Thematische Bibliographien / Artistic convergence

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Auswahl der wissenschaftlichen Literatur zum Thema „Artistic convergence“

Autor: Grafiati

Veröffentlicht am 7. September 2021

Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Artistic convergence"

Orlova, Ye V. "THE STYLISTIC CONVERGENCE OF ARTISTIC SYMBOLS." Bulletin of Udmurt University. Series History and Philology 32, no. 5 (2022): 996–1002. http://dx.doi.org/10.35634/2412-9534-2022-32-5-996-1002.

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This article examines the role of stylistic convergence in the process of artistic symbols interaction. The main task of the present research is dedicated to the study of artistic symbols in the novels by J. R. Fowles because his books are filled with deep philosophical content. The main methods of the present research included a definition analysis of the word representing the artistic symbol; contextual analysis and methods of interpretation, generalization, as well as the method of quantitative calculation of contextual actualization of the studied units in order to fix their functional act

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YEMETS, O., and A. ZAKHARCHUK. "THE IMPORTANCE OF ARTICSIC DETAIL AS A FACTOR OF PROSE POETICALNESS IN THE SGORT STORIES OF THE CONTEMPORARY AMERICAN AND CANADIAN WRITERS." Philological Studies, no. 33 (April 19, 2021): 20–24. http://dx.doi.org/10.33989/2524-2490.2020.33.228197.

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The article considers the role and functions of artistic detail in the contemporary short stories. The investigation involved the flash fiction stories by the American writers written after the year 2020 and several short stories by the outstanding Canadian writer Alice Munro. The aim of the research is determining the major devices of prose poeticalness in these texts and revealing the role of artistic detail in creating poeticalness.Prose poeticalness is defined as such property of a prose text which involves the priority of poetic function and envisages the introduction of poetical features

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Andrews, Justine. "Conveyance and Convergence: Visual Culture in Medieval Cyprus." Medieval Encounters 18, no. 4-5 (2012): 413–46. http://dx.doi.org/10.1163/15700674-12342114.

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Abstract While the trajectory of transmission of art in the Mediterranean has often been understood as West to East, here I will consider the transmission of artistic sources to Cyprus from both the West and East. These trajectories open a dialogue regarding the question of how the many sources that underpin Cypriot medieval art converged on the island. Focusing on commissions of the Lusignan dynasty, as well as other powerful communities such as the Orthodox Greeks and the Genoese, this paper shows that the social and political identity of these groups was constantly in flux; the artistic sty

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Prifti, Enkeleida. "Convergence between contemporary technology and artistic installations in architecture." INGENIOUS 4, no. 2 (2024): 46–52. https://doi.org/10.58944/nohv4886.

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This study came immediately when I think as an architect and a visual artist at the same time, about convergences between contemporary technologies, visual art and architecture. Technologies, visual art and architecture converge most widely in contemporary conceptual installations. The most important part of 21st century installations is the understanding of 20th century art as an intellectual project. The installation “absorbs” not only all the genres before it, but also the viewer himself. It is three-dimensional and is not just an "object", but a space organized by the artist, addressing in

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Cho, Min Kyeong, Je Sung Lee, Tae Hong Min, et al. "Modeling Artistic Competencies for University Students to Cultivate Convergence Talents." Korean Association For Learner-Centered Curriculum And Instruction 25, no. 8 (2025): 547–66. https://doi.org/10.22251/jlcci.2025.25.8.547.

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Objectives This study aimed to systematically identify the components of artistic competencies required for university students to cultivate convergent talents, derive sub-factors for each component, and establish a theoretical foundation for arts-based convergence education. Methods This study first analyzed domestic and international research related to artistic competency through literature review to construct a preliminary pool of 245 competencies, from which 5 competency clusters and 72 sub-competencies were derived. Two rounds of Delphi surveys were conducted to verify the validity of th

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Sulaieva, Nataliia. "CONVERGENCE OF DIFFERENT TYPES OF EDUCATION OF STUDENTS OF THE FACULTY OF PSYCHOLOGY AND PEDAGOGY OF POLTAVA V.G. KOROLENKO NATIONAL PEDAGOGICAL UNIVERSITY." Aesthetics and Ethics of Pedagogical Action, no. 17 (March 9, 2018): 119–27. http://dx.doi.org/10.33989/2226-4051.2018.17.176287.

