Bibliografías temáticas / Aztec Decoration and ornament

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Literatura académica sobre el tema "Aztec Decoration and ornament"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Aztec Decoration and ornament"

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Nurul Fajri, Sri Ayu, Aznan Nazzer Nur Syarif, and Andi Hildayanti. "Filosofi Ornamen dan Dekorasi Interior pada Klenteng Xian Madi Kota Makassar." TIMPALAJA : Architecture student Journals 1, no. 1 (2020): 57–69. http://dx.doi.org/10.24252/timpalaja.v1i1a7.

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Abstrak_Tujuan penelitian ini adalah untuk mengidentifikasi dan mengkajifilosofi ornamen dan dekorasi interior yang terdapat pada Klenteng Xian Madi Kota Makassar. Pada dasarnya kebudayaan Tionghoa mewariskan heterogenitas ragam hias Arsitektural Klenteng yang unik dan filosofis, mulai dari pemilihan warna dan penerapan atribut pada dekorasi ruang Klenteng. Penelitian ini digunakan metode penelitian deskriptif kualitatif yang bertujuan untuk mendeskripsikan dan mengemukakan makna filosofi dari ornamen dan dekorasi interior Klenteng Xian Madi. Berdasarkan hasil penelitian bahwa interior Klenten
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Cross, Christopher. "Urban Design: Ornament and Decoration." URBAN DESIGN International 1, no. 2 (1996): 192. http://dx.doi.org/10.1057/udi.1996.26.

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Delafons, John. "Urban design: Ornament and decoration." Cities 13, no. 3 (1996): 235. http://dx.doi.org/10.1016/0264-2751(96)88703-8.

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Ahani, Fatemeh, Iraj Etessam, and Seyed Gholamreza Islami. "The Distinction of Ornament and Decoration in Architecture." Journal of Arts and Humanities 6, no. 6 (2017): 25. http://dx.doi.org/10.18533/journal.v6i5.1188.

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<p>Ornament has been present throughout the recorded history, revealing human's aspirations, reflections and imaginations. Correspondingly, the discussion of ornament has almost uninterruptedly been a major topic for architectural discourses; one which has led to the publication of several significant texts in which ornamental practices has been addressed from a variety of perspectives. An investigation into the key architectural texts however, reveals that the absence of a certain definition of ornament and its functions in architecture as well as the interchangeable use of the terms 'd
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Sharapov, I. A. "Discourse of Ornament in Twentieth-Century Architecture." Art & Culture Studies, no. 2 (June 2021): 60–87. http://dx.doi.org/10.51678/2226-0072-2021-2-60-87.

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The article provides an overview of the ornament in the architecture of the twentieth century, indicating the points that form the direction of the axial trajectories of the development of the ornamental form in the context of architecture. The research is based on the method of analytical description of ornament positions extracted from the the practice and textual corpus of architect’s statements. Utterances synthesize the discursive range of ornament in the field of architecture. The body of the ornament covers the subject aspects of human life and is present in the spatial form of the arch
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Bzhahov, M., and A. Sultanova. "THE USE OF THE NATIONAL ORNAMENT OF THE KABARDINS AND BALKARS AS ARCHITECTURAL DECORATION OF FACADES OF BUILDINGS." Construction Materials and Products 2, no. 4 (2020): 79–83. http://dx.doi.org/10.34031/2618-7183-2019-2-4-79-83.

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the article presents the results of research on the use of the national ornament of the Kabardins and Balkars as an architectural decoration of facades of buildings, contributing to the increase of architectural and artistic expression of facades of buildings. Classification of the national ornament of the Kabardins and Balkars is given, stylized schemes of the national ornament are considered and variants of their placement on facades of buildings as an architectural decor are offered.
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Goodwin, Amy. "Signwriting: Ornament as visual language ‐ communicative decoration." Journal of Illustration 6, no. 1 (2019): 119–36. http://dx.doi.org/10.1386/jill_00007_1.

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This article argues for the use of decorative signwriting as both ornamental and communicative. This examination will be twofold: first, a series of images of twentieth century signwriting in the fairground industry will be offered to this argument: all signwriting is purposefully applied, as decoration, in order to communicate, but unpicking the visual styles will unveil the hidden meanings, expanding the communicative intentions. Secondly, works of signwriting produced and installed as an archive as illustrated space will be dissected to expand on the argument being made. The archive as illu
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Lee, Jae Sung, Mi Hyun Kim, Young Hwan Park, and Hyun Woo Kim. "Manufacturing Techniques of Gilt-copper Crown Ornament with a Bird Wing-shaped Decoration Excavated form Ancient Tomb in Imdang, Gyeongsan." Journal of Conservation Science 39, no. 3 (2023): 297–307. http://dx.doi.org/10.12654/jcs.2023.39.3.11.

