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Thematische Bibliographien / Philosophy, Italian. [from old catalog] / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Philosophy, Italian. [from old catalog]“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 28. Juli 2025

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1

Loporcaro, Michele, Vincenzo Faraoni, and Francesco Gardani. "The third gender of Old Italian." Diachronica 31, no. 1 (2014): 1–22. http://dx.doi.org/10.1075/dia.31.1.01gar.

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We demonstrate that Old Italian had a three-gender system within which the neuter still qualified as a fully fledged gender value. To substantiate this claim, we adduce evidence showing that (a) Old Italian had three distinct sets of controllers, each of which selected a separate agreement pattern; (b) to each one of those three controller sets, including the neuter, nouns were assigned belonging to different productive inflectional classes and (c) the neuter still selected at least one dedicated agreement formative, thereby still displaying traces of its original status as a target gender. Th

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Uvarov, Pavel. "Italian Bankers in France and Italian Wars." ISTORIYA 14, no. 1 (123) (2023): 0. http://dx.doi.org/10.18254/s207987840023946-9.

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At the last stage of the Italian Wars (1494—1559), the military, political and, most importantly, financial superiority of the Habsburgs over the Valois became quite obvious. The Spanish king could make use of silver which was already coming quite regularly and in large quantities from the mines of the New World. He controlled the old (Augsburg — Ulm) and new (Besançon — Piacenza) centres of banking capital, as well as the commercial and financial heart of the emerging world economic system — Antwerp. But King Henry II of France (1547—1559) launched a series of daring reforms, sometimes far ah

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GATTO, ROMANO, and LUCIANO CARBONE. "IL CARTEGGIO DEL FONDO SIACCI DELLA BIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA RENATO CACCIOPPOLI: DELL'UNIVERSIT FEDERICO II DI NAPOLI." Nuncius 12, no. 2 (1997): 443–46. http://dx.doi.org/10.1163/182539197x00816.

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Abstracttitle SUMMARY /title We present here the letters of the "Fondo Siacci" which was found recently while reorganising some papers from the old seat of the library at the Department of Mathematics "Renato Caccioppoli" of the University "Federico II" of Naples, in Via Mezzocannone 8. Grancing at these letters we discovered their interest to reconstruct various historical events of italian mathematics life in the 2nd half of the 19th century.

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Кравцова, Е. С. "Ideological Practices of Bolsheviks and the Publishing House "Academia" in the First Half of the 1930s." Диалог со временем, no. 82(82) (April 21, 2023): 124–38. http://dx.doi.org/10.21267/aquilo.2023.82.82.007.

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В статье рассматривается деятельность издательства «Academia» в первой пол. 1930-х гг. Выявляется, как в предисловиях к художественным произведениям итальянского Ренессанса, написанных большевиками (руководителями издательства) и «старыми специалистами» (переводчиками и историками), издатели-большевики, оставаясь в рамках советского культурного проекта по созданию нового человека, меняют его идеологическую парадигму: от идеи преодоления истории через создание и овладение новым художественным стилем, опираясь на наследие прошлых веков, к утверждению советского общества в истории через систему х

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Maslov, Artem. "“Italia… Longe Ante Tempora Diluvii Habitata Creditur”: The Most Ancient Past of Italy in the Latin Treatise “De Origine Urbium Italie” (from the Late 14th Century)." ISTORIYA 14, no. 7 (129) (2023): 0. http://dx.doi.org/10.18254/s207987840026936-8.

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The author analyzes information on the first settlement of Italy by the grandchildren of Adam in the unedited Latin work “De origine urbium Italie” dated from 1391. The appearance of the text is due to the transformation of ethnogenetic myths during the Late Middle Ages and, in particular, to the regular attempts of historians to connect the exploration of various Italian regions with activities of the biblical heroes or such mythic persons who are equally correlated with the Greco-Roman tradition and the Bible. From this point of view the key specific feature of “De origine…” is the interest

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Kieven, Elisabeth. "An Italian Architect in London: The Case of Alessandro Galilei (1691–1737)." Architectural History 51 (2008): 1–31. http://dx.doi.org/10.1017/s0066622x00003002.

