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Literatura científica selecionada sobre o tema "Valerius Flaccus"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de maio de 2024

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Artigos de revistas sobre o assunto "Valerius Flaccus"

1

Ładoń, Tomasz. "Between Marius, Cinna and Sulla. The role of the Valerii Flacci in the Roman Republic in the eighties of the 1st century BC." Klio - Czasopismo Poświęcone Dziejom Polski i Powszechnym 58, no. 2 (January 15, 2021): 93–107. http://dx.doi.org/10.12775/klio.2021.014.

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Abstract: Valerii Flacci was one of the most influential families in Rome in the first two decades of the 1st century BC. Cicero called them a nobilissima familia, while they themselves were the apple of the Roman aristocracy and were perceived as the best citizens (optimi cives). During the First Civil War, they were initially associated with the Marian camp. L. Valerius Flaccus (consul of 100 BC) acted as princeps senatus since 86 BC, and his cousin, also L. Valerius Flaccus was consul suffectus in 86 BC, after the death of C. Marius. The brother of L. Valerius Flaccus, Caius, consul of 93 B

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2

Toohey, Peter. "VALERIUS FLACCUS." Classical Review 50, no. 1 (April 2000): 54–55. http://dx.doi.org/10.1093/cr/50.1.54.

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3

Taylor-Briggs, P. Ruth. "VALERIUS FLACCUS." Classical Review 48, no. 2 (October 1998): 318–20. http://dx.doi.org/10.1017/s0009840x98530016.

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4

Ripoll, François. "Mémoire de Valérius Flaccus dans l’Achilléide de Stace." Revue des Études Anciennes 116, no. 1 (2014): 83–103. http://dx.doi.org/10.3406/rea.2014.5861.

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The influence of the Argonautica of Valerius Flaccus on the Achilleid of Statius has received little attention from the scholars. A close examination of Statius’ second epic reveals however a deep impregnation by the work of his Flavian predecessor, on many levels : from an occasional reminiscence brought by a contextual similitude to a deliberate allusive strategy. I have tried to classify and study the different types of Valerian reminiscences in the Achilleid from the point of view of its intellectual genesis : incident memory, derived memory, combined memory, diffuse memory, and allusive m

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5

Manuwald, Gesine. "Valerius Flaccus 1980–2013." Lustrum 56, no. 1 (January 2014): 7–108. http://dx.doi.org/10.13109/lutr.2014.56.1.7.

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6

Liberman, G. "Notes Sur Valerius Flaccus." Mnemosyne 42, no. 1-2 (1989): 111–16. http://dx.doi.org/10.1163/156852589x00209.

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7

Nagyillés, János. "Gradivus földművesei (Valerius Flaccus 5, 142: ruricolae, Gradive, tui)." Antik Tanulmányok 54, no. 1 (June 1, 2010): 33–47. http://dx.doi.org/10.1556/anttan.54.2010.1.2.

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Valerius Flaccus Argonauticája 5, 142 ruricolae, Gradive, tui kifejezésének értelmezése vitatott: az apollóniosi eredeti mögött valószínűleg egy a görög költő által még ismert, a vasérc mosására vonatkozó forrás állt. Apollónios Rhodios Chalybsökről adott, általa még szó szerint értett információit Valerius Flaccus fordítása a vaskorhoz kapcsolódó római képzetek jegyében romanizálva, metaforikus értelemben adja vissza.

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8

Liberman, Gauthier. "Correction ou corruption? La critique du texte de Valerius Flaccus." Mnemosyne 63, no. 2 (2010): 229–40. http://dx.doi.org/10.1163/156852510x456174.

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AbstractThe author tries to show through close examination of four characteristic passages of Valerius Flaccus’ Argonautica (5.614, 6.709, 7.55-6, 7.162-3) that strained exegesis or quotation of dubious parallels, to be met with in Valerian studies, may be wrong solutions of problems better dealt with if one admits textual corruption.

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9

Ripoll, François. "Silius Italicus et Valerius Flaccus." Revue des Études Anciennes 101, no. 3 (1999): 499–521. http://dx.doi.org/10.3406/rea.1999.4779.

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10

MURGATROYD, P. "AMYCUS' CAVE IN VALERIUS FLACCUS." Classical Quarterly 58, no. 1 (April 18, 2008): 382–86. http://dx.doi.org/10.1017/s0009838808000451.

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Teses / dissertações sobre o assunto "Valerius Flaccus"

1

Baier, Thomas. "Valerius Flaccus : Argonautica Buch VI /." München : C. H. Beck, 2001. http://catalogue.bnf.fr/ark:/12148/cb38965184m.

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2

Poortvliet, Harm Marien Valerius Flaccus Gaius. "C. Valerius Flaccus Argonautica book II a commentary /." Amsterdam : VU University Press, 1991. http://books.google.com/books?id=3HlfAAAAMAAJ.

