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Artigos de revistas sobre o tema "Verse 1841 - 1860"

Autor: Grafiati

Publicado: 29 de julho de 2024

Última modificação: 31 de julho de 2025

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1

Ferreira, Luiz Otávio. "Negócio, política, ciência e vice-versa: uma história institucional do jornalismo médico brasileiro entre 1827 e 1843." História, Ciências, Saúde-Manguinhos 11, suppl 1 (2004): 93–107. http://dx.doi.org/10.1590/s0104-59702004000400005.

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Ao analisar o caso dos primeiros jornais médicos brasileiros - Propagador das Ciências Médicas (1827-1828); Semanário de Saúde Pública (1831-1833); Diário de Saúde (1835-1836); Revista Médica Fluminense (1835-1841); Revista Médica Brasileira (1841-1843) -, pretendemos demonstrar como o contexto sociocultural possibilitou o surgimento desse gênero de publicação no dinâmico e conturbado ambiente do Rio de Janeiro dos anos 1820 e 1830. Nosso argumento é o de que a trajetória inicial do jornalismo médico no Brasil teve como traço distintivo a simbiose entre negócio (interesses comerciais das casas

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Tucker, Herbert F. "Verse Visa." Nineteenth-Century Literature 72, no. 4 (2018): 433–51. http://dx.doi.org/10.1525/ncl.2018.72.4.433.

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Herbert F. Tucker, “Verse Visa: Dickens Adapts Poetry in The Old Curiosity Shop” (pp. 433–451) In Charles Dickens’s The Old Curiosity Shop (1841), Dick Swiveller’s hilariously eclectic misquotation of popular verse coexists with Dickens’s own grave proclivity to fall into unlineated yet incantatory blank verse when orchestrating the death of Little Nell. These complementary prose effects freshly showcase the novelist’s joint commitments to humorous and pathetic renditions of the modern condition. They also underscore the coalescence of the novel as such, circa 1840, out of a miscellany of bare

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Lappo-Danilevskii, Konstantin. "Andrei Aleksandrovich Teils, a Writer Who Nonetheless Existed." Slovene 11, no. 2 (2022): 125–48. http://dx.doi.org/10.31168/2305-6754.2022.11.2.6.

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The paper reconstructs the biography of Andrei Aleksandrovich Teil’s (1782–1822), the author of “Hercules and Daianira”, a tragedy in аlexandrine verse (1807). He is attributed various sentimental poems and translations from French that were published in the journals “Ippokrena” (1799), “Litsei” (1806), “Novosti” (1799), “Novosti russkoi literatury” (1803), “Severnyi vestnik” (1805) and “Severnyi Merkurii” (1811). These publications were signed “A. de Teil’s”, “An. Teil’s”, “An: Teil’s”, “A. Teil’s”, “Teil’s” and until now have been erroneously considered to be the work of Anton Antonovich Tei

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4

Kornilyeva, Liliya. "Дискурси влади у творчості юліуша словацького". Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 57, № 4 (2023): 221–29. http://dx.doi.org/10.36770/bp.750.

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Juliusz Słowacki, a Polish Romantic poet and dramatist, was born in Krzemieniec,where he spent part of his life. As a result, he was well-versed in Ukrainian, and asa writer, he largely depended on Ukrainian settings, Ukrainian history, and Ukrainian folklore. Ukrainian themes became an inherent part of his literary works. Bestknown for his masterpieces Balladyna (1834), Mazepa (1839), Lilla Weneda (1840),Jan Kazimierz (1839), Bienowski (1841), Sen srebrny Salomei (1843), and Ksiądz Marek(1843), Słowacki is now regarded as an outstanding writer, whose ideas and aestheticvalues influenced gener

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Silliman, Robert. "The Richmond Boulder Trains: Verae Causae in 19th-Century American Geology." Earth Sciences History 10, no. 1 (1991): 60–72. http://dx.doi.org/10.17704/eshi.10.1.hh085022m7ng8511.

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In the 1840's and 1850's some of the leading geologists of the day, including Edward Hitchcock, Henry D. and William B. Rogers, Charles Lyell, and Louis Agassiz, investigated long, distinct trains of erratic boulders discovered in 1842 in western Massachusetts. It was hoped that study of the boulder trains would help solve the vexing problem of the origin of the drift. The theories tested by application to the erratics were various in content but remarkably similar in justification. They all appealed to the Newtonian principle of vera causa. This methodological principle appears to have been m

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Amayo Zevallos, Enrique. "Amazonía y el Pacífico en "La Jangada" de Julio Veme: Una visión eurocéntrica." Amazonía Peruana, no. 27 (December 14, 2000): 11–60. http://dx.doi.org/10.52980/revistaamazonaperuana.vi27.88.