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‘I will carry with me the best architect in Europe.’ With these bold words Robert, first Viscount Molesworth, announced to his wife his arrival in Ireland in the company of the young Italian architect and engineer Alessandro Galilei in May 1717. Lord Molesworth could not know that, twenty years later, Galilei would be indeed one of the best-known architects in Europe, after having built in Rome, to the order of Pope Clement XII Corsini (1730–40), the facade of San Giovanni in Laterano (St John Lateran), the Cappella Corsini in the same church and the facade of San Giovanni dei Fiorentini.Galil

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Marinozzi, Silvia, Daniela Messineo, Valentina Gazzaniga, and Silvia Iorio. "Public hygiene and funeral rituals during the Risorgimento: mummies and ashes." Medical Humanities 46, no. 4 (2020): 492–98. http://dx.doi.org/10.1136/medhum-2019-011721.

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Starting in 1865, regulations pursuant to public hygiene issued by the Unitary Government provided for administrative and political control of the funerary practice. Specifically, they regulated the management of cemeteries and the burials, increasingly drawing the funeral rituals from the control of the Church and of Catholicism, therefore secularising death for the construction of a new political religion. Hygiene became fundamental in order to promulgate cremation as a system of preserving the integrity of the bodies, preserving the ashes as a tangible and indestructible product of body mat

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Markov, Alexander V. "GIOTTO IN RUSSIAN POETRY: NEGATIVITY, DESIGN AND CONSTRUCTION OF SOCIETY." PHILOLOGICAL STUDIES 18, no. 1 (2020): 170–81. http://dx.doi.org/10.17072/1857-6060-2020-18-1-170-181.

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The perception of Giotto’s heritage in Russian literature and culture has always been directly linked not only with the concept of the Renaissance and the development of Western culture, but with a special interest in writing practice and in the ambition of the narrative presented as innovative style to create communities. The main topic of the poetic thought was the transition from community to society, in other words, from community to church, so Giotto's status as a genius was always supported with statements about other geniuses who directly, but rather indirectly, made this transition. De

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Mento, Carmela, Maria Catena Silvestri, Amelia Rizzo, et al. "Dreams, Sleep Quality, and Collective Trauma." Poligrafi 28, no. 109/110 (2023): 105–25. http://dx.doi.org/10.35469/poligrafi.2023.402.

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The aim of the current study was to explore the impact of the COVID-19 outbreak on the dreams of a group of Italian participants. A total of 403 individuals were recruited online through a cross-sectional survey on Moodle. The qualitative content of their dreams was analysed using the Dream Interview (TKYDQ), a tool created by Bulkeley. In addition, the Pittsburgh Sleep Quality Index (PSQI) was used to assess the quantitative aspects of dreams. From the results of our study, three macro-categories of content in the participants' dreams were identified: 1) dreams with phobic content; 2) dreams

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Grigor’eva, Nadezhda Ia. "Critique of the new hero in cinema (L.Visconti) and literature (F.M.Dostoevsky)." Vestnik of Saint Petersburg University. Language and Literature 18, no. 3 (2021): 444–59. http://dx.doi.org/10.21638/spbu09.2021.302.

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The article examines the philosophical basis of the figure of a new hero in literature and film. “New heroes” in selected literary and cinema works are compared within the context of existentialist philosophy and “philosophical anthropology”. Material for the comparative intertextual and intermedial analysis is the novel Demons by Fyodor Mikhailovich Dostoevsky and Luchino Visconti’s late films The Damned, Ludwig and Conversation Piece. The article attempts to broaden the intertextual horizon of research on Visconti by drawing new parallels between his films and Dostoevsky’s work. The work arg

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Kara-Murza, Alexey. "Ivan Turgenev’s Rome (1840)." Russian Journal of Philosophical Sciences, no. 7 (November 8, 2018): 124–42. http://dx.doi.org/10.30727/0235-1188-2018-7-124-142.

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This article examines the siginifcant role that Romeplayed in the life of Ivan Sergeevich Turgenev (1818–1883). The author researches the “Roman” preferences of young Turgenev, who specialized in ancient literature and philosophy in Moscow, St. Petersburgand Berlin. Special attention is paid to the circumstances of 21-years-old Turgenev’s stay in the Eternal City in February–April 1840 and his relationship with members of Khovrins’ salon in Rome, espesially with the eldest daughter of Khovrin, Alexandra Nikolaevna, in marriage Bakhmeteva (1823–1903), whо became later a wellknown writer on reli

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KALEZIĆ-ĐURIČKOVIĆ, Sofija. "LITERARY WORK OF DUŠAN ĐUROVIĆ." Lingua Montenegrina 25, no. 1 (2020): 213–29. https://doi.org/10.46584/lm.v25i1.771.

