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Zeitschriftenartikel zum Thema „Radio Online“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 26. Juli 2025

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1

Cea Esteruelas, Nereida. "Estudio paneuropeo sobre el modelo de negocio y las fuentes de financiación de la radio pública en internet." Tripodos, no. 33 (June 4, 2025): 33–52. https://doi.org/10.51698/tripodos.2013.33.33-52.

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This paper describes the business model and the sources of financing of European public online radios. In line with this objective, we describe the business model of traditional radio, in order to assess their validity with regard to the Internet and identify the variants and developments seen in its transposition into the multimedia context. In this article, along with are view of the academic literature, we explore the findings of empirical research that analyzes the earnings of European public online radios. The results show a) the continuity of radio advertising featuring sound files and b

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Ferne, Tristan. "BBC Radio Listeners online." Radio Journal:International Studies in Broadcast & Audio Media 7, no. 1 (2009): 9–10. http://dx.doi.org/10.1386/rajo.7.1.9/2.

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Gudaitytė, Ieva. "Gasoline Radio. Gasolineradio.com. Online radio station. Kyiv, Ukraine." Slavic Review 83, no. 3 (2024): 613–14. https://doi.org/10.1017/slr.2024.448.

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Effendy, Dedi Usman. "PERANCANGAN APLIKASI BROADCAST RADIO ONLINE BERBASIS ANDROID." JURNAL ELTEK 16, no. 2 (2018): 100. http://dx.doi.org/10.33795/eltek.v16i2.101.

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Radio internet yang juga dikenal sebagai web radio, net radio, broadcastradio atau e-radio adalah layanan penyiaran audio yang ditransmisikanmelalui internet. Penyiaran yang dilakukan melalui internet disebutsebagai webcasting karena tidak menular secara luas melalui sarananirkabel. Radio internet memiliki sebuah media broadcast yang dapatmenyediakan saluran audio terus menerus dan tidak ada kontroloperasional penyiaran seperti media penyiaran tradisional padaumumnya.Cara yang digunakan untuk menyiarkan radio internet adalah melaluiteknologi broadcast, yaitu teknologi yang dapat menerima serta

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Malakhovskaya, Vera Vladimirovna, and Ekaterina Dmitrievna Kiiko. "On the modern Russian online radio broadcasting." Litera, no. 12 (December 2021): 82–92. http://dx.doi.org/10.25136/2409-8698.2021.12.36936.

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The subject of this research is broadcasting in the modern digital age. The object is the modern Russian online radio broadcasting. The goal lies in examination of the role of online radio broadcasting in the modern Russian digital space. The author aims to trace the dynamics of the development of online radio broadcasting in Russia and abroad, summarize the conclusions of the Russian researchers on the development trends of online radio broadcasting in Russia for the past decade, analyze the current state of Russian online radio broadcasting with its positive and negative sides, make recommen

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Haupt, Jon. "Last.fm: People‐Powered Online Radio." Music Reference Services Quarterly 12, no. 1-2 (2009): 23–24. http://dx.doi.org/10.1080/10588160902816702.

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Basyah, Baby Lolita, Hustinawati Hustinawati, and Eldianisa Adesita. "RANCANG BANGUN APLIKASI RADIO ONLINE BERBASIS WEB." Jurnal Ilmiah FIFO 7, no. 2 (2015): 167. http://dx.doi.org/10.22441/fifo.v7i2.1252.

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Radio Online merupakan pengembangan dari radio konvensional dengan penyiaran secara online. Aplikasi Radio Online bertujuan untuk memudahkan masyarakat khususnya pencinta musik agar dapat menikmati beraneka ragam jenis musik yang dapat dijangkau dari berbagai wilayah manapun yang tentunya memiliki jaringan internet yang memadai.Fitur aplikasi ini meliputi menu entertainment, menu chart, dan menu contact me. Pada menu entertainment berisikan pilihan jenis hiburan yang disediakan, yaitu streaming radio dan music. Pilihan streaming radio untuk mendengarkan siaran radio, sedangkan pilihan music kh

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IBRAHIM, MOHAMMAD IBRAHIM ASHARI,ST, MT. "Pengembangan Aplikasi Radio Streaming Online Pada Android Mobil." ALINIER: Journal of Artificial Intelligence & Applications 2, no. 2 (2022): 61–68. http://dx.doi.org/10.36040/alinier.v2i2.4373.

