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Thematische Bibliographien / Embroidery techniques / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Embroidery techniques“

Autor: Grafiati

Veröffentlicht am 29. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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1

Yonif Rimba Cahyani and Agus Ridwan Mesbahudin. "HASIL JADI BORDIR DENGAN MENGGUNAKAN KAIN VELVET MENGGUNAKAN MESIN BORDIR JUKY DI SURABAYA." BUGARIS 1, no. 1 (2024): 30–36. http://dx.doi.org/10.36456/bugaris.v1i1.8945.

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This research is motivated by the fact that decorate fabric with embroidery because it feels more practical, the fabric often used is cloth embroidered Cotton because it is easy, but the clothing, accessories and household linen also uses fabrics that sparkle like Velvet fabric. The statements of the problem is how the influence of Velvet material types to the result of embroidery using Juky embroidery machine? The is purpose of the study to describe the influence of Velvet material types to the result of embroidery using Juky embroidery machine. The significance of the study is to obtain rese

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Yang, SuJeang. "The Relationship and Development of Joseon Embroidery and Lu-Embroidery of Shandon : Focusing on Embroidered Dwelling by a Mountain Stream at the National Museum of Korea." Korean Journal of Art History 315 (September 30, 2022): 75–117. http://dx.doi.org/10.31065/kjah.315.202209.003.

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This study aims to fill the gaps in the history of Korean embroidery by examining Luembroidery of Shandong, an area closely related to the Korean peninsula in history, geography, culture, and custom. Unlike Gu-embroidery of Jiangnan that gained renown in the late Ming dynasty, Lu-embroidery’s relations to Korea could be found from the ancient times, through medieval Yuan to the Qing period, and therefore has significance as historical documents. Needlework in Lu-embroidery style, made or brought to Korea in the late Joseon period represent the literary preferences of the ruling class at the ti

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Anjani, Sophia Dewi, and Ahda Yunia Sekar. "Application of Embellishment Techniques to Fashion Products with Pekalongan Buketan Batik Inspiration." KnE Social Sciences 10, no. 1 (2025): 46–54. https://doi.org/10.18502/kss.v10i1.17849.

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The fashion business is now experiencing several advancements, including the employment of methods for manufacturing decorations, among others. However, many people in Indonesia have yet to recognize the enormous potential for developing cultural diversity by preserving Indonesian culture by utilizing traditional cloth in a way that adapts the Batik Buketan motif using the Tasik Embroidery technique, which will be combined with beads made into embellishments and applied to fashion products. The local fashion sectors have changed dramatically over time, starting with the processes utilized to c

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Larkin, Alison. "Replicating Captain Cook's Waistcoat: Exploring the Skills of a Named Embroiderer during the Eighteenth Century." Costume 51, no. 1 (2017): 54–77. http://dx.doi.org/10.3366/cost.2017.0005.

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This article discusses a project to replicate an unfinished waistcoat believed to have been embroidered in the late 1770s for Captain James Cook by his wife, Elizabeth. The intention was to explore the techniques of embroidery used during the eighteenth century, and to replicate a garment belonging to a major historical figure. The original waistcoat was embroidered on Tahitian tapa cloth with a linen backing. The embroidery used silk and metallic thread and silver-plated spangles, employing chain stitch, long-and-short stitch and tambouring. The replica was completed using materials closely a

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Baykaoglu, Nursel, and Hatice Feriha Akpinarli. "Sample of German embroidery from the hand embroidery applications in the city of Kahramanmaras." Global Journal of Arts Education 10, no. 1 (2020): 85–92. http://dx.doi.org/10.18844/gjae.v10i1.4793.

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Forming one of the most important branches of our culture and traditional arts, embroidery was born by sewing in a decorative way and it is worth mentioning that it is as early as humanity. Embroidered clothing on the sculptures excavated and the narration that the daughter of Noah in Hebrew history wears an embroidered belt shows that this branch of art goes back to earlier times. Hand embroidery, which is the products of intelligence, skill and subtle wit, has reached the current time by preserving its value. Out of a great many embroidery techniques reaching large public masses, a technique

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Rambe, Armaini, Juliarti, Eka Rahma Dewi, and Ulfa Annida. "Development of Tutorial-Based Teaching Books in Basic Embroidery Engineering Courses." Edukasi 18, no. 1 (2024): 45–53. https://doi.org/10.15294/edukasi.v18i1.7277.

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The lack of availability of teaching materials on basic embroidery techniques means students learn embroidery by relying on examples from previous assignments and searching for assignments on YouTube. Even though this example does not contain detailed steps, students still experience difficulties in understanding embroidery techniques, the art of arranging thread, adjusting and placing the right colors for good, embroidered decoration. Therefore, there is a need for tutorial-based textbooks on learning basic embroidery techniques. The aim of the research is to produce a tutorial-based textbook

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Xuan, Zhen, Sarah Wahida Hasbullah, and NanNan Gao. "RESEARCH ON THE FORMS AND APPLICATIONS OF TRADITIONAL CHINESE BEAD-ENBROIDERY CRAFTS." International Journal of Heritage, Art and Multimedia 8, no. 25 (2025): 01–13. https://doi.org/10.35631/ijham.825001.

