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Teses / dissertações sobre o tema "The Yellow Wallpaper"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de julho de 2025

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1

Jordan, Deborah. "Sanctuary: The Yellow Wallpaper and Beyond." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392823722.

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2

Enqvist, Mia. "Understanding the Feminist Message in Gilman´s "The Yellow Wallpaper"." Thesis, Högskolan Dalarna, Engelska, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:du-2473.

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3

Vujovic, Ana. "Power play in The Bell Jar and "The Yellow Wallpaper" : How power play is manifested towards the protagonists in The Bell Jar and "The Yellow Wallpaper"." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-13939.

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Abstract This paper will attempt to analyze how similar forms of power play are manifested towards the protagonists in both The Bell Jar and “The Yellow Wallpaper”. The aim of the essay is to investigate how power play affects the protagonists’ relations with their caregivers and how it affects their treatments. Thus, the hypothesis is that it is the power play that prevents the protagonists in “The Yellow Wallpaper” and The Bell Jar from recovering from their mental illness, which is confirmed by my analysis. Therefore, the concept of power play will be used in the essay as an instrument of a

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4

Lindroth, Eva. "Vansinne, makt och frihet : En jämförelse mellan "The yellow wallpaper" och Monster i terapi." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96554.

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5

Hood, Rebekah Michele. "Invisible Voices: Revising Feminist Approaches to Charlotte Perkins Gilman's "The Yellow Wallpaper" by Including the Narrative of Mental Illness." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6678.

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Since 1973, the year in which Elaine Hedges's groundbreaking edition of "The Yellow Wallpaper" was published, Charlotte Perkins Gilman's short story has been read primarily as one of America's leading feminist texts. With potent symbolism and a fragmented style of narration, it is easy to understand why many feminist scholars fashion the story's narrator into a proactive feminist, a courageous heroine who rebels against patriarchal oppression. While this trend of interpretation compellingly attempts to empower the narrator, it often overlooks her perspective of disability and projects the char

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6

Updike, Hannah. ""The Subordination of the Privileged: Patriarchal Constructions of Femininity in Charlotte Perkins Gilman's 'The Yellow Wallpaper' and Zelda Sayre Fitzgerald's Save Me the Waltz"." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/482.

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Charlotte Perkins Gilman and Zelda Fitzgerald provide unique insight into the patriarchal worlds they lived in through autobiographical accounts of their lives. The Living of Charlotte Perkins Gilman and the diaries of Gilman and her first husband, Charles Walter Stetson, serve as Gilman’s autobiographical texts of the period before, during, and immediately after her breakdown. The correspondence between Fitzgerald and her husband, F. Scott Fitzgerald, as well as Scott’s letters to Zelda’s psychiatrists serve as a biographical (and, in the case of her letters to Scott, autobiographical) accoun

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O'Reilly, Casey Michelle. "Phantom Limb: An Exploration of Queer Manner in Nineteenth-Century Gothic Tales." ScholarWorks @ UVM, 2019. https://scholarworks.uvm.edu/graddis/1069.

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The term “phantom limb” is used to describe the phenomenal tingling sensation that occurs in the nerve endings of an amputated limb; though the limb is no longer physically attached to the body, the person experiences pain and physical sensation in the space the limb once occupied. Though the body part has been removed, it haunts both the body and the brain. It is through this metaphor that I am interested in investigating the connection between the disembodied and the embodied. The disembodied connects to the embodied through the loss or lack of a bodily form; the embodied, therefore, links t

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8

Rodovalho, Nilce Meire Alves. "Das gaiolas, das clausuras às práticas de liberdade: relações de saber/poder em O papel de parede amarelo." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8975.

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Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2018-10-15T13:33:36Z No. of bitstreams: 2 Dissertação - Nilce Meire Alves Rodovalho - 2018.pdf: 2114262 bytes, checksum: 094713f58f55396ea2cef9e71f105da5 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-10-15T14:46:46Z (GMT) No. of bitstreams: 2 Dissertação - Nilce Meire Alves Rodovalho - 2018.pdf: 2114262 bytes, checksum: 094713f58f55396ea2cef9e71f105da5 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf84

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Denance, Pascale. "I - « Tim -and-Me » : essai sur l'entrelacs des genres comme fondement fictionnel à une rhétorique du sujet. Etude d'un corpus transgénérique de la fin du XIXe siècle : The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Perkins Gilman et une sélection de poèmes d'Emily Dickinson." Nantes, 2007. http://www.theses.fr/2007NANT3036.

