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Artigos de revistas sobre o tema "Valerius Flaccus"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de maio de 2024

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1

Ładoń, Tomasz. "Between Marius, Cinna and Sulla. The role of the Valerii Flacci in the Roman Republic in the eighties of the 1st century BC." Klio - Czasopismo Poświęcone Dziejom Polski i Powszechnym 58, no. 2 (January 15, 2021): 93–107. http://dx.doi.org/10.12775/klio.2021.014.

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Abstract: Valerii Flacci was one of the most influential families in Rome in the first two decades of the 1st century BC. Cicero called them a nobilissima familia, while they themselves were the apple of the Roman aristocracy and were perceived as the best citizens (optimi cives). During the First Civil War, they were initially associated with the Marian camp. L. Valerius Flaccus (consul of 100 BC) acted as princeps senatus since 86 BC, and his cousin, also L. Valerius Flaccus was consul suffectus in 86 BC, after the death of C. Marius. The brother of L. Valerius Flaccus, Caius, consul of 93 B

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2

Toohey, Peter. "VALERIUS FLACCUS." Classical Review 50, no. 1 (April 2000): 54–55. http://dx.doi.org/10.1093/cr/50.1.54.

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3

Taylor-Briggs, P. Ruth. "VALERIUS FLACCUS." Classical Review 48, no. 2 (October 1998): 318–20. http://dx.doi.org/10.1017/s0009840x98530016.

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4

Ripoll, François. "Mémoire de Valérius Flaccus dans l’Achilléide de Stace." Revue des Études Anciennes 116, no. 1 (2014): 83–103. http://dx.doi.org/10.3406/rea.2014.5861.

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The influence of the Argonautica of Valerius Flaccus on the Achilleid of Statius has received little attention from the scholars. A close examination of Statius’ second epic reveals however a deep impregnation by the work of his Flavian predecessor, on many levels : from an occasional reminiscence brought by a contextual similitude to a deliberate allusive strategy. I have tried to classify and study the different types of Valerian reminiscences in the Achilleid from the point of view of its intellectual genesis : incident memory, derived memory, combined memory, diffuse memory, and allusive m

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5

Manuwald, Gesine. "Valerius Flaccus 1980–2013." Lustrum 56, no. 1 (January 2014): 7–108. http://dx.doi.org/10.13109/lutr.2014.56.1.7.

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6

Liberman, G. "Notes Sur Valerius Flaccus." Mnemosyne 42, no. 1-2 (1989): 111–16. http://dx.doi.org/10.1163/156852589x00209.

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7

Nagyillés, János. "Gradivus földművesei (Valerius Flaccus 5, 142: ruricolae, Gradive, tui)." Antik Tanulmányok 54, no. 1 (June 1, 2010): 33–47. http://dx.doi.org/10.1556/anttan.54.2010.1.2.

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Valerius Flaccus Argonauticája 5, 142 ruricolae, Gradive, tui kifejezésének értelmezése vitatott: az apollóniosi eredeti mögött valószínűleg egy a görög költő által még ismert, a vasérc mosására vonatkozó forrás állt. Apollónios Rhodios Chalybsökről adott, általa még szó szerint értett információit Valerius Flaccus fordítása a vaskorhoz kapcsolódó római képzetek jegyében romanizálva, metaforikus értelemben adja vissza.

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8

Liberman, Gauthier. "Correction ou corruption? La critique du texte de Valerius Flaccus." Mnemosyne 63, no. 2 (2010): 229–40. http://dx.doi.org/10.1163/156852510x456174.

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AbstractThe author tries to show through close examination of four characteristic passages of Valerius Flaccus’ Argonautica (5.614, 6.709, 7.55-6, 7.162-3) that strained exegesis or quotation of dubious parallels, to be met with in Valerian studies, may be wrong solutions of problems better dealt with if one admits textual corruption.

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9

Ripoll, François. "Silius Italicus et Valerius Flaccus." Revue des Études Anciennes 101, no. 3 (1999): 499–521. http://dx.doi.org/10.3406/rea.1999.4779.

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10

MURGATROYD, P. "AMYCUS' CAVE IN VALERIUS FLACCUS." Classical Quarterly 58, no. 1 (April 18, 2008): 382–86. http://dx.doi.org/10.1017/s0009838808000451.

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11

Tatum, W. Jeffrey. "WHY IS VALERIUS FLACCUS A QUINDECIMVIR?" Classical Quarterly 66, no. 1 (April 14, 2016): 239–44. http://dx.doi.org/10.1017/s0009838816000227.

