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Thematische Bibliographien / 1882-1941 Criticism and interpretation / Dissertationen

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Dissertationen zum Thema „1882-1941 Criticism and interpretation“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

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1

Brûlé, Michel 1964. "Partie critique: Réflexion sur "L'art du roman" de Virginia Woolf ;Partie création: ... Dent pour dent." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59534.

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In the first segment of the critical part of my thesis, my thought lays on "L'art du roman" of Virginia Woolf. In the second part, while recognizing certain qualities in the critical work of the English writer, I take side in favor of the literary theories of Celine and Sartre. In the last part of this text, I am exposing my views according to which the Quebec's literature would have greater advantage of being more "engage". The creating part of my thesis takes shape as a "roman engage". The story is about a disillusioned nationalist Quebecer, graduate and unemployed, who decides to change his

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2

Sandison, Jennifer Madden. "Reflections of self : the mirror image in the work of Virginia Woolf." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64108.

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3

Polychronakos, Helen. "Reflecting Woolf : Virginia Woolf's feminist politics and modernist aesthetics." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30201.

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No study of Virginia Woolf can do justice to the complexity of her life and work without taking into account the numerous contradictions present in her thought. Though Woolf is recognized as a revolutionary contributor to the development of modernism, it is also important to remember that she was born in 1882 and that the nineteenth century also left its mark on her. The first chapter will examine this double sensibility. The second chapter will trace the development of Woolf's modernist aesthetic. She was obviously rebelling against the realism valued by her Victorian and Edwardian predecesso

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Vézina, Anne-Marie. "La femme dans l'oeuvre de Colette et de Virginia Woolf /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65916.

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5

Sautter, Sabine. "Irrationality and the development of subjectivity in major novels by William Faulkner, Hermann Broch, and Virginia Woolf." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/NQ55379.pdf.

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6

Dale-Jones, Barbara. "An examination of dreams and visions in the novels of Virginia Woolf." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002266.

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This thesis explores the importance of the visionary experience in five novels by Virginia Woolf. In her fiction, Woolf portrays the phenomenal world as constantly changing and she uses the cycles of nature and the passing of time as a terrifying backdrop against which the mutability and transience of human life are set. Faced with the inevitability of change and the fact of mortality, the individual seeks moments of permanence. These stand in opposition to flux and lead to the experience of a visionary intensity. Woolf's presentation of time as a qualitative phenomenon and her stress on the i

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7

Stewart, Janice 1966. "Violent femmes : identification and the autobiographical works of Virginia Woolf, Radclyffe Hall, and Emily Carr." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36712.

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The questions posed and examined in Violent Femmes take their genesis from psychoanalytic arguments which contend that identity is not a stable monadic thing but rather a continuing process of engagement and negotiation between the self and others. Sigmund Freud, Melanie Klein, D. W. Winnicott, and Christopher Bollas, amongst others, have noted the temporary, coalitional, and provisional nature of the ways in which identity is apprehended and experienced. This thesis expands upon such a theoretical framework of identity formation to specifically question the ways in which the formation and mat

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8

De, Santa Jessica E. "Accounting for taste : the poetics of food and flavour in Virginia Woolf’s novels." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11825.

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This thesis argues that tasting appears as an act of creative empathy and of knowledge acquisition in Virginia Woolf's writing. First contextualising my discussion within Woolf's own reading of the aesthetic and literary history of ‘taste', I then use Cixous' essay ‘Extreme Fidelity' (renamed ‘The Author in Truth') as a theoretical entryway to passages from The Voyage Out, Jacob's Room, A Room of One's Own, Mrs Dalloway, To the Lighthouse, The Waves, and Orlando which centralise the role of gustatory pleasure in creativity and epistemology. Cixous elaborates an oral, ‘poetic' and feminine onto

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9

Van, der Merwe Stephen Gareth. "Generic engineering : a study of parody in selected works of Oscar Wilde, James Joyce and Tom Stoppard." Thesis, Stellenbosch : Stellenbosch University, 2004. http://hdl.handle.net/10019.1/49971.