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3

Buckley, Emma Louise. "Valerius Flaccus' Argonautica : post-Virgilian literary studies." Thesis, University of Cambridge, 2006. https://www.repository.cam.ac.uk/handle/1810/252003.

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4

Scott, Beverley. "Aspects of transgression in Valerius Flaccus' Argonautica." Thesis, University of Liverpool, 2013. http://livrepository.liverpool.ac.uk/10035/.

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In a literary era seemingly obsessed with transgression, Valerius’ own interest in the theme should come as no surprise. For the Romans, the Argo was the first ship in existence; thus the entire Argonautic enterprise is underpinned with transgression. This study sets out to interrogate the complex ways in which Valerius engages with transgression, offering new readings of his Argonautica in the process. He presents a world where expected boundaries are tested, or entirely collapsed, and where the characters and the narrator, grasping for something familiar upon which to hold, are left wanting.

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5

Harper, Smith Alison. "A commentary on Valerius Flaccus' Argonautica II." Thesis, University of Oxford, 1988. http://ora.ox.ac.uk/objects/uuid:3173ecb9-bbc9-4288-84a7-88cad1e68549.

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The text used throughout is that of W. W. Ehlers (Stuttgart 1980) and a separate version is not established, though I have occasionally disagreed with Ehlers' choice of reading. The commentary deals with questions of interest as they arise, both textual and syntactical, literary and mythological. It seeks to show that Valerius was no unskilled versifier, and that problems of interpretation may be due to misunderstanding as much as to poor workmanship on the part of the poet. The introduction to each episode includes a detailed discussion of the mythological tradition, which reveals the limited

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6

Finkmann, Simone. "The female voice in Valerius Flaccus' Argonautica." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:793d6898-da1a-4ccc-a012-2b00e12816e0.

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This thesis adopts a mixed-method approach of quantitative and qualitative analysis to discuss the role of women, especially female speakers and addressees, in Valerius Flaccus’ Argonautica. In addition to the traditional individual mortal and divine speech roles, discourse categories such as the influence of the Muses, the presentation of female personifications, female collectives, frame and inserted speakers, and goddesses in disguise are also taken into consideration. The study shows that, despite the shared subject matter and greatly overlapping ensemble of speakers, Valerius makes signif

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7

Korn, Matthias. "Valerius Flaccus, Argonautica 4,1-343 : ein Kommentar /." Hildesheim : G. Olms, 1989. http://catalogue.bnf.fr/ark:/12148/cb35571103x.

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8

Wijsman, Henri Jacob Willem. "Valerius Flaccus, Argonautica, Book V : a commentary /." Leiden ; New York ; Köln : E. J. Brill, 1996. http://catalogue.bnf.fr/ark:/12148/cb37024460p.

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9

Gärtner, Ursula. "Gehalt und Funktion der Gleichnisse bei Valerius Flaccus /." Stuttgart : F. Steiner, 1994. http://catalogue.bnf.fr/ark:/12148/cb36678487m.

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10

Hudson, Dorothy May. "Aspects of Valerius Flaccus' Argonautica : a literary assessment." Title page, contents and foreword only, 1986. http://web4.library.adelaide.edu.au/theses/09ARPM/09armh885.pdf.

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Livros sobre o assunto "Valerius Flaccus"

1

Sauer, Christoph. Valerius Flaccus' dramatische Erzähltechnik. Göttingen: Vandenhoeck & Ruprecht, 2011. http://dx.doi.org/10.13109/9783666252969.

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2

Valerius Flaccus' dramatische Erzähltechnik. Göttingen: Vandenhoeck & Ruprecht, 2011.

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3

Eigler, Ulrich. Monologische Redeformen bei Valerius Flaccus. Frankfurt am Main: Athenäum, 1988.

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4

Textkritische Studien zu Valerius Flaccus. Stuttgart: Steiner, 2003.

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5

Nikolaus, Thurn, ed. Adnotationes Bartolomaei Fontii in Valerii Flacci Argonautica: Kommentar des Valerius Flaccus : Edition. Rahden/Westf: Verlag Marie Leidorf, 2009.

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6

Valerius Flaccus, Argonautica VII: Ein Kommentar. Hildesheim: G. Olms, 1993.

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7

Wijsman, H. J. W. Valerius Flaccus, Argonautica, Book V: A commentary. Leiden: E.J. Brill, 1996.

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8

Wijsman, H. J. W. Valerius Flaccus, Argonautica, Book VI: A commentary. Boston: Brill, 2000.

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9

Wacht, Manfred. Juppiters Weltenplan im Epos des Valerius Flaccus. Mainz: Akademie der Wissenschaften und der Literatur, 1991.

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10

Wacht, Manfred. Juppiters Weltenplan im Epos des Valerius Flaccus. Mainz: Akademie der Wissenschaften und der Literatur, 1991.

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Capítulos de livros sobre o assunto "Valerius Flaccus"

1

Kuhlmann, Peter Alois. "Valerius Flaccus." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22194-1.