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La novela amazónica de Julio Veme, "La Jangada”, fue publicad a en 1881. En ese libro uno de los personajes centrales es Manuel Valdez; además, entre los numerosos autores que Veme consultó para obtener información n sobre la Amazonía, él cita "o brasileiro Valdez" quien había visitado y escrito sobre esa región en 1840. Coincidentemente, el cuzqueño José Manuel Valdez y Palacios, quien por razones políticas tuvo que huir del Perú, caminó gran parte de la Amazonía entre 1843 y 1844 (estas partes de su trayecto son exactamente las mismas que Verne trata en su libro). Ya en Río de Janeiro public

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7

Karhio, Anne. "‘These shirts I borrow from the Finnish’: the Kanteletar and the fabric of loss in Peter Sirr’s ‘A Journal’." Review of Irish Studies in Europe 2, no. 1 (2018): 208–24. http://dx.doi.org/10.32803/rise.v2i1.1726.

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This essay examines the personal, cultural and linguistic exchanges explored through textile metaphors in Peter Sirr’s 1994 poetic sequence “A Journal” (from the collection The Ledger of Fruitful Exchange). In this sequence, Sirr draws on The Kanteletar, a collection of Finnish folk verse originally published 1840-1841 by Elias Lönnrot, who also compiled the more widely known folk epic The Kalevala. Sirr’s adoption of the Finnish poems’ textile imagery allows him to interrogate the complexities of personal and cultural communication, as the sequence charts the end of a relationship between the

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Trejo Pinedo, Virginia, and Víctor Manuel Bañuelos Aquino. "El debate intelectual por la muerte de la señora de la vela verde. Nueva España, 1814-1821." Legajos. Boletín del Archivo General de la Nación 8, no. 12 (2017): 67–93. http://dx.doi.org/10.31911/bagn.2017.8.12.63.

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El presente artículo muestra la decadencia de la Inquisición en la Nueva España a partir de su abolición, primero en 1813 y posteriormente en 1820. En la primera sección narramos el contexto, origen, evolución y las principales características de dicho tribunal. Luego centramos la atención en la discusión que surgió entre los letrados de la época alrededor de su supresión. Analizamos principalmente panfletos que circularon en Nueva España en 1820 y 1821 y que fueron la respuesta a la obra del carmelita fray José de San Bartolomé, quien en 1814 publicó El duelo de la Inquisición. Los panfletos

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Costeloe, Michael P. "The Extraordinary Case of Mr. Falconnet and 2,500,000 Silver Dollars: London and Mexico, 1850-1853." Mexican Studies/Estudios Mexicanos 15, no. 2 (1999): 261–89. http://dx.doi.org/10.2307/1052144.

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Este artículo versa sobre la deuda externa de México en el siglo dicinueve. Revela la manera en que los acreedores británicos, representados por su Committee of Mexican Bondholders (Comité de Tenedores de Bonos Mexicanos) y su agente, Francis Falconnet, negociaron el pago en efectivo de 2.5 millones de dólares del dinero de indemnización pagada por Estados Unidos después de la guerra México-Estados Unidos de 1846-1848. Las transacciones financieras internacionales; los intereses gubernamentales franceses, estadounidenses y británicos; la política mexicana doméstica y la probable corrupción de

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Podosokorsky, Nikolay N. "The Dream about the Battle of Berezina in Dostoevsky’s Novel White Nights." Dostoevsky and World Culture. Philological journal, no. 2 (30) (2025): 157–92. https://doi.org/10.22455/2619-0311-2025-2-157-192.

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The article examines the Battle of Berezina in the Patriotic War of 1812 as one of the significant historical and literary dreams of the Dreamer’s story in Dostoevsky’s early sentimental novel White Nights. The list of dreams of the hero of White Nights — which includes, in addition to the Battle of Berezina, St. Bartholomew’s Night, a heroic role in the capture of Kazan by Tsar Ivan IV Vasilyevich, the burning of Jan Hus in Constance, Danton, Cleopatra and her lovers, a house in Kolomna, etc. — was added by Dostoevsky to the text of the novel during its revision in 1860. It is argued that thi

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Lundgreen-Nielsen, Flemming. "Grundtvigs nordisk-mytologiske billedsprog - et mislykket eksperiment?" Grundtvig-Studier 45, no. 1 (1994): 142–98. http://dx.doi.org/10.7146/grs.v45i1.16146.

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Grundtvig ’s Norse Mythological Imagery - An Experiment that Failed?By Flemming Lundgreen-NielsenSince his early youth, Grundtvig worked frequently and diligently with Norse mythology. From 1805 to 1810 he tried in a scholarly way to sort out its original sources and accordingly its ancient meanings, though Grundtvig even as a philologist preferred to give spontaneous enthusiasm aroused by a synthetic vision a priority above linguistic proofs (Norse Mythology, 1808). After a pause of some years, Grundtvig in 1815 returned to Norse mythology, allowing himself a more free and subjective interpre

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Hoagwood, Terence Allan. "Reading Adaptations: Novels and Verse Narratives on the Stage, 1790-1840. Philip Cox." Wordsworth Circle 31, no. 4 (2000): 217–18. http://dx.doi.org/10.1086/twc24044819.

