Literatura científica selecionada sobre o tema "Transfiguration of reality"

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Artigos de revistas sobre o assunto "Transfiguration of reality"

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Negrotti, Massimo. "Music and Naturoids: The Third Reality." Leonardo 45, no. 3 (2012): 269–73. http://dx.doi.org/10.1162/leon_a_00370.

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At a high level of abstraction, it can be shown by analogy that attempts to reproduce natural phenomena occur not only in technological endeavors but also in human communication and the arts, including music. This paper presents the parallel development of artificial devices—or “naturoids”—in the fields of technology, message communication and musical composition, highlighting the transfiguration that unavoidably affects the resulting device, message or musical work. In the technological field and, to an extent, in the communications field, the transfiguration of the natural object is taken as
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Ricketts, Matthew. "Texts—Textures—Intertexts: Brian Cherney’s Transfiguration (1990)." Intersections 37, no. 1 (2019): 181–200. http://dx.doi.org/10.7202/1059894ar.

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Transfiguration ([1990] 1991) is one of Brian Cherney’s most ambitious compositions. Scored for large orchestra, the piece explores how memories transfigure reality and what that process might sound like. Cherney weaves together a dizzying mise en abyme of quotations—from the canonic repertoire, simulacra of European folk tunes, and his own earlier music (including most prominently Shekhinah for solo viola from [1988] 1992). Orchestral textures alternatively obscure and reveal material both directly and indirectly related to and inspired by the Holocaust, including the photograph of a Hungaria
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Bharadwaj, S. "Dylan Thomas’s “In the White Giant’s Thigh”:A Wild Love of Art Song." Advances in Language and Literary Studies 12, no. 4 (2021): 91. http://dx.doi.org/10.7575/aiac.alls.v.12n.4.p.91.

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In the poem “In the White Giant’s Thigh,” Dylan Thomas projects the contemporary poets’ wild passion for Eliotian amoral art song and their suffering and the contradistinction of his own occasional love of Yeatsian Grecian altruistic art song and his delight. The poem is at bottom optimistic as it offers the metaphysical and the metempirical wild lovers an alternative process of art song and also carries salvation to transcend their sorrowful failure. It is Thomas’s faith in the Yeatsian process of transfiguration and transformation, the possibility of deliverance from the bondage of experienc
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Butnaru, Tatiana. "Arhetipul Dochiei în etnogeneza mitică a lui Bogdan Petriceicu-Hasdeu." Limba, literatura, folclor, no. 1 (August 2021): 70–76. http://dx.doi.org/10.52505/llf.2021.1.07.

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Hasdeu’s interest for autochthon mythology found its embodiment in a series of investigations folklore, where discussion were proposed more assertions, opinions, research issues of spirituality Dacian. The autochthon mythology in its modern expression is based on the traditions, revealing ways of artistic transfiguration of reality in terms of visions and representations that characterizes the creative personality of the Romanian people. The archetype of Dochia that returns repeatedly is a hypothetical model, is an emblematic symbol of a sacred space circumscribed aspects of its fundamental va
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CROITORU, Ion Marian. "THE FACT OF CREATION AND THE LIMITS OF SCIENTIFIC KNOWLEDGE." International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 4, no. 1 (2020): 85–101. http://dx.doi.org/10.26520/mcdsare.2020.4.85-101.

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Although scientific research is in full bloom regarding, for instance, the environment, the fact of creation cannot be ignored either, even if some scientists deny it, while others ascertain it, albeit from perspectives, however, foreign to the patristic vision specific of the Orthodoxy. Consequently, the limits of cosmology are structured as well by Christian theology, which shows that the study of the world, guided by laws of physics in a limited framework, is carried out inside the creation affected by the consequences of the primordial sin, so that the reality of the world before sin is kn
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Ziaulhaq, Mochamad, and Hasbi Sen. "Transforming Hate into Compassion as an Islamic Nonviolent Thought of Bediüzzaman Said Nursi." Wawasan: Jurnal Ilmiah Agama dan Sosial Budaya 6, no. 1 (2021): 13–30. http://dx.doi.org/10.15575/jw.v6i1.13159.

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The study of hatred that emerges as human nature can provide an analytical picture of how hatred arises, develops, and turns into humanitarian incidents. With an in-depth, systematic, and genealogical study, it can come up with a panacea for this hatred. The elixir can turn hatred into compassion, violence into nonviolence, and find creative ways to turn conflict into peace; thus, creating a new, better reality. This qualitative research uses a literature study from Risale-i Nur by Bediüzzaman Said Nursi (1877-1960). In this study, Nursi's religious and psychological explanations are compared
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Hetzel, Mechthild, and Andreas Hetzel. "The Distribution of Facts and Fictions." MedienJournal 37, no. 3 (2017): 45–57. http://dx.doi.org/10.24989/medienjournal.v37i3.119.