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‘Valerius Flaccus knows how to write with elegant precision.’ – R. Syme, Tacitus (Oxford, 1958), 89.Phoebe, mone, si Cumaeae mihi conscia uatis 5stat casta cortina domo, si laurea dignafronte uiret …In these lines, as critics have long recognized, resides evidence for identifying Valerius Flaccus as a quindecimuir sacris faciundis. Emphasis is placed on the tripod emblematic of this sacred office which is here intimately associated with expertise in the oracular communications of the Cumaean Sibyl. The libri Sibyllini, the supervision and interpretation of which were amongst the earliest and m

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12

Houghton, L. B. T. "A HIDDEN ANAGRAM IN VALERIUS FLACCUS?" Classical Quarterly 67, no. 1 (March 1, 2017): 329–32. http://dx.doi.org/10.1017/s0009838817000015.

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In Virgil's third eclogue, the goatherd Menalcas responds to his challenger Damoetas by offering as his wager in their contest of song a pair of embossed cups, caelatum diuini opus Alcimedontis (Ecl. 3.37), decorated with a pattern of vine and ivy. In the middle of this design, he says, are two figures. One is the astronomer Conon, and the other—at this point Menalcas, afflicted with a sudden loss of memory, professes to have forgotten the name of the second figure, and breaks off into a question (Ecl. 3.40-2): quis fuit alter, | descripsit radio totum qui gentibus orbem, | tempora quae messor

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13

Poortvliet, H. M. "Textual Problems in Valerius Flaccus’ Argonautica." Mnemosyne 66, no. 4-5 (2013): 791–93. http://dx.doi.org/10.1163/1568525x-12341241.

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14

Davis, Martha A. "Ratis Avdax: Valerius Flaccus' Bold Ship." Ramus 18, no. 1-2 (1989): 46–73. http://dx.doi.org/10.1017/s0048671x00003039.

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Surprises await the reader who approaches the Argonautica of Valerius Flaccus expecting to find a pleasant but unchallenging version of the content of Apollonius Rhodius' epic retold in Vergilian style. The poem is much more than ‘a thrilling tale that has absorbed and delighted readers and hearers’ and much more than an imitation of the work of two great predecessors. If we consider the matter of story line alone, Valerius differs from Apollonius. He included the rescue of Hesione by Hercules, which was part of the myth of Argo but not used by Apollonius, and he created an entire book (Book 6

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15

Stover, Tim. "Rebuilding Argo: Valerius Flaccus’ Poetic Creed." Mnemosyne 63, no. 4 (January 1, 2010): 640–50. http://dx.doi.org/10.1163/156852510x456688.

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16

DiLuzio, Joseph. "THE FIRST TRIUMVIRATE AT HOME AND ABROAD IN CICERO'SPRO FLACCO." Greece and Rome 65, no. 2 (September 17, 2018): 175–88. http://dx.doi.org/10.1017/s001738351800013x.

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In 59bc, in the second half of Caesar's tumultuous year as consul, a certain Decimus Laelius brought a charge of extortion against the former praetor and ally of Cicero – L. Valerius Flaccus. Flaccus had proven instrumental in the suppression of the Catilinarian conspiracy four years earlier. From the beginning of his speechpro Flacco, the orator frames the case in terms of contemporary politics. Though ostensibly about the defendant's alleged misconduct as Governor of Asia, Cicero makes the contest a ‘trial of character’ and argues that the impetus for the prosecution was actually Flaccus’ ro

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17

Davis, P. J. "Jason at Colchis: Technology and Human Progress in Valerius Flaccus." Ramus 39, no. 1 (2010): 1–13. http://dx.doi.org/10.1017/s0048671x00000503.

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For the Argonauts of Valerius Flaccus the Black Sea and its surrounding lands are an alien world. As Argo leaves the Mediterranean behind and enters the Propontis, we are told that the Minyans begin to gain ‘a view into another world’ (alium prospectus in orbem, 2.628). So too when the ship makes its way through the Bosporus, on the point of entering the Black Sea, we are told that the Greeks ‘see all things new’ (noua cuncta uident, 4.424). Clearly this voyage is presented by Valerius as a major event in world history.One question which must confront any reader of Valerius’ poem is whether th

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18

Liberman, Gauthier. "Florian Hurka: Textkritische Studien zu Valerius Flaccus." Gnomon 77, no. 2 (2005): 120–23. http://dx.doi.org/10.17104/0017-1417_2005_2_120.

