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Bibliografias temáticas / The Yellow Wallpaper

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Literatura científica selecionada sobre o tema "The Yellow Wallpaper"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de julho de 2025

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Artigos de revistas sobre o assunto "The Yellow Wallpaper"

1

Mukhtar, O. "The Yellow Wallpaper." BMJ 342, jan26 1 (2011): d428. http://dx.doi.org/10.1136/bmj.d428.

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Kolich, Tomáš. "Haunting or Hallucination? Charlotte Perkins Gilman's ‘The Yellow Wallpaper’ and Contemporary Theories of Decorative Art and Psychiatry." Gothic Studies 22, no. 3 (2020): 266–84. http://dx.doi.org/10.3366/gothic.2020.0061.

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Even though Charlotte Perkins Gilman's story ‘The Yellow Wallpaper’ (1892) has received a lot of critical attention, there have been only a few attempts at the visual analysis of the wallpaper. This article approaches it as a case of the intricate pattern – an optically unpleasant and complicated ornament that can be depicted. This motif is present in gothic narratives (Poe's ‘Ligeia’, 1838), films (Robert Wise's The Haunting, 1963) as well as outside the genre. With a connection to wallpapers, it was discussed publicly during Gilman's time. This article reconstructs this discussion with examp

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Delashmit, Margaret, and Charles Long. "Gilman's the Yellow Wallpaper." Explicator 50, no. 1 (1991): 32–33. http://dx.doi.org/10.1080/00144940.1991.9938702.

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Oakley, Ann. "Beyond the yellow wallpaper." Reproductive Health Matters 5, no. 10 (1997): 29–39. http://dx.doi.org/10.1016/s0968-8080(97)90083-5.

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Irmayani, Sabaruddin, and Rahma Melati Amir. "IDEOLOGY IN CHARLOTTE PERKINS GILMAN’S SHORT STORY “THE YELLOW WALLPAPER” BY USING GENETIC STRUCTURALISM APPROACH." JLE: Journal of Literate of English Education Study Program 2, no. 01 (2021): 34–44. http://dx.doi.org/10.47435/jle.v2i01.631.

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Abstract  The purpose of this paper is to analyse the Ideology in Charlotte Perkins Gilman’s Short story “The Yellow Wallpaper “by using genetic structuralism approach. This research used descriptive method. The primary data is Charlotte Perkin Gilman’s work or short story “The Yellow Wallpaper” published and printed in 1995 by Penguin books. The secondary data is reference, which has relation to do the topic of the research. Then, the data is collected and analyzed by using genetic structuralism approach which is focus of the analysis of intrinsic and extrinsic aspect. Extrinsic a

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Kresnawaty, Novy, Ouda Teda Ena, and Markus Budiraharjo. ""The Yellow Wallpaper": How Figurative Languages Fuel a Descent into Madness." IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature 13, no. 1 (2025): 126–45. https://doi.org/10.24256/ideas.v13i1.5570.

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This study explores the use of figurative language in Charlotte Perkins Gilman's "The Yellow Wallpaper," focusing on the protagonist's descent into madness as depicted by the author. This study employs a qualitative descriptive methodology, drawing its data from specific sentences from the short story and focusing on some examples of figurative language. The method of analysis utilised is content analysis with a focus on language style. The collected data consists of words and sentences extracted from "The Yellow Wallpaper." This involves conducting a literature review, annotating the text, id

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Ford, Karen. ""The Yellow Wallpaper" and Women's Discourse." Tulsa Studies in Women's Literature 4, no. 2 (1985): 309. http://dx.doi.org/10.2307/463709.

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Thrailkill, Jane F. "Doctoring "The Yellow Wallpaper"." ELH 69, no. 2 (2002): 525–66. http://dx.doi.org/10.1353/elh.2002.0019.

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Gilman, Charlotte Perkins. "‘Why I wrote The Yellow Wallpaper?’." Advances in Psychiatric Treatment 17, no. 4 (2011): 265. http://dx.doi.org/10.1192/apt.17.4.265.

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Cruz, Tarso do Amaral de Souza. "“The yellow wallpaper”: representation as struggle." Grau Zero – Revista de Crítica Cultural 1, no. 1 (2016): 367. http://dx.doi.org/10.30620/gz.v1n1.p367.

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The article discusses the narrative strategies employed by American writer Charlotte Perkins Gilman which aimed at subverting literary conventions that could have prevented her from representing a woman’s inner struggles. The article also aims at discussing how such subversion may be related not only to the literary realm but also to the social restraints with which women were forced to deal during the second half of the nineteenth century in The United States of America.