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Heritage value, characterized by intricate craftsmanship and aesthetic appeal, has gained global fashion attention. Yet technological progress and economic shifts threaten preserving traditional bead embroidery’s cultural and artisan heritage, risking handcrafted techniques and narrative loss.This study uses a literature review to analyze bead embroidery’s historical development, craftsmanship, and cultural significance across eras, exploring influences from material constraints and socio-political changes. Focusing on Chinese bead embroidery, it highlights its meticulous techniques, symbolic

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Martsiniv, Yuliia. "Vyshyvanka of Pokuttia and the Elements of Folk Costume: Past and Present (Based on the Expedition to Horodenkivshchyna)." Folk Art and Ethnology, no. 2 (June 30, 2024): 68–75. http://dx.doi.org/10.15407/nte2024.02.068.

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The article is devoted to the study of Pokuttia embroidery as a phenomenon of ethnic culture, in particular in Horodenka region. The peculiarities of techniques, ornaments and color range are defined. There we can see rukavienky, risheni and tserkovani embroidered shirts, pleats, skirts «in wheat» and other interesting clothes. The ornaments mostly include geometric figures, flower and plant patterns. There are also shirts with embroidered Ukrainian symbols, in particular in the village of Khmeleva. Embroidery techniques consist of cross stitch, plain stitch, low stitch and even on hoops. It i

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Tripathi, Ragini, Ekta Sharma, and Nargis Fatima. "Adaptation of Kantha Motifs for Designing and Development of ready to use Centre Panels using Machine Embroidery." International Journal of Current Microbiology and Applied Sciences 13, no. 10 (2024): 240–47. https://doi.org/10.20546/ijcmas.2024.1310.028.

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There is a growing demand for the rebirth of traditional Indian embroideries due to their time-consuming procedures, antiquated appearance, and pursuit of the pinnacle of painting technique. These need to be developed using quicker methods and given a more modern appearance. Machine embroidery is an innovative, economical and time saving technique as compared to the hand embroidery. Present study was conducted on adoption of Kantha traditional embroidery designs for machine embroidery on centre panels. A total of fifteen motifs were collected and arranged to prepare design for centre panels. 8

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Heneha, Roman. "FROM NATIONAL TO INTERNATIONAL: UKRAINIAN ACCENTS IN THE POST-WAR LVIV FASHION IN 1940–1950S." Вісник Львівського університету. Серія історична / Visnyk of the Lviv University. Historical Series, no. 54 (November 3, 2022): 154–68. http://dx.doi.org/10.30970/his.2022.54.11607.

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The author analyzes the use of Ukrainian themes by the Soviet fashion industry in the first postwar decade on the basis of archival materials, periodicals, specialized literature, and historiography. The article reads that a number of Russian fashion designers actively used Ukrainian ethnic elements in their work – cut, embroidery, drapery, etc. At the same time, most of the borrowings were presented as “Russian ornament”, “Russian silhouette” or as the best – “embroidery of the peoples of the USSR”. At the same time, the post-war demand for “Ukrainian culture” led to the popularization of Ukr

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Xudong, Yang, Chen Yingxue, Wang Tingting, Zhang Yong, and Hu Jiyong. "Effect of Stitch Structure on the Reading Performance of Fabric-Based Embroidered UHF RFID Tags." Fibres and Textiles in Eastern Europe 29, no. 2(146) (2021): 48–53. http://dx.doi.org/10.5604/01.3001.0014.6081.

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As the demand for low-cost rapid preparation techniques for RFID (Radio Frequency Identification) fabric tags is increasing, embroidery technologists have attempted to fabricate tag antennas. However, the effects of stitch structures on the performance of tag antennas have rarely been studied. Since the structure of an embroidered stitch is related to the embroidering process parameters and embroidery thread, this study chose a common stitch trace type to prepare two sets of UHF RFID tag antennae by changing the embroidery thread structure and stitch length, and then the electrical and gain pr

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Emmidia Djonaedi, Yoga Putra Pratama, Rachmah Nanda Kartika, Endang Yuniatri, HB Rudi Kusumantoro, and Khalyla Hafsa. "Embroidery Training as an Effort to Improve Economic Independence of the Elderly in Small and Medium Enterprises Named “OBAT HATI”." ABDIMAS: Jurnal Pengabdian Masyarakat 8, no. 1 (2025): 677–83. https://doi.org/10.35568/abdimas.v8i1.5929.

