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Zeitschriftenartikel zum Thema "Philosophy, Italian. [from old catalog]"

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Loporcaro, Michele, Vincenzo Faraoni, and Francesco Gardani. "The third gender of Old Italian." Diachronica 31, no. 1 (2014): 1–22. http://dx.doi.org/10.1075/dia.31.1.01gar.

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We demonstrate that Old Italian had a three-gender system within which the neuter still qualified as a fully fledged gender value. To substantiate this claim, we adduce evidence showing that (a) Old Italian had three distinct sets of controllers, each of which selected a separate agreement pattern; (b) to each one of those three controller sets, including the neuter, nouns were assigned belonging to different productive inflectional classes and (c) the neuter still selected at least one dedicated agreement formative, thereby still displaying traces of its original status as a target gender. Th
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Uvarov, Pavel. "Italian Bankers in France and Italian Wars." ISTORIYA 14, no. 1 (123) (2023): 0. http://dx.doi.org/10.18254/s207987840023946-9.

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At the last stage of the Italian Wars (1494—1559), the military, political and, most importantly, financial superiority of the Habsburgs over the Valois became quite obvious. The Spanish king could make use of silver which was already coming quite regularly and in large quantities from the mines of the New World. He controlled the old (Augsburg — Ulm) and new (Besançon — Piacenza) centres of banking capital, as well as the commercial and financial heart of the emerging world economic system — Antwerp. But King Henry II of France (1547—1559) launched a series of daring reforms, sometimes far ah
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GATTO, ROMANO, and LUCIANO CARBONE. "IL CARTEGGIO DEL FONDO SIACCI DELLA BIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA RENATO CACCIOPPOLI: DELL'UNIVERSIT FEDERICO II DI NAPOLI." Nuncius 12, no. 2 (1997): 443–46. http://dx.doi.org/10.1163/182539197x00816.

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Abstracttitle SUMMARY /title We present here the letters of the "Fondo Siacci" which was found recently while reorganising some papers from the old seat of the library at the Department of Mathematics "Renato Caccioppoli" of the University "Federico II" of Naples, in Via Mezzocannone 8. Grancing at these letters we discovered their interest to reconstruct various historical events of italian mathematics life in the 2nd half of the 19th century.
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Кравцова, Е. С. "Ideological Practices of Bolsheviks and the Publishing House "Academia" in the First Half of the 1930s." Диалог со временем, no. 82(82) (April 21, 2023): 124–38. http://dx.doi.org/10.21267/aquilo.2023.82.82.007.

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В статье рассматривается деятельность издательства «Academia» в первой пол. 1930-х гг. Выявляется, как в предисловиях к художественным произведениям итальянского Ренессанса, написанных большевиками (руководителями издательства) и «старыми специалистами» (переводчиками и историками), издатели-большевики, оставаясь в рамках советского культурного проекта по созданию нового человека, меняют его идеологическую парадигму: от идеи преодоления истории через создание и овладение новым художественным стилем, опираясь на наследие прошлых веков, к утверждению советского общества в истории через систему х
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Maslov, Artem. "“Italia… Longe Ante Tempora Diluvii Habitata Creditur”: The Most Ancient Past of Italy in the Latin Treatise “De Origine Urbium Italie” (from the Late 14th Century)." ISTORIYA 14, no. 7 (129) (2023): 0. http://dx.doi.org/10.18254/s207987840026936-8.

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The author analyzes information on the first settlement of Italy by the grandchildren of Adam in the unedited Latin work “De origine urbium Italie” dated from 1391. The appearance of the text is due to the transformation of ethnogenetic myths during the Late Middle Ages and, in particular, to the regular attempts of historians to connect the exploration of various Italian regions with activities of the biblical heroes or such mythic persons who are equally correlated with the Greco-Roman tradition and the Bible. From this point of view the key specific feature of “De origine…” is the interest
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Kieven, Elisabeth. "An Italian Architect in London: The Case of Alessandro Galilei (1691–1737)." Architectural History 51 (2008): 1–31. http://dx.doi.org/10.1017/s0066622x00003002.

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‘I will carry with me the best architect in Europe.’ With these bold words Robert, first Viscount Molesworth, announced to his wife his arrival in Ireland in the company of the young Italian architect and engineer Alessandro Galilei in May 1717. Lord Molesworth could not know that, twenty years later, Galilei would be indeed one of the best-known architects in Europe, after having built in Rome, to the order of Pope Clement XII Corsini (1730–40), the facade of San Giovanni in Laterano (St John Lateran), the Cappella Corsini in the same church and the facade of San Giovanni dei Fiorentini.Galil
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Marinozzi, Silvia, Daniela Messineo, Valentina Gazzaniga, and Silvia Iorio. "Public hygiene and funeral rituals during the Risorgimento: mummies and ashes." Medical Humanities 46, no. 4 (2020): 492–98. http://dx.doi.org/10.1136/medhum-2019-011721.

