Thematische Bibliographien / Moon worship in art

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Moon worship in art“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Moon worship in art"

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முனைவர், தி. பரிமளா /. Dr T. Parimala. "அருள்மிகு ஸ்ரீ கோணம்மாள் அம்மன் வரலாறும் திருவிழாக்களும் (கருப்பட்டி கிராமம்) / Arulmigu Sri Konammal Amman History and Festivals (Karuppatti Village)". பாண்டியன் கோவில் கலைகள் தமிழ் ஆய்விதழ் / Pandian Tamil Journal of Temple Studies 2, № 1 (2021): 27–45. https://doi.org/10.5281/zenodo.5802640.

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<em>Man feared the power of nature and was created to worship nature as God. Worship of deities expanded as village deities, tribal deities, and other deities. Village deities and clan deities are idols. They are not related to the Gods of the Vedas claim. These do not have large buildings, untimely Pujas or big Festivals. This local idolatry is just opposite to a normal one. These deities belong to a clan or a group of people with a small temple and other patterns related to the big temples. It can be called ancestral worship. The deities are revered for their good nature. People crowded ther
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Tomotari, Mikako. "A Study of the Buddhist Stone Reliefs of Mt. Hiko and the Influence of Shugendo in the Kyushu Region." Religion and the Arts 21, no. 4 (2017): 459–89. http://dx.doi.org/10.1163/15685292-02104001.

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Shugendo, which prospered during Japan’s Middle Ages, valued ascetic practices and fused mountain worship with Taoism, Shinto, Buddhism, Animism, astronomy, and medicine. However, since it was transmitted via oral tradition from one generation to the next, limited evidence can be found. Therefore, this essay analyzes 3D imaging data of stone reliefs found at Mt. Hiko, located in the Kyushu region of Japan, to discern whether the carvings depict certain deities and how the Sanskrit characters found in the moon circles represent Shugendo thinking. In addition, it examines how the influence of Sh
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Kuzmina, A. A. "Concept of the Moon in the Yakut Language World View." NSU Vestnik. Series: Linguistics and Intercultural Communication 21, no. 3 (2023): 106–17. http://dx.doi.org/10.25205/1818-7935-2023-21-3-106-117.

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The article defines the concept of the moon in the traditional Yakut world view at the levels of language, myth and ritual. It is common knowledge that the Yakuts are the northernmost Turks who have largely preserved the mental representations of the Southern Siberia Turks’ ethnocultural heritage. National world view features in the nominations of the concept moon related to space and time cultural paradigm, representing the mythopoetic picture of the world, have been established. The archaic features of this concept, set phrases, and oral folk art have been considered. The relevance of this r
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Rajaraman, A. "Aries Lagna Impacts on Yoga for Foreign Visit." International Journal for Research in Applied Science and Engineering Technology 9, no. 10 (2021): 113–16. http://dx.doi.org/10.22214/ijraset.2021.38360.

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Abstract: The history of any art is the basic nail root. In ancient times humans were first seen as the basis of omens and then began to worship the planets as deities due to the effects of the rages of nature. They then began to observe the changes in nature caused by the planets and the consequences. As a result of such research, the planets Sun, Mars and Saturn were divided into evil planets and the planets Moon, Mercury, Guru and Venus were divided into virtuous planets. Based on this they have been doing continuous study of people for centuries. The effects of planetary influences on this
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Raibediuk, Halyna. "The pagan world of Ukrainians in the scientific concept of Ivan Ohiienko and in the poetry of Irina Kalinets: typological aspects." IVAN OHIIENKO AND CONTEMPORARY SCIENCE AND EDUCATION SCHOLARLY PAPERS PHILOLOGY, no. 18 (December 29, 2021): 84–96. http://dx.doi.org/10.32626/2309-7086.2021-18-2.84-96.

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The proposed article explores the ways of timeless communication of the au-thor’s consciousness of Ukrainian theologian Ivan Ohiienko and dissident writer Iryna Kalynets, clarifi es the intersections of their refl ections on the pre-Christian life of the Ukrainian people, characterizes the typology of transposition of pagan world and folklore-mythological narrative versions of the poetess. The similarity of views of both representatives of the analyzed discourse on the animistic world-view and mentality of Ukrainians is revealed, the integral meaning of their de-clared concepts of its pre-Chri
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Ramadan Mohmed Ahmed Harec, Ahmed, Ahmed Fathi Ramadan Abdel Gayed, Ragab Abou Maliha Mohamed Soliman, Umair Bin Yusoff, and Shukiriat Bint Ismail. "THE PROBLEM OF USING ASTRONOMICAL CALCULATIONS TO DETERMINE THE LUNAR MONTHS." International Journal of Advanced Research 13, no. 05 (2025): 239–45. https://doi.org/10.21474/ijar01/20898.