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19

Adkin, Neil. "VALERIUS FLACCUS’ LANIABOR-ACROSTIC (ARGONAUTICA 4.177-84)." Classical Quarterly 67, no. 1 (March 13, 2017): 327–28. http://dx.doi.org/10.1017/s0009838817000027.

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‘Of course laniabor is not a name.’ Thus very recently Cristiano Castelletti in a discussion of this notorious acrostic, which he associates with Aratean ἄρρητον (Phaen. 2) and Virgilian MA VE PV (G. 1.429-33). If, however, laniabor is itself ‘not a name’, the aim of the present annotatiuncula is to argue that it is an etymological play on a ‘name’. Laniabor spans the description of Amycus’ cave, which is adorned with the dismembered limbs of his victims: Amycus himself will shortly suffer the same fate at Pollux’ hands. The name ‘Amycus’ was etymologized from ἀμύσσω (‘tear’; LSJ s.v. I), whic

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20

Gärtner, Thomas. "Kritische Bemerkungen zu den Argonautica des Valerius Flaccus." Emerita 78, no. 2 (December 30, 2010): 211–29. http://dx.doi.org/10.3989/emerita.2010.v78.i2.496.

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21

Martín, Sandra Romano. "Banqueting Gods in Valerius Flaccus Arg. 5.690-5." Mnemosyne 66, no. 4-5 (2013): 666–81. http://dx.doi.org/10.1163/156852512x617641.

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Abstract This work offers a new comment and interpretation of Valerius Flaccus Arg. 5.690-5, a passage where the poet describes a banquet of the gods on Olympus with music and dancing. Two elements of the scene have been put under consideration: the Greek and Latin sources for the traditional scene of the dance of the gods (especially in the context of Olympic councils), examined in such a way as to argue that the scene described is unusual within the extant Latin epic tradition; and the traditional content of Apollo’s song, the Gigantomachy. By mentioning the Gigantomachy theme in other parts

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22

Heerink, Mark. "Virgil, Lucan, and the Meaning of Civil War in Valerius Flaccus’ Argonautica." Mnemosyne 69, no. 3 (May 7, 2016): 511–25. http://dx.doi.org/10.1163/1568525x-12341977.

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In his recent monograph (2012) Tim Stover has provided the first full-scale study of Valerius Flaccus’ interaction with Lucan’s Bellum Civile, arguing that the Argonautica restores epic after Lucan and optimistically supports Vespasian’s restoration of the Principate after the civil wars of 68-69 ad. Focusing on the ‘civil war’ between the Argonauts and the Doliones in Book 3 of Valerius’ epic, I will propose an alternative reading of the influence of Lucan as well as Virgil’s Aeneid. Although Valerius at first sight seems to set up the Cyzicus episode in Virgilian fashion, he in fact deconstr

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23

Davis, P. J. "Remembering Ovid: The Io Episode in Valerius Flaccus' Argonautica." Antichthon 43 (2009): 1–11. http://dx.doi.org/10.1017/s006647740000191x.

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The insertion of the story of Io into Book 4 of Valerius' narrative of the Argonauts' voyage to Colchis follows a familiar pattern, for here we have an apparently irrelevant digression, delivered by a figure of authority, which experienced readers of Roman epic will expect to encapsulate some of the poem's key issues. Some will think of Evander's tale of Hercules and Cacus in Aeneid 8 or of Adrastus' account of Apollo and Coroebus in Thebaid 1. And then there is Lucan's version of the struggle between Hercules and Antaeus in Pharsalia 4. Theoreticians will invoke the concept of ‘mise-en-abîme’

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24

Cowan, Robert. "Glossing the Georgics: Valerius Flaccus on labor improbus." Classical Philology 115, no. 4 (October 1, 2020): 737–46. http://dx.doi.org/10.1086/710552.

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25

Zissos, Andrew. "The King's Daughter: Medea in Valerius Flaccus' Argonautica." Ramus 41, no. 1-2 (2012): 94–118. http://dx.doi.org/10.1017/s0048671x00000278.

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Medea's awakening love for Jason is the great theme of the third book of Apollonius Rhodius' Argonautica. At the opening of that book—that is to say, at the very centre of the four-book epic—the Hellenistic poet signals a programmatic redirection, invoking the Muse Erato to inspire his tale of Jason's winning of the golden fleece, aided by the love of the Colchian princess (Мηδείηϛ ὑπ' ἔϱωτι, Ap. Rhod. 3.3). This is the first mention of Medea in the poem. Writing a few centuries later, the Flavian poet Valerius Flaccus for the most part adheres closely to Apollonius' narrative outline. As we s

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26

Castelletti, Cristiano. "A ‘Greek’ Acrostic in Valerius Flaccus (3.430-4)." Mnemosyne 65, no. 2 (2012): 319–23. http://dx.doi.org/10.1163/156852511x548171.