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Thesis (MA)-- Stellenbosch University, 2004.<br>Full text to be digitised and attached to bibliographic record.<br>ENGLISH ABSTRACT: The following thesis develops a theory of parody as a multifunctional practice in relation to selected works of Oscar Wilde, James Joyce and Tom Stoppard. The study discusses parody as a mode of generic engineering (rather than a genre itself) with ideological ramifications. Based on an understanding of literary and non-literary genres as social institutions, this thesis describes the practice of parody as one of engineering generic or discursive incongruit

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10

Griffin, Lisa Myfanwy. "'Imperfect adumbrations' : boys, men, and masculinities in the work of Virginia Woolf." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11907.

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This thesis will suggest how Woolf scholarship's rich exploration of Virginia Woolf's representations of girls, women and femininities may be complemented by more systematic feminist study of constructs of masculinities, as they appear in her work. Elaborating the concept of the ‘private brother', the figure of a form of maleness that the daughters of educated men ‘have reason to respect', but that Three Guineas' narrator stipulates is ‘sunk' by men's exposure to society and replaced by the ‘monstrous male', my thesis will focus particularly on the representations of boys, men and masculinitie

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11

Yeung, Siu Yin. "Modernist fiction and self: representing women and solitude in selected works by Virginia Woolf and Katherine Mansfield." HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/180.

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Solitude and self have been common topics for discussion and scrutiny by philosophers, scholars and writers. However, it was not until the turn of the twentieth century, with women 's enlightenment, that one notices women writers ' interest in understanding their selves in moments of solitude. Women who were conscious of drastic social changes often examined their lives and explored their selves in solitude. Katherine Mansfield and Virginia Woolf represent women writers of their time who shared a common interest in portraying women's quests for self in solitude. The present study shows how the

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12

Elnitsky, Svetlana. "The conflict of the lyric hero and reality in the poetic world of Tsvetaeva = Konflikt liricheskogo geroi︠a︡ i deĭstvitelʹnosti v poėticheskom mire T︠S︡vetaevoĭ". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=76527.

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The study has two main aims: it presents an overview of Tsvetaeva's poetic world and it analyses one of her major themes, that of the conflict between the lyric hero and reality.<br>Close reading of Tsvetaeva's entire oeuvre reveals a system of invariant themes, motifs and their concrete manifestations; this system is hierarchically organized.<br>The study describes the structure of Tsvetaeva's artistic universe: its mutually opposed worlds ("this", non-authentic, and "the other", authentic) and its different types of characters.<br>Particular attention is given to the peculiarities of Tsvetae

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13

Torrence, Avril Diane. "The people's voice : the role of audience in the popular poems of Longfellow and Tennyson." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/32172.

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At the height of their popularity in the mid-nineteenth century, a vast transatlantic readership conferred on Longfellow and Tennyson the title "The People's Poet." This examination of Anglo-American Victorian poetry attempts to account for that phenomenon. A poetic work is first defined as an aesthetic experience that occurs within a triangular matrix of text, author, and reader. As reception theorist Hans Robert Jauss contends, both the creator's and the receptor's aesthetic experiences are filtered through a historically determined "horizon of expectations" that governs popular appeal. A

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Wright, Elizabeth Helena. "Virginia Woolf and the dramatic imagination." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/510.

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15

Collett, Rachel Joan. "Turning back : continuity and difference in modernist and postmodernist reflexivity." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4256.

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Thesis (MA VA (Visual Arts))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: The primary function of paintings and novels in Western culture has historically been considered the depiction or description of reality. Over the course of the last century, however, the inherent reflexivity of both art and literature has become progressively more insistent and programmatic, in such a way as challenges the relationship between form and the world. A re-thinking of the role of representation is thus central to both modernism and postmodernism. This thesis is an investigation into the relations

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Moraes, ádamo Guedes Santos de. "O cosmopolitismo e a insensatez (1860-1882): a loucura como conformidade cultural no Rio de Janeiro de Machado de Assis." Universidade Federal da Paraíba, 2008. http://tede.biblioteca.ufpb.br:8080/handle/tede/6026.