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One of the most productive writers of the interwar period, Dusan Djurovic (Grlic, Danilovgrad, 1899–1993), came to fruition as the author of a 20-volume work, which includes collections of stories, novels and a play (Njegoš), while much of his articles and essays are still scattered today in various publications. Djurovic graduated from the Faculty of Philosophy in Belgrade in 1926. He worked as a professor at the Teacher Training School in Danilovgrad and the First Gymnasium School in Sarajevo, where he spent the most creative part of his life. He participated in the Thirteenth July Uprising

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Classen, Albrecht. "nr="241"A Companion to Medieval Translation, ed. Jeanette Beer. Leeds: Arc Humanities Press, 2019, viii, 200 pp." Mediaevistik 33, no. 1 (2020): 241–42. http://dx.doi.org/10.3726/med.2020.01.12.

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Medieval literature, philosophy, medicine, and many other fields cannot be imagined without considering the huge role played by translations. Scholars have worked on this field already for many years, leading among them Jeanette Beer, who here brings together a number of authors who address specific aspects pertinent to translation work mostly in medieval literature. While she herself offers a concise introduction, she rounds off the volume with a study of the work by the anonymous compiler of Li Fet des Romans from the early thirteenth century which represents the earliest extant work of anci

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Okoński, Jan. "New Nomos of the Earth? Perspectives of the Order in the Age of Chaos." Teisė 130 (May 22, 2024): 91–98. http://dx.doi.org/10.15388/teise.2024.130.8.

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The article “The New Nomos of the Earth? Perspectives of the Order in the age of chaos” by Jan Okoński presents the concept of Nomos and its interpretations against the background of a changing global order. The author presented an analysis of the Nomos as a symbol of justice (similar to such ideas as: ius, maat, and tao) and Carl Schmitt’s analysis of this term, which is important from the point of view of the philosophy of law. Nomos is word derived from ancient Greek, a concept that somehow unites the plane of factuality and the plane of validity of law. In the word Nomos, there is containe

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Selim, Samah. "Toward a New Literary History." International Journal of Middle East Studies 43, no. 4 (2011): 734–36. http://dx.doi.org/10.1017/s0020743811000973.

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The past twenty years witnessed a dramatic transformation in Arabic literature studies in the United States. In the early 1990s, the field was still almost exclusively a satellite of area studies and largely bound by Orientalist historical and epistemological paradigms. Graduate students—even those wishing to focus entirely on modern literature—were trained to competence in the entire span of the Arabic literary tradition starting with pre-Islamic times, and secondary research languages were still rooted in the philological tradition of classical scholarship. The standard requirement was Germa

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Cosci, Matteo. "Il discorso astrologico sulla "cometa" del 1572 del carmelitano Francesco Giuntini: aspettative e inquietudini dal cielo alla terra nell'epoca della Controriforma." Philosophical Readings XV, no. 1 (2023): 12–24. https://doi.org/10.5281/zenodo.8292233.

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The <em>nova</em> star that appeared in 1572 (known today as Tycho’s supernova) was considered to be a comet, rather than a star, by many astronomers and observers of that time. Francesco Giuntini (1522-1590), a Florentine man of letters, Carmelite theologian, and skilled astrologer, was among those who regarded the unexpected nocturnal light as a sublunary comet, albeit with some inconsistencies. The identification of the <em>nova</em> with a cometary phenomenon was in accordance with the “standard physics” of the late Renaissance, namely Aristotelian nat

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Yefimenko, Adelina. "Colonial Narrative in Giacomo Puccini’s “Madama Butterfly” in the Productions in Bregenz, Venice and Frankfurt 2022/2023." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 140 (November 28, 2024): 67–86. https://doi.org/10.31318/2522-4190.2024.140.318643.