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27

Kotova, Anastasia V. "Successive Similes in Valerius Flaccus’ Argonautica 4. 682–688." Philologia Classica 14, no. 2 (2019): 318–23. http://dx.doi.org/10.21638/11701/spbu20.2019.211.

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28

Stover, Tim. "Magna Perseis: A Note on Valerius Flaccus, Arg. 7.238." Classical Journal 104, no. 4 (2009): 321–27. http://dx.doi.org/10.1353/tcj.2009.0007.

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29

Pucci, Joseph, and Debra Hershkowitz. "Valerius Flaccus' "Argonautica": Abbreviated Voyages in Silver Latin Epic." Classical World 94, no. 1 (2000): 90. http://dx.doi.org/10.2307/4352513.

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30

Hudson-Williams, A. "A Question of Vacuity: Valerius Flaccus I 398-401." Mnemosyne 39, no. 1-2 (1986): 134–36. http://dx.doi.org/10.1163/156852586x00112.

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31

Galli, Daniela. "De excidio Troiae by Dares Phrygius and Valerius Flaccus." Mnemosyne 66, no. 4-5 (2013): 800–808. http://dx.doi.org/10.1163/1568525x-12341096.

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32

Charlet, Jean-Louis. "L’hexamètre de Dracontius dans les Romulea." Vita Latina 191, no. 1 (2015): 143–53. http://dx.doi.org/10.3406/vita.2015.1815.

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The study of the hexameter of Dracontius’ Romulea (proportion of dactyls and spondees, their positions and combinations in the four first feet, elisions, clausules and caesuras) shows that this hexameter, different in some respects from Dracontius’ other hexameters and very purist, is nearer to Statius’ and Valerius Flaccus’ hexameter than to Vergilius’ or Ovidius’, with some specific and personal features.

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33

Manuwald, Gesine. "What Do Humans Get to Know about the Gods and Their Plans? On Prophecies and Their Deficiencies in Valerius Flaccus' Argonautica." Mnemosyne 62, no. 4 (2009): 586–608. http://dx.doi.org/10.1163/156852509x384248.

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AbstractThis article discusses aspects of the communication between gods and humans in Valerius Flaccus' Flavian epic Argonautica by focusing on the situation of Jason and the Argonauts as well as on the Phineus episode in the fourth Book: although the gods in this poem, and Jupiter in particular, have specific plans for the fate of humans and the development of world history, they do not want humans to know those. As humans therefore receive only scattered and unclear information about the future, they remain uncertain and terrified, while retaining their confidence in the gods. The gods at l

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34

d’Espèrey, Sylvie Franchet. "Thomas Baier: Valerius Flaccus, Argonautica Buch VI. Einleitung und Kommentar." Gnomon 76, no. 8 (2004): 674–77. http://dx.doi.org/10.17104/0017-1417_2004_8_674.

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Liberman, Gauthier. "A. J. Kleywegt: Valerius Flaccus, Argonautica Book I. A Commentary." Gnomon 79, no. 5 (2007): 416–21. http://dx.doi.org/10.17104/0017-1417_2007_5_416.

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36

Lewis, Bryna E. "The Significance of the Location of Valerius Flaccus' Second Proem." Mnemosyne 40, no. 3-4 (1987): 420–22. http://dx.doi.org/10.1163/156852587x00571.

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37

Zissos, Andrew. "Allusion and Narrative Possibility in the Argonautica of Valerius Flaccus." Classical Philology 94, no. 3 (July 1999): 289–301. http://dx.doi.org/10.1086/449443.

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38

Taylor-Briggs, P. Ruth. "Similes in Valerius Flaccus - U. Gärtner: Gehalt und Funktion der Gleichnisse bei Valerius Flaccus. (Hermes Einzelschriften, 67.) Pp. 362. Stuttgart: Franz Steiner, 1994. Paper." Classical Review 45, no. 2 (October 1995): 256–58. http://dx.doi.org/10.1017/s0009840x0029361x.