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Moody, Jane. "Philip Cox's Reading Adaptations: Novels and Verse Narratives on the Stage, 1790–1840." Romanticism 7, no. 2 (2001): 233–34. http://dx.doi.org/10.3366/rom.2001.7.2.233.

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GEARY, JASON. "Reinventing the Past: Mendelssohn's Antigone and the Creation of an Ancient Greek Musical Language." Journal of Musicology 23, no. 2 (2006): 187–226. http://dx.doi.org/10.1525/jm.2006.23.2.187.

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ABSTRACT In 1841, Sophocles's Antigone was performed at the Prussian court theater with staging by Ludwig Tieck and music by Felix Mendelssohn. Commissioned by King Friedrich Wilhelm IV, this production aimed to re-create aspects of Greek tragedy by, among other things, using J. J. Donner's 1839 metrical translation and having an all-male chorus sing the odes. Mendelssohn initially experimented with imitating the purported sound of ancient music by composing primarily unison choral recitative and limiting the accompaniment to flutes, tubas, and harps; but he quickly abandoned this approach in

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den Bergh, Carla Van. "Le rôle du verset lors de la transition du grand poème au petit poème en prose, dans les années 1830-1840 en France : pertes et profits." Études littéraires 39, no. 1 (2008): 25–41. http://dx.doi.org/10.7202/018100ar.

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Résumé Dans les années 1830-1840, la poésie biblique connaît une recrudescence en France. Durant ces mêmes années, la poésie en prose aboutit à la cristallisation du petit poème en prose, comme l’a montré Nathalie Vincent-Munnia. De la rencontre de ces deux tendances dérive déjà le poème en prose biblique, dont Christian Leroy a exposé la tradition de simplicité depuis Télémaque. La nouveauté réside dans l’attention portée au verset comme forme possible du poème en prose, dans la tradition du poème en prose biblique, mais aussi dans les tâtonnements formels et critiques autour du petit poème e

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Ganter, Granville. "Lyrical Liberators: The American Antislavery Movement in Verse, 1831-1865 ed. by Monica Pelaez." African American Review 53, no. 1 (2020): 73–75. http://dx.doi.org/10.1353/afa.2020.0004.

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V. Horváth, Károly. "Adalékok a Mombelli grófok genealógiájához." Verso – Irodalomtörténeti folyóirat 6, no. 2 (2023): 33–54. http://dx.doi.org/10.15170/verso.6.2023.2.33-54.

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Katona Józsefet szinte csak a nemzeti kánon részét képező Bánk bán szerzőjeként tartja számon a magyar irodalom- és színháztörténeti hagyomány, noha már az 1810-es években is meglepően gazdag és sokrétű munkássággal volt jelen a színházi világban. Az 1811-es év a fordítások éve volt. Ekkor készült fordításai közül azonban csak egy maradt ránk: A Mombelli grófok, vagy az atya és az ő gyermekei című darab, amely talán nem az első fordítása Katonának, de bizonyosan az elsők közé tartozik. Katona német forrásszövege maga is fordítás, mégpedig franciából. A dolgozat először áttekinti a darab leszár

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Da Silva, Evander Ruthieri. "Entre azagaias, carroças e espingardas." História da Historiografia: International Journal of Theory and History of Historiography 12, no. 31 (2019): 268–302. http://dx.doi.org/10.15848/hh.v12i31.1477.

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Apesar da fragmentação territorial que marcava a África do Sul na segunda metade do século XIX, esse período foi demarcado por significativas publicações que intencionavam fornecer coesão e unidade especialmente em tratados histórico-geográficos. O artigo versa a respeito da escrita do passado sul-africano do historiador George McCall Theal, com ênfase nas suas interpretações dos deslocamentos étnicos gerados a partir do Great Trek (1835-1846), período de migrações internas dos bôeres rumo ao interior do subcontinente, e do mfecane (c.1815-1835), termo associado ao expansionismo militar dos zu

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Kilcup, Karen L. "Feeling American in the Poetic Republic." Nineteenth-Century Literature 70, no. 3 (2015): 299–335. http://dx.doi.org/10.1525/ncl.2015.70.3.299.

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Karen L. Kilcup, “Feeling American in the Poetic Republic” (pp. 299–335) Recent scholarship concerning nineteenth-century American poetry has challenged petrified attitudes that depict it as almost exclusively sentimental, unoriginal, and meritless. Yet, absent a historicized conceptual framework for assessing the considerable achievements of these poets, we still undervalue and oversimplify their work. Poetry reviews published between 1820 and 1840 show how properly calibrated emotion shaped readers’ tastes and identities, individual and national, in what I call the poetic republic: a country

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Hicks, Mary E. "Financing the Luso-Atlantic Slave Trade, 1500–1840." Journal of Global Slavery 2, no. 3 (2017): 273–309. http://dx.doi.org/10.1163/2405836x-00203004.