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Kemajuan teknologi informasi dan komunikasi mendukung dalam kemajuan smartphone dalam pengembangan akan radio streaming. Radio streaming merupakan salah satu aplikasi yang terdapat pada smartphone. Salah satu radio streaming yang terus berkembang adalah TuneIn Radio. Pada aplikasi ini belum ditampilkan informasi berapa banyak pengguna aplikasi tersebut yang sedang mendengarkan setiap stasiun radio yang tersedia pada aplikasi tersebut. Dalam pembuatan pengembangan aplikasi radio streaming ini digunakan aplikasi Eclipse untuk dapat diterapkan ke dalam telepon genggam berbasis android. Sehingga a

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Bukhari, Ibnu, Mohammad Iwan Wahyuddin, and Novi Dian Nathasia. "Perancangan Sistem Informasi Radio Online Universitas Nasional Berbasis Web." JURNAL MEDIA INFORMATIKA BUDIDARMA 4, no. 3 (2020): 715. http://dx.doi.org/10.30865/mib.v4i3.2214.

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Radio in a college has now developed sufficiently. Radio Unas is a radio broadcast owned by the National University that is managed by the Unas TV and Radio Laboratory. Present online radio or website based radio streaming. Radio streaming is a technology that sends audio files simultaneously to many users. The purpose of this research is to build and develop a National University online radio using Icecast as a freeware and winamp streaming radio as software used for radio broadcast media. The design of this information system through several discussions is a needs analysis, system design, te

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Alberto Koro, Januard, Fajar Hariadi, and Hawu Yogia Pradana Uly. "PERANCANGAN WEBSITE RADIO ONLINE SUARA PENGHARAPAN." JATI (Jurnal Mahasiswa Teknik Informatika) 9, no. 2 (2025): 2651–57. https://doi.org/10.36040/jati.v9i2.13178.

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Di era modern, radio online menjadi solusi inovatif yang memungkinkan pendengar menikmati konten audio secara fleksibel tanpa batasan geografis dan waktu. Penelitian ini bertujuan mengembangkan platform radio online berbasis website untuk Radio Suara Pengharapan, yang menghadapi tantangan kehilangan pendengar selama pandemi COVID-19. Platform ini dirancang untuk memenuhi kebutuhan informasi dan penyiaran rohani masyarakat Sumba Timur. Penelitian menggunakan metode Rapid Application Development (RAD), yang melibatkan tahap perencanaan, desain workshop, implementasi, dan pengujian. Hasil penelit

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Reiza Praselanova. "POLA KOMUNIKASI DAKWAH MENGELOLA KELAS KAJIAN ONLINE." Wasilatuna: Jurnal Komunikasi dan Penyiaran Islam 2, no. 1 (2019): 1–20. http://dx.doi.org/10.38073/wasilatuna.v2i1.372.

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Penulisan ini bertujuan mengetahui strategi komunikasi seorang penyiar radio, fokusnya pada Radio Perkasa FM Tulungagung dalam program Warna Warni Perkasa. Dan juga untuk mengetahui hambatan apa yang dialami oleh penyiar radio dalam membawakan program tersebut.  Pendekatan pada penulisan kali ini menggunakan metode pendekatan kualitatif. Sedangkan teknik pengumpulan datanya menggunakan metode observasi, dokumentasi dan wawancara. Penganalisisan data pada penulisan ini menggunakan teknik analisa data yang dikemukakan oleh Miles dan Huberman yaitu reduksi data, penyajian data dan penarikan

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Awiti, Fred, and Oloo Ong’ong’a. "Audience Perceptions on Online Radio Platforms: A Case of University Students in Nyanza Region, Kenya." African Journal of Empirical Research 5, no. 4 (2024): 1011–26. http://dx.doi.org/10.51867/ajernet.5.4.84.

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The purpose of this study was to examine audience perceptions of online radio platforms among university students in the Nyanza region. The study’s objectives included assessing audience perception of the programming of online radio platforms among university students in the Nyanza region, evaluating audience perception of signal reception of online radio platforms among university students in the Nyanza region, investigating audience perception of programs aired on online radio platforms among university students in the Nyanza region, and analyzing audience perception of program presentation

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Mochamad Rizqyana Surya Firdaus Sanusi Putra and Dede Lilis Chaerowati. "Radio Online Sebagai Media Ekspresi Subkultur Anak Muda." Bandung Conference Series: Communication Management 5, no. 1 (2025): 637–42. https://doi.org/10.29313/bcscm.v5i1.18332.