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Dewar, Michael. "Valerius Flaccus Book 2 - H. M. Poortvliet: C. Valerius Flaccus, Argonautica, Book II: a Commentary. Pp. 349. Amsterdam VU University Press, 1991. Paper, £33." Classical Review 42, no. 2 (October 1992): 306–8. http://dx.doi.org/10.1017/s0009840x0028387x.

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Sáenz Preciado, María Pilar. "Avance sobre la excavación del centro alfarero romano de "El Quemao" (Tricio, La Rioja)." Salduie, no. 1 (December 31, 2000): 295–302. http://dx.doi.org/10.26754/ojs_salduie/sald.200016428.

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Presentamos un avance de lo que fue la excavación realizada en el termino de "El Quemao" en Tricio. Durante los cinco meses de trabajo localizamos cinco hornos con sus respectivos vertederos, parte del recinto de trabajo con muros de cantos rodados y adobes, áreas porticadas, fustes de columnas, etc, así como la calle que comunicaba este centro de trabajo con la zona urbana de la ciudad.Son catorce los alfareros que trabajaron en este centro: algunos ya conocidos como Cornelius Fuscus, Agilianus, Flaccus Tritiensis, Paternus Marcus, Lapillis, Accunicius, S. Venustus, Ca.Co.Fe, Nas[-] De{-] y o

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Martin T. Dinter. "Epic from Epigram: The Poetics of Valerius Flaccus' Argonautica." American Journal of Philology 130, no. 4 (2009): 533–66. http://dx.doi.org/10.1353/ajp.0.0082.

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HEERINK, MARK A. J. "GOING A STEP FURTHER: VALERIUS FLACCUS' METAPOETICAL READING OF PROPERTIUS' HYLAS." Classical Quarterly 57, no. 2 (November 7, 2007): 606–20. http://dx.doi.org/10.1017/s0009838807000584.

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43

Coulson, Frank T. "New Evidence for the Circulation of the Text of Valerius Flaccus?" Classical Philology 81, no. 1 (January 1986): 58–60. http://dx.doi.org/10.1086/366959.

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44

Stover, Tim. "Unexampled Exemplarity: Medea in the Argonautica of Valerius Flaccus." Transactions of the American Philological Association 141, no. 1 (2011): 171–200. http://dx.doi.org/10.1353/apa.2011.0001.

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45

Malamud, Martha. "Valerius Flaccus' "Argonautica": Abbreviated Voyages in Silver Latin Epic. Debra Hershkowitz." Classical Philology 95, no. 3 (July 2000): 366–71. http://dx.doi.org/10.1086/449505.

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46

Dewar, M. J. "Monologues in Valerius Flaccus - Ulrich Eigler: Monologische Redeformen bei Valerius Flaccus. (Beiträge zur klassischen Philologie, 187.) Pp. ix + 147. Frankfurt am Main: Athenäum, 1988. DM 48." Classical Review 39, no. 1 (April 1989): 34–35. http://dx.doi.org/10.1017/s0009840x0027025x.

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47

Davis, P. J. "Valerius Flaccus - (A.) Zissos (ed., trans.) Valerius Flaccus' Argonautica Book 1. Pp. lxx + 450. Oxford: Oxford University Press, 2008. Cased, £100. ISBN: 978-0-19-921949-0." Classical Review 59, no. 2 (September 15, 2009): 472–74. http://dx.doi.org/10.1017/s0009840x09000687.

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48

Blum-Sorensen, Jessica. "The Future is Female: Circe, Augustus, and the Prehistory of Rome." Classical World 117, no. 1 (September 2023): 17–48. http://dx.doi.org/10.1353/clw.2023.a912762.

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ABSTRACT: This paper focuses on one of ancient mythology's most notorious voices, the nymph Circe, daughter of the Sun and witch of Aeaea. Tracing the evolution of Circe's mythology through the works of Vergil, Ovid, and Valerius Flaccus, it shows how these early imperial authors use her presence in Rome's family tree to push back on Augustus' version of Rome's genealogy and his own right to rule. By embedding Circe in the "Italian" side of Rome's antecedents, they demonstrate the fragility of the principate's claim to legitimacy through control of Rome's inheritance.

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Stover. "Confronting Medea: Genre, Gender, and Allusion in the "Argonautica" of Valerius Flaccus." Classical Philology 98, no. 2 (2003): 123. http://dx.doi.org/10.2307/1215497.

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50

Heerink, Mark, and Pieter van den Broek. "Foaming Cups: A Textual Note on Valerius Flaccus Argonautica 1.815." Classical Philology 117, no. 4 (October 1, 2022): 745–52. http://dx.doi.org/10.1086/721577.

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