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Computerized embroidery sewing is an innovation that's relatively easy to learn and produces embroidered objects on fabric quickly and in a marketable way. This machine is ideal for seniors who still want to be productive and increase their income in their later years without having to spend too much time and effort learning to use it. Consequently, a community of seniors around Kranggan, Bekasi, who were interested in computerized embroidery sewing training was chosen. Before the training, participants were given a questionnaire to assess their prior knowledge of computerized embroidery techn

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Rajinder, Kaur*1 &. Jashanjeet Kaur2. "EMBROIDREIES AND THEIR TECHNIQUES PERFORMED IN DIFFERENT STATES OF INDIA - A STUDY." INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY 7, no. 6 (2018): 418–24. https://doi.org/10.5281/zenodo.1297388.

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Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. Those stitches remain the fundamental techniques of hand embroidery today. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, blankets, dress shirts, denim, dresses, stockings, and golf shirts. Embroidery is available with a wide variety of thread

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Zhong, Guilin, and Na Qi. "Research on Experience Design of Shu Embroidery Techniques Based on Virtual Reality (VR) Technology." Journal of Human, Earth, and Future 1, no. 4 (2020): 167–74. http://dx.doi.org/10.28991/hef-2020-01-04-01.

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With the continuous development of digitization, the public's understanding of traditional Shu embroidery techniques is increasingly ignored. Through the combination of VR technology and Shu embroidery techniques, it needs to be deeply excavated and inherited. Based on the inheritance and development of Shu embroidery, literature research, user research and case study are used to collect and sort out the current situation of Shu embroidery and its digital inheritance. Around the semiotic characteristics and process flow of Shu embroidery techniques, the interface design and human-computer inte

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Chen, XiuMian, Rose Dahlina Rusli, Rohana Zur, and JinLian Bai. "Cultural Influences on Han Chinese Embroidery Patterns during the Late 19th and Early 20th Centuries." Environment-Behaviour Proceedings Journal 10, no. 32 (2025): 41–48. https://doi.org/10.21834/e-bpj.v10i32.6698.

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This paper explored the influence of Chinese and Western cultures on Han Chinese embroidery patterns during the late 19th and early 20th centuries.The objective was to examine the influence of Chinese and Western cultures on Han Chinese embroidery patterns during this period, specifically focusing on design subjects, composition, color schemes, and embroidery techniques. It employed literature review and field investigation methods. The research found that under this Chinese-Western cultural fusion, Han Chinese embroidery patterns exhibited the following characteristics: A wealth of embroidery

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Shi, Jian Ping. "The Household Textile Bedding Embroidery Design and Expression of Decorative Techniques." Advanced Materials Research 332-334 (September 2011): 2018–22. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.2018.

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This article discusses the design method of bedding embroidery patterns, such as abstract simplification, Exaggerated beautification, alienation perspective, adding imagination and scattered layout; the decorative positions of embroidery pattern are centerpiece decoration, edge decoration and the change of decoration; Diversified technology of bedding embroidery patterns are decoration of the appearance accessories and analysis of the related factors and other decorations. Beautiful embroidery patterns and appropriate decorative techniques can not only play the role of sugar-coat textile beddi

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Xie, Sisi, and Hyunzin Ko. "Investigation of the Four Chinese Embroidery Techniques : Focused on Xiang Embroidery." Journal of the Korean Society of Costume 69, no. 4 (2019): 123–40. http://dx.doi.org/10.7233/jksc.2019.69.4.123.

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Dewi, Aisyah Ratna, Heri Soeprayogi, and Sri Wiratma. "SULAM MOTIF FLORA DAN FAUNA DITINJAU DARI WARNA DAN KOMPOSISI." Gorga : Jurnal Seni Rupa 9, no. 1 (2020): 187. http://dx.doi.org/10.24114/gr.v9i1.18792.

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AbstrakPenelitian ini bertujuan untuk mengetahui ketepatan siswa dalam memilih warna dan komposisi yang sesuai pada karya sulam teknik sulam bebas dengan motif flora dan fauna. Adapun populasi yang digunakan dalam penelitian ini adalah seluruh siswa kelas VIII-7 SMP Negeri 16 Medan dengan sampel 3 karya siswa dengan teknik Cluster Random Sampling. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan mendeskripsikan karya sulam yang diteliti dan dinilai berdasarkan unsur seni rupa yang telah ditentukan yaitu warna dan komposisi. Secara keseluruhan kemampuan siswa SMP Negeri 16 m

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Sonye, Comfort Ukrajit, and Destiny Izioma Anthony. "Enhancing Craft: Utilizing Hand Embroidery Technique for Production of Home Decorating Articles." International Journal of Home Economics, Hospitality and Allied Research 4, no. 1 (2025): 167–81. https://doi.org/10.57012/ijhhr.v4n1.009.