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Made available in DSpace on 2015-05-14T12:23:19Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2416391 bytes, checksum: 0756559c931c2cabfbbab4690ddd56ba (MD5) Previous issue date: 2008-07-29<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This dissertation discusses why and how Machado de Assis, in The Alienist , registers a certain cultural proximity among Carioca Imperial Court, French Court and the English one, between 1881 and 1882. For that, it was considered in our study that some narrative resources showed in this short story are developed into socio-cultu

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Christodoulides, Nephie J. "Out of the cradle endlessly rocking : Sylvia Plath as mother-creator in light of Julia Kristeva's theory of subject formation." Thesis, University of Stirling, 2001. http://hdl.handle.net/1893/3467.

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This introductory chapter aims to briefly address the theoretical approach used in my dissertation, situating Julia Kristeva in relation to Sylvia Plath's work, as well as to place my work among particular psychoanalytic studies of Plath. 'Initiation' further continues by briefly discussing the way primary and secondary data are utilized in the dissertation and developing the rationale behind juxtaposing biographical material (mostly journals and letters) and creative work, life and art. The chapter finishes by giving an overview of the dissertation organization. The purpose of this dissertati

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Stedall, Ellie. "Herman Melville, Joseph Conrad and transatlantic sea literature, 1797-1924." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648378.

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19

Baldwin, Ruth Margaret Anne. "Redeeming flesh : portrayals of women and sexuality in the work of four contemporary Catholic novelists." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0019/NQ46315.pdf.

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20

Moira, Amara 1985. ""Dubliners" / "Dublinenses" : retraduzir James Joyce." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269967.

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Orientador: Fabio Akcelrud Durão<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-22T20:39:26Z (GMT). No. of bitstreams: 1 Moira_Amara_M.pdf: 2083817 bytes, checksum: 688ce4a9ffecb500ae13e648428af24b (MD5) Previous issue date: 2013<br>Resumo: O fato de existirem sete traduções do "Dubliners" de James Joyce poderia indicar duas situações diametralmente opostas: de um lado, que é possível já existir uma versão cujo brilho seria capaz de apagar, pelo menos temporariamente, a necessidade de se retraduzir os qu

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21

Cotter, Cynthia Ann. "Buffoons and bullies: James Joyce's priests in "Stephen Hero" and "A Portrait of the Artist as a Young Man", a study of revision." CSUSB ScholarWorks, 1991. https://scholarworks.lib.csusb.edu/etd-project/731.

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22

Sriratana, Verita. ""Making room" for one's own : Virginia Woolf and technology of place." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3458.

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This thesis offers an analysis of selected works by Virginia Woolf through the theoretical framework of technology of place. The term “technology”, meaning both a finished product and an ongoing production process, a mode of concealment and unconcealment in Martin Heidegger's sense, is used as part of this thesis's argument that place can be understood through constant negotiations of concrete place perceived through the senses, a concept based on the Heideggerian notion of “earth”, and abstract place perceived in the imagination, a concept based on the Heideggerian notion of “world”. The term

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23

De, Coning Alexis. "Perversity on paper taboo, abjection and literature: Iain Banks' The wasp factory, Ian McEwan's The cement garden, and Irvine Welsh's Marabou stork nightmares." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002247.

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This thesis explores the notion of perversity in literature, specifically with regard to representations of taboo and abjection in Iain Banks‟ The Wasp Factory, Ian McEwan‟s The Cement Garden, and Irvine Welsh‟s Marabou Stork Nightmares. Julia Kristeva‟s Powers of Horror: An Essay on Abjection, as well as her notion of revolt, constitute the central theoretical framework for my analysis. However, I also draw upon the concepts of monstrosity, grotesqueness and the uncanny in order to explicate the affect of abject fiction on the reader. I posit, then, that to engage with literary works that con

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Stokes-King, Lisa. ""Lovely shapes and sounds intelligible" : Kristevan semiotic and Coleridge's language of the unconscious." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99394.

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Romantic literature's preoccupation with subjectivity, and the nature of the self, is recognised as influential on modern conceptions of consciousness, and in particular as a precursor of psychoanalysis. This thesis examines Coleridge's understanding of consciousness, as expressed in his prose, to demonstrate that he theorised a language of the unconscious; a non-arbitrary, authentic language that remains inaccessible. By comparing this idea with Julia Kristeva's theory of Semiotic language, the thesis will show that this language is indeed recognised in her psychoanalytic theory as a product

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Grimes, Linda S. "William Butler Yeats' transformations of eastern religious concepts." Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/530371.