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Teses / dissertações sobre o assunto "The Yellow Wallpaper"

1

Jordan, Deborah. "Sanctuary: The Yellow Wallpaper and Beyond." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392823722.

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Enqvist, Mia. "Understanding the Feminist Message in Gilman´s "The Yellow Wallpaper"." Thesis, Högskolan Dalarna, Engelska, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:du-2473.

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Vujovic, Ana. "Power play in The Bell Jar and "The Yellow Wallpaper" : How power play is manifested towards the protagonists in The Bell Jar and "The Yellow Wallpaper"." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-13939.

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Abstract This paper will attempt to analyze how similar forms of power play are manifested towards the protagonists in both The Bell Jar and “The Yellow Wallpaper”. The aim of the essay is to investigate how power play affects the protagonists’ relations with their caregivers and how it affects their treatments. Thus, the hypothesis is that it is the power play that prevents the protagonists in “The Yellow Wallpaper” and The Bell Jar from recovering from their mental illness, which is confirmed by my analysis. Therefore, the concept of power play will be used in the essay as an instrument of a

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Lindroth, Eva. "Vansinne, makt och frihet : En jämförelse mellan "The yellow wallpaper" och Monster i terapi." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96554.

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Hood, Rebekah Michele. "Invisible Voices: Revising Feminist Approaches to Charlotte Perkins Gilman's "The Yellow Wallpaper" by Including the Narrative of Mental Illness." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6678.

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Since 1973, the year in which Elaine Hedges's groundbreaking edition of "The Yellow Wallpaper" was published, Charlotte Perkins Gilman's short story has been read primarily as one of America's leading feminist texts. With potent symbolism and a fragmented style of narration, it is easy to understand why many feminist scholars fashion the story's narrator into a proactive feminist, a courageous heroine who rebels against patriarchal oppression. While this trend of interpretation compellingly attempts to empower the narrator, it often overlooks her perspective of disability and projects the char

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Updike, Hannah. ""The Subordination of the Privileged: Patriarchal Constructions of Femininity in Charlotte Perkins Gilman's 'The Yellow Wallpaper' and Zelda Sayre Fitzgerald's Save Me the Waltz"." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/482.

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Charlotte Perkins Gilman and Zelda Fitzgerald provide unique insight into the patriarchal worlds they lived in through autobiographical accounts of their lives. The Living of Charlotte Perkins Gilman and the diaries of Gilman and her first husband, Charles Walter Stetson, serve as Gilman’s autobiographical texts of the period before, during, and immediately after her breakdown. The correspondence between Fitzgerald and her husband, F. Scott Fitzgerald, as well as Scott’s letters to Zelda’s psychiatrists serve as a biographical (and, in the case of her letters to Scott, autobiographical) accoun

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O'Reilly, Casey Michelle. "Phantom Limb: An Exploration of Queer Manner in Nineteenth-Century Gothic Tales." ScholarWorks @ UVM, 2019. https://scholarworks.uvm.edu/graddis/1069.

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The term “phantom limb” is used to describe the phenomenal tingling sensation that occurs in the nerve endings of an amputated limb; though the limb is no longer physically attached to the body, the person experiences pain and physical sensation in the space the limb once occupied. Though the body part has been removed, it haunts both the body and the brain. It is through this metaphor that I am interested in investigating the connection between the disembodied and the embodied. The disembodied connects to the embodied through the loss or lack of a bodily form; the embodied, therefore, links t

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Rodovalho, Nilce Meire Alves. "Das gaiolas, das clausuras às práticas de liberdade: relações de saber/poder em O papel de parede amarelo." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8975.

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Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2018-10-15T13:33:36Z No. of bitstreams: 2 Dissertação - Nilce Meire Alves Rodovalho - 2018.pdf: 2114262 bytes, checksum: 094713f58f55396ea2cef9e71f105da5 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-10-15T14:46:46Z (GMT) No. of bitstreams: 2 Dissertação - Nilce Meire Alves Rodovalho - 2018.pdf: 2114262 bytes, checksum: 094713f58f55396ea2cef9e71f105da5 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf84

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Denance, Pascale. "I - « Tim -and-Me » : essai sur l'entrelacs des genres comme fondement fictionnel à une rhétorique du sujet. Etude d'un corpus transgénérique de la fin du XIXe siècle : The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Perkins Gilman et une sélection de poèmes d'Emily Dickinson." Nantes, 2007. http://www.theses.fr/2007NANT3036.