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Starting in 1865, regulations pursuant to public hygiene issued by the Unitary Government provided for administrative and political control of the funerary practice. Specifically, they regulated the management of cemeteries and the burials, increasingly drawing the funeral rituals from the control of the Church and of Catholicism, therefore secularising death for the construction of a new political religion. Hygiene became fundamental in order to promulgate cremation as a system of preserving the integrity of the bodies, preserving the ashes as a tangible and indestructible product of body mat
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Markov, Alexander V. "GIOTTO IN RUSSIAN POETRY: NEGATIVITY, DESIGN AND CONSTRUCTION OF SOCIETY." PHILOLOGICAL STUDIES 18, no. 1 (2020): 170–81. http://dx.doi.org/10.17072/1857-6060-2020-18-1-170-181.

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The perception of Giotto’s heritage in Russian literature and culture has always been directly linked not only with the concept of the Renaissance and the development of Western culture, but with a special interest in writing practice and in the ambition of the narrative presented as innovative style to create communities. The main topic of the poetic thought was the transition from community to society, in other words, from community to church, so Giotto's status as a genius was always supported with statements about other geniuses who directly, but rather indirectly, made this transition. De
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Mento, Carmela, Maria Catena Silvestri, Amelia Rizzo, et al. "Dreams, Sleep Quality, and Collective Trauma." Poligrafi 28, no. 109/110 (2023): 105–25. http://dx.doi.org/10.35469/poligrafi.2023.402.

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The aim of the current study was to explore the impact of the COVID-19 outbreak on the dreams of a group of Italian participants. A total of 403 individuals were recruited online through a cross-sectional survey on Moodle. The qualitative content of their dreams was analysed using the Dream Interview (TKYDQ), a tool created by Bulkeley. In addition, the Pittsburgh Sleep Quality Index (PSQI) was used to assess the quantitative aspects of dreams. From the results of our study, three macro-categories of content in the participants' dreams were identified: 1) dreams with phobic content; 2) dreams
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Grigor’eva, Nadezhda Ia. "Critique of the new hero in cinema (L.Visconti) and literature (F.M.Dostoevsky)." Vestnik of Saint Petersburg University. Language and Literature 18, no. 3 (2021): 444–59. http://dx.doi.org/10.21638/spbu09.2021.302.

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The article examines the philosophical basis of the figure of a new hero in literature and film. “New heroes” in selected literary and cinema works are compared within the context of existentialist philosophy and “philosophical anthropology”. Material for the comparative intertextual and intermedial analysis is the novel Demons by Fyodor Mikhailovich Dostoevsky and Luchino Visconti’s late films The Damned, Ludwig and Conversation Piece. The article attempts to broaden the intertextual horizon of research on Visconti by drawing new parallels between his films and Dostoevsky’s work. The work arg
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Bücher zum Thema "Philosophy, Italian. [from old catalog]"

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Harris, James. Hermes: Or, A philosophical inquiry concerning universal grammar. Routledge/Thoemmes, 1993.

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Ariosto, Lodovico. Orlando Furioso. The Floating Press, 2009.

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Ariosto, Lodovico. Orlando Furioso. Oxford University Press, 1998.

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Ariosto, Lodovico. Fragonard et le Roland furieux. Les éditions de l'Amateur, 2003.

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Ariosto, Lodovico. Orlando Furioso. Oxford University Press, 2008.

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6

Jonathan, Swift. Gulliver's travels: Complete, authoritative text with biographical and historical contexts, critical history, and essays from five contemporary critical perspectives. Bedford Books of St. Martin's Press, 1995.

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Swift, Jonathan. As viagens de Gulliver. Publicações Europa-América, 1996.

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Swift, Jonathan. Gullivers Reisen. Diogenes, 1993.

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Swift, Jonathan. Safarha-yi Galivir. Nashr-i Ufug, 1996.

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Swift, Jonathan. Gulliver's travels. Barnes & Noble, 1995.

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Buchteile zum Thema "Philosophy, Italian. [from old catalog]"

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Horky, Phillip Sidney. "Italic Pythagoreanism in the Hellenistic Age." In The Oxford Handbook of Roman Philosophy. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780199328383.013.1.

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Abstract This chapter seeks to elucidate the nature of “Italic” philosophy as a correlate to Pythagorean philosophy in the Hellenistic era. It starts from a claim made in Cicero’s On Old Age (77–78), in which Cato the Elder refers to Pythagoras and the Pythagoreans as “practically our own countrymen,” who were once called “Italian philosophers.” It aims to complicate Cato’s claim by evaluating what “Italian” meant in the writings of Cicero and his contemporaries, considering issues of ethnicity, language, geography, and political ideology. It then turns to the surviving evidence of “Italian” p
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