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This study addresses the issue of William Butler Yeats' use of Upanishad philosophy in his poetry. Although many analyses of Yeats' art vis-a-vis Eastern religion exist, none offer the thesis that the poet transformed certain religious concepts for his own purpose, thereby removing those concepts from the purview of Eastern religion. Quite the contrary, many of the analyses argue a parallel between Yeats' poetry and the religious concepts.In Chapter 1 this study gives a brief overview of the problem and proposes the thesis that instead of paralleling Eastern religious concepts, Yeats transform

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Mendes, Emilia Raquel. "Os narradores hibridos de Memorias da Emilia de Monteiro Lobato." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270110.

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Orientador: Marisa Lajolo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-12T06:12:14Z (GMT). No. of bitstreams: 1 Mendes_EmiliaRaquel_M.pdf: 771535 bytes, checksum: 0e6e3f3a18784f97f63d2bbffb4c3dfd (MD5) Previous issue date: 2008<br>Resumo: O livro Memórias da Emília de Monteiro Lobato, publicado pela primeira vez em 1936, e rico em questões filosóficas, destacou-se entre os demais livros do Sítio do Picapau Amarelo. Pesquisando em trabalhos (livros, teses, artigos) de especialistas em Literatura e em Mo

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Tin, Emerson. "Em busca do "Lobato das cartas" : a construção da imagem de Monteiro Lobato diante de seus destinatarios." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270302.

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Orientador: Marisa Philbert Lajolo<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-09-11T21:10:11Z (GMT). No. of bitstreams: 1 Tin_Emerson_D.pdf: 7686424 bytes, checksum: 723efe5ae07964b1fc4faa355f42ba96 (MD5) Previous issue date: 2007<br>Resumo: O objetivo desta tese é identificar e analisar o ¿Lobato das cartas¿, ou seja, o processo de construção da imagem de Monteiro Lobato em sua correspondência ativa. Há, assim, o Lobato familiar, o escritor e o editor, o dos Estados Unidos, o do ferro e do petróleo, o da pri

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Casagrande, Giuliano Tommasini 1980. "Deus, a alma imaterial e a dúvida global : as ¿Meditações¿ cartesianas à luz da crítica de Schlick e Carnap aos enunciados metafísicos." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281922.

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Orientador: Enéias Júnior Forlin<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-22T09:43:32Z (GMT). No. of bitstreams: 1 Casagrande_GiulianoTommasini_M.pdf: 1136464 bytes, checksum: 6be19fea15ce2b7bb7c42051ab9192b0 (MD5) Previous issue date: 2013<br>Resumo: Nas Meditações, Descartes faz uso de todos os argumentos céticos imagináveis com o objetivo de abalar as crenças em que se baseia a visão natural de mundo e descobrir se há alguma verdade infensa à dúvida. Após constatar a existência indubitáv

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Genova, Mariana Baldo de. "As terras novas do sitio : uma nova leitura da obra "O picapau amarelo" (1939)." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270121.

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Orientador: Marisa Philbert Lajolo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-07T07:30:43Z (GMT). No. of bitstreams: 1 Genova_MarianaBaldode_M.pdf: 783043 bytes, checksum: 4e49598f90a684fb509274628a9c68df (MD5) Previous issue date: 2006<br>Resumo: Este trabalho é uma leitura da obra O Picapau Amarelo (1939), de Monteiro Lobato, baseada na mudança de personagens estrangeiros para o sítio de Dona Benta. Enquanto muitos estudos caracterizam O Picapau Amarelo como exemplo de narrativa baseada na fantasia

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Zobaran, Felipe Teixeira. "Antropofagia no sítio : insólito ficcional e identidade cultural em Peter Pan, de Monteiro Lobato." reponame:Repositório Institucional da UCS, 2016. https://repositorio.ucs.br/handle/11338/1403.