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Between 1500 and 1840, ships under Portuguese colors embarked more than 5 million enslaved men, women and children from the coasts of Africa. Despite its position as the preeminent slave trading empire in the Atlantic World, no studies have systematically traced the evolution in maritime investment practices in Portugal and its American colonies which propelled this massive forced transportation of captive Africans. Beginning with Portuguese merchants’ earliest forays into Atlantic trade, on the West African island of Cabo Verde in the fifteenth century, maritime cargoes were collectively owne

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CUNHA, ROSANA, MARCOS TAVARES, and JOEL BRAGA JR DE MENDONÇA. "Asteroidea (Echinodermata) from shallow-waters of the remote oceanic archipelago Trindade and Martin Vaz, southeastern Atlantic, with taxonomic and zoogeographical notes." Zootaxa 4742, no. 1 (2020): 31–56. http://dx.doi.org/10.11646/zootaxa.4742.1.2.

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Trindade and Martin Vaz (TMV) is a highly isolated, oceanic volcanic archipelago located approximately 1200 km off the Brazilian coast and about 4200 km away from the nearest African coast. It has been almost 70 years since the first sea star, “Astropecten sp.”, was recorded from Trindade in 1951. In the following years (1955–1971; 2006) six sea star species were added to the archipelago’s fauna. After that period, however, research on shallow water echinoderms has not been conducted in TMV and no further sea star species have been recorded from there since. From 2012 to 2019, 263 daytime SCUB

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Anokhina, Yuliya Yu. "Spatial Images in Baratynsky’s Late Lyrics: Aesthetic and Metaphysical Aspects." Transcultural Studies 15, no. 2 (2019): 91–101. http://dx.doi.org/10.1163/23751606-01502001.

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The article is devoted to the question of how in the late lyric of the Russian poet of Pushkin’s circle Yevgeny Abramovich Baratynsky (1800–1844), namely in his final book of verses Sumerki [Twilight] (1842), in spatial images metaphysical and aesthetic principles are reflected. The author focuses on three ‘programmatic’ poems: Knjazju Petru Andreevichu Vjazemskomu [an epistle to Prince Pyotr Andreyevich Vyazemsky] which opens the poetic book, a poem Osen [Autumn], kind of coda of Sumerki and poem Rifma [Rhyme], which placed in the final of the book. The embodiment of the synthesis of metaphys

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Mihuţ, Cosmin. "An Elite of Transition. The National Party from Wallachia (1838-1840)." Polis 18, no. 1 (2019): 23–38. http://dx.doi.org/10.58944/uxrk7834.

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From the years of the Russian occupation (1829-1834), the power of words and the political rhetoric started to exceed the traditional framework, becoming in time the main horizon of affirmation, reproduction and legitimation of power in the Principalities. The traditional structure of the public space, of symbolical averment of the princely power, started to erode allowing the emergence of a public political language that ‘freed’ the political act from the narrow framework of boyar bargains, mediations, conspiracies. Being at the border of tradition and modernity, the practices of the National

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Peñas, Anselmo, and Emilio Rolán. "La familia Pyramidellidae Gray, 1840 (Mollusca, Gastropoda) en África occidental. 1. El género Sayella Dall, 1885." Iberus 15(1) (June 30, 1997): 35–40. https://doi.org/10.5281/zenodo.4645560.

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Two new species of the genus <em>Sayella </em>Dall, 1885 from West Africa are described; one of them found in the archipelagos of Cape Verde, and São Tomé and Principe, the other one only in the latter.

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FONTOURA, PAULO, GIOVANNI PILATO, and OSCAR LISI. "Tardigrada from Santo Antão Island (Archipelago of Cape Verde, West Africa) with the description of a new species." Zootaxa 2838, no. 1 (2011): 30. http://dx.doi.org/10.11646/zootaxa.2838.1.2.

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Three tardigrade species from Santo Antão Island, Archipelago of Cape Verde are firstly reported from Republic of Cape Verde: Echiniscus scabrospinosus Fontoura, 1982, Echiniscus clavispinosus sp. nov. and Milnesium tardigradum Doyère, 1840. E. clavispinosus sp. nov. belongs to the ‘viridis group’ of species characterized by the green colour and plate ornamentation comprised of tubercles, fine dots and light spots, by lacking dorsal and lateral trunk appendages (cirrus A excluded) and well developed claws. E. clavispinosus sp. nov. differs from all the known species of the ‘viridis group’ in h

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Mazel, Adam. "“YOU, GUESS”: THE ENIGMAS OF CHRISTINA ROSSETTI." Victorian Literature and Culture 44, no. 3 (2016): 511–33. http://dx.doi.org/10.1017/s1060150316000073.

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Throughout her life, Christina Rossetti was an enthusiastic writer and player of word games in verse. When she was seventeen, for instance, she spent the summer of 1848 in Brighton playing bouts-rimés sonnets with her brother, William. Together they timed themselves to see how fast they could write lines of verse to a given set of end rhymes: “emotional devastation in ten minutes or less,” Anne Jamison wittily puts it (145). Two years later, Rossetti published under her initials instances of different word games – an enigma (“Name any gentleman you spy”) and a charade (“My first is no proof of

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Schwab, Christiane. "Sailors, Book Hawkers, and Bricklayer’s Laborers." Nineteenth-Century Literature 76, no. 4 (2022): 403–26. http://dx.doi.org/10.1525/ncl.2022.76.4.403.