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The article highlights the main aspects of the convergence of formal education of students of the Faculty of Psychology and Pedagogy of Poltava V. G. Korolenko National Pedagogical University with non-formal artistic education. It has been indicated that such a combination is possible due to the existence of an extensive network of artistic and creative groups at the faculty where non-formal artistic and educational activities are carried out. It has been emphasized that an important ground for the realization of this convergence was created by outstanding scientists, artists and public figure

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Spinu, Constantin. "Identity convergence in the tapestry and painting of Ecaterina Ajder." Akademos, no. 2(61) (September 2021): 154–60. http://dx.doi.org/10.52673/18570461.21.2-61.16.

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Ecaterina Ajder, representative of the early `80s of plastic artists from the Republic of Moldova, constantly opts for endowing the work of art with innovative stylistic values. Plastic tradition and modernity originally connect in her creation, contributing to the generation of current messages through image. Preferring to materialize her thematic and plastic predilections in the genre of artistic tapestry and easel painting, Ecaterina Ajder has drawn and consolidated over the decades her unmistakable stylistic facet, in which the insurmountable landmarks of folk art have found a favorable ar

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Volkova, I. G. "THE POTENTIAL OF COMPUTER GRAPHICS IN THE DEVELOPMENT OF STUDENTS' ARTISTIC ABILITIES." Arts education and science 1, no. 30 (2022): 51–60. http://dx.doi.org/10.36871/hon.202201006.

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The article discusses the pedagogical aspect of using one of the modern types of computer art — computer graphics — for the artistic development of students of general secondary education. The potential of two-dimensional computer graphics is analyzed regarding its means revealed in the context of computer science and art history. The technical potential of computer graphics, which includes its software and hardware, is identified for the development of students' artistic skills in computer science, and the artistic and expressive potential (point, line, silhouette, colour, etc.) — in art hist

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Connors, Teresa, and Andrew Denton. "InEnvironments: The convergence and divergence of practice." Organised Sound 23, no. 1 (2017): 29–38. http://dx.doi.org/10.1017/s1355771817000255.

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This article explores our audiovisual collaborative outputs and the methods employed to negotiate converging and diverging creative directions in the production of artistic works, in the context of philosophies that influence our thinking-making processes, as well the engagement with new modes of artistic practice. A key feature connecting our collaborations is site-specific field recordings of audio and visual materials. Our work has spanned Canada, the United States and New Zealand, producing a catalogue of works that are intrinsically linked to geographic and everyday phenomena. To support

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O, Eun Seok, and Jong Wook Won. "A Study on the Extensions of Media Art through teamLab Borderless : Focusing on Marshall McLuhan's Understanding Media." Korea Institute of Design Research Society 9, no. 4 (2024): 879–88. https://doi.org/10.46248/kidrs.2024.4.879.

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The convergence of digital technology has revolutionized the artistic expressions of media art and redefined its relationship with viewers. This paper examines the extensions of media art through an analysis of teamLab Borderless, based on Marshall McLuhan's media theory. First, media art offers multisensory experiences and extends the artistic perception of viewers by the convergence of new media and digital technologies. Second, it extends interactivity, transcending the boundaries between technology and art, and enables viewers to transition from passive recipients to active creators, offer

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Dissertationen zum Thema "Artistic convergence"

Santos, Ana Maria Mendes Carvalho dos. "Harlekin de Karlheinz Stockhausen: uma proposta inovadora de transversalidade nas artes." Doctoral thesis, Universidade de Évora, 2019. http://hdl.handle.net/10174/25544.

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Este estudo baseia-se na obra HARLEKIN de Karlheinz Stockhausen, assinalando o significado e a relevância de uma interpretação, na qual existe um cruzamento entre as artes de palco, nomeadamente, entre a Música, o Teatro e a Dança. Esta interligação é, na referida partitura, realizada em simultâneo e por um único intérprete, ganhando relevo quando se procede a um pensamento interpretativo que defende a inexistência de uma hierarquia artística, que possa ser consequente da formação base do intérprete. A análise conjunta das transformações do discurso musical e das didascálias deixadas pelo comp

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Backemar, Viktor. "Den nya musikbranschen på AllEars.se : Det demokratiska mötet mellan skivbolag och artister på Internet." Thesis, Uppsala University, Media and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-9147.