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In our paper we discuss the political aesthetics of Jacques Rancière, specially his writings on the documentaries of the French director Chris Marker. In a first section we give an introduction to Rancière’s political philosophy, which explains political acts in terms of seizing the word by those who have no share in our societies. Such a seizing of words reconfigures the discursive regimes that decide who can say what and under what conditions publicly. In a second section we will show how Rancière’s aesthetical writings discuss works of art in a similar way as agents of a transfiguration of
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Hetzel, Mechthild, and Andreas Hetzel. "The Distribution of Facts and Fictions." MedienJournal 37, no. 3 (2017): 45. http://dx.doi.org/10.24989/mj.v37i3.119.

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In our paper we discuss the political aesthetics of Jacques Rancière, specially his writings on the documentaries of the French director Chris Marker. In a first section we give an introduction to Rancière’s political philosophy, which explains political acts in terms of seizing the word by those who have no share in our societies. Such a seizing of words reconfigures the discursive regimes that decide who can say what and under what conditions publicly. In a second section we will show how Rancière’s aesthetical writings discuss works of art in a similar way as agents of a transfiguration of
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López Díaz, Yenny Patricia. "La transfiguración en la autobiografía como experiencia terapéutica / Transfiguration in the Autobiography as a Therapeutic Experience." Revista Internacional de Humanidades Médicas 5, no. 2 (2016): 57–64. http://dx.doi.org/10.37467/gka-revmedica.v5.832.

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ABSTRACTThis text presents the phenomenon of transfiguration that has been revealed during the development of a biographical-narrative research with Colombian and Spanish teachers. It has been observed that this change occurs in the person when he narrates his experiences, shaping the memory and altering a lived reality. This alteration in the perception of the memories can profoundly transform the person and give the possibility to rewrite the life history. The purpose of the research is the deep knowledge of significant experiences of a group of participants through autobiography and biograp
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Mejdanija, Mirza. "PARADIGMA ITALIJANSKOG DRUŠTVA U ROMANU "CRVENI KARANFIL" ELIJA VITTORINIJA / A PARADIGM OF THE ITALIAN SOCIETY IN "THE RED CARNATION" BY ELIO VITTORINI." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 23 (November 10, 2020): 288–304. http://dx.doi.org/10.46352/23036990.2020.288.

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Following 1925, Italy was facing a downright fascist dictatorship. The ruling politics imposed dictatorship starting with oaths of faithfulness to the regime, all the way to newspapers and school textbooks censorship. The first novel by Elio Vittorini, The Red Carnation, was confiscated by fascist censors, then revised and edited by a Florentine official. The edited and censored novel was published for the first time in 1948 by Mondadori publishing and the version published was not the original version the author himself no longer possessed. The novel tells a story of a local youth, Alessio Ma
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Teses / dissertações sobre o assunto "Transfiguration of reality"

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SILVA, Miliana Mariano da. "Memória, história e literatura em autores de formação modernista." Universidade Federal de Goiás, 2012. http://repositorio.bc.ufg.br/tede/handle/tde/2426.

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Made available in DSpace on 2014-07-29T16:19:08Z (GMT). No. of bitstreams: 1 Dissertacao - Miliana Mariano da Silva.pdf: 874920 bytes, checksum: 650e86c29991cbc1fb2af66ebd0ac556 (MD5) Previous issue date: 2012-04-17<br>Considering the role of memory in the construction of literary discourse, this study analyzes the writing of memory as rebuilding works in Infância, Graciliano Ramos, Doidinho, José Lins do Rego, Boitempo, Carlos Drummond de Andrade and Vintém de Cobre: meias confissões de Aninha, Cora Coralina, the authors analyze how these resume passed to the constitution of subjectivity. L
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Hsu, Shan-jung, and 許珊榕. "Transfiguration and Reality~A Discourse of Creation~." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/55698637377145831267.

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碩士<br>國立臺南大學<br>美術學系視覺藝術教學碩士班<br>98<br>This thesis is a statement analysis of personal considerations, artistic concepts, and values which had a bearing on the works of art I produced from 2008 to 2010. I make a rigorous examination of my own transfiguration and artistic expression by tracing the sources of my artistic concepts, the starting point and evolution of the creative forms, and the subject matter of each work. The introduction explains the motivation and aim of the research, as well as the methodology, procedure, and scope. ChapterⅠ includes a theoretical discussion of the stylistic
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Livros sobre o assunto "Transfiguration of reality"

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Marco, Grossi, and Associazione Giuseppe De Santis, eds. Giuseppe De Santis: La trasfigurazione della realtà = the transfiguration of reality. Associazione Giuseppe De Santis, 2007.

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Capítulos de livros sobre o assunto "Transfiguration of reality"

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Evans, Donald. ". Academic Scepticism, Spiritual Reality, and Transfiguration1." In The Glory of Christ in the New Testament. Oxford University Press, 1987. http://dx.doi.org/10.1093/acprof:oso/9780198263265.003.0013.

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Walker, John. "Theodor Fontane, Irrungen, Wirrungen Realism and Transfiguration." In The Truth of Realism. Routledge, 2017. http://dx.doi.org/10.4324/9781351193313-9.

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