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This study examined enhancing craft by utilizing hand embroidery technique for the production of home decorating articles. The purpose of the study was to identify fundamental techniques of hand embroidery that could be used for production of home decorating articles and to develop three prototypes home decorating articles using fundamental techniques of hand embroidery. The study adopted the survey research design and research and development (R and D) design. The population was 125, 269 individuals (71 registered artisans and 125, 198 heads of households. A total of 431 respondents were sele

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Putri, Dilla Annisa, and Yuliarma Yuliarma. "Decorative Decorations in Gold Thread Shown on Aisles and Women's Bride Clothes in Naras, Pariaman City." JURNAL PENDIDIKAN DAN KELUARGA 14, no. 02 (2022): 64. http://dx.doi.org/10.24036/jpk/vol14-iss02/1005.

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An overview of the characteristics of motif design, including motif design, decorative patterns, placement of motifs, color combinations, and gold thread embroidery techniques on wedding dresses and aisles in Naras Kota Pariaman, is presented in this study. The method used is descriptive qualitative with the main data needed in the form of primary data and secondary data. Data were collected through observation, interview, and documentation techniques. Data analysis was carried out through data reduction, data presentation, and drawing conclusions. To get the validity of the data obtained thro

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Kaur, Jasminder. "GANGAVATARAN THEME ON CHAMBA RUMAL." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 224–31. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.83.

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The needle art or embroidery was the famous time pass of Indian woman folk. Many of these home-grown techniques have taken a place in the larger canvass of Indian art. Chamba rumal of Himachal Pradesh is one of them. It is narrative theme & technique, and commands a special place in the Indian embroidery world. Chamba rumal is embroidered on off white cotton cloth with untwisted silk threads. Although we find two styles of embroidery in the Chamba valley, the classical one is the style famous in the art world with the name of Chamba Rumal. The classical style of the embroidery was develope

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Nosan, Tatiana M. "Regional features of traditional embroidery in the Russian North of Russia (Olonets sewing – Karelia)." European Scientific e-Journal 3, no. 3 (2020): 97–136. https://doi.org/10.47451/her2020-12-003.

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In the traditional applied art of the Olonets province, Republic of Karelia, artistic embroidery is not only one of the most popular types of folk art, the formation and development of which was influenced by ethnic Karelian and Russian culture, but also a significant material and spiritual base, a natural form of transmitting historical and cultural experience to subsequent generations. The article is devoted to regional features of traditional embroidery in the North of Russia. The author analyses various techniques, ornaments, and colours of Karelian embroidery. Describing a kind of embroid

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Mamatkulova, Saida, Rano Berdyeva, Irodakhon Obidova, Maftuna Khoshimova, Malohat Rakhmonova, and Bekzod Mominov. "The significance of creating embroidery patterns from art decoration techniques in the field of sewing - knitting." E3S Web of Conferences 538 (2024): 04002. http://dx.doi.org/10.1051/e3sconf/202453804002.

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In this article, in the direction of sewing in the light industry, which is developing year by year in our country, from the methods of artistic decoration, the creation of patterns of embroidery decoration based on new technologies and the demands of the times, the types of patterns that represent our nationality in embroidery, decorating clothes using embroidery in the current fashion, modern sewing machines about creating new and modern embroidery pattern is maintaine.

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Jin, Jing, and Quanyue Zheng. "Cantonese Embroidery Art Development and Technical Language Evolution-analysis Of the Transformation and Application of Nail Gold Embroidery in Fashion Design Cases." International Journal of Religion 5, no. 9 (2024): 1137–46. https://doi.org/10.61707/ywx0rd64.

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Nail embroidery is a typical technique of Cantonese embroidery, which is dominated by gold and silver thread, combined with techniques such as nailing, winding, winding, stabbing and padding, and forms a unique skill of embroidery school. This paper tries to combine the traditional embroidery technique with the fashion design in Cantonese embroidery and discusses the development path of traditional embroidery technique from the innovative application of technology and materials, the design of fashion structure and the aesthetic level of fashion series.

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Yang, Sujeong. "A New Trend of Korean Modern Embroidery, the Inflow and Development of Foreign Embroidery." Korean Journal of Art History 325 (March 31, 2025): 61–107. https://doi.org/10.31065/kjah.325.202503.003.

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Despite the transformation and development of embroidery in the Korean Peninsula during the modern era, largely influenced by the introduction of foreign embroidery styles from the late 19th century, research has predominantly focused on Japanese embroidery. However, various historical records and surviving artifacts suggest that multiple foreign embroidery traditions were introduced during this period, necessitating a reconsideration of the existing perspective. Notably, in 1888, French nuns from the Congregation of the Sisters of St. Paul of Chartres, which had its headquarters in France, ar

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Wang, Yafei. "The Digital Interactive Display Design of Intangible Cultural Heritage Lu Embroidery Technology." Frontiers in Humanities and Social Sciences 4, no. 11 (2024): 140–46. https://doi.org/10.54691/9akvpv57.