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AbstractTitle: The New Type of Music Industry at AllEars.se (Den nya musikbranschen på AllEars.se)Number of pages: 49 (53 including enclosures)Author: Viktor BackemarTutor: Else NygrenCourse: Media och Communication Studies CPeriod: Fall 2007University: Division of Media and Communication, Department of Information Science, Uppsala University.Purpose: The purpose of this paper is to compare AllEars´ own view of the website AllEars.se to an observed view of the same site. The comparison is based on theories regarding the Internet in tod

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Rigg, Janet. "An artist meets a therapist : conflict and convergence in the identity of the emerging art therapist." Thesis, 2004. http://spectrum.library.concordia.ca/7894/1/MQ94775.pdf.

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I was an artist at first, who happened to be studying psychology. Later, I would discover the profession of art therapy. It seemed perfect. However, my experience during the graduate training program at Concordia University taught me that this hybrid identity was not the marriage in heaven that I had assumed it would be. There were certainly points of convergence, but there were also deep conflicts. This text is a heuristic inquiry into my experience of my artist self becoming acquainted with my new, emerging therapist self. It is also art-based research, as I focus on the artwork that I creat

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Bücher zum Thema "Artistic convergence"

Convegno internazionale "Tozzi in Europa" (2016 Université de Liège). Federigo Tozzi in Europa: Influssi culturali e convergenze artistiche. Carocci editore, 2017.

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1958-, Tạ Văn Anh, and Hội nhié̂p ảnh Thành phó̂ Hò̂ Chí Minh., eds. Nhié̂p ảnh-gặp gở =: Photography-convergent. Hội nhié̂p ảnh Thành phó̂ Hò̂ Chí Minh, 2001.

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author, Hermann Sara, Horm Maya author, and Marline Jennifer author, eds. Performar: Espacio de convergencia. Centro Cultural de España, 2009.

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A, Clark Vicky, Poddar Sandhini, and Richard E. Peeler Art Center., eds. Figures of thinking: Convergences in contemporary cultures. Pamela Auchincloss/Arts Management, 2005.

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A, Clark Vicky, and Poddar Sandhini, eds. Figures of thinking: Convergences in contemporary cultures. Pamela Auchincloss/Arts Management, 2005.

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Kelly, Michael J., Arthur Rose, and Adi Efal-Lautenschläger, eds. Journal of Badiou Studies 5. punctum books, 2017. https://doi.org/10.21983/p3.0173.1.00.

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The fifth volume of the Journal of Badiou Studies, “Architheater,” energized by the publication of Badiou’s Rhapsodie pour le théâtre (2014), knits together distinguished approaches to artistic production engaging with the work of Alain Badiou: ‘Engaging’ here means articulated positions that include, imply, or criticize the Badiouiesque corpus. The issue does not therefore seek to implement Badiou’s philosophical insights in interpretations of art or of aesthetics, but rather to take Badiou’s philosophy as a center of convergence-nexus of a plethora of philosophical positions that include art

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Uchechukwu, Nwosu, and National Gallery of Modern Art (Nigeria), eds. Convergences: A photography exhibition by Don Barber, Uchechukwu James-Iroha, Abraham Oghobase, Efe OSyayande. National Gallery of Modern Art, 2006.

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Bird, Michael F., and Joel Willitts. Paul and the gospels: Christologies, conflicts, and convergences. T & T Clark, 2011.

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Gabrillo, James. Pop Convergence. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197665114.001.0001.

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Abstract Pop Convergence explores the contemporary pop music and related multimedia cultures of Manila, the center for commercial entertainment industries in the Philippines. At the turn of the twenty-first century, the country was recovering from decades of political mayhem and economic turbulence against a backdrop of swelling class divide and the maturation of mass media. Distinct from the somberness of nationalist anthems, Western music covers, and protest songs of previous years, the creative industries of new-millennium Manila generated a multimedia movement emphasizing kitsch, parody, a

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Miradas convergentes/ Convergent Glanzes. Editorial Rm Rio Panuko, 2003.

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Buchteile zum Thema "Artistic convergence"

Clare, David, and Nicola Morris. "The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_4.

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Abstract In Gate Theatre studies, the venue’s original artistic directors, Hilton Edwards and Micheál mac Liammóir, are commonly described as ‘Englishmen’. This chapter breaks new ground by exploring the Irish roots of Edwards and mac Liammóir, and the rumours that mac Liammóir had Spanish and Jewish ancestry. ‘The Boys’ were not the only figures associated with the early Gate to have transnational backgrounds. Coralie Carmichael, the theatre’s biggest female star in its early years, was of mixed Moroccan and Scottish ancestry, and Nancy Beckh, who worked as an actor, costume designer and mill

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Dean, Joan FitzPatrick, and Radvan Markus. "The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_2.