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Abstract, This research aims to explore the role of online radio as a medium of expression for youth subcultures. In the digital era, young people are increasingly seeking platforms to express their identities. Norrm Radio emerges as a medium that provides space for independent music and youth subcultures. This study employs a qualitative approach with an exploratory case study method. Data collection techniques include interviews, observations, and literature analysis. Data analysis was conducted using Miles and Huberman's method, which involves data reduction, data presentation, and drawing

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Aripin, Norizah, and Ummi Madihah Daud. "SIKAP PENGGUNAAN RADIO ATAS TALIAN “THR GEGAR” DALAM KALANGAN MAHASISWA UNIVERSITI." Asian People Journal (APJ) 3, SI1 (2020): 19–32. http://dx.doi.org/10.37231/apj.2020.3.si1.234.

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The age of modern technology has created the online radio "THR Gegar" which is an alternative radio channel to fans of the radio channel by using the Internet and mobile gadgets in its broadcasting without having to bother finding the right frequency to get its broadcast wave. This study aims to examine the factors that influence the attitude of online radio use "THR Gegar" among students of Universiti Utara Malaysia. This study uses a quantitative methodology that is a survey of questionnaires. Distribution of questionnaires was given to students of Universiti Utara Malaysia, especially INASI

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O. M., Ayokunmi,. "Online Radio and the Promotion of Art Music in Nigeria." British Journal of Mass Communication and Media Research 4, no. 4 (2024): 67–76. https://doi.org/10.52589/bjmcmr-srq8elwd.

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Online radio is the distribution of audio broadcasts over the internet, meaning that the radio signal is not transmitted through the conventional terrestrial AM or FM, but streamed via the internet. The broadcast can be a pre-recorded MP3 file or live, via a microphone broadcast streamed over the internet. Just like any terrestrial radio, online radio broadcasts news, plays music of all genres and presents a number of programmes in diverse areas, including educational, cultural, religious, political, informational, entertainment shows, etc. Art music is seen as school music, a product of inspi

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Morozova, T. A., P. P. Pritolyuk, A. Zh Saurbaeva, and O. V. Makarova. "Radio on the Internet: state and prospects of development." Bulletin of L.N. Gumilyov Eurasian National University. JOURNALISM Series 143, no. 2 (2023): 86–95. http://dx.doi.org/10.32523/2616-7174-2023-143-2-86-95.

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This article discusses the main aspects of the functioning of Internet radio stations, analyzes the current content of these media, and outlines the prospects for the development of this broadcasting format. The purpose of the work is to identify the features of modern online formats in the field of mass communications, to describe the content and functional aspects of the development of online radio. Research objectives: to study the historical prerequisites for the appearance of radio; to trace the evolution in terms of the content of this type of media (ideological, musical, advertising top

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Laor, Tal. "Radio on demand: New habits of consuming radio content." Global Media and Communication 18, no. 1 (2022): 25–48. http://dx.doi.org/10.1177/17427665211073868.

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This research is an investigation into changes in the radio listening habits of consumers who use on-demand radio. Findings indicate high daily listening rates to online on-demand radiophonic content as listeners are not dependent on schedules. Listeners proactively use the options offered by on-demand radio to satisfy listeners’ diverse needs, in line with the uses and gratifications theory. The diversity of online radio offerings encourages frequent consumption of more varied content. Findings indicate that radio’s entry into the new medium offers interactivity, demassification and asynchron

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Chimbi, Godsend T. "Pedagogical Innovations During COVID-19 Lockdowns: Learner (In)accessibility to Radio Lessons in Poorly Resourced African Countries." Studies in Learning and Teaching 5, no. 2 (2024): 359–69. https://doi.org/10.46627/silet.v5i2.377.

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The COVID-19 pandemic brought unprecedented challenges in education globally. This article explores how learners in poorly resourced African countries accessed education during national lockdowns, if at all. With schools closed, how could learners in households without electricity and computers continue learning? Policy makers saw radio school as the only alternative. This comparative qualitative study on learner (in)accessibility to radio lessons in poorly resourced African countries during COVID-19 lockdowns is informed by the social justice theory. Data were obtained from online media, prim

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Delport, Mardi, and Dalme Mulder. "Me, myself, I:." MedieKultur: Journal of media and communication research 38, no. 73 (2023): 190–209. http://dx.doi.org/10.7146/mk.v38i73.132344.