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Lu embroidery is one of the eight famous embroidery styles with rich technical value and cultural connotations. Yixian embroidery is the most traditional and historically significant form of embroidery in the history and development of Lu embroidery. In 2021, Lu embroidery was listed as a national intangible cultural heritage, and the rapid development of digital technology has provided new forms for the protection and inheritance of Lu embroidery. This article takes traditional Lu embroidery as the research object and uses digital technology to analyze and display it, in order to protect and

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Sari, Anggun Kurnia, Wirdatul Aini, and Jalius Jalius. "Hubungan antara Internal Locus of Control dengan Minat Berwirausaha Alumni Pelatihan Bordir di LKP Muslimah Group." KOLOKIUM: Jurnal Pendidikan Luar Sekolah 6, no. 1 (2018): 39–53. http://dx.doi.org/10.24036/kolokium-pls.v6i1.5.

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This research is motivated by the low interest of entrepreneurship of alumni of embroidery training at Lembaga Kursus Pelatihan (LKP) Muslimah Group of Solok City. This is allegedly due to lack of internal locus of control of embroidery alumni training. The purpose of this study is to describe (1) internal locus of control of embroidery alumni training, (2) interest in entrepreneurship of embroidery training alumni, and (3) relationship between internal locus of control with interest in entrepreneurship of embroidery training alumni. This type of research is correlational quantitative research

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Gil, Ignacio, Raul Fernández-García, and José Antonio Tornero. "Embroidery manufacturing techniques for textile dipole antenna applied to wireless body area network." Textile Research Journal 89, no. 8 (2018): 1573–81. http://dx.doi.org/10.1177/0040517518770682.

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This paper addresses the design, simulation, manufacturing, and experimental test of textile dipole antennas based on advanced embroidery techniques. The proposed dipoles are intended to operate at the 2.45 GHz industrial scientific and medical radio band for wireless body area network applications. Two medium stitch density embroidery patterns have been studied, satin fill and contour fill, implemented according to the ISO 4915:1991 301 stitch type standard. The impact and viability of these embroidery techniques over the dipole performance in cotton and felt textile substrates are reported.

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Ning, Jun, Tuerxun MaiDiNaiMu, Yang Liu, and Limin Duan. "Interpretation of the harmony culture phenomenon of Hami Uyghur embroidery patterns from the perspective of the Silk Road." Advances in Education, Humanities and Social Science Research 1, no. 3 (2023): 158. http://dx.doi.org/10.56028/aehssr.3.1.158.

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This article takes the Hami Uyghur embroidery patterns from the perspective of the Silk Road as the research object，explore the embodiment of harmony thought of Chinese traditional culture in Hami Uygur embroidery patterns. Through field investigation, literature analysis, analytical induction to systematically orders and studies the embroidery patterns of Hami Uygur, further summarizes the cultural causes of embroidery patterns and the harmonious cultural phenomenon. The research shows that: Hami Uygur embroidery patterns of the skills, themes and forms are reflected in the thought of harmony

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Zhang, Yuwen. "Research on the Teaching and Learning of Traditional Gold and Silver Color Embroidery Technique for Out-of-school Education -- Taking the Design of Practical Activities of "Inheritance and Innovation of Gold and Silver Color Embroidery" as an Example." Journal of Educational Theory and Management 2, no. 2 (2018): 55. http://dx.doi.org/10.26549/jetm.v2i2.730.

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Gold thread embroidery is a process in which gold and silver platinum paper are wound on a silk thread to form gold and silver threads, which are then discarded into various patterns or contour lines, and then colored lines are used to fasten the pattern lines on the base material. Gold thread mbroidery has a long history as a representative embroidery skill in traditional embroidery techniques. It has complex techniques and deep deposits. Due to the particularity of its materials and techniques, it is faced with many problems in its inheritance in the off-campus education. This paper discusse

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Amal, Owais Saber Abdelkader. "Material Technology And Its Impact On Organizational And Plastic Relations In The Design Of Embroidered Work." Multicultural Education 9, no. 3 (2023): 149. https://doi.org/10.5281/zenodo.7787326.

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<em>One of the most important influences that are closely related to art in general and to the art of embroidery are those that originate from the changes that are illustrated in the permanent and continuous development of materials and their plastic and technical capabilities. Thus, the person in charge of the embroidery process, whois in pursuit of the products of these modern techniques, discovers a lot and selects he deems most appropriate to achieve his creative goals and ambitions.</em> <em>The plastic art work is a chronotopic ( spatio-temporal work), that is, it combines time and space

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Li, Min, and Xiaoyan Zhang. "Research on the Application of Traditional Embroidery Technology in Modern Jewelry Creation." Journal of Arts and Humanities 6, no. 10 (2017): 07. http://dx.doi.org/10.18533/journal.v6i10.1274.

