oa/46.

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Since 2004, the Chinese media scene has been dominated by what is called the “pan-reality television” trend. Reality television is capable of synchronizing the effects of all the political, economic, and cultural factors into the participants’ actions and becoming a powerful reconstruction of the social environment from which it emerges. The thesis takes Jiangsu Satellite TV (JSTV)’s golden hour reality televisions as the case to address the question of how they express, reflect and formulate the imaginations and understandings of urban living, focusing on the cultural, social, and political s
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Wheatley, Helen. "Gothic television." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/2837/.

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This thesis examines forms of Gothic fiction on television, and defines the ways in which television produces Gothic drama which is medium-specific (e.g. formally distinct from versions of the genre in other media). This work employs a textual analysis to explore Gothic television, and combines this with archival research and an examination of the changing climate of television production in a range of national and historical contexts. The thesis is organised into four case studies, each dealing with different national industries during different periods: British anthology drama of the 1960s a
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Cardinaletti, Michelangelo. "Ugo Gregoretti, autore e regista televisione : television, cinema, opera lirica e teatro." Electronic Thesis or Diss., Nantes Université, 2023. http://www.theses.fr/2023NANU2029.

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La thèse de doctorat représente une enquête approfondie et complète sur la carrière vaste et diversifiée d'Ugo Gregoretti dans les domaines de la télévision, du cinéma, de l'opéra et du théâtre. À travers une approche biographique et une utilisation extensive des sources du Centre d'études Ugo Gregoretti à Pontelandolfo, cette recherche met en lumière la vie et les œuvres d'un artiste éclectique dont la signification a largement été négligée. Les résultats de l'analyse révèlent un profil artistique d'une grande polyvalence, caractérisé par une profonde sensibilité à l'ironie et une inclination
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Livros sobre o assunto "Television"

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1956-, Goodwin Andrew, and Whannel Garry, eds. Understanding television. Routledge, 1990.

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Ovaskainen, Kai. Monimerkityksinen televisio: Television vastaanotossa esiintyvän monitulkintaisuuden syyt. Tampereen yliopisto, Tiedotusopin laitos, 1990.

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Butler, Jeremy G. Television. Routledge, 2018. http://dx.doi.org/10.4324/9781315181295.

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Foreman, Susannah. Television. Heinemann Children's, 1990.

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Blackwell, Amy Hackney. Television. Ferguson, 2010.

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Riehecky, Janet. Television. Benchmark Books, 1996.

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Lacan, Jacques. Television. Norton, 1990.

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Blackwell, Amy Hackney. Television. Ferguson, 2010.

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Jamuna, Carroll, ed. Television. Greenhaven Press, 2006.

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Carlson, Berne Emma, ed. Television. Greenhaven Press, 2008.

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Capítulos de livros sobre o assunto "Television"

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Williams, Michael. "Television." In Society Today. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08845-4_44.

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O’Shaughnessy, Nicholas J. "Television." In The Phenomenon of Political Marketing. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10352-2_4.

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Dudo, Anthony. "Television." In Encyclopedia of Science Education. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6165-0_340-1.

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Watson, John. "Television." In Mastering Electronics. Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-14210-1_20.

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Verville, Elinor. "Television." In The Parent’s Preschooler Dictionary. Humana Press, 1995. http://dx.doi.org/10.1007/978-1-4612-0239-4_20.

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Weik, Martin H. "television." In Computer Science and Communications Dictionary. Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_19301.

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Leick, Karen. "Television." In Parents, Media and Panic through the Years. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98319-6_4.

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Dudo, Anthony. "Television." In Encyclopedia of Science Education. Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-007-2150-0_340.

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Lax, Stephen. "Television." In Media and Communications Technologies. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-07644-1_4.

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Sorensen, Kristin. "Television." In Media, Memory, and Human Rights in Chile. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230622135_2.

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Trabalhos de conferências sobre o assunto "Television"

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Iglesias, Manuel J. Fernandez, Martin Llamas Nistal, and Fernando Sanchez Zamora. "Personal television revisited: Concurrent Network Television." In 2010 International Conference on Electronics and Information Engineering (ICEIE 2010). IEEE, 2010. http://dx.doi.org/10.1109/iceie.2010.5559904.

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Crutchfield, E. B. "Advanced Television Standards." In SMPTE Television Conference. IEEE, 1988. http://dx.doi.org/10.5594/m00534.

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Bove, V. Michael, and Andrew B. Lippman. "Open Architecture Television." In SMPTE Television Conference. IEEE, 1991. http://dx.doi.org/10.5594/m00916.

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Dare, P. A., and R. Katsumi. "R-DAT Format Overview." In SMPTE Television Conference. IEEE, 1987. http://dx.doi.org/10.5594/m00877.

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Bonica, Steven. "Operational Experiences and Future Expectations from the M-II Format." In SMPTE Television Conference. IEEE, 1987. http://dx.doi.org/10.5594/m00878.

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Dickens, Bernard L. "CBS Experience with Small Format Videotape and the Implications for the Future." In SMPTE Television Conference. IEEE, 1987. http://dx.doi.org/10.5594/m00879.

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Mitchell, A. J. "601 in Use." In SMPTE Television Conference. IEEE, 1989. http://dx.doi.org/10.5594/m00739.

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Dickey, Douglas F. "Production Facilities for MTS." In SMPTE Television Conference. IEEE, 1986. http://dx.doi.org/10.5594/m00781.

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La Zare, Howard T. "Opening Address—21st Television Conference." In SMPTE Television Conference. IEEE, 1987. http://dx.doi.org/10.5594/m00873.

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Lowten, Peter C. "Today's Videographic Environment—An Overview." In SMPTE Television Conference. IEEE, 1987. http://dx.doi.org/10.5594/m00874.

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Relatórios de organizações sobre o assunto "Television"

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Welter, Taya. Niche Television Content. Portland State University Library, 2016. http://dx.doi.org/10.15760/honors.246.

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González Oñate, Cristina, and Carlos Fanjul Peyró. Television brands. The management of continuity in the Spanish television media. Revista Latina de Comunicación Social, 2009. http://dx.doi.org/10.4185/rlcs-64-2009-869-894-908-en.

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Perschau, Stephen. High Definition Television Standards. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada324890.

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Waldman, Michael, Sean Nicholson, and Nodir Adilov. Does Television Cause Autism? National Bureau of Economic Research, 2006. http://dx.doi.org/10.3386/w12632.

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Marcum, Deanna. Vanderbilt Television News Archive. Ithaka S+R, 2015. http://dx.doi.org/10.18665/sr.22672.

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Fox, Brian E. Full color laser television. Office of Scientific and Technical Information (OSTI), 2000. http://dx.doi.org/10.2172/761030.

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Guerrero Pérez, E. Millennials’ abandonment of linear television. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1304en.

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Thibadeau, Robert. The Television as Robot Servant. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada273985.

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Paslavskyi, Ihor. Ukrainian television: problem-content analysis. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11397.

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The article highlights and analyzes the factors influencing the activities of television editorial teams in the period of new political, economic and security circumstances. It is noted that all-Ukrainian influential television channels, which have the highest popularity and high ratings, are oligarchic media with a high level of political involvement. Ukrainian television is widely practicing to narrow the thematic range of programs, reports and programs resulting in unjustified dominance in the television space of entertainment and humorous genres, «ravel journalism», excessive overweight of
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Mehta, Nalin. Contradictory trends in Indian television. East Asian Bureau of Economic Research, 2012. http://dx.doi.org/10.59425/eabc.1345932017.

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