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Digital technologies have sparked a renewed focus on radio personalities. Radio personalities are, by virtue of their profession, performers, and social media offers a stage on which to enact their professional and personal identities. Drawing on Goffman’s (1959) theatre metaphor, this study explored the way radio presenters display their personal and professional identities online. This research evolved from the difficulty that seems to exist in the interplay between a personal online identity and an online personal brand. The qualitative study was embedded within an interpretative and constr

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Gagnon, Simon-Olivier. "Archiving Trash Radio in Québec City." Resonance 2, no. 4 (2021): 636–49. http://dx.doi.org/10.1525/res.2021.2.4.636.

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Québec City’s talk radio stations have been the subject of controversy for decades. For nearly 10 years now, consistent grassroots efforts have been made to regulate the media discourse that circulates in the city. The coalition Sortons les radios-poubelles (which can be translated as Let’s Take Out the Trash Radios) has created an online archive that compiles thousands of audio documents about this controversial radio style. With a few postings per day both on its website and on social media, the coalition’s media activists put into context—sometimes with a mocking, ironic, and provoking tone

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Wijaya, Tri Agung Nugraha Buana, Muhamad Riki Maulana, and Muhammad Ilham Akbar. "STRATEGI PENYIARAN RADIO RAMA FM BANDUNG DALAM MEMPERTAHANKAN EKSISTENSINYA DI ERA MEDIA ONLINE." Network Media 7, no. 1 (2024): 68–73. http://dx.doi.org/10.46576/jnm.v7i1.4226.

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Perkembangan teknologi menciptakan banyak media informasi dan komunikasi yang mudah di akses oleh masyarakat, salah satunya adalah radio. Akan tetapi, di era modern ini, media radio menghadapi persaingan yang ketat dengan media-media online yang cenderung lebih mudah dan banyak diakses masyarakat. Oleh karena itu, Radio Rama FM Bandung perlu merancang dan mengimplementasikan strategi penyiaran yang relevan dengan kondisi masyarakat saat ini sehingga mampu bersaing dengan media-media online. Penelitian ini merupakan penelitian kualitatif dengan metode analisis deskriptif. Hasil dari penelitian

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Fajriyah Ningrum, Afiaty, and Justito Adiprasetio. "Broadcast Journalism of Private Radio in Cirebon, Indonesia, in the Convergence Era." Asian Journal of Media and Communication 5, no. 1 (2021): 19–35. http://dx.doi.org/10.20885/asjmc.vol5.iss1.art2.

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Convergence is a deep integration of knowledge, tools, and all relevant areas of human activities. As an inevitable condition, convergence has also changed a lot of aspects of mass media at the international, national, and local levels. This study elaborates how the local radios in Cirebon, namely Sindangkasih FM, Suara Gratia FM, and Cirebon Radio, are adapting to the convergence culture. This study seeks to demonstrate how the convergence culture can affect private broadcast media, which are not in the epicentrum of media in Indonesia. This study indicates that these three private radios in

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Laor, Tal, Yair Galily, and Ilan Tamir. "Radio presence in online platforms in Israel." Israel Affairs 23, no. 5 (2017): 951–69. http://dx.doi.org/10.1080/13537121.2017.1345420.

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Weber, W. "Was Online-Texte vom Radio lernen können." i-com 1, no. 3/2002 (2002): 29. http://dx.doi.org/10.1524/icom.2002.1.3.029.

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Winda Kustiawan, Amran Sahputra Tanjung, Azbar Rifai, and Melda Wati Simanjuntak. "PROGRAM MEDIA RADIO, TELEVESI, DAN MEDIA ONLINE." Jurnal Ilmiah Teknik Informatika dan Komunikasi 2, no. 2 (2022): 18–29. http://dx.doi.org/10.55606/juitik.v2i2.174.

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The programs and strategies that must be carried out by the broadcast media in dealing with this are the coordination of the national revival movement which is directed primarily at strengthening the resilience of the community and the nation against all efforts to destroy the character and cultural values of the nation. , the state, not only very broad, but also fast and efficient. simultaneously. Broadcast media in carrying out their duties as service media, disseminator of information, inheritance of cultural values, educating, entertaining, social control, advertising media, must be able t

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ASAKURA, Kenta, Haruhisa ICHIKAWA, and Yuusuke KAWAKITA. "Normalization of Radio Feature for Online Learning for Identification in Cognitive Radio." SICE Journal of Control, Measurement, and System Integration 12, no. 4 (2019): 134–41. http://dx.doi.org/10.9746/jcmsi.12.134.