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Tradition and modernity are the eternal topics of art, especially in the age of information.Efficient mechanical production methods to improve the traditional jewelry production process, which achieved the demand for mass production of jewelry.However, with the development of society and the progress of science and technology, many traditional arts and crafts are lost.From the traditional culture, this paper analyzes the work of embroidery jewelry by studying the traditional Chinese embroidery culture and technique, summarizes the traditional embroidery technology and modern jewelry design tec

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Zhang, Lekai, Ming Li, Lingyan Zhang, Xiaojian Liu, Zhichuan Tang, and Yingfan Wang. "MasterSu: The Sustainable Development of Su Embroidery Based on Digital Technology." Sustainability 14, no. 12 (2022): 7094. http://dx.doi.org/10.3390/su14127094.

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Su embroidery, as an intangible cultural heritage of China, is a treasure accumulated by human civilization, but it has been gradually fading from people’s view in recent years. To handle the problems of slow creative output, high learning difficulty, and low production efficiency, and to promote the sustainable development of Su embroidery, this study builds an automatic generation system of Su embroidery called MasterSu, based on the CorelDraw platform. The system can automate the generation of embroidery sketches through area texture filling and color recognition, which allows users to part

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Choirunnisa, Nabila Rahmaniar, and Marissa Cory Agustina Siagian. "Application of Embroidery and Beading Techniques to Woven Fabrics Lurik with Gunungan Motifs on Fashion Products." KnE Social Sciences 10, no. 1 (2025): 30–36. https://doi.org/10.18502/kss.v10i1.17847.

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Embellishment is a technique of decorating the fabric’s surface that is usually applied to the product to make it look more attractive or beautify its fashion. Embellishment techniques are often used in embroidery and beading. The material used in this technique is usually just thread embroidery and uses various types of plastic beads, sequins, glass, and natural materials such as stones and shells. In the 15th century in Byzantium, art embroidery was something luxurious, so only certain people could afford it. In Indonesia, the beading technique is used as a decorative object in clothing that

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Putri, Aqilah, and Dina Ampera. "Analysis of Embroidery and Sequin Decoration Results on Party Dresses by Fashion Designer Riki Damanik." Edu Cendikia: Jurnal Ilmiah Kependidikan 5, no. 01 (2025): 247–53. https://doi.org/10.47709/educendikia.v5i01.5630.

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This study aims to determine the embroidery and sequin decoration techniques on party dresses at the Riki Damanik boutique. The method used is the Qualitative Research Method. The data collection tools used are interviews and observations. The results of the study indicate that the embroidery and sequin decoration techniques applied at the Riki Damanik Boutique combine manual and machine processes to produce clothes with an elegant and exclusive appearance. The embroidery and sequin decorations applied not only function as aesthetic elements but also add to the durability of the party dress. T

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Xiao, Hua, Shijun Xu, Cong Zeng, Ling Li, and Xiaochen Wang. "Research on innovation of backbasket throwing embroidery ball supported by biomechanics and information technology." Molecular & Cellular Biomechanics 21, no. 4 (2024): 587. https://doi.org/10.62617/mcb587.

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Objective: This study aims to inherit the national sports culture of throwing embroidered balls, combine technological innovation with the application of technological information, improve the competitive level and competition management level of the backbasket throwing embroidered ball. Method: Utilizing methods such as literature review and mathematical statistics to elucidate the evolutionary history of embroidered ball culture, analyze the development process of the backbasket throwing embroidery ball sport and throwing technology using biomechanics; Research innovative throwing techniques

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Li, Yuhang. "Embroidering Guanyin: Constructions of the Divine through Hair." East Asian Science, Technology, and Medicine 36, no. 1 (2012): 131–66. http://dx.doi.org/10.1163/26669323-03601005.

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Hair embroidery was a particular technique practiced by lay Buddhist women to create devotional images. The embroiderers used their own hair as threads and applied them on silk to stitch figures. This paper will analyze the religious connotation of hair embroidery, the ritual process and the techniques for making hair embroidery in the Ming (1368-1644) and Qing (1644-1911) dynasties. By tracing its appearance in both literary texts and actual surviving objects, this essay will ask how and in what circumstances human hair was applied to embroidery? What was the significance of transferring one’

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Xu, Shuai, Longdi Cheng, Yunying Liu, and Lan Ge. "Individuality in Commonality: A Comparative Study of Su Embroidery and Gu Embroidery Based on Online Retrieval of Museum Collections." Asian Social Science 19, no. 4 (2023): 12. http://dx.doi.org/10.5539/ass.v19n4p12.