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L'étude d'un corpus transgénérique de la fin du XIXe siècle, constitué de The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Pekins Gilman et d'une sélection de poèmes d'Emily Dickinson révèle l'entrelacs des genres en tant que fondement fictionnel à une rhétorique du sujet. Protéiformes sans toutefois se situer hors catégorie, ils ont recours à une écriture spiroïdale qui est la conjonction parfaite du narratif et du poétique. Leur emploi du féminin et de l'épicène fait apparaître les distinctions de genre linguistique qui avaient été occultées dans les écrits romantique

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Denance, Pascale Ortemann Marie-Jeanne. "I - " Tim -and-Me " essai sur l'entrelacs des genres comme fondement fictionnel à une rhétorique du sujet. Etude d'un corpus transgénérique de la fin du XIXe siècle : The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Perkins Gilman et une sélection de poèmes d'Emily Dickinson /." [S.l.] : [s.n.], 2007. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=43136.

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11

Reeher, Jennifer M. "“The Despair of the Physician”: Centering Patient Narrative through the Writings of Charlotte Perkins Gilman." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1523435451243392.

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12

Trinastic, Michael Kenneth. "The Yellow Wallpaper." Diss., 2011. http://hdl.handle.net/10161/4983.

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<p><italic>The Yellow Wallpaper</italic> is a one-act opera (in three scenes) for dramatic soprano and chamber orchestra (eleven instruments). The libretto is a free adaptation by the composer of the short story "The Yellow Wallpaper" by Charlotte Perkins Gilman. The instrumentation required is: flute (doubling piccolo), oboe (doubling english horn), clarinet (doubling bass clarinet and E-flat clarinet), bassoon, horn, soprano, piano (doubling celesta), violin I, violin II, viola, cello, and contrabass. The approximate duration is one hour. The work is dedicated to soprano Aimee Marcoux.</p><

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13

"Isolation & Obsession: Surrealism Unfolding in the Victorian World - A Set Design for Yellow Wallpaper: A Set Design for Yellow Wallpaper." Tulane University, 2020.

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14

Lin, I.-tzu, and 林奕孜. "Patriarchal Oppression and Madness in "The Yellow Wallpaper" and Wide Sargasso Sea: Possible Choices for Their Fates." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/21550699360704639455.

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碩士<br>國立高雄師範大學<br>英語學系<br>92<br>Both heroines in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Jean Rhys’s Wide Sargasso Sea have similar encounters and fates. “The Yellow Wallpaper” is based on Gilman’s own experiences; Jean Rhys writes Wide Sargasso Sea to give Bertha Mason in Jane Eyre a voice and a complete life. The two texts both feature the patriarchal oppression and madness of the two leading female characters. The unnamed heroine in “The Yellow Wallpaper” suffers from gradually growing mental breakdown by repressing and being repressed her own sense of self-awareness and se

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15

Pallotta, Jessica. "The Effect of Collective Psychology on the Mistreatment of Nineteenth-Century Women in Charlotte Brontë's Jane Eyre and Charlotte Perkins Gilman's "The Yellow Wallpaper"." Thèse, 2018. http://hdl.handle.net/1866/21585.

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16

Gignac, Sylvie. "Du silence à la parole : étude comparative de La chambre au papier peint (1892) de Charlotte Perkins Gilman et du Cercle de Clara (1997) de Martine Desjardins." Mémoire, 2008. http://www.archipel.uqam.ca/1183/1/M10483.pdf.

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Charlotte Perkins Gilman, une femme de lettres du XIXe siècle, a bien failli perdre, complètement et à jamais, sa capacité d'écrire au terme de traitements inappropriés pour sa dépression. Elle rédige un récit autobiographique et dénonciateur qui illustre son combat contre la science et la société de son époque. À la fin du récit, la narratrice, quoique anéantie, refuse de se soumettre et continue désespérément d'aller de l'avant. C'est une fin qui suggère, même au XIXe siècle, qu'elle (la femme, la Nature) avait raison, et que le médecin (l'homme, la Culture) avait tort. Au XXe siècle, Martin

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