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Christiane Schwab, “Sailors, Book Hawkers, and Bricklayer’s Laborers: Social Types and the Production of Social Knowledge in Nineteenth-Century Periodical Literature” (pp. 403–426) This essay explores how the modern obsession with systems of human classification manifested and spread in an increasing market of periodical literature in nineteenth-century Europe. It examines the various epistemic and rhetorical techniques of social typification developed in “sociographic” sketch writing, focusing on examples from the multiauthored serials Heads of the People; or, Portraits of the English (1840–4

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Ilyina, Natalia K. "SHAKESPEARE’S «THE TAMING OF THE SHREW» IN PROSAIC TRANSLATIONS BY N.KH. KETCHER AND A.N. OSTROVSKY." Vestnik of Kostroma State University 29, S (2023): 51–58. http://dx.doi.org/10.34216/1998-0817-2023-29-s-51-58.

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Two prosaic translations of W. Shakespeare’s comedy ‘The Taming of the Shrew’ are compared in the article. The translations belonged to N.Kh. Ketcher (1843) and A.N. Ostrovsky (1850). The comparison of the texts and other variants of the comedy by both translators makes it possible to conclude that Ostrovsky followed Ketcher’s faithful rendering of the original in his translation; that was what he was especially noted for by his contemporaries. Ostrovsky turned to this comedy with the purpose of studying English and the fundamentals of translation. That is why his first steps in the new sphere

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Montero, Andrea, and José Aurelio Sandí. "Contaminación de aguas por el beneficiado del café en Costa Rica entre 1840 y 1910." Revista de Ciencias Ambientales 37, no. 1 (2009): 30. http://dx.doi.org/10.15359/rca.37-1.4.

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La contaminación con las aguas mieles del café debe ser entendida como un “conflicto de contenido ambiental”. En este sentido, resulta necesario contextualizarla, pues la teorización de los que son conflictos ambientales ha suscitado cierto debate dentro de la academia, sobre todo después de la difusión exitosa de la teoría del “ecologis-mo popular” (Joan Martínez-Alier y Ramachandra Guha). En vista de lo anterior, en este artículo se aborda la temática de la contaminación de aguas superficiales con mieles de café aludiendo a los discursos que articularon la población civil, como parte demanda

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Greene, Diana. "The Menagerie or the Visitor’s Pass? Aleksandra Zrazhevskaia and Praskov’ia Bakunina on Russian Women Writers." Carl Beck Papers in Russian and East European Studies, no. 1803 (January 1, 2007): 62. http://dx.doi.org/10.5195/cbp.2007.132.

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This article examines an 1842 literary exchange between Aleksandra Zrazhevskaia (1805-1867) and Praskov’ia Bakunina (1810-1880?) concerning the place of women writers in nineteenth-century Russian literature. It is followed by a translation of the exchange itself. Zrazhevskaia’s “Zverinets” (The Menagerie), a formally innovative work of literary criticism addressed in part to Bakunina, challenged the social norms that discouraged women’s writing, as well as the men literary critics who enforced them. In a verse epistle response, Bakunina repudiated Zrazhevskaia’s ideas, maintaining that Russia

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Ottoni, Felipe, and Wilson Costa. "Description of a new species of Laetacara KULLANDER,1986 from central Brazil and re-description of Laetacara dorsigera (HECKEL,1840) (Labroidei: Cichlidae: Cichlasomatinae)." Vertebrate Zoology 59, no. 1 (2009): 41–48. http://dx.doi.org/10.3897/vz.59.e30946.

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A new species of Laetacara is described from the rio Verde, rio Araguaia basin, São Miguel do Araguaia, Goiás, Brazil; L. dorsigera is re-described. The new species from the rio Verde, rio Araguaia differs from all the species of the genus by its low dorsal-fin ray number. It is distinguished from L. thayeri by the presence of a caudal-fin peduncle spot and by the presence of cycloid scales on side of head. The new species also differs from L. fulvipinnis and L. fl avilabris by some meristic characters. It differs from L. dorsigera by a narrow ectopterygoid and by some meristic characters, and

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Ottoni, Felipe, and Wilson Costa. "Description of a new species of Laetacara KULLANDER,1986 from central Brazil and re-description of Laetacara dorsigera (HECKEL,1840) (Labroidei: Cichlidae: Cichlasomatinae)." Vertebrate Zoology 59 (May 15, 2009): 41–48. https://doi.org/10.3897/vz.59.e30946.