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Relevance of the study. The relevance of the article. In musical theatre, literature, cinema, and painting, the image of Madame Butterfly has been and continues to be the subject of both artistic and socio-political debate. The significance of the figure of Butterfly goes far beyond the worldfamous opera character. Various productions of the opera since the fin de siecle period prove the casualness of Madame Butterfly's repertoire leadership on the world stage. The main objective of the study and the scientific novelty. The article raises the question of the reasons for the opera's popularity

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Dal Prete, Ivano. "On the Edge of Eternity: The Antiquity of the Earth in Medieval and Early Modern Europe." Perspectives on Science and Christian Faith 76, no. 2 (2024): 139–40. http://dx.doi.org/10.56315/pscf9-24dalprete.

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ON THE EDGE OF ETERNITY: The Antiquity of the Earth in Medieval and Early Modern Europe by Ivano Dal Prete. Oxford, UK: Oxford University Press, 2022. 214 pages of text plus 82 pages of notes, a bibliography, an index, and sixteen pages of black-and-white halftones. Hardcover; $37.99. ISBN: 9780190678890. Kindle; $25.99. ISBN: 9780190678890. *Ivano Dal Prete is a senior lecturer in the History of Science and Medicine program at Yale University. After receiving his doctorate at the University of Verona, he served as a visiting professor at Columbia, Harvard, and Minnesota before coming to Yale.

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Dal Prete, Ivano. "On the Edge of Eternity: The Antiquity of the Earth in Medieval and Early Modern Europe." Perspectives on Science and Christian Faith 76, no. 2 (2024): 139–40. http://dx.doi.org/10.56315/pscf09-24dalprete.

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ON THE EDGE OF ETERNITY: The Antiquity of the Earth in Medieval and Early Modern Europe by Ivano Dal Prete. Oxford, UK: Oxford University Press, 2022. 214 pages of text plus 82 pages of notes, a bibliography, an index, and sixteen pages of black-and-white halftones. Hardcover; $37.99. ISBN: 9780190678890. Kindle; $25.99. ISBN: 9780190678890. *Ivano Dal Prete is a senior lecturer in the History of Science and Medicine program at Yale University. After receiving his doctorate at the University of Verona, he served as a visiting professor at Columbia, Harvard, and Minnesota before coming to Yale.

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Марія, Кушнарьова. "Учень чи самоучка: формування самосвідомості митців раннього італійського Ренесансу". ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 39–54. https://doi.org/10.5281/zenodo.1313080.

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Since the beginning of the XXth century world art have been dealing with real boom of autodidacts. Artworks of autodidacts P.Gauguin, H.Rousseau, M.Utrillo, M. de Vlaminck, N.Pirosmani, M.Prymachenko, K.Bilokur, I.Generalić, A.Katajainen, other painters had become real sensations of the century. Now we can observe new, much more massive wave of autodidacts. Internet and new technologies had made the process of search for information significantly easier and simpler and it’s a reason why many people now use to give preference to concrete, applied information and skills or rather its illus

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Albanesi, Cinzia, Bruna Zani, and Elvira Cicognani. "Youth civic and political participation through the lens of gender: The Italian case." Human Affairs 22, no. 3 (2012). http://dx.doi.org/10.2478/s13374-012-0030-3.

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AbstractItaly is one of the European countries with the highest levels of gender inequalities (World Economic Forum 2011). The aims of this paper were to understand to what extent the well-documented gender gap in Italian adult society has an impact on both political and civic actions of younger generations, and whether the process of participation assumes specific features according to gender. 835 Italian participants (49.6% males; 50.4% female, aged from 16 to 26 years old; 20% under voting age) completed a self-administered questionnaire. Analyses confirmed general trends (voting at electio

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Cadeddu, Davide. "Culture and Politics in the Age of Globalization Some Suggestions from Two Italian Philosophers." Glocalism, no. 3 (November 30, 2018). http://dx.doi.org/10.12893/gjcpi.2018.3.10.

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Over the past few decades, the global phenomenology of political power has changed. Unlike what happened in the past, increasingly the practical applications of scientific discoveries are no longer immediately or exclusively used by the legally formalized political power. They are consumed and disseminated throughout civil society escaping from the old logic of the legitimate power or judicial power and generating a new political power, which could be defined as “glocal”. All these new dynamics can be better understood through the lenses offered by past philosophical dialogues on the same topi

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Cadeddu, Davide. "Culture and Politics in the Age of Globalization Some Suggestions from Two Italian Philosophers." February 8, 2024. https://doi.org/10.12893/gjcpi.2018.3.10.