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Musrifah, Musrifah, A. Dian Fitriana, Nurhakki Nurhakki, and Muh Sahid. "Convergence Strategy of Radio Peduli in Parepare on Maintaining the Audience." Palakka : Media and Islamic Communication 5, no. 1 (2024): 66–76. http://dx.doi.org/10.30863/palakka.v5i1.6555.

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This article aims to understand the convergence strategy of Radio Peduli Parepare in retaining audiences, as well as knowing the obstacles and challenges of digitalization at Radio Peduli Parepare.The research method used is descriptive qualitative. Data collection techniques are observation, interviews and documentation. The data in this research was obtained from primary data and secondary data. This research uses media convergence theory, which focuses on the application of media convergence dimensions. These dimensions are ownership convergence, tactical convergence, structural convergence

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De Regt, Minka. "Online Community Radio 'On the Margins': Rethinking Borders and Futures through Radio Alhara." Junctions: Graduate Journal of the Humanities 8, no. 2 (2024): 86–99. https://doi.org/10.33391/jgjh.202.

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This paper explores the sociopolitical potential of online community radio stations ‘on the margins’ through a rhizomatic analysis of Radio Alhara in Palestine. The radio station was established in 2020, during the Covid-19 pandemic, by a group of friends with the aim to connect the Palestinian diaspora through sound, ‘outside of the mainstream media and algorithm’s censorship’ (Tan 2021). The name ‘Alhara,’ from the Arabic word for neighborhood, refers to the station’s community approach to radio-making. The paper argues that Radio Alhara’s structure can be characterized as rhizomatic (Deleuz

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Alfaridzi, Rikhard. "PERUMUSAN STRATEGI RADIO KALTARA 105.8 FM ONLINE DI PROVINSI KALIMANTAN UTARA." Jurnal Kewirausahaan dan Inovasi 1, no. 4 (2022): 482–90. http://dx.doi.org/10.21776/jki.2022.01.4.12.

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This research is motivated by the author's observations of the development of modern communication media today which has allowed people all over the world to be able to communicate with each other. Radio has undergone quite a long development before becoming a mass communication medium as it is today. The purpose of this study is how the reporting strategy of Radio Kaltara in disseminating information, especially in reporting and what are the strengths and challenges in reporting Radio Kaltara. This research uses descriptive qualitative research which is explorative. This research is located a

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Coley, Sam. "Prince Is on the Radio! On-air Influences and Online Legacies." AMP: American Music Perspectives 2, no. 1 (2021): 15–35. http://dx.doi.org/10.5325/ampamermusipers.2.1.0015.

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ABSTRACT This article explores Prince’s associations with traditional radio as well his presence on digital audio platforms. I suggest he had affinity for the medium and an innate understanding of how radio works. As Matt Thorne (2012, 17) comments, much has been made of Prince’s early radio listening, especially the combination of “white and Black music that may have shaped his sound.” I argue that the impact of eclectic radio programming at an early age left an indelible imprint on Prince’s subsequent artistic output. The self-curated playlists of local Minneapolis DJs exposed him to dispara

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Rohmah, Siti Muflihatur, and Minan Jauhari. "Strategi Radio Bintang Tenggara 95,6 FM Banyuwangi Melalui Program Jumat Berkah dalam Mempertahankan Eksistensinya di Tengah Konvergensi Media Online." Icon: Islamic Communication and Contemporary Media Studies 1, no. 2 (2022): 162–76. https://doi.org/10.35719/icon.v1i2.10.

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The development of technology and information is significant, triggering competition between a media to seize its position. One of them is radio media. In the current era of media convergence, radio which is considered a traditional media must survive in the midst of online media convergence to maintain its existence as well as expand its audience and get advertisements. This happened at Bintang Tenggara Radio 95.6 FM, which is considered to have implemented the practice of online media convergence. This research is a qualitative descriptive study to describe the strategy of Radio Bintang Teng

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Nsavyimana, Remy. "Statistical Analysis of the Dissemination of Cultural Heritage in Traditional and Social Media in Burundi." European Scientific Journal, ESJ 21, no. 11 (2025): 56. https://doi.org/10.19044/esj.2025.v21n11p56.