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A new species of Laetacara is described from the rio Verde, rio Araguaia basin, São Miguel do Araguaia, Goiás, Brazil; L. dorsigera is re-described. The new species from the rio Verde, rio Araguaia differs from all the species of the genus by its low dorsal-fin ray number. It is distinguished from L. thayeri by the presence of a caudal-fin peduncle spot and by the presence of cycloid scales on side of head. The new species also differs from L. fulvipinnis and L. fl avilabris by some meristic characters. It differs from L. dorsigera by a narrow ectopterygoid and by some meristic characters, and

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Darde, Augusto. "Correspondências e sinestesias quando Baudelaire aprecia Delacroix." Revista PHILIA | Filosofia, Literatura & Arte 2, no. 1 (2020): 115–43. http://dx.doi.org/10.22456/2596-0911.98990.

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O poeta francês Charles Baudelaire (1821-1867) foi também tradutor, ensaísta e crítico de arte. Em relação à produção poética, é considerado o precursor do simbolismo, a partir da sua obra LesFleursdu mal, de 1857; na figura do ensaísta, elaborou o conceito de modernidade, referência para a criação artística, os Estudos Literários e a Filosofia. O presente trabalho explora a influência da linguagem poética no seu trabalho de ensaísta e crítico, e vice-versa, buscando compreender a noção das "Correspondências" exposta no poema homônimo do livro de 1857. Analisaremos, com ênfase nos textos sobre

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Yudkin-Ripun, Ihor. "Austrian and Jewish German-Speaking Ukrainophiles from the Spring of Nations to the Holocaust: the Problem of European Identity." Folk art and ethnology, no. 3 (September 30, 2023): 74–77. http://dx.doi.org/10.15407/nte2023.03.074.

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The article deals with the problem of the so-called imagology concerning the formation of a stranger’s image. In particular, in the German-speaking area, the image of Ukraine as the European Eastern frontier dates back to the epoch of Enlightenment, with the paragon being a Christian Fürchtegott Gellert's novel (1715–1769) from 1747 about the fate of the Swedish warriors exiled to Siberia. One of the novel’s peculiarities is that the heroes of the narration include a Polish Jew as an intermediary between Europe and the Siberian world. The next writer that has contributed to the German image of

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O'Gorman, Francis. "MICHAEL FIELD AND SAPPHIC FAME: “MY DARK-LEAVED LAURELS WILL ENDURE”." Victorian Literature and Culture 34, no. 2 (2006): 649–61. http://dx.doi.org/10.1017/s1060150306051369.

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Long Ago(1889), Michael Field's inaugural collection of verse, celebrated Sappho, the ancient poetess of Lesbos. The volume proclaimed the diversity of her sexuality; it saluted verse that was connected to the self; and it urged the authenticity of her creative force in ages beyond her death. Taking surviving fragments of Sapphic writing as embarkation points for new poems in her spirit, Michael Field, the joint pseudonym of the two poets Katherine Bradley (1846–1914) and Edith Cooper (1862–1913), hailed the continuing presence of the Greek in the modern age, drawing the reader back to an imag

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Valjevac, Mensur, and Mina Valjevac. "ODABRANOST I VRIJEDNOST EHLI-BEJTA." Zbornik radova 14, no. 14 (December 15, 2016): 115–44. http://dx.doi.org/10.51728/issn.1840-4448.2016.14.115.

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According to the Qur’an and Hadith the Prophet of Allah, Muhammad, peace be upon him, is the most exceptional slave and Prophet of Allah, and his family presents the most exceptional family. Its value is being indicated directly and indirectly by the Qur’an verses as well as by the hadith of the Prophet of Allah, may Allah send blessings and peace upon him. The imperative of seeking the blessing for the Prophet of Allah, peace be upon him, implies also seeking the blessing for his family. The value of the Ahlul Bayt is also seen in the fact that the Prophet, peace be upon him, gave some hints

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McKelvy, William R. "PRIMITIVE BALLADS, MODERN CRITICISM, ANCIENT SKEPTICISM: MACAULAY’S LAYS OF ANCIENT ROME." Victorian Literature and Culture 28, no. 2 (2000): 287–309. http://dx.doi.org/10.1017/s106015030028203x.

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ONE OF THE BEST selling volumes of Victorian verse, as Donald Gray has shown, was Thomas Babington Macaulay’s The Lays of Ancient Rome first published in 1842 (Complete Writings 19: 167–279). For a generation after its publication, the Lays also generally enjoyed the praise of critics and poets.1 But in 1860, just months after Macaulay had been interred in Poets’ Corner, Matthew Arnold offered up the Lays as a touchstone of the grandly bad. In his lectures On Translating Homer, Arnold said that “a man’s power to detect the ring of false metal in those Lays is a good measure of his fitness to g

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Anokhina, Yu Yu. "The «metaphysics» of emptiness in Boratynsky's poetry." Solov’evskie issledovaniya, no. 4 (December 15, 2019): 154–66. http://dx.doi.org/10.17588/2076-9210.2019.4.154-166.