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The sighting of the crescent moon is considered one of the scientific issues of importance in Islamic law, as many of the rulings of worship are linked to it. Fasting is not achieved without the sighting of the crescent moon of Ramadan, and it does not end without the sighting of the crescent moon of Shawwal. Similarly, the rituals of Hajj are linked to the sighting of the crescent moon of Dhul-Hijjah, and other acts of worship begin and end based on the sighting of the crescent moon. From here, the importance of studying the effect of astronomical calculations on the sighting of the crescent
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Ni Made Adnyani. "YOGA CHANDRA TRADISI WATUKARU." Veda Jyotih: Jurnal Agama dan Sains 2, no. 1 (2023): 31–39. http://dx.doi.org/10.61330/vedajyotih.v2i1.51.

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For a Sanatani, to understand the symbolic manifestation of Lord Śiva and his attributes, which is crowned with a crescent moon called Ardha Chandra. This crescent moon has the meaning that a devotee must develop the qualities of the heart which are the crown of a human being. The crown of man lies in his character. Having the character of the moon helps humans achieve happiness (Jagadhita). The development of the Soma (Chandra) element in the body can be obtained by practicing Asana, Pranayama and Mudra. The aims are to know the types of Yoga Chandra in the Watukaru tradition; 2) to know the
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Rameshkumar, M. "Kanniyamman Worship of Irulas." Shanlax International Journal of Tamil Research 6, no. 3 (2022): 46–52. http://dx.doi.org/10.34293/tamil.v6i3.4623.

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Irulas are identified by their dark bodies (Black). The word ‘Erular’ is the oldest form of them. In this word changed in to ‘Irula’ in the medial period. They are live in the Coimbatore area and also the neighboring states of Tamil Nadu. Irulas worshipped nature and their ancestors lived as nomads. The people of Irula community had their own beliefs, traditional stories, festivals and rituals even now they observe their believes. Tell the stories celebrate the festivals and perform rituals. They have several gods according to their community as family deity. However, the festival of Kanniyamm
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I., Karthick. "சாக்த மார்க்கம் போற்றும் பெண்மையின் சிறப்பு / The Virtues of Femininity Eulogized in Shakta Religion". Pandian Journal of Women's Studies 5, SPL 1 (1) (2025): 94–99. https://doi.org/10.5281/zenodo.14744609.

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<em>Puranas say that there are six religions in the Hindu religion. They follow six sects namely Sauram, Ganapatyam, Saivam, Vaishnavam, Saktam and Kaumaram.&nbsp; Among these, Saktam leads Ambigai worship. Shakthars are the people who worship the mother who is the feminine form of Lord Shiva. These sects worship deities like Parvati, Meenakshi, Kamakshi, Abhirami, Kali etc. as various forms of Goddess Shakti. The trust of this sect is that femininity is the source of everything. Abirami Pattar is one of the very notable devotees of Goddess Abirami. His real name was Subramania Iyer and was bo
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Levin, Michael. "Stove on Gene Worship." Philosophy 68, no. 264 (1993): 240–43. http://dx.doi.org/10.1017/s0031819100040286.

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David Stove's sarcastic dismissal of sociobiology rests on a false dilemma.Cuckoos lay their eggs in reed-warbler nests, and the large gape of cuckoo chicks so readily triggers the feeding reflex of the adult warbler that the warbler chicks go underfed. However, argues Stove, the cuckoos (or the cuckoos' genes) are ‘manipulating’ the warblers, getting them to feed cuckoo chicks, only if the cuckoos (or their genes) consciously intend their behaviour to have this effect: ‘The moon causally influences the tides, but it cannot manipulate them…. [C]ausal influence plus resulting advantage are not
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Dissertationen zum Thema "Moon worship in art"

1

Bruneel, Benjamin. "Art and worship in Zwinglian theology." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p001-1141.

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Andes, Derek. "Aiming for the moon." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2811.

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Lindloff, Aaron. "Filmic icons a new art for worship /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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Chan, Brian S. "The beauty of God and the art of worship." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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Wheeler, Geraldine Jean, and res cand@acu edu au. "Visual Art, the Artist and Worship in the Reformed Tradition: a Theological study." Australian Catholic University. School of Arts and Science, 2003. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp41.29082005.