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Abstract In part because the Gate explored an experimental dramaturgy, its artistic directors Micheál mac Liammóir and Hilton Edwards often wrote, spoke and advocated for a drama that could move beyond realism. The analysis of Hilton Edwards’s dramatic commentary reaches from his early articles on dramaturgy right up to his encounter with the Berliner Ensemble in 1956 that influenced Edwards’s most elaborate statement on drama, The Mantle of Harlequin (1958). An important part of Edwards’s vision was his cosmopolitanism, his refusal to view drama within a restricted national framework. Nationa

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Purkis, Charlotte. "The Other Gates: Anglo-American Influences on and from Dublin." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_5.

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Abstract An important influence on the foundation of the Dublin Gate Theatre in 1928 was the London Gate Theatre Studio. This chapter offers a historiographical survey concerning how the range of connections between these theatres have been treated by theatre commentators up to the present. Alongside this re-examination is a discussion of two other theatres that were also inspired by the London Gate, but established independently by the two London co-directors, Peter Godfrey and Velona Pilcher. Godfrey revived the early programming from London in 1943 at his ‘transplanted’ theatre in Hollywood

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Loukia, Martha, and Myrsini Vounatsou. "Exploring the Limits of Cultural Tourism: The Convergence of Applied and Visual Arts as an Educational Tool for Activating Inactive Sites of Cultural Interest." In Strategic Innovative Marketing and Tourism. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51038-0_37.

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AbstractCities are living, complex organisms that change and at the same time project history and culture as a constitutive element of their identity. Each city’s unique spatial, social, and cultural identity is inextricably linked to the artistic expressions, customs, history, and every spatial activity that is part of the urban space that functions as an active, experiential place. This paper explores the convergence of applied and visual arts as an educational tool to unlock the potential of abandoned sites in the urban fabric and promote a deeper connection between tourism and cultural her

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Barbotto Forzano, Silvia. "Trace and Traceability in/of the Face: A Semiotic Reading through Art." In Frontiers in Sociology and Social Research. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11756-5_21.

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AbstractFrom the study of semiotic paradigms in relation to the face, we focus on the traces, understanding how some flourish from the tangible but ignored signs left by humans daily, while others are totally imbricated in the face from/in which they transpire.We typologize them in three varieties, from their multidimensional configuration, offering case studies of emanation, imbrication, and cancellation. First, between art and forensic tendencies, Dewey-Hagborg uses hair, cigarettes, and chewing gum off the streets to program and build 3D faces through the DNA found in them. Secondly, we exa

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Penco, Sara. "Smarticon: a Digital Eco-System for Cultural Heritage. Iconographic Convergences in Art and in World Religions." In Proceedings e report. Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.33.

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The recovery of the history of humanity goes through the comprehension of ancient testimonies handed down to us in artistic representations. The innovative tool par excellence is the technologies. Smarticon is an Italian patent for method in charge of studying historical analysis (originated from the morphology of the concept), of examining the phenomenology analysis (which results in the typology and exceeds it) and to the comparative research (which allows to arrive at the hermeneutics ). The comprehension of the transitory meaning of each event is entrusted to the historian who, by recompos

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Cruz-Garza, Jesus G., Anastasiya E. Kopteva, Jo Ann Fleischhauer, and Jose L. Contreras-Vidal. "Into the Mind of an Artist: Convergent Research at the Nexus of Art, Science, and Technology." In Springer Series on Bio- and Neurosystems. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24326-5_8.

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García Carrizo, Jennifer. "Entre el arte urbano y la comercialización cultural: explorando las intersecciones de la creatividad, el activismo y la participación ciudadana en espacios públicos urbanos." In Cultura (audio)visual y espacios públicos: (re)inventando la Ciudad. Université de Limoges, 2024. http://dx.doi.org/10.25965/ebooks.895.

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Cuando las industrias culturales y creativas convergen y se concentran en áreas urbanas específicas configuran lo que se llama un “distrito cultural”. Este fenómeno lleva a la expresión artística y cultural a las calles, alejándola de la exclusividad de los museos y galerías. ¿Pero por qué sucede esto? ¿Es una estrategia de branding o marca para atraer visitantes y turistas al espacio? ¿Es una forma de activismo para destacar la importancia del arte público y democratizarlo? ¿O es simplemente una manifestación de participación ciudadana, con artistas que se suman a la vida urbana atraídos por

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Buchholz, Larissa. "Cross-Border Valuation between Art Experts and the Market." In The Global Rules of Art. Princeton University Press, 2022. http://dx.doi.org/10.23943/princeton/9780691245447.003.0004.