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The paper is devoted to the late lyrics of E. A. Boratynsky (1800-1844), namely his final book of verses Twilight (1842). The question of how the motif of emptiness functions in this work is considered. The study of this issue uses the philological method of motifs analysis, as well as the possibility of hermeneutic and structural-semantic methods of research. It is shown that one of the functions of the motif of emptiness is that it appears as a property of objects of the immaterial world: emptiness is understood as the absence of value and cognitive meanings. The author considers the questio

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Bickle, Sharon. "DISABILITY AND GENDER IN THE VISUAL FIELD: SEEING THE SUBTERRANEAN LIVES OF MICHAEL FIELD'S WILLIAM RUFUS." Victorian Literature and Culture 40, no. 1 (2012): 137–52. http://dx.doi.org/10.1017/s1060150311000283.

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When the UK'sGuardiannewspaper featured “La Gioconda” as poem of the week in January 2010, the paper's popular readership discovered what many late-Victorian scholars had known about for some time: the poetic partnership of Katharine Bradley (1846–1914) and Edith Cooper (1862–1913), known as “Michael Field.” The successful recovery of the Fields as significant late-Victorian writers – a project now in its second decade – seems poised to emerge into popular awareness driven as much by interest in their unconventional love affair as by the poetry itself. Scholars too have been seduced by the rom

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De Oliveira, Andressa Cristina, and Thaís De Carvalho Eduardo. "Spleen: uma forma de dizer “melancolia” na poesia de Charles Baudelaire." Revista X 19, no. 3 (2024): 738. http://dx.doi.org/10.5380/rvx.v19i3.94435.

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Este trabalho versa compreender e explorar o conceito de “spleen” enquanto alegoria da “melancolia”, na obra poética em verso Les Fleurs du Mal (1857-1861) do poeta francês Charles Baudelaire (1821-1867). Para isto, propomos uma análise literária a partir do recorte do capítulo de poemas denominada “Spleen et Idéal”, nos quais se destacam tal sentimento através de sua representação no poema LXXVI – “Spleen”, cujo tédio é literalizado por meio de outras alegorias e analogias textuais que dificilmente citam a “melancolia”. Isso se dá, pois a alegoria é a presença na ausência, do “não-dito” ou in

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Mazurkiewicz, Adam. "U źródeł gotycyzmu." Literatura i Kultura Popularna 25 (July 28, 2020): 533–36. http://dx.doi.org/10.19195/0867-7441.25.31.

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Polska ballada gotycka [The Polish Gothic Ballad] by Paweł Pluta, is one of a few, and one of the first complete case studies in Polish humanities whose reminiscence has had a huge impact on the shape of modern culture (not only popular culture).Pluta focuses on works created between 1771–1830. The author argues that the gothic ballad has its roots in literary communication, when the translations of Phillippe Habert’s Le Temple de la Mort (1633) (pp. 36–37) by Adam Stanisław Naruszewicz and Mateusz Czarnek were published. Pluta treats these first translations as the “beginning of literary Goth

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Lu, Yu, Joris Van Ouytsel, and Jeff R. Temple. "In-person and cyber dating abuse: A longitudinal investigation." Journal of Social and Personal Relationships 38, no. 12 (2021): 3713–31. http://dx.doi.org/10.1177/02654075211065202.

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While studies have identified associations between cyber and in-person dating abuse, most research has relied on cross-sectional data, limiting the ability to determine temporality. This study tested the longitudinal associations between cyber and physical and psychological forms of in-person dating abuse. Data were from an ongoing longitudinal study following a group of high school students originally recruited in Southeast Texas, US, into their young adulthood. Three waves of data (Waves 4–6) were used, with each wave collected one year apart. At Wave 4, participants’ age ranged from 16 year

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Tereshkina, Daria. "“RELIGIOUS FEELING” IN THE SHORT NOVEL (POVEST') BY V. F. ODOEVSKY “THE UNSPENT HOUSE”." Проблемы исторической поэтики 20, no. 1 (2022): 149–67. http://dx.doi.org/10.15393/j9.art.2022.10582.

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The article offers an analysis of V. F. Odoevsky's short novel (povest’) “The Unspent House” (1840) in the context of its reflection of the “religious feeling” that was characteristic of writer-encyclopedist V. F. Odoevsky throughout his life. In the “The Unspent House”, which combines the traditions of a romantic short novel (povest’) with elements of fiction, ancient Russian legend, hagiographical texts, apocrypha, spiritual verse, “religious feeling” is manifested not only in the syncretic poetics of the work, where the gospel text sounds most clearly, but also at the level of understanding

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VICINUS, MARTHA. ""Sister Souls": Bernard Berenson and Michael Field (Katherine Bradley and Edith Cooper)." Nineteenth-Century Literature 60, no. 3 (2005): 326–54. http://dx.doi.org/10.1525/ncl.2005.60.3.326.