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Este trabalho busca analisar como Monteiro Lobato concretiza seu projeto de construção de uma literatura infantil brasileira, em obras constituintes da coleção do Sítio do Picapau Amarelo, especialmente através do livro Peter Pan, de 1930. A personagem homônima original do escocês James Matthew Barrie apareceu pela primeira vez em uma peça de teatro em 1910, em Londres, e tornou-se um clássico contemporâneo, largamente adaptado e traduzido, inclusive pelos estúdios de animação de Walt Disney. Lobato, que era tradutor, escolheu não apenas traduzir a obra de Barrie, mas apropriar-se dela no univ

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王靖. "許地山香港時期創作論 = Studies of XuDishan's composition during the Hong Kong period". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2485471.

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Lima, Leandro Siqueira. "Glória e legado do primeiro romântico: Gonçalves de Magalhães." Universidade Federal do Espírito Santo, 2009. http://repositorio.ufes.br/handle/10/6457.

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Made available in DSpace on 2016-12-23T14:34:16Z (GMT). No. of bitstreams: 1 Gloria_Legado_Goncalves_Mag.pdf: 326293 bytes, checksum: cdd3d267a6453471dbb885c1bfb65374 (MD5) Previous issue date: 2009-06-22<br>This study concerns itself with the works of Gonçalves de Magalhães the usherer of romanticism in Brasil , the age in which he emerged and the criticism for and against the almost forgotten author. In the intention of investigating these, a common denominator was found in 3 principal works of the carioca author: the poem Carta ao meu amigo Dr. Candido Borges Monteiro , the article

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Moon, Sangwha. "Dickens in the Context of Victorian Culture: an Interpretation of Three of Dickens's Novels from the Viewpoint of Darwinian Nature." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279322/.

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The worlds of Dickens's novels and of Darwin's science reveal striking similarity in spite of their involvement in different areas. The similarity comes from the fact that they shared the ethos of Victorian society: laissez-faire capitalism. In The Origin of Species, which was published on 1859, Charles Darwin theorizes that nature has evolved through the rules of natural selection, survival of the fittest, and the struggle for existence. Although his conclusion comes from the scientific evidence that was acquired from his five-year voyage, it is clear that Dawinian nature is reflected in crue

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Lu, Qian Qian. "Troubling the female continuum in Virginia Woolf's Mrs. Dalloway and To the Lighthouse." Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2456335.

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Salles, Ana Lúcia. "Relações entre as significações do espaço ficcional e a representação das identidades femininas em A audácia dessa mulher, de Ana Maria Machado." reponame:Repositório Institucional da UCS, 2016. https://repositorio.ucs.br/handle/11338/1383.

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A revolução tecnológica e os movimentos feministas ocorridos durante o século XX, somados ao fenômeno da globalização do início do século XXI, resultam na alteração da identidade dos indivíduos e a ressignificação de seus espaços de habitar, especialmente, no que diz respeito à condição a que estiveram submetidas as mulheres, sob a égide da dominação masculina. Este trabalho investiga como ocorrem as formas de representação dos espaços de habitar ficcionais em suas dimensões regionais, naturais e domésticas e a condição da identidade feminina, na literatura de escrita feminina contemporânea, t

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Soppelsa, Fernanda Bondam. "Regionalidade e tradução em Aventuras de Tom Sawyer, de Monteiro Lobato." reponame:Repositório Institucional da UCS, 2015. https://repositorio.ucs.br/handle/11338/1075.

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Mark Twain, renomado autor realista e local colorist, é conhecido pelo seu estilo coloquial de escrever. A modalidade oral regional da língua inglesa é representada na fala dos personagens do romance The Adventures of Tom Sawyer (Aventuras de Tom Sawyer). Nesta dissertação, é feita uma análise comparativa entre alguns trechos da obra original de Mark Twain, publicada em 1876, e da tradução feita por Monteiro Lobato, em 1934. A partir dos conceitos de regionalidade apresentados por Arendt (2012) e Stüben (2013), o objetivo desta pesquisa é analisar as especificidades culturais da obra original

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Regoczy, Lucia Graciela, and n/a. "Espiritu de subversion : la construccion del discurso de la mujer en la narrativa posmoderna hispanoamericana." University of Otago. Department of Languages and Cultures, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070927.141659.