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The objective of this paper is to determine the place of cultural heritage in newspapers, radio, television broadcasts and online media. Metadata from the Conseil National de la Communication (CNC) and Annuaire du Secteur de la Communication et des Médias (ASCM 2019) were analyzed. These traditional and online radio, as well as television stations, were selected based on their responsibility as state institutions. Thus, 13 radio stations, including 2 public and 11 private dealing with 11,397 subjects in the spoken news, are the subject of the research. A total of 354 radio programs were analyz

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Kovtun, Natalia, and Svitlana Koval. "Typological Features of Polish Academic Radio Websites." Obraz 44, no. 1 (2024): 110–22. http://dx.doi.org/10.21272/obraz.2023.3(43)-110-122.

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Introduction. Considering the rapid processes of convergence and digitalization, student radio stations have also begun operating online. Particularly illustrative in this regard are the websites of Polish radio stations, which position themselves as "Polish academic radio broadcasters." In the context of the theme of our research, the concepts of Polish student radio, university radio, and academic radio are synonymous. Relevance of the study. The purpose of the study is to explore typological characteristics, content, and design of websites of Polish academic radio stations. For the first ti

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Fernández Cuesta, Antonio. "Onda corta vs. radio online. Radio Exterior de España en la era digital." adComunica: revista científica de estrategias, tendencias e innovación en comunicación 2013, no. 5 (2013): 251–54. http://dx.doi.org/10.6035/2174-0992.2013.5.16.

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Rizqi, Aldi Aprilla Nur, Eldy Fariz Mustaqim, and Triantika Triantika. "Manajemen Produksi dan Pemasaran Program Radio Jogja Family di Masa Pandemi Covid-19." Jurnal Audiens 3, no. 2 (2021): 122–37. http://dx.doi.org/10.18196/jas.v3i2.11936.

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Jogja Family Radio merupakan salah satu radio komersial yang sangat terkenal dikalangan masyarakat Daerah Istimewa Yogyakarta yang mengejar segmentasi pendengar radio pada kalangan anak muda dan usia produktif. Penelitian ini bertujuan untuk mengetahui bagaimana Jogja Family Radio melakukan proses produksi dan pemasaran program radio di masa pandemi virus Covid-19. Metode penelitian yang digunakan pada penelitian ini adalah metode studi kasus. Teknik pengumpulan data dengan wawancara dan observasi. Penelitian ini menghasilkan temuan bahwa Jogja Family Radio dalam memproduksi dan memasarkan seb

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Burns, Maureen. "A short wave to globalism: Radio Australia Online." Journal of Australian Studies 32, no. 3 (2008): 335–47. http://dx.doi.org/10.1080/14443050802294083.

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Chmielewski, Piotr. "New Roles, Old Rituals: The Mobilization of the Listener Community Based on the Example of Radio 357." Przegląd Socjologii Jakościowej 20, no. 3 (2024): 190–211. http://dx.doi.org/10.18778/1733-8069.20.3.09.

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This article analyzes the community of patrons of the Internet radio station Radio 357, based on 13 in-depth interviews with the station’s listeners and a former station employee. Material from the online forum of the studied community is also analyzed. The text aims to present the members of a radio community who became involved in financing a new Internet radio station through online fundraising. An attempt is made to explain the listeners’ motivations for their unique scale of involvement in this new media initiative. The research questions relate to the characteristics of the Radio 357 aud

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Winda Kustiawan, Ja’far Ja’far, Ali Akbar Siregar, Anggi Martuah Purba, and Mahadir Muhammad. "MANAJEMEN MEDIA ONLINE." Jurnal Ilmiah Teknik Informatika dan Komunikasi 2, no. 2 (2022): 13–17. http://dx.doi.org/10.55606/juitik.v2i2.169.

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Media online merupakan salah satu media yang sekarang menjadi sebuah alat dan sarana untuk mendapatkan informasi dan hiburan. Kehadiran media online mempermudah khalayak untuk mendapatkan informasi, bahkan informasi yang berada sangat jauh untuk dijangkau. Kecepatan dan kemudahan media online dalam mengakses informasi menjadi salah satu kelebihan sebuah media yang sangat dibutuhkan khalayak sekarang ini. Awal mula kehadiran internet membuat banyak orang yang meragukan kelebihan internet mampu menyingkirkan media massa sebelumnya. Mulai dari media cetak, apalagi pada media penyiaran seperti rad

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Kendziorra, Emil. "Die Medizin geht online." Public Health Forum 23, no. 3 (2015): 167–69. http://dx.doi.org/10.1515/pubhef-2015-0060.