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In the 1890s the poet Michael Field-the lesbian aunt-and-niece couple, Katharine Bradley (1846 -1914) and Edith Cooper (1862-1913)-were close friends with the art connoisseur Bernard Berenson (1865-1959). Under the influence of Walter Pater,the three avidly discussed the connections uniting the artwork, viewer, and artist. Critics have long known that Cooper fell passionately in love with Berenson, but no one has examined this relationship closely. This essay uses the Michael Field poems, letters, and diaries to explore the impact of falling in love with a man on the Bradly-Cooper relationship

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Ungureanu, Ștefănița-Mihaela. "Contribuții la cunoașterea fenomenului cultural din Bucovina: Karl Johann (1796–1861) și Viktor Umlauff von Frankwell (1836–1887)." Analele Bucovinei 62, no. 2 (2024): 335–44. https://doi.org/10.56308/ab.2024.2.03.

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The article presents some biographical data and information regarding the activity of two lesser-known figures (father and son) who made significant contributions to the social and cultural life of Bukovina in the 19th century. Karl Johann Umlauff was a respected magistrate, serving as president of the Chernivtsi Court of Law for 15 years and as a member of the Provincial Committee of Bukovina. He distinguished himself as a fervent supporter of modernizing the judicial system in Bukovina. Additionally, he supported the efforts of the Bukovinian elite in projects such as the establishment of th

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Preece, Richard C., Tom S. White, Dinarzarde C. Raheem, et al. "William Benson and the golden age of malacology in British India: Biography, illustrated catalogue and evaluation of his molluscan types." Tropical Natural History, no. 6 (December 5, 2022): 1–434. https://doi.org/10.58837/tnh.22.6.257073.

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William Henry Benson (1803–1870) made extensive collections of Mollusca, particularly land snails, from South Africa, Mauritius, and especially from the Indian subcontinent, where he spent his working life in the service of the East India Company. Benson also received many more molluscan specimens from friends, family and a network of colleagues that included naturalists, physicians, clergy, serving officers in the military and staff of the Geological Survey of India. By this means he obtained material from diverse and often remote parts of India, as well as from Burma, Sri Lanka, China, Malay

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Yim, Young-gil. "Establishment and Poetic imagery of Yukyuk-dong, a scenic spot in Pyeongan-do in the Late Joseon Dynasty." Daedong Hanmun Association 78 (March 30, 2024): 219–56. http://dx.doi.org/10.21794/ddhm.2024.78.219.

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This article introduces Yukyuk-dong (or thirty six Dongcheon) in Samdeung-hyeon, which was highlighted in the 19th century as one of the famous scenic spots in Pyeongan-do, and explains the origins of the names of the 36 Dongcheon and the characteristics of the Chinese poem ‘Yukyuk- dong’ created based on each Dongcheon. The extant Chinese poems based on Yukyuk-dong were mostly written in the 19th century, and the tendency of some writers to form a series of 36 poems is captured. Eom Gi (1760~1820), who first gave names to the 36 Dongcheon in Yukyuk-dong at the end of the 18th century, reveale

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Kamiński, Mateusz, Patrycja Bobowik, and Ida Wiszomirska. "The Differences between functionality status and muscle quality in older women." Acta kinesiologica, no. 19, N1 2025 (2025): 29–36. https://doi.org/10.51371/issn.1840-2976.2025.19.1.4.

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Purpose: Sarcopenia is a progressive skeletal muscle disorder leading to increased risks of falls, fractures, and physical disability. This study aimed to investigate the relationship between bioelectrical impedance analysis (BIA) and functional testing in older women, emphasizing the importance of combining functional and strength assessments for a comprehensive evaluation of muscle quality. Methods: The study involved 55 older women divided into two groups based on their performance in the 30-Second Chair Stand Test (30CST): Group 1 (≥15 repetitions) and Group 2 (<15 repetitions). Muscle

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Schewe, Manfred. "Theatre and Obstinacy – a Friend’s Perspective." Scenario: A Journal of Performative Teaching, Learning, Research IX, no. 1 (2015): 144–47. http://dx.doi.org/10.33178/scenario.9.1.9.

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If somebody living in Dublin and preparing a solo-performance for an academic audience in Cork retreats to a location in Berlin to rehearse for his upcoming show – isn’t that somewhat peculiar? One evening in the winter of 1801 I met an old friend in a public park.2 That is the beginning of the text my friend Peter was reciting as he strolled through the Kleistpark in Berlin. I imagine the way he circles, at a leisurely pace, around the green, time and again pausing at a verge or under one of the mighty beech-trees to practise a gesture or test a graceful move. Each movement, he told me, has i

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Brierley, Gary, Ian Fuller, Gary Williams, Dan Hikuroa, and Alice Tilley. "Re-Imagining Wild Rivers in Aotearoa New Zealand." Land 11, no. 8 (2022): 1272. http://dx.doi.org/10.3390/land11081272.

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If wilderness is dead, do wild rivers exist and if so, in what form and in whose construction? This reflective article reviews perspectives on rivers in Aotearoa New Zealand as wild or tamed entities. A historical overview of the socio-cultural and institutional relationships with rivers examines the meanings of rivers in Aotearoa New Zealand through multiple lenses. This includes indigenous Māori knowledge, command-and-control mentalities of a settler society that assert human authority over rivers, the emergence of the environmental movement and associated legislation with a sustainability f

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