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This thesis offers a typology of Postmodern women�s discourse from a sociological perspective. By focusing on the reading of Gioconda Belli�s Sofia de los presagios, Isabel Allende�s Paula, and Anacristina Rossi�s La loca de Gandoca, it examines how each writer achieves, thanks to the process of dialogism and the carnivalesque, a critique of social and aesthetic values, associated with Eurocentric discourse. Thanks to these two processes, the values associated with the marginalized position of women in Latin America, are brought to the surface, offering a better understanding of the relation

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Batista, Miguel. "Bildung and initiation : interpreting German and American narrative traditions." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14616.

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This thesis is divided into two main parts. The first, comprising the three initial chapters, looks, in chapter one, at the specifically German origins of the Bildungsroman, its distinctive features, and the difficulties surrounding its transplantation into the literary contexts of other countries. Particular attention is paid to the ethical dimension of the genre, i.e. to the relation between the individual self and the exterior world, and how it affects individual formation. The focus then shifts to American literature, and the term 'narrative of initiation' is recommended as a credible alte

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Witen, Michelle Lynn. "Perceiving in registers : the condition of absolute music in James Joyce's Ulysses and Finnegans Wake." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669882.

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O'Farrell, Kevin. "Joyce after Nietzsche : irony and the will to truth." Thesis, University of Oxford, 2012. https://ora.ox.ac.uk/objects/uuid:3de0686a-b70f-433c-ae20-9de7d554b08e.

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This thesis explores and evaluates the work of James Joyce using the ideas of Friedrich Nietzsche. It does so not only by examining Joyce's knowledge of Nietzsche's writings, but also through demonstrating how effectively they can illuminate Joyce's themes and techniques, and aid in a general reconceptualisation of his literary project. My analysis draws on several of Nietzsche's key concepts - perspectivism, ressentiment, the will to power - and applies them to Joyce's work. The main idea I use however is the will to truth. I argue that Joyce's primary concern as an artist was the depiction o

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Hanaway-Oakley, Cleo Alexandra. "'See ourselves as others see us' : a phenomenological study of James Joyce's Ulysses and early cinema." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:80821e26-de35-483a-a37c-7a4c60e138b7.

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This thesis examines James Joyce’s Ulysses (1922) and early cinema (c. 1895-1920) through Merleau-Pontian phenomenology. Instead of arguing for lines of direct influence between specific films and particular parts of Ulysses, I show that Joyce’s text and selected early films and film genres exhibit parallel philosophies. Ulysses and early cinema share similar ideas on the embodied nature of perception, the close relationship between mind and body, the intermingling of the human and the mechanical, intersubjectivity, and the subject’s inherence in the world. All of these shared ideas are inhere

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Prikladnicki, Fábio. "Reinscrevendo a responsabilidade : figurações da alteridade entre o humano e o animal." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/131624.

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Informada pelos pressupostos da área interdisciplinar conhecida como estudos animais, esta tese propõe uma leitura a contrapelo das figuras animais na literatura, na qual elas não são entendidas apenas como metáforas de certos aspectos da vida humana, mas como presenças textuais com um estatuto de personagens e, nessa condição, são interrogadas em sua alteridade. A questão central em pauta é: o que a metáfora diz sobre os animais e sobre a relação entre os animais e os seres humanos e o que significa des-figurar a metáfora e explorar a possibilidade de re-significar, a partir da textualidade f

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Tully-Needler, Kelly Lynn. "Last Word in Art Shades: The Textual State of James Joyce's Ulysses." Thesis, Connect to resource online, 2007. http://hdl.handle.net/1805/1605.

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Thesis (M.A.)--Indiana University, 2007.<br>Title from screen (viewed on March 6, 2008). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Ken Davis, Jonathan R. Eller, William F. Touponce. Includes vitae. Includes bibliographical references (leaves 214-228).

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Stockton, Judith D. "Rhetorical analysis of feminist critics' references to Virginia Woolf." Thesis, 1992. http://hdl.handle.net/1957/37385.