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L'étude d'un corpus transgénérique de la fin du XIXe siècle, constitué de The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Pekins Gilman et d'une sélection de poèmes d'Emily Dickinson révèle l'entrelacs des genres en tant que fondement fictionnel à une rhétorique du sujet. Protéiformes sans toutefois se situer hors catégorie, ils ont recours à une écriture spiroïdale qui est la conjonction parfaite du narratif et du poétique. Leur emploi du féminin et de l'épicène fait apparaître les distinctions de genre linguistique qui avaient été occultées dans les écrits romantique

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Denance, Pascale Ortemann Marie-Jeanne. "I - " Tim -and-Me " essai sur l'entrelacs des genres comme fondement fictionnel à une rhétorique du sujet. Etude d'un corpus transgénérique de la fin du XIXe siècle : The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Perkins Gilman et une sélection de poèmes d'Emily Dickinson /." [S.l.] : [s.n.], 2007. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=43136.

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Mais fontes

Livros sobre o assunto "The Yellow Wallpaper"

1

Perkins, Gilman Charlotte. YELLOW WALLPAPER. WISEHOUSE CLASSICS, 2016.

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2

Perkins, Gilman Charlotte. Yellow Wallpaper. HarperCollins Publishers, 2013.

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3

Gilman, Charlotte. Yellow Wallpaper. Independently Published, 2020.

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4

Perkins, Gilman Charlotte. Yellow Wallpaper. Independently Published, 2020.

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5

Perkins, Gilman Charlotte. Yellow Wallpaper. Independently Published, 2018.

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Perkins, Gilman Charlotte. Yellow Wallpaper. Independently Published, 2018.

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7

Perkins, Gilman Charlotte. Yellow Wallpaper. Independently Published, 2021.

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Perkins, Gilman Charlotte. Yellow Wallpaper. Independently Published, 2018.

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9

Perkins, Gilman Charlotte. Yellow Wallpaper. Independently Published, 2019.

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Perkins, Gilman Charlotte. Yellow Wallpaper. Independently Published, 2019.

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Capítulos de livros sobre o assunto "The Yellow Wallpaper"

1

Rzadtki, Beate. "Gilman, Charlotte Perkins: The Yellow Wallpaper." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5369-1.

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Beer, Janet. "‘The Yellow Wallpaper’ on Film: Dramatising Mental Illness." In Kate Chopin, Edith Wharton and Charlotte Perkins Gilman. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-26015-7_9.

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Perry, Dennis R., and Carl H. Sederholm. "Feminist “Usher”: Domestic Horror in Gilman’s “The Yellow Wallpaper”." In Poe, "The House of Usher," and the American Gothic. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620827_2.

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Grossman, Julie. "The Quiet Presence of “The Yellow Wallpaper” in Todd Haynes’s Film [Safe]." In Literature, Film, and Their Hideous Progeny. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137399021_6.

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Wiesenthal, Chris. "‘Unheard-of Contradictions’: The Language of Madness in Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’." In Figuring Madness in Nineteenth-Century Fiction. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230371316_2.

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Wiesenthal, Chris. "The Silent ‘Horrors’ of The Turn of The Screw and ‘The Yellow Wallpaper’ Revisited." In Figuring Madness in Nineteenth-Century Fiction. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230371316_6.

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Wolfreys, Julian. "The writing on the wall or, making a spectacle of yourself: projection and The Yellow Wallpaper." In the rhetoric of Affirmative Resistance. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25699-0_3.

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Jansen, Sharon L. "Madwomen in the Attic: Madness and Suicide in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Doris Lessing’s “To Room Nineteen”." In Reading Women’s Worlds from Christine de Pizan to Doris Lessing. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118812_7.

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Ingham, Mike, and Jessica Yeung. "The Yellow Wallpaper." In City Stage. Hong Kong University Press, 2005. https://doi.org/10.1515/9789882200722-018.

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Ammons, Elizabeth. "Writing Silence: ‘‘The Yellow Wallpaper’’." In Conflicting Stories. Oxford University PressNew York, NY, 1991. http://dx.doi.org/10.1093/oso/9780195060300.003.0003.

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Abstract At best, woman was counted little more than man’s toy among the upper classes, and his bea8t of burden among the lower social elements. In some countries even denied a soul, in none was she supposed to have any particular mental power, nor any need for its development. Harper was thirty-five-years old when Charlotte Perkins was born. Their paths seem not to have crossed, and certainly their perspectives diverged. Harper, an avowed feminist, put race first. Gilman, an unreflecting racist, put gender first. She was exactly the type of white woman whom Harper, as far back as 1869 (when G

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