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Zusammenfassung Die Medizin hat den Wandel von der Offline- in die Online-Welt begonnen. Wenn man betrachtet, wie sich Märkte über die Zeit verhalten, erkennt man, dass geradezu jeder Markt irgendwann eine „Transition“ durchläuft. Aus dem Einzelhandel wurde eCommerce, aus CDs und Radio wurde iTunes, Spotify und Streaming. In Amerika, aber auch in Europa, entstehen aktuell die ersten Lösungen. Allerdings ist es noch offen, ob Europa das Thema mit genügend Ersthaftigkeit und öffentlicher Unterstützung angeht.

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King, Craig V., Romain Labas, and Christian Renaudin. "Using conjoint analysis to understand preference for online survey layout." International Journal of Market Research 61, no. 6 (2019): 621–34. http://dx.doi.org/10.1177/1470785319873249.

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This study seeks to determine what participants prefer when taking online surveys with regard to conjoint design (number of concepts per screen) and format for grid questions. Respondents were mixed on their preference for two versus three concepts per screen. However, importance scores for incentive amount and type reversed when taking a conjoint exercise with two concepts per screen versus three concepts per screen. Participants seemed to focus more on incentives when presented with three concepts per screen than when presented with two concepts per screen. This finding was not expected and

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Teixeira, Marcelo Mendonça, and Bento Duarte Silva. "Digital Radio Broadcast: New technological resources to produce educational programs online." Ανοικτή Εκπαίδευση: το περιοδικό για την Ανοικτή και εξ Αποστάσεως Εκπαίδευση και την Εκπαιδευτική Τεχνολογία 7, no. 1 (2011): 87. http://dx.doi.org/10.12681/jode.9770.

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The radio as a vehicle of mass communication has undergone many changes over the years through the development of informatics and cybernetics. The process of digitization suffered by conventional broadcasters and the availability of its content on the Internet, produced the latest step in the recent history of media - the Web Radio. In turn, the education has been used in the new technological resources to produce educational programs multidisciplinary in several areas of knowledge and in different parts of the world. Therefore, the present educational-communicative paradigm requires a new way

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DÁVILA NAVARRO, Edgar Gustavo. "Vigencia de la Radio Online en Pandemia: Un espacio conquistado por jóvenes." Chasqui. Revista Latinoamericana de Comunicación 1, no. 151 (2022): 163–76. http://dx.doi.org/10.16921/chasqui.v1i151.4750.

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Es importante conocer el rol de la Radio Online en Pandemia en las audiencias jóvenes de las ciudades de La Paz y El Alto, para saber si estos espacios virtuales se convirtieron en las nuevas plazas públicas donde interactúan públicos juveniles. Por esa razón, este estudio busca demostrar si aumentó la preferencia de la Radio Online en jóvenes de la ciudad de La Paz y El Alto; además, quiere identificar las razones por las que este incremento se dio, durante el período de mayo y junio de 2021. Para este fin, se aplicó un enfoque metodológico cuantitativo, con un diseño descriptivo, que desarro

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Gómez López, Concepción. "Impacto de Intar Radio, la primera emisora de radio online creada en España con IA." aDResearch ESIC International Journal of Communication Research 32 (December 30, 2024): e283. https://doi.org/10.7263/adresic-32-283.

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Objective: This article studies the impact of Intar Radio, the first radio station managed by AI in Spain through a collaboration agreement with Futuri Media's Radio GPT. The objective of the study is to evaluate the impact of virtual voices created with AI on the audience and to determine whether this radio project can surpass in credibility and/or audience the data of other music-themed radio stations run by humans (Cadena 100, Los 40, Los 40 Classic, Cadena Dial). Methodology: A mixed research approach was adopted that combines active listening of the station with direct observation of the

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Stappers, B. W., M. Caleb, and L. N. Driessen. "Fast Radio Transients: From Pulsars to Fast Radio Bursts." Proceedings of the International Astronomical Union 14, S339 (2017): 27–32. http://dx.doi.org/10.1017/s1743921318002156.

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AbstractThe radio sky is full of transients, their time-scales ranging from nanoseconds to decades. Recent developments in technology sensitivity and computing capabilities have opened up the short end of that range, and are revealing a plethora of new phenomenologies. Studies of radio transients were previously restricted to analyses of archived data, but are now including real-time analyses. We focus here on Fast Radio Bursts, discuss and compare the properties of the population, and describe what is to date the only known repeating Fast Radio Burst and its host galaxy. We also review what w

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Yuliandari, Ni Wayan Esty, and Rieka Yulita Widaswara. "Eksistensi Bentuk Komunikasi Penyiaran RRI Mataram di Era Digital." Samvada : Jurnal Riset Komunikasi, Media, dan Public Relation 2, no. 2 (2023): 140–50. http://dx.doi.org/10.53977/jsv.v2i2.1312.