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The Reformed tradition, following Zwingli and especially Calvin, excluded images from the churches. Calvin rejected the sacred images of his day as idolatrous on the grounds that they were treated as making God present, that the necessary distinction between God and God’s material creation was not maintained, and because an image, which rightly was to be mimetic of visible reality, could not truthfully depict God. Calvin approved the Renaissance notion of visual art as mimetic and he understood that artists’ abilities were gifts of God and were to be used rightly. He also had a very keenly dev
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Wheeler, Geraldine Jean. "Visual art, the artist and worship in the reformed tradition: A theological study." Phd thesis, Australian Catholic University, 2003. https://acuresearchbank.acu.edu.au/download/7a85d31b1c9476484a69531911e2175cf79ca2efa6189409929d3dab9464aeba/2599523/Wheeler_2003_Visual_art_the_artist_and_worship.pdf.

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The Reformed tradition, following Zwingli and especially Calvin, excluded images from the churches. Calvin rejected the sacred images of his day as idolatrous on the grounds that they were treated as making God present, that the necessary distinction between God and God’s material creation was not maintained, and because an image, which rightly was to be mimetic of visible reality, could not truthfully depict God. Calvin approved the Renaissance notion of visual art as mimetic and he understood that artists’ abilities were gifts of God and were to be used rightly. He also had a very keenly dev
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Prokop, Carol Ann. "Written in stone : a comparative analysis of Sedna and the Moon Spirit as depicted in contemporary Inuit sculpture and graphics." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29052.

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Traditional mythological themes have been repeatedly depicted in contemporary Inuit art since the late 1950s. This thesis examines the portrayals of the female sea spirit or Sedna and the male moon spirit in sculpture and graphics by contemporary Inuit artists from three Arctic art "communities": Baker Lake, Cape Dorset and Povungnituk. Analysis of the mythological depictions has led me to conclude that artists have tended to employ two distinct styles of illustration to represent these deities. These two types are iconic and narrative. Introduced by the first generation of contemporary Inuit
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Mahan, Kevin Paul. "It was and It isn't a rhetorical exploration of simulacra in emerging church vintage worship /." Lynchburg, Va. : Liberty University, 2008. http://digitalcommons.liberty.edu.

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Hughes, Patricia J. "A study of Built of living stones art, architecture and worship, in the light of practical theology /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Thesis (D. Min.)--Catholic Theological Union at Chicago, 2003.<br>"This study is intended for those who assist a parish in building or renovating a worship space. The context is situated in the U.S. Catholic parishes in the twenty-first century ..."--Leaf xviii. Vita. Includes abstract. Includes bibliographical references (leaves 128-136).
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Rigby, John. "Get the picture without a sermon : Enhancing a congreation's work and worship through (re)visioning the church - art relationship." Thesis, Federation University Australia, 2014. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/81605.

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The church, throughout its history and motivated by the teachings of the Bible, has sought to assist people in finding meaning and direction in life. To this end it has used visual art to help people understand its message and increase people’s openness to the Bible’s redemptive story. After the Reformation, the emergent Protestant church had a more tenuous relationship with visual art, giving priority to oral forms of communication. Many small protestant congregations in current multi-faith Australia have little relationship with visual art and struggle to convey their message to the Australi
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Bücher zum Thema "Moon worship in art"

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Dawtry, Anne. Art and worship. SPCK, 2002.

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Anne, Dawltry, ed. Art and worship. Liturgical Press, 2002.

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Klāng, Thailand Kō̜ng Tawanʻō̜k, ed. Muslim worship sites in Thailand. Middle East Division, Department of South Asian, Middle East, and African Affairs, Ministry of Foreign Affairs, 2001.

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Neruda, Pablo, 1904-1973, writer of supplementary textual content, Smil, Vaclav, writer of supplementary textual content, Durand, Marcella, writer of supplementary textual content, et al., eds. Beneath a petroliferous moon. Mendel Art Gallery, 2013.

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Natan, Yoel. Moon-o-theism: Religion of a war and moon god prophet. Y. Natan, 2006.

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Craddock, Ida C. Lunar and sex worship. Teitan Press, 2010.

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Jarman, Mark, and Enid Mark. The inconstant moon: Poems to the moon. ELM Press, 2007.

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Pak, Mi-yŏn. Moon Kyung: Fine art exhibition 1997. [publisher not identified], 1998.

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Mishra, Rajani. Brahmā-worship, tradition and iconography. Kanishka Pub. House, 1989.