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Over the past few decades, the global phenomenology of political power has changed. Unlike what happened in the past, increasingly the practical applications of scientific discoveries are no longer immediately or exclusively used by the legally formalized political power. They are consumed and disseminated throughout civil society escaping from the old logic of the legitimate power or judicial power and generating a new political power, which could be defined as "glocal". All these new dynamics can be better understood through the lenses offered by past philosophical dialogues on the same topi

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Paolo Galli, Sergio Castenetto, and Edoardo Peronace. "The MCS macroseismic survey of the Emilia 2012 earthquakes." Annals of Geophysics 55, no. 4 (2012). http://dx.doi.org/10.4401/ag-6163.

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<p>Most of the inhabitants of northern Italy were woken up during the night of May 20, 2012, by the Mw 6.1 earthquake [QRCMT 2012] that occurred in the eastern Po Plain. The mainshock was preceded a few hours before by a Mw 4.3 shock, and it was followed by a dozen Ml &gt;4 aftershocks in May and June, amongst which 11 had Ml ≥4.5. On May 29, 2012, a second Mw 6.0 mainshock struck roughly the same area [QRCMT 2012], which resulted in further victims, most of whom were caught under the collapse of industrial warehouses. Such earthquakes are an unexpected event in this region, as testi

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Lorenzo Fagnani, Martino. "Studying “useful plants” from Maria Theresa to Napoleon: Continuity and invisibility in agricultural science, northern Italy, the late eighteenth to early nineteenth century." History of Science, February 24, 2021, 007327532199291. http://dx.doi.org/10.1177/0073275321992914.

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This article analyzes Italian research and experimentation on the economic potential of certain plant species in the late eighteenth and early nineteenth centuries, also providing insight into beekeeping and honey production. It focuses on continuity of method and progress across regimes and on the invisibility of many of the actors involved in the development of agricultural science and food research. Specifically, “continuity” refers to the continuation of certain threads of Old-Regime experimentation by the scientific apparatus put in place during the Napoleonic era. These threads were rewo

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Edwards, Ethan. "Climate change - a scapegoat or driver for the Po River’s downfall?" Water Science Policy, August 24, 2022. http://dx.doi.org/10.53014/liyb5095.

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The Po River is invaluable to Italy’s economy, agriculture, and society, and it is currently experiencing its worst drought in 70 years. Reduced water flows from climate change are causing negative effects, but water is also being overused by farmers and lost due to old utility infrastructure. Italian authorities, farmers, utilities, and civil society must share responsibility as water stewards to adapt to climate change.

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Paoletti, Matteo. "Tra «incivilimento» e «riordino»: le ambizioni di un grande teatro d’opera per Roma capitale (1789-1960)." Itinera, no. 25 (August 8, 2023). http://dx.doi.org/10.54103/2039-9251/20790.

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   During the nineteenth century the theatre building - and in particular the opera house - imposed itself as tangible proof of the civic progress of Western societies. As Mazzini theorised the “civilization of the multitudes” through the arts, the theatre became the place where this yearning could be pursued. The momentum of Italian theatre construction was impressive during the nineteenth century, both in the major centres and in the small provincial towns. Rome, from this point of view, represents a significant exception. Until the end of the 19th century, the city, althou

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Hayward, Mark. "Two Ways of Being Italian on Global Television." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2718.

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   “We have made Italy, now we must make Italians,” in the (probably apocryphal) words of the Prime Minister, sometime after the unification of the nation in 1860. Perhaps in French, if it was said at all. (The quotation is typically attributed to Massimo D’Azeglio, the prime minister of Piedmont and predecessor of the first Italian prime minister Camillo Cavour. Many have suggested that the phrase was misquoted and misunderstood (see Doyle.) D’Azeglio spoke in Italian when he addressed the newly-formed Italian parliament, but my reference to French is meant to indicate the f

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Hayward, Mark. "Two Ways of Being Italian on Global Television." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.25.