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The ancient tombs in Imdang of Gyeongsan, a representative historic site of Silla culture, are a group of ancient tombs built by local powers of Silla during the Three Kingdoms Period which existed fragmentarily in written records as the tomb of the ruling class in Apdokguk(押督國). In the ancient tomb Imdang 1A, where the appearance at the time of the burial was confirmed, the gilt-copper crown ornament with a bird wing-shaped decoration was excavated showing the relationship between the central Silla and the ruling powers in the local provinces. This the gilt-copper crown ornament with a bird w
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Andriiovych, Martha. "A sign of mobility and cultural exchange? The ceramics with scribble line ornamentation from Lysa Hora cemetery." VITA ANTIQUA 10 (December 20, 2018): 43–47. https://doi.org/10.37098/2519-4542-2018-1-10-43-47.

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From four types of the Neolithic ceramics that were determined for the Dnieper-Donetsk culture region, only the fourth type after D.Y. Telegin typology has been found in the Lysa Gora cemetery. This type is represented by biconical vessels with the flat bottom and straight «collar» rim. Inside of this type, we are able to identify subtypes by their size, type and ornament disposition on the body of a vessel. The vessels with the flat bottom, straight vertical walls and cut to the middle rim are most common. In the second period biconical vessels with the big fla
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H, M. Hasrul, Hariani Hariani, and Yahya Yahya. "Rancang Bangun Sistem Pemasaran Produk Ornamen Bangunan Di Kabupaten Gowa Berbasis Android." Journal Software, Hardware and Information Technology 3, no. 1 (2023): 51–62. http://dx.doi.org/10.24252/shift.v3i1.81.

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The industrial era is forcing almost all sectors and business players to replace their service and product marketing systems with conventional to digital technology, likewise in building ornament artisans. An ornament is a decoration made to beautify a house or building both outside and inside the room; the function of the ornament is also to provide air circulation in the room to get fresh air. This research aims to make it easier for building ornament artisans to market their products more broadly. The approach used in developing this software is a prototype that allows interaction between s
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Tesis sobre el tema "Aztec Decoration and ornament"

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Dürfeld, Michael. "Das Ornamentale und die architektonische Form : systemtheoretische Irritationen /." Bielefeld : Transcript, 2008. http://www.loc.gov/catdir/toc/fy0804/2008423180.html.

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FARRELL, GAVIN R. "ORNAMENT: SEMANTICS AND TECTONICS IN CONTEMPORARY URBAN ARCHITECTURE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115929765.

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Pleasant, Elizabeth A. "Ornamentation, representation, and experimental drawing." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/21606.

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Prickett, Douglas B. "Ornamentalism /." Online version of thesis, 1990. http://hdl.handle.net/1850/10938.

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Wong, Chun-ming. "Cantonese opera on the temple ridge conservation of Shek Wan ceramic figurines on the ridge of the Hung Shing Temple at Apleichau /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4218874X.

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Alves, Francine D. A. C. C. O. "A arquitectura e o mosaico romano de pavimento-relações-interacções." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2002. http://dited.bn.pt:80/30055.

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Vieira, Eduarda Maria Martins Moreira da Silva. "Técnicas tradicionais de fingidos e de estuques no norte de Portugal-contributo para o seu estudo e conservação." Master's thesis, Instituições portuguesas -- -Universidade de Évora, 2002. http://dited.bn.pt:80/30074.

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Odom, Jason Scott. "An investigation of the ornamental joint." Thesis, Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/23120.

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Boram-Hays, Carol Sue. "A history of Zulu beadwork 1890-1997 : its types, forms and functions /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488195154357662.

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Reid, Bronwyn. "Cast architectural ornament : plaster and compo." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1214384.

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Plaster and compo are both materials used for cast architectural ornamentation. Preserving, repairing, and in-kind replacing cast architectural ornamentation is necessary to maintain the integrity of a space. Plaster and compo are visually and texturally very similar materials. Compo was invented to be a less costly substitute for plaster. Whereas the two materials are easily mistaken for one another, they are chemically quite different. The ingredients and methods used to create the two separate materials exemplify this difference. Understanding the differences is key to successfully preservi
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Libros sobre el tema "Aztec Decoration and ornament"

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María de Lourdes Graciela Gallardo Parrodi. Lujos de nácar: Piedras enconchadas de Tenochtitlan. Museo del Templo Mayor, 2019.

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Baer, Eva. Islamic ornament. New York University Press, 1998.

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Heideloff, Carl Alexander von. Medieval ornament. Dover Publications, 1995.

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Colling, James Kellaway. Medieval decorative ornament. Dover Publications, 1995.

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Belanger, Grafton Carol, ed. Floral ornament. Dover Publications, 1997.