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This chapter highlights that questions of artistic recognition in a time of accelerated globalization involve a fundamental theoretical problem at the heart of the sociology of culture—namely, the construction of artistic value. It argues that the valuation of an artist's work (and that artist's related reputation) is shaped by the interaction of a variety of contextual factors. Some highlight the importance of the extent and nature of critical discourse in constructing artistic value. Others elaborate on these insights, underlining how discourse interacts with mediation networks or historical

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Franklin, Margery B. "A Convergence of Streams: Dramatic Change in the Artistic Work of Melissa Zink." In Creative People At Work. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195077186.003.0013.

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Abstract The work of any artist, like that of any creative individual, changes over time. Art critics and art historians, as well as psychologists, trace lines of development in artists’ work, identify periods marked by changes in style or subject matter, and attempt to discern sources of change. Dramatic shifts in style or mode of work, the apparently sudden appearance of a stream of new ideas, and marked increases in level of energy and productivity are not uncommon in narratives of artistic work. Yet relatively little attention has been devoted to analyzing such phenomena. In this chapter,

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Konferenzberichte zum Thema "Artistic convergence"

Yu, Jung-Jae, Juwon Lee, and Jaehwan Kim. "Super Resolution Network for Artistic Paintings." In 2022 13th International Conference on Information and Communication Technology Convergence (ICTC). IEEE, 2022. http://dx.doi.org/10.1109/ictc55196.2022.9952356.

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Gurney, Kim. "Epistemic Disobedience: Institution-Building as Artistic Practice." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35901.

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This paper posits the Nafasi Art Space in Dar es Salaam, Tanzania, as a paradigmatic example of independent art spaces in Africa. These spaces, known as offspaces, challenge the status quo by creating divergent infrastructures through creative refusals and re-imaginations. The author conducted a prior study called Platform/Plotform, which identified key working principles of offspaces, such as horizontality, performativity, elasticity, convergence, and second chance. The study visited five African cities to examine the correlations between artistic strategies and urban life. The paper focuses

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Cedrón, María Gutiérrez, and Jose Pons. "Thinking about the Storm: Analysis of the concert/performance that fuses music, wearable technology and bodily expression." In VI Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvimulti2024-072.

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Thinking about the Storm was a concert performance developed by the NubeiLab group during the residency of Emerging Creators in the Mariñán neighborhood in 2022. We will dedicate ourselves in this article to analyzing the convergence between the different artistic disciplines that shaped the representation. On the one hand we will expose the work process for the realization of the technological wearable used as clothing for a part of the performance, and on the other hand we will analyze the process of direction and musical and sound improvisation, to finally expose the final result of the con

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Hwang, Eugene, Joonhyung Bae, Wonil Kim, Juhan Nam, and Jeongmi Lee. "Sense of Convergence: Exploring the Artistic Potential of Cross-modal Sensory Transfer in Virtual Reality." In 2023 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct). IEEE, 2023. http://dx.doi.org/10.1109/ismar-adjunct60411.2023.00156.

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Man Tin, Lai. "Machine Vision, Prompts and Neural Network Structure in Art: Reverse Engineering in Image Generation." In 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004067.

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The paper proposes the use of reverse engineering and artistic creation perspective to explore the convergence of machine vision and neural networks for generating images that closely resemble the original objects. With the rapid and significant development of machine learning and neural networks, these technologies have garnered significant attention in recent years due to their image generation and prompt text functions, which offer new possibilities. Rather than utilizing these technologies solely for creating new works, it is important to investigate their potential for generating images t

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Baquero Masats, Paloma, and Juan Antonio Serrano García. "Taller Amereida: encuentros entre Arquitectura, Arte y Poesía." In Jornadas sobre Innovación Docente en Arquitectura. Grup per a la Innovació i la Logística Docent en l'Arquitectura (GILDA), 2023. http://dx.doi.org/10.5821/jida.2023.12336.

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Taller Amereida embodies a space of multidisciplinary convergence between architecture, art, and poetry. Grounded in a scientific methodology, it has become a forum where the intersections between these disciplines are explored through lectures, workshops, walks, artistic interventions, and field projects that promote experimentation and reflection. The creation of ephemeral architectural works is one of its most significant pedagogical tools, fostering an understanding of architectural concepts and their interaction with the natural environment. El Taller Amereida representa un espacio de con

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Ramanayake, R. I. A., and H. M. K. D. Herath. "Confluence of music and architecture through artistic parallelism; a study of current building aesthetics in advanced music learning institutes with special reference to the university of performing arts in Colombo." In Empower communities. Faculty of Architecture Research Unit, 2023. http://dx.doi.org/10.31705/faru.2023.13.