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“We have made Italy, now we must make Italians,” in the (probably apocryphal) words of the Prime Minister, sometime after the unification of the nation in 1860. Perhaps in French, if it was said at all. (The quotation is typically attributed to Massimo D’Azeglio, the prime minister of Piedmont and predecessor of the first Italian prime minister Camillo Cavour. Many have suggested that the phrase was misquoted and misunderstood (see Doyle.) D’Azeglio spoke in Italian when he addressed the newly-formed Italian parliament, but my reference to French is meant to indicate the fragility of the natio

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Synenko, Joshua. "Topography and Frontier: Gibellina's City of Art." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1095.

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Cities have long been important sites of collective memory. In this paper, I highlight the ritual and memorial functions of cities by focusing on Gibellina, a Sicilian town destroyed by earthquake, and the subsequent struggle among its community to articulate a sense of spatial belonging with its remains. By examining the productive relationships between art, landscape and collective memory, I consider how memorial objects in Gibellina have become integral to the reimagining of place, and, in some cases, to forgetting. To address the relationship between memorial objects and the articulation o

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Orel, Brigita. "The Language of Food." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.636.

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Hors d’oeuvre The popularity of cookbooks and culinary television shows in the last few years has been the origin of all sorts of new phenomena, such as literature crossing the bridge from cookbooks to such subgenres as food memoirs and culinary travelogues, or the discovery of new food cultures and food vocabulary. We can now cook the Basque menestra following the recipe of the famous blogger and cookbook author, Aran Goayaga, or try our hand at the Chinese soup tangyuan from Leslie Li’s Daughter of Heaven regardless of where we live. But how well does food translate across languages and cult

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Davies, Elizabeth. "Bayonetta: A Journey through Time and Space." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1147.

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Art Imitating ArtThis article discusses the global, historical and literary references that are present in the video game franchise Bayonetta. In particular, references to Dante’s Divine Comedy, the works of Dr John Dee, and European traditions of witchcraft are examined. Bayonetta is modern in the sense that she is a woman of the world. Her character shows how history and literature may be used, re-used, and evolve into new formats, and how modern games travel abroad through time and space.Drawing creative inspiration from other works is nothing new. Ideas and themes, art and literature are f

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West, Patrick. "Regionalism, Well-Being, and Domestic Violence in Tony Birch’s “The Red House”." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1526.

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Introduction: The Creative Arts and Regional Well-BeingThe relationship between regionalism, well-being, and the creative arts has enjoined significant attention from community activists, commercial entrepreneurs, policy analysts, artists, and researchers over recent years (Australia Council for the Arts, “Living Culture”; Australia Council for the Arts, “The Arts in Regional Australia;” Drummond, Keane, and West; Elg; Warren, and West; Woodward, Bremner, and Cahalan). Underpinning most of the activity and research in this area is the understanding (occasionally bordering on an un-critical pre

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Michele Guerra. "Cinema as a form of composition." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 51–57. http://dx.doi.org/10.36253/techne-10979.

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Technique and creativity Having been called upon to provide a contribution to a publication dedicated to “Techne”, I feel it is fitting to start from the theme of technique, given that for too many years now, we have fruitlessly attempted to understand the inner workings of cinema whilst disregarding the element of technique. And this has posed a significant problem in our field of study, as it would be impossible to gain a true understanding of what cinema is without immersing ourselves in the technical and industrial culture of the 19th century. It was within this culture that a desire

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Michele, Guerra NA. "Cinema as a form of composition." November 17, 2021. https://doi.org/10.36253/techne-10979.

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Technique and creativity Having been called upon to provide a contribution to a publication dedicated to "Techne", I feel it is fitting to start from the theme of technique, given that for too many years now, we have fruitlessly attempted to understand the inner workings of cinema whilst disregarding the element of technique. And this has posed a significant problem in our field of study, as it would be impossible to gain a true understanding of what cinema is without immersing ourselves in the technical and industrial culture of the 19th century. It was within this culture that a desire

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Hartley, John. "Lament for a Lost Running Order? Obsolescence and Academic Journals." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.162.