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Virginia Woolf wrote both prose and poetry, both fiction and non-fiction: she was both a creative writer and a politically conscious reporter. She left a wealth of beautifully crafted observations and comments that continue to be immensely quotable and influential. Feminist critics today use Woolf's vocabulary to continue the feminist conversation which she entered early in her life and consistently influenced as long as she lived and wrote. My purpose in this essay is to identify some of the ways in which feminists strategically use references to Virginia Woolf and A Room of One's Own to empo

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Niwa-Heinen, Maureen Anne. "Relational narrative desire : intersubjectivity and transsubjectivity in the novels of H.D. and Virginia Woolf." 2004. http://hdl.handle.net/1828/342.

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Nelson, John C. M. "James Joyce's critique of "Faubourg Saint Patrice" : Ulysses, the Catholic Panopticon, and religious dressage." Thesis, 1997. http://hdl.handle.net/1957/34317.

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In his works, A Portrait of the Artist as a Young Man (1916) and Ulysses (1922), James Joyce demonstrates what he perceives to be the paralyzing effects of those institutionalized religions that sit at the center of cultures. Drawing on Michel Foucault's analysis of institutional dressage as well as his use of Jeremy Bentham's Panopticon prison in Discipline and Punish (1981), this thesis argues that Joyce's portrait of the Catholic Church's influence on Irish culture is his attempt to display its ubiquitous and inextricable power. In both works, Joyce focuses on the internalization of this po

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"Nationalism as dilemma in (semi)colonial contexts: reading the short stories of James Joyce and Lu Xun politically." 2008. http://library.cuhk.edu.hk/record=b5896865.

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Zou, Meiyang.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2008.<br>Includes bibliographical references (leaves 99-103).<br>Abstracts in English and Chinese.<br>Acknowledgements --- p.iii<br>Abstract --- p.iv<br>摘要 --- p.vi<br>Abbreviations --- p.viii<br>Chapter Chapter One: --- Introduction --- p.1<br>Nation and nationalism: problems and dilemmas --- p.2<br>James Joyce and Lu Xun --- p.10<br>Critical / ironical nationalism? --- p.16<br>Chapter Chapter Two: --- Negative Images of the Homeland --- p.21<br>Haunting death and insanity --- p.22<br>Problematic national identity a

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"基督敎與二十世紀中國小說---郁達夫、茅盾、許地山的小說". 2001. http://library.cuhk.edu.hk/record=b5890933.

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陳志傑.<br>"2001年6月"<br>論文 (哲學碩士)--香港中文大學, 2001.<br>參考文獻 (leaves 117-123)<br>附中英文摘要.<br>"2001 nian 6 yue"<br>Chen Zhijie.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2001.<br>Can kao wen xian (leaves 117-123)<br>Fu Zhong Ying wen zhai yao.<br>Chapter 第一章 --- 導言 --- p.1<br>Chapter 1.1 --- 基督教與中國現代小說的研究<br>Chapter 1.2 --- 郁達夫、茅盾、許地山的獨特之處<br>Chapter 1.3 --- 郁達夫、茅盾、許地山三人的硏究檢討<br>Chapter 1.4 --- 硏究構想與槪念簡釋<br>Chapter 1.5 --- 材料與方法<br>Chapter 1.6 --- 史料搜集與論證過程<br>Chapter 1.7 --- 各章簡介<br>Chapter 第二章 --- 時代巨變中的中國：「啓蒙與救亡」 --- p.25<br>Chapter 2.1 --- 吾人覺悟與啓蒙<br>Chapter 2.2 --- 「啓蒙與救亡」的一脈相承<

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Jensen, Timothy Ward. ""My nonsense is only their own in motley" : Ralph Waldo Emerson, Henry Ware Jr., and the "nature" of christian character"." Thesis, 1995. http://hdl.handle.net/1957/34687.

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Recent changes in the historiography of American Transcendentalism have inspired a reappraisal of the relationship between the Transcendentalist movement in New England and the pietistic wing of the Unitarian church. This thesis explores this reappraisal through a close reading of selected writings by Henry Ware Jr. in juxtaposition to the more familiar strains of Ralph Waldo Emerson's Divinity School Address and other Transcendentalist texts of the late 1830's and early 1840's. In opposition to the view that American Transcendentalism is an imported form of German Romanticism, the thesis argu

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Fourie, Leoni. "Giraudoux et Salacrou : deux dramaturges en face de la guerre." Thesis, 2014. http://hdl.handle.net/10210/9793.

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