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This research aims to examine the existence of RRI Mataram's form of broadcasting in the digital era. RRI Mataram is the only government-owned radio in the city of Mataram which in order to keep up with developments in information and communication technology of course requires innovation in the form of broadcasting so that it continues to exist and does not lose RRI Mataram's loyal listeners. The focus of the research is on aspects of RRI Mataram's broadcasting form in the digital era. This research was designed in a qualitative descriptive manner, using media convergence theory. The results

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Zoellner, Anna, and Stephen Lax. "On-Air and Online: Social Media and Local Radio Production in the UK." MedienJournal 39, no. 2 (2017): 5–18. http://dx.doi.org/10.24989/medienjournal.v39i2.65.

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Digitalisation and the emergence of online media in particular have led to intense debates about its effects on what is now often called “traditional media” including broadcast media such as radio. Our paper investigates how radio stations’ expansion into online space has transformed radio production. Focusing on the relationship between station and listeners, it discusses the social media practices of radio producers and explores whether these new digital tools contribute to a shift towards a more participatory production culture. The paper draws on data from a multi-method case study investi

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Zoellner, Anna, and Stephen Lax. "On-Air and Online: Social Media and Local Radio Production in the UK." MedienJournal 39, no. 2 (2017): 5. http://dx.doi.org/10.24989/mj.v39i2.65.

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Digitalisation and the emergence of online media in particular have led to intense debates about its effects on what is now often called “traditional media” including broadcast media such as radio. Our paper investigates how radio stations’ expansion into online space has transformed radio production. Focusing on the relationship between station and listeners, it discusses the social media practices of radio producers and explores whether these new digital tools contribute to a shift towards a more participatory production culture. The paper draws on data from a multi-method case study investi

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Arif, Zaenul, and Anggi Rosdiana. "Sistem Informasi Pemasangan Iklan pada Radio Anita Fm Tegal." Jurnal Indonesia Sosial Teknologi 2, no. 1 (2021): 10–21. http://dx.doi.org/10.36418/jist.v2i1.394.

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Anita FM adalah stasiun radio di Kota Tegal, mempunyai program-program andalan yang berbeda dengan radio yang lain yang dituntut selalu berkembang dan meningkatkan kualitas serta profesionalisme pelayanan kepada masyarakat. Perkembangan dunia usaha semakin maju dan inovatif seiring berkembangannya ilmu pengetahuan dan teknologi, dengan adanya perkembangan teknologi mampu menerapkan teknologi komputer dibantu oleh media informasi untuk melakukan kegiatan usaha pemasaran secara online. Sehingga, untuk mendukung pemasaran pada Radio Anita FM yang terlibat dalam perdagangan dan jasa selalu inovati

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Negara, Phulia Widya, and Nora Nailul Amal. "N-Gen, the Small Share That Continues to Listen: Reports from Media-Use Online Diaries of Teenage Radio Listeners." KnE Social Sciences 2, no. 4 (2017): 105. http://dx.doi.org/10.18502/kss.v2i4.875.

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The rise of television and new media have caused decline in the number of radio listeners. In Indonesia, the number of studies that focus on radio also has plummeted. The nature of radio broadcasting reach, as well as the decline in the number of listeners, has made audience research difficult and expensive. This paper attempts to fill this gap. This paper examines young radio listeners’ media habits in Solo – a city in Java Island Indonesia – in detail. Employing daily journals, 30 teenagers who admitted still listening to the radio agreed to participate in the research. Among the small share

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Toledo, Gabriela Paiva de. "Radio espacio estacion broadcast Fordlândia." MODOS: Revista de História da Arte 7, no. 1 (2023): 312–42. http://dx.doi.org/10.20396/modos.v7i1.8670514.

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On September 16th and 17th, 2017, the nomadic online radio station radioee broadcast from Fordlândia, today a district of the city of Aveiro, state of Pará, in the Brazilian Amazonia. Produced by artist Augustina Woodgate along with cultural producers Stephanie Sherman and Hernan Woodgate and several other partners in every new location, Radio Espacio Estacion/radioee was conceived as a multilingual, mobile, online radio station set up around 24-hour/36-hour long events broadcast from different parts of the world to discuss issues of migration, mobility, transportation, environment, and climat

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