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The academic journal is obsolete. In a world where there are more titles than ever, this is a comment on their form – especially the print journal – rather than their quantity. Now that you can get everything online, it doesn’t really matter what journal a paper appears in; certainly it doesn’t matter what’s in the same issue. The experience of a journal is rapidly obsolescing, for both editors and readers. I’m obviously not the first person to notice this (see, for instance, "Scholarly Communication"; "Transforming Scholarly Communication"; Houghton; Policy Perspectives; Teute), but I do have

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Fuller, Glen. "The Getaway." M/C Journal 8, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2454.

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   From an interview with “Mr A”, executive producer and co-creator of the Getaway in Stockholm (GiS) films:  Mr A: Yeah, when I tell my girlfriend, ‘You should watch this, it’s good, it’s a classic, it’s an old movie’ and she thinks it’s, like, the worst. And when I actually look at it and it is the worst, it is just a car chase … [Laughs] But you have to look a lot harder, to how it is filmed, you have to learn … Because, you can’t watch car racing for instance, because they are lousy at filming; you get no sensation of speed. If you watch the World Rally Champi

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Papanikolaou, Evangelia, and Bolette Daniels Beck. "Celebrating Guided Imagery and Music developments in Europe." Approaches: An Interdisciplinary Journal of Music Therapy 9, no. 2 (2017). http://dx.doi.org/10.56883/aijmt.2017.286.

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We are very proud to launch this special issue of Approaches entitled ‘Guided Imagery and Music: Contemporary European perspectives and developments’. With its body of articles, we hope to inspire practitioners, researchers and educators from many fields: Guided Imagery and Music (GIM) therapists, music therapists as well as professionals from other health professions. But, why a special issue on GIM in Europe? And why now? The most obvious reason is the celebration of the formation of an independent European branch of the American Association of Guided Imagery and Music that took place at the

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Inglis, David. "On Oenological Authenticity: Making Wine Real and Making Real Wine." M/C Journal 18, no. 1 (2015). http://dx.doi.org/10.5204/mcj.948.

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IntroductionIn the wine world, authenticity is not just desired, it is actively required. That demand comes from a complex of producers, distributors and consumers, and other interested parties. Consequently, the authenticity of wine is constantly created, reworked, presented, performed, argued over, contested and appreciated.At one level, such processes have clear economic elements. A wine deemed to be an authentic “expression” of something—the soil and micro-climate in which it was grown, the environment and culture of the region from which it hails, the genius of the wine-maker who nurtured

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Verma, Rabindra Kumar. "Book Review." East European Journal of Psycholinguistics 7, no. 1 (2020). http://dx.doi.org/10.29038/eejpl.2020.7.1.kum.

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Susheel Kumar Sharma’s Unwinding Self: A Collection of Poems. Cuttack: Vishvanatha Kaviraj Institute, 2020, ISBN: 978-81-943450-3-9, Paperback, pp. viii + 152. Like his earlier collection, The Door is Half Open, Susheel Kumar Sharma’s Unwinding Self: A Collection of Poems has three sections consisting of forty-two poems of varied length and style, a detailed Glossary mainly on the proper nouns from Indian culture and tradition and seven Afterwords from the pens of the trained readers from different countries of four continents. The structure of the book is circular. The first poem “Snaps

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Warner, Kate. "Relationships with the Past: How Australian Television Dramas Talk about Indigenous History." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1302.

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In recent years a number of dramas focussing on Indigenous Australians and Australian history have appeared on the ABC, one of Australia's two public television channels. These dramas have different foci but all represent some aspects of Australian Indigenous history and how it interacts with 'mainstream' representations of Australian history. The four programs I will look at are Cleverman (Goalpost Pictures, 2016-ongoing), Glitch (Matchbox Films, 2015-ongoing), The Secret River (Ruby Entertainment, 2015) and Redfern Now (Blackfella Films, 2012), each of which engages with the past in a unique

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Juckes, Daniel. "Walking as Practice and Prose as Path Making: How Life Writing and Journey Can Intersect." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1455.

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Through my last lengthy writing project, it did not take long to I realise I had become obsessed with paths. The proof of it was there in my notebooks, and, most prominently, in the backlog of photographs cluttering the inner workings of my mobile phone. Most of the photographs I took had a couple of things in common: first, the astonishing greenness of the world they were describing; second, the way a road or path or corridor or pavement or trail led off into distance. The greenness was because I was in England, in summer, and mostly in a part of the country where green seems at times the onl

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