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2

Rieks, Rudolf, and Peter Alois Kuhlmann. "Valerius Flaccus: Argonautica." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22195-1.

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3

Manuwald, Gesine. "Valerius Flaccus 1980–2013." In Lustrum Band 56 - 2014, 7–108. Göttingen: Vandenhoeck & Ruprecht, 2015. http://dx.doi.org/10.13109/9783666802201.7.

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4

"Valerius Flaccus." In Roman Epic, 251–75. BRILL, 1999. http://dx.doi.org/10.1163/9789004351417_011.

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5

Stover, Tim. "Silius Italicus’ Punica." In Valerius Flaccus and Imperial Latin Epic, 9—C1P151. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192870919.003.0002.

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Abstract This chapter seeks to shed new light on Silius Italicus’ epic technique by focusing on the Punica’s allusive interactions with Valerius’ Argonautica. In it the author demonstrates that Silius’ intertextual engagement with Valerius’ poem is more explicit than is often acknowledged and argues that Silius’ stance vis-à-vis Valerius is less antagonistic than other critics see it. The chapter shows that in Book 11 of the Punica Silius highlights Valerius’ Argonautica as an important and respected model. It then demonstrates that Silius frames the Punica as the culmination of the historical process inaugurated in the Argonautica before illustrating how he enriches his poem in various ways by reworking Valerian material.

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6

Stover, Tim. "The Thebaid’s Argonautic Program." In Valerius Flaccus and Imperial Latin Epic, 47—C2P65. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192870919.003.0003.

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Abstract This chapter focuses on Statius’ Thebaid, a poem whose use of programmatic allusivity in relation to Valerius’ Argonautica exceeds what we see in the work of the other Latin epicists studied in this book. In it the author examines two passages from the Thebaid that are rich in programmatic significance, the ekphrasis on Harmonia’s necklace in Book 2 and the consecutive prophecies of Melampus and Amphiaraus in Book 3. The author demonstrates that in these passages Statius allusively declares engagement with Valerius’ Argonautica to be an important feature of his epic technique. The chapter reveals that Statius’ interaction with Valerius’ narrative is designed to extract from his predecessor the macabre material he deemed suitable for his poem of fratricidal madness. It also suggests that Statius distinguishes his poetic enterprise from that of Valerius by replacing Valerian ambivalence with unmitigated horror.

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7

Stover, Tim. "Statius’ Achilleid." In Valerius Flaccus and Imperial Latin Epic, 135—C4P107. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192870919.003.0005.

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Abstract This chapter continues the exploration of Statius’ engagement with Valerius by turning to an analysis of his allusions to the Argonautica in his unfinished Achilleid. In it the author elucidates how Statius’ allusive interaction with Valerius reveals the extent to which the Argonautica contributed to the conception, construction, and tenor of the Achilleid. The chapter demonstrates that Statius intertextually declares the Argonautica to be an important model before examining how Statius’ refashioning of Valerius’ epic enriches the Achilleid’s exploration of a range of important themes, such as literary belatedness, generic propriety, and gender dynamics. From this analysis, it emerges that a full appreciation of the aesthetic complexities of Statius’ most audacious poetic endeavor requires scrutinizing his reworking of Valerian material.

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8

"STATIUS AND VALERIUS FLACCUS." In Valerius Flaccus, Argonautica, Book VI, 287–88. BRILL, 2000. http://dx.doi.org/10.1163/9789004351158_004.

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9

Stover, Tim. "Statius’ Thebaid." In Valerius Flaccus and Imperial Latin Epic, 71—C3P240. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192870919.003.0004.

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Abstract This chapter builds upon the findings of the previous one, as it seeks to delve deeper into Statius’ subversive approach to Valerius in the Thebaid by demonstrating that Statius often rewrites Valerian passages in order to reverse what can be read as positive sequences in his model text. The chapter then examines a related practice, i.e. Statius’ use of allusion to establish contrasts between the Thebaid and the Argonautica, a strategy that seeks to create distance between the two poems. The chapter comes to a close with a section on Statius’ use of allusion to Valerius’ poem to enrich his narrative in various ways.

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10

Stover, Tim. "Claudian’s De Raptu Proserpinae." In Valerius Flaccus and Imperial Latin Epic, 161—C5P105. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192870919.003.0006.

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Abstract This chapter sees the book’s study of Valerius’ influence on the epic tradition move beyond the Flavian era (69– 96 ce) and into the world of later Latin epic by examining Claudian’s allusive interactions with Valerius’ Argonautica in the De Raptu Proserpinae. In so doing the author contributes a new chapter to the reassessment of Claudian’s poetry which has been under way for the past three decades, while also offering the first sustained analysis of Claudian’s engagement with Valerius. This chapter demonstrates that Claudian too, like Valerius’ Flavian contemporaries, programmatically presents himself as an epigone of the Argonautica, before going on to elucidate how Claudian uses allusion to Valerius’ narrative to enrich his poem in various ways.

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