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Music is authentically interpreted as a universal language due to its strong strings between humankind. In addition, as an art, it becomes the source for other fields, which carry both intellectual and intuitive aspects. Thus, the combination of Music and the art of visualizing spaces, Architecture derives because of the resemblance between its origin, elements, and composition. Becoming a part of the built environment, the spirit of music responds to different types of functions for its effective benefits to the involved parties. While straightening the subjective inquiry on this point, it wa

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Gobira, Pablo, Priscila Rezende Portugal, and Emanuelle de Oliveira Silva. "The hypercortex and the context of the convergence of art with info-cognotechnologies." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.75.

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The work presented here brings a reflection originated from the group Laboratório de Poéticas Fronteiriças (http://labfront.tk), registered at Brazilian Council for Scientific and Technological Development directory and certified by the State University of Minas Gerais. Here we show a snippet, based on some of our bibliographical research, that aims to bring together a specific aspect of digital arts known as “telematic art”. Besides being expressed through telematics systems, we understand telematic artworks in regards to their connections to infotechnologies and cognotechnologies in the cont

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Васильева, Ж. В. "Vestimental Fashion-Trends in the Context of Culture of the late XIX – early XX century: Experience of Inclusion in the Process of Teaching the History of World Culture." In Современное образование: векторы развития. Роль социально-гуманитарного знания в подготовке педагога: материалы V международной конференции (г. Москва, МПГУ, 27 апреля – 25 мая 2020 г.). Crossref, 2020. http://dx.doi.org/10.37492/etno.2020.75.60.051.

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вопросы взаимодействия моды и сферы искусства, аспекты сближения их позиций в области репрезентации базовых эстетических установок конца XIX – начала XX вв. долгое время оставались вне поля исследовательского внимания культурологов и искусствоведов. Между тем, для преподавания курса мировой художественной культуры (МХК) анализ динамики взаимопроникновения моды и искусства в период модерна, выявление параллелей в развитии фэшн-трендов и художественных направлений конца XIX – начала ХХ в. имеет принципиальное значение. Обосновать необходимость включения учебного материала по вестиментарным фэшн-

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Güner, Atiye, and İsmail Erim Gülaçtı. "The relationship between social roles of contemporary art museums and digitalization." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p77.

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This paper was adapted from the author’s PhD dissertation named “The Effects of Digitalization on Contemporary Art Museums and Galleries”. The digital age has started with the digitalization of information and information communication. The digitalization processes that accelerated with the rapid developments in information and communication technologies have deeply affected museums. Museums are information-based organizations, their primary functions are to protect and spread information. Digitalized information and information communication have obligated contemporary art museums to follow d

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Berichte der Organisationen zum Thema "Artistic convergence"

Pasupuleti, Murali Krishna. Decentralized Creativity: AI-Infused Blockchain for Secure and Transparent Digital Innovation. National Education Services, 2025. https://doi.org/10.62311/nesx/rrvi125.

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Abstract The convergence of artificial intelligence (AI) and blockchain technology is transforming the creative economy by enabling secure, transparent, and decentralized innovation in digital content creation, intellectual property management, and monetization. Traditional creative industries are often constrained by centralized platforms, opaque copyright enforcement, and unfair revenue distribution, which limit the autonomy and financial benefits of creators. By leveraging blockchain’s immutable ledger, smart contracts, and non-fungible tokens (NFTs), digital assets can be authenticated, to

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De Jesús, Dyanis, Alejandra Luzardo, and Michelle Pérez. Orange Economy: Innovations you may not know were from Latin America and the Caribbean. Inter-American Development Bank, 2017. http://dx.doi.org/10.18235/0006354.

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Who would have said that in the hands of creatives, designers, artists and entrepreneurs would be part of the response to the development challenges of Latin America and the Caribbean? This report is part of the Inter-American Development Bank's (IDB) Demand Solutions: Ideas for Improving Lives, which aims to give visibility to the region's creatives and to position creativity as an integral element of economic and social development. In 2015 the cultural and creative industries (CCI), which are part of what the IDB calls the Orange Economy, generated 1.9 million jobs in Latin America and the

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