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Mishra, Rajani. Brahmā-worship, tradition and iconography. Kanishka Pub. House, 1989.

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Buchteile zum Thema "Moon worship in art"

1

George, Jacqui, and Matt Ball. "The Moon on a Stick." In The Art of Collaboration. Routledge, 2025. https://doi.org/10.4324/9781003512769-4.

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Bruno, Cosima. "Dog barking at the moon." In Translating Chinese Art and Modern Literature. Routledge, 2019. http://dx.doi.org/10.4324/9781351001243-9.

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Stambaugh, Tamra, and Emily Mofield. "Inspiration in Moon Art and Poems." In Space, Structure, and Story. Routledge, 2021. http://dx.doi.org/10.4324/9781003238102-11.

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Kimber, Gerri. "Sun, Moon and Sea Imagery." In Katherine Mansfield and the Art of the Short Story. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137483881_13.

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Cooke, Jennifer. "The Far Side of the Moon." In Millard Meiss, American Art History, and Conservation. Routledge, 2020. http://dx.doi.org/10.4324/9780367138356-3.

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Deguchi, Yasuo. "Art. X.—Bishop Wilkins's Voyage to the Moon." In The Retrospective Review Vol 8. Routledge, 2024. http://dx.doi.org/10.4324/9781003577737-19.

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Rosson, Lois, and Ron Miller. "Space Art as a Modern Movement: From the Moon to Today." In The Beauty of Space Art. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49359-2_5.

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Miller, Ron. "The Spreading of Astronomical Art: World War II to the Moon Landings." In The Beauty of Space Art. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49359-2_4.

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Childs-Johnson, Elizabeth, and John S. Major. "Institutionalized Ancestor Worship and Metamorphic Imagery in the Shang Period." In Metamorphic Imagery in Ancient Chinese Art and Religion. Routledge, 2023. http://dx.doi.org/10.4324/9781003341246-6.

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Cota, Cristina. "“First Man” and a Theremin Going to the Moon." In Representations of the Moon in Literature and Art. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-66104-4_9.

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Konferenzberichte zum Thema "Moon worship in art"

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Sitnikova, Anna, Elizaveta Glukhova, and Lejla Sarcevic. "Moon Gallery: Final Open Call and Roadmap Towards Implementation of the First Art Gallery on the Moon." In IAF Space Education and Outreach Symposium, Held at the 75th International Astronautical Congress (IAC 2024). International Astronautical Federation (IAF), 2024. https://doi.org/10.52202/078378-0076.

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Baclea, Gabriel-Victor, Alin Ionica, and Ion Croitoru. "THE BEAUTY OF CREATION GUIDES US TO GOD!" In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/s09/72.

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This study investigates the teachings of Saint Porphyrios the Kafsokalivite on how the appreciation of beauty in creation can lead believers closer to God. Despite his lack of formal theological training, Saint Porphyrios offered profound experiential insights into divine beauty manifest in nature, art, and music. He passionately argued that the beauty surrounding us is a reflection of divine grace, urging believers to perceive these manifestations as direct links to the Creator. Saint Porphyrios highlighted the spiritual dimensions of beauty, fostering gratitude and reverence for God�s gifts.
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Li, Zoe Qi-Jing. "I Tell the Moon My Secret and the Moon Tells Me Yours." In SIGGRAPH Art Gallery '24: ACM SIGGRAPH 2024 Art Gallery. ACM, 2024. http://dx.doi.org/10.1145/3641523.3665171.

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Martino, Jacquelyn. "Without a special object of worship." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. ACM Press, 1996. http://dx.doi.org/10.1145/253607.253636.

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Tao, Jian. "Humanity Consideration From the Perspective of Money Worship." In 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200709.039.

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Welihozkiy, Andrew. "Why cows go moon." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.313113.

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Tjandradipura, Carina, Imam Santosa, and Gregorius Adhitama. "The Role of Light in The Worship Space In Culture and Religion Context." In International Conference on Aesthetics and the Sciences of Art. Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338649.

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Wang, Weiduo. "The Gaze of Icon. The Eye Worship in Primitive Belief and Its Expressions in Plastic Arts." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.106.

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Gabysheva, Luiza. "THE SUN AND THE MOON IN TURKIC PEOPLES FOLKLORE FORMULAS: ORIENTATION PROJECTIONS." In 8th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscah.2021/s10.25.

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Chen, Hongyu, Neng Zhao, and Ru Jia. "A Study of the Spread and Evolution of the Yi Moon Jumping Ritual in Yunnan." In 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220502.051.

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