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As traditional handicrafts in the south of the Yangtze River, Su embroidery and Gu embroidery are closely related to each other due to their geographical proximity, mutual exchange of embroidery techniques and similar cultural backgrounds. In recent years, there has been considerable research on the historical origins and relationship between the two, but no unified conclusion has been formed. Through the combination of quantitative statistics of online collections in domestic museums and qualitative analysis of literature records, following the idea of &ldquo;deconstruction - research - r

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Brovarets, Tetiana. ""I GREW UP ALONE, LIKE A HERB IN THE FIELD, AND GOD GAVE ME NEITHER HAPPINESS NOR FATE... WITHOUT A FATE, I LIKE A FLOWER IN THE FIELD...": REGARDING THE CONTAMINATIONS OF SHEVCHENKO'S POEMS IN EMBROIDERED EPIGRAPHY." Shevchenko Studies, no. 1 (27) (2024): 42–59. https://doi.org/10.17721/2410-4094.2024.1(27).1/42-59.

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The article is devoted to the contaminations of folklorized Shevchenko's poetry in Ukrainian epigraphic embroidery. These are mainly rushnyks from the end of the 19th till the first half of the 20th century. The prototexts of inscriptions embroidered on them were lines from poetic texts that were actively used in oral folk culture. The source base of the research is the Interactive electronic index of folklore formulas (Epigraphic embroidery) (https://volkovicher.com/; the password: 2707), which was developed by the author in 2016 and has been continued to be supplemented with new materials to

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Liu, Yong Qing. "The Material and Technology of the Chu Embroidery." Advanced Materials Research 796 (September 2013): 527–31. http://dx.doi.org/10.4028/www.scientific.net/amr.796.527.

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The Material and Technology of the Chu Embroidery which, in the Spring and Autumn Period, is a Shining Pearl in Chinese Traditional Decorative-Arts Treasury Plays a Vital Role in the Chu Embroidery System. it is Not only a Crucial Support for its Art Level but also a Reflection of the Advanced Embroidery Production Technology in Chu for the Time. the Article Firstly Analyzes the Characteristics of Backing Fabric Used in Chu’s Embroidery which is Different from that of Previous Dynasties, which can Reflect the Blooming in Silk Industry in Chu. the Art of Embroidery just make Silk Industry Bette

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Yuliana, Wina, Rini Endah Sugiharti, and Yudi Budianti. "PELATIHAN KETERAMPILAN MENYULAM BAGI SISWA MADRASAH ALIYAH AL- ALAWIYAH KRANJI, BEKASI." An-Nizam 1, no. 2 (2022): 52–58. http://dx.doi.org/10.33558/an-nizam.v1i2.3894.

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This training activity aims to increase creativity in the embroidery skills of the students of Madrasah Aliyah Al-Alawiyah Kranji. This activity was carried out offline for 3 days on 22-25 February 2022 with a training method. With embroidery skills training for 11th grade students of Madrasah Aliyah Al-Alawiyah Kranji, students can learn basic techniques in embroidery, develop creative and innovative ideas in designing or drawing patterns on fabrics before embroidering. In addition, the work of this embroidery skill can be sold to improve the economy of the surrounding community.

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Lee, Yi-Chin, and Daniel Cardoso Llach. "Hybrid Embroidery: Exploring Interactive Fabrication in Handcrafts." Leonardo 53, no. 4 (2020): 429–33. http://dx.doi.org/10.1162/leon_a_01931.

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This paper presents Hybrid Embroidery, a framework for interactive fabrication that leverages computational methods to broaden the possibilities of the craft of embroidery. Combining embroidery techniques, generative design methods, computer vision and a computerized embroidery machine, we show how this framework elicits a variety of innovative fabrication experiences that emphasize open-ended exploration, improvisation and play. The paper documents this framework, a series of sample results, challenges and next steps. It further outlines some of its implications for supporting creative explor

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SOFRONOVA, DANIELA, and RADOSTINA A. ANGELOVA. "Classification of digital stitch lines in machine embroidery." Industria Textila 72, no. 05 (2021): 538–44. http://dx.doi.org/10.35530/it.072.05.202017.

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Despite the large application of the machine embroidery in textile and apparel design and high-tech clothing items, there is а lack of systematic arrangement of the digital stitch lines, used by embroidery machines and embroidery designers. Since 2010 information on embroidery stitch lines could be mostly found in the web sites of the embroidery machine manufacturers and software product manuals. However, in the instruction manuals the instruments for creating various embroidery objects are simply described without providing systematic information on the types of the stitch lines. Even more, d

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Masdupi, Erni, Rosyeni Rasyid, and Rahmiati Rahmiati. "PKM Pengembangan Bisnis Sulaman Sebagai Industri Kecil Keunggulan Daerah dan Budaya Minang Kabau Di Kanagarian Panampuang Kabupaten Agam Sumatera Barat." Jurnal Ecogen 1, no. 4 (2018): 1014. http://dx.doi.org/10.24036/jmpe.v1i4.5746.