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Moughtin, Cliff. Urban design: Ornament and decoration. Butterworth Architecture, 1995.

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Moughtin, Cliff. Urban design: Ornament and decoration. 2nd ed. Architectural Press, 1999.

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Bragdon, Claude. Projective ornament. Dover, 1992.

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Spiridonov, M. S. Chuvashskiĭ ornament: Chăvash ėreshĕ = The Chuvash ornament. [publisher not identified], 2010.

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David, Brett. On decoration. Lutterworth/Parkwest Publications, 1997.

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Capítulos de libros sobre el tema "Aztec Decoration and ornament"

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Mallinson, Jonathan. "1. 1897–1900: The Making of a Potter." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.01.

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This chapter looks at Moorcroft’s training as a potter at the firm of E.J.D. Bodley where his father had worked as Artistic Director, and his education both at the innovative Burslem School of Art and at the National Art Training School (soon to be renamed the Royal College of Art). His appointment as a designer at James Macintyre & Co., Ltd. put him in a firm at the very centre of enlightened art education in the Potteries, its Directors including the forward-looking M.P. Wm Woodall (who had served on the Royal Commission on Technical Instruction), the philanthropist Th. Hulme, and the gi
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Massey, Jonathan. "Ornament and Decoration." In The Handbook of Interior Architecture and Design. BLOOMSBURY VISUAL ARTS, 2013. http://dx.doi.org/10.5040/9781474294096.ch-035.

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"Ornament and Decoration." In Advice on Establishing a Library. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8306083.13.

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Gameson, Richard. "Decoration." In The Role of Art in the Late Anglo-Saxon Church. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198205418.003.0008.

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Abstract We have alluded several times in the aforegoing chapters to the importance of decoration and ornamental criteria in late Anglo-Saxon art and aesthetics. We shall now examine the subject of decoration itself-in particular, as it was applied to frames and initials. This concentration is not to imply that frame and initial decoration was more important than that in other media-the reverse was probably true-rather it is that these are the two contexts in which non-figural ornament survives in a significant quantity while preserving its original form and colour, enabling us to assess it wi
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Aristova, Maria-Anna. "Decoration in the Desert:." In Ornament and Monstrosity in Early Modern Art. Amsterdam University Press, 2019. http://dx.doi.org/10.2307/j.ctvxkn5n8.9.

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"The City Floor." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-10.

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"Landmarks, Sculpture and Furniture." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-11.

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"Colour in the City." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-12.

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"Conclusion – The City of Today and Tomorrow: Ornament and Decoration." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-13.

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"Epilogue." In Urban Design: Ornament and Decoration. Routledge, 2007. http://dx.doi.org/10.4324/9780080521657-14.

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Actas de conferencias sobre el tema "Aztec Decoration and ornament"

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Yu, Tao, Hao Shen, Qianchao Chai, Fei Chen, Ledan Qian, and Yi Li. "Flexible Ornament Selection System for VR Decoration Exhibition." In 2018 International Conference on Virtual Reality and Visualization (ICVRV). IEEE, 2018. http://dx.doi.org/10.1109/icvrv.2018.00039.

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Уханова, Е. В. "Ceremonial manuscripts of prince Mstislav the Great and their role in the history of Novgorod book culture." In Архитектурная археология. Crossref, 2020. http://dx.doi.org/10.25681/iaras.2686-6900.1.253-272.

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Рассматривается начальный этап новгородского книжного производства иллюминированных кодексов (периодизация, условия, особенности). Декорация одного из эталонных кодексов эпохи Мстиславова Евангелия 11031113 гг. не оказала влияния на новгородское искусство книги, поскольку он находился вдворцовой княжеской церкви. Другой выдающийся кодекс этого времени Юрьевское Евангелие 11191128 гг. оформлялся как книга образцов, возможно, для нового скриптория княжеского Юрьева монастыря, и потому его орнаментика нашла отражение вдекорации новгородских рукописей первой половины XIIв. The article deals with t
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Мусаханова, М. З., and Ж. М. Мусаханова. "Museum Description of Kazakh Traditional Clothing Containing Ornament (Based on Collection of Central State Museum of the Republic of Kazakhstan)." In Сохранение культурного наследия. Изобразительные искусства. Исследования и реставрация. Материалы V Международной научно-практической конференции. Crossref, 2024. https://doi.org/10.62625/7153.2024.97.68.019.