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The embroidery business is a business that has been hereditary in the village of Ampek Angkek, Agam Regency, West Sumatra Province. But in its development this business still faces several obstacles such as the motives, design, and diversification of embroidery products that are still limited, besides that there has not been a common goal in quality among craftsmen as business owners with their sewing children. Therefore the purpose of this activity is to increase the knowledge and skills of embroidery business partners in developing variations in motifs, designs, and diversification of embroi

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KONDRATENKO, M., and V. TYTARENKO. "FROM THE HISTORY OF «WHITE ON WHITE» EMBROIDERY IN POLTAV REGION." Pedagogical Sciences, no. 81 (October 20, 2023): 134–39. http://dx.doi.org/10.33989/2524-2474.2023.81.289406.

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The article tells about the history of embroidery art «white on white» in the Poltava region, the work of specialized artisans, cooperatives and factories. Unrepeatable technical features of embroidery, artistic and expressive means of ornamental compositions are revealed. About how embroidery with «ball» was reflected in Ukrainian folk songs. The creativity of the embroiderers who worked in the Reshetyliv region gained general recognition, and the modern carriers of the «white on white» embroidery technology are also discussed. In her work, the craftswomen use traditional techniques and moder

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Liu, Wenlin. "Optimization of an Innovative Design System for Han Embroidery Dresses Based on Image Matching Method." International Journal of e-Collaboration 20, no. 1 (2024): 1–17. http://dx.doi.org/10.4018/ijec.357643.

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With cultural confidence emerging as a significant trend in national development, this study underscores the importance of comprehending the cultural essence of Han embroidery attire. Understanding and advancing Han embroidery not only enriches its heritage but also elevates its cultural prominence and fosters the training of future custodians. Through an examination of the historical trajectory of Han embroidery, this paper introduces an innovative design approach grounded in multimedia information gathering techniques. By advocating for increased attention to Han embroidery elements in attir

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Liu, Ying, and Sastra Laoakka. "Digital Education: The Inheritance and Development of Chinese Shu Embroidery Culture." International Journal of Education and Literacy Studies 13, no. 2 (2025): 287–93. https://doi.org/10.7575/aiac.ijels.v.13n.2p.287.

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Sichuan embroidery, as one of China's traditional intangible cultural heritages, is renowned worldwide for its exquisite craftsmanship, profound cultural connotations, and unique artistic value. However, in the face of the impacts of modernization and globalization, the inheritance and development of Sichuan embroidery are facing numerous challenges. This article focuses on the digital preservation and innovation of Shu embroidery patterns, exploring the development model of Shu embroidery, a cultural heritage of Sichuan, by introducing artificial intelligence knowledge graphs and AIGC (Genera

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Maskiell, Michelle. "Embroidering the Past: Phulkari Textiles and Gendered Work as “Tradition” and “Heritage” in Colonial and Contemporary Punjab." Journal of Asian Studies 58, no. 2 (1999): 361–88. http://dx.doi.org/10.2307/2659401.

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While the men worked in the fields in the wine-like [winter] air, the women sat in the afternoon sun spinning and embroidering while they sang together, before starting to cook for their men. They embroidered phulkaris….” (Tandon 1968, 65). These stereotypes of feminine and masculine work in Prakash Tandon's memory book Punjabi Century illustrate dominant literary representations of economic production in Punjab, a province of the British Raj from the mid-nineteenth century until it was partitioned between independent India and Pakistan in 1947 (see fig. 1). Many Punjabi women used phulkari (l

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Rahmidani, Rose. "Potency of Creative Industry Embroidery and Weaving in West Sumatera in Developing the Common Economy." Jurnal Inovasi Pendidikan Ekonomi (JIPE) 10, no. 1 (2020): 08. http://dx.doi.org/10.24036/011083620.

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The aims of this research are: 1) to describe the portrait of embroidery and weaving business in absorbing workforce in West Sumatera, 2) Exploring and formulating problems as well as mapping the needs assessment of embroidery/embroidery creative industry and Minangkabau weave. Population in this research is the entire business unit of embroidery and weaving industry in West Sumatera spread in Padang Pariaman, Agam, Tanah Datar, Sawahlunto, Padang, Payakumbuh, Bukittinggi and Pariaman, the sample is 93 business units spread in 8 regencies and cities above. This study uses a qualitative method.

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Mahmudah, Fitriah, and Yusmerita Yusmerita. "Case Study of Embroidery Craft Application in Barung-Barung Balantai, Koto XI Tarusan Subdistrict, South Pesisir Regency, West Sumatra: Gus Fitri's Embroidery House." Artchive: Indonesia Journal of Visual Art and Design 5, no. 1 (2024): 1. http://dx.doi.org/10.53666/artchive.v5i1.4111.

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This study aims to describe the motifs and techniques of embroidery application at Gus Fitri's Embroidery House, Barung-Barung Balantai, Koto XI Tarusan Subdistrict. The research method used is descriptive qualitative, with primary data obtained through direct interviews with the owner and workers at Gus Fitri's Embroidery House. Data collection was conducted through interviews, observations, and documentation, with data validity verified through triangulation and member checks. Data analysis was carried out through data reduction, data presentation, data verification, and conclusion drawing.

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