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В статье уделено внимание описанию традиционной одежды казахов с элементами орнамента на материалах коллекции Центрального государственного музея Республики Казахстан. Представлены особенности основных мотивов казахского орнамента, их названия. Доказано, что изучать и систематизировать народный орнамент в отрыве от предметов, на которые он традиционно наносился и для которых во многом создавался и перерабатывался, представляется невозможным. Выявлено, как узоры сочетаются между собой и дополняют друг друга, подчиняясь закону композиции. Об этом говорит орнаментация практически всех изделий каз
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Жамилова, М. Ж., and Ю. В. Гусарова. "TRADITIONS OF GIJDUVAN CERAMICS IN THE WORKSHOP OF THE NARZULLAEV DYNASTY." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.53.

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Небольшой город Гиждуван неподалеку от Бухары является колыбелью одной из древнейших школ искусства керамики в Узбекистане, где ремесленники бережно хранят лучшие традиции многовекового гончарного промысла, передавая свое мастерство и неповторимый почерк орнамента из поколения в поколение. Алишер Нарзуллаев, керамист в шестом поколении, делится секретами аутентичной технологии изготовления уникальных изделий, которые становятся гордостью музеев и украшением многочисленных выставок. The small town Gijduvan, not far from Bukhara, is the cradle of one of the oldest schools of ceramic art in Uzbek
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Акентьева, А. А., А. В. Бахматова, and Д. А. Еремин. "THE PROBLEM OF RECONSTRUCTION OF THE ORNAMENTAL COMPOSITION OF BAROQUE PANELS." In РЕСТАВРАЦИЯ. НАШ ВЗГЛЯД — 2024. Crossref, 2024. http://dx.doi.org/10.54874/9785605196549.2024.7.15.

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Объектами исследования являются филенки барочного иконостаса церкви Живоначальной Троицы села Вощажниково. Основная цель исследования заключается в выполнении реконструкции декоративного убранства для дальнейшей оценки количества реставрационных вмешательств. Особое внимание в работе уделено анализу художественного языка, изучению объекта и поиску авторов. В статье пошагово описываются этапы реконструкции рисунка и приводятся варианты возможного художественного содержания утраченных фрагментов. The objects of the research are the baroque altar barrier panels at the Church of Life‑ Giving Trini
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Malcoci, Vitalie. "Semantic approaches of rural architectural decor from the south of Moldova." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.10.

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Traditional artistic creation, manifested through customs, traditions, folklore, is the basic substratum of the knowledge about a civilisation and its culture. Th roughout the entire process of its constitution, the Romanian people produced a huge substratum of archaeological cultures and mythic-folkloric structures that constitute the essence of folk creation. Folk architecture is one of the most impressive material forms from the past of any civilization. Evolving over time, it shaped some of the traditions and practices in peasant constructions, in the evolution of architectural forms, and
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Голофаст, Л. А., and С. В. Ольховский. "Glass Assemblage from the Underwater Quay in the Harbour of Phanagoria." In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-307-7.43-72.

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В статье представлен комплекс стекла 56 вв.н.э., выявленный в ходе подводных раскопок фундамента причального сооружения в акватории Фанагории. Благодаря довольно длительному периоду формирования комплекса находок в нем отразились изменения в ассортименте бытовавшей стеклянной посуды: от весьма разнообразного в 5 в. до скудного набора 6 в., в котором безраздельно доминировали рюмки . Набор сосудов в полной мере отражает сложившуюся в рассматриваемое время ситуацию, характеризующуюся открытостью торговых маршрутов, которые связывали различные регионы Европы: одинаковые стеклянные изделия, произв
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Nitu, E. C., O. Cirstina, F. I. Lupu, M. Leu, A. Nicolae, and M. Carciumaru. "PORTABLE ART OBJECTS DISCOVERED IN THE UPPER PALEOLITHIC OF ROMANIA." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.22-23.

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In addition to their undeniable aesthetic value, ornaments are the element that may differentiate the various social groups or individuals belonging to certain groups. More specifically, body decoration is closely related to social identity. The ornament, as a form of communication, has a certain advantage over other means of communication because, once displayed, perhaps even more than language itself, the individual wearing it need not make any effort to deliver his/her message, social sta-tus, their belonging to a group etc. The first adornments used during the Paleolithic are beads, while
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Nitu, E. C., O. Cirstina, F. I. Lupu, M. Leu, A. Nicolae, and M. Carciumaru. "PERSONAL ORNAMENTS DISCOVERED IN THE EARLY UPPER PALEOLITHIC OF POIANA CIREȘULUI-PIATRA NEAMȚ (ROMANIA)." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.20-21.

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In addition to their undeniable aesthetic value, ornaments are the element that may differentiate the various social groups or individuals belonging to certain groups. More specifically, body decoration is closely related to social identity. The ornament, as a form of communication, has a certain advantage over other means of communication because, once displayed, perhaps even more than language itself, the individual wearing it need not make any effort to deliver his/her message, social sta-tus, their belonging to a group etc. The first adornments used during the Paleolithic are beads, while
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