Bibliografías temáticas / Central Asian Motion pictures

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Literatura académica sobre el tema "Central Asian Motion pictures"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Central Asian Motion pictures"

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Yetimova, Serhat, and Abdrasul İsakov. "An Analysis of the Kurmanjan Datka Movie in the Context of Historical and Ideological Film Criticism." Galactica Media: Journal of Media Studies 6, no. 2 (2024): 96–120. http://dx.doi.org/10.46539/gmd.v6i2.434.

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Kurmanjan Datka Queen of the Mountains (2014) is a Kyrgyz historical drama film directed by Sadyk Sher-Niyaz tells the story of Kurmanjan Datka from Kyrgyz history. In this article, how the mentioned motion picture is discussed in Central Asian, Russian, Turkish and Western digital media is analyzed comparatively in the context of historical and ideological film criticism. It is tried to be understood how each country interprets the film in their own media, how they look at the history of Kyrgyzstan and its ideological discourse. In the research, critical discourse analysis method was used and
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Betancourt, Michael. "‘Cinema’ as a Modernist Conception of Motion Pictures." AM Journal of Art and Media Studies, no. 16 (September 5, 2018): 55. http://dx.doi.org/10.25038/am.v0i16.254.

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In the 1960s and 1970s the Clement Greenberg’s Modernist ideology of ‘purity’ played a central role in the definition of ‘avant-garde cinema’ as a serious, major genre of film. This transfer between ‘fine art’ and ‘avant-garde film’ was articulated as ‘structural film’ by P. Adams Sitney. This heritage shapes contemporary debates over ‘postcinema’ as digital technology undermines the ontology and dispositive of historical cinema. Its discussion here is not meant to reanimate old debates, but to move past them. Article received: March 12, 2018; Article accepted: April 10, 2018; Published online
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To`xtasinova, Dilobarxon Ruziyeva Saodatxon Murodova Mukaddas. ""YOUTH EDUCATION IN DRESS CULTURE" (EDUCATION AND IMMORTAL CULTURE OF THE PEOPLE)." THEORETICAL ASPECTS IN THE FORMATION OF PEDAGOGICAL SCIENCES 2, no. 11 (2023): 71–73. https://doi.org/10.5281/zenodo.7922847.

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This article focuses on the clothing culture and education of the youth, the clothing styles of the Central Asian and European people, the modern (T-shirts with various silly writings and pictures, shorts and slippers), the immortal culture of the people shines brightly, and the morals of the people.
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To`xtasinova, Dilobarxon Ruziyeva Saodatxon Murodova Mukaddas. ""YOUTH EDUCATION IN DRESS CULTURE" (EDUCATION AND IMMORTAL CULTURE OF THE PEOPLE)." THEORETICAL ASPECTS IN THE FORMATION OF PEDAGOGICAL SCIENCES 2, no. 11 (2023): 71–73. https://doi.org/10.5281/zenodo.7924843.

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This article focuses on the clothing culture and education of the youth, the clothing styles of the Central Asian and European people, the modern (T-shirts with various silly writings and pictures, shorts and slippers), the immortal culture of the people shines brightly, and the morals of the people.
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Ashurova, Ulguzi kizi. "ZARABOG STONE PICTURES AND ITS PLACE IN THE HISTORY OF CENTRAL ASIAN PRIMARY ART." EURASIAN JOURNAL OF ACADEMIC RESEARCH 1, no. 1 (2021): 595–98. https://doi.org/10.5281/zenodo.4726597.

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Angelone, Bonnie L., Daniel T. Levin, and Daniel J. Simons. "The Relationship between Change Detection and Recognition of Centrally Attended Objects in Motion Pictures." Perception 32, no. 8 (2003): 947–62. http://dx.doi.org/10.1068/p5079.

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Observers typically detect changes to central objects more readily than changes to marginal objects, but they sometimes miss changes to central, attended objects as well. However, even if observers do not report such changes, they may be able to recognize the changed object. In three experiments we explored change detection and recognition memory for several types of changes to central objects in motion pictures. Observers who failed to detect a change still performed at above chance levels on a recognition task in almost all conditions. In addition, observers who detected the change were no m
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Wile, Lawrence. "The Broken Thread of Asian Culture." Asian Journal of Social Science Studies 3, no. 2 (2018): 65. http://dx.doi.org/10.20849/ajsss.v3i2.402.

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Sociobiology derives its atheistic stance from the Darwinian framework of purposeless, naturally selections of random variations of matter in motion. However, explanatory gaps in sociobiology’s explanation of religion, from the initial cosmic singularity to free will, invite a Divine foot in the door. By interpreting yogic, Taoist and Kabbalistic descriptions of the anatomical connection between the human and the divine not as primitive, poetic metaphors but as interoceptions of a little-known, enigmatic, epigenetically suppressed, structure running through the central axis of the central nerv
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Vukoder, Bret. "Screening sovereignty: Cold War mediations of nationhood in USIA motion picture operations in the SWANA region." Journal of Contemporary Iraq & the Arab World 18, no. 1 (2024): 23–45. http://dx.doi.org/10.1386/jciaw_00118_1.

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This article explores how visible constructions and perceptions of sovereignty in the motion pictures of the United States Information Agency (USIA) factored into the dynamics of US Cold War foreign policy amidst the rise of the Non-Aligned Movement. Specifically, it focuses on agency films about and circulating within the Southwest Asian and North African (SWANA) region – such as the locally produced Iraq al-Youm newsreels (c.1956–58). By mapping the different policy contexts of the Eisenhower and Kennedy administrations onto the USIA films’ aesthetics and themes, the article illustrates cont
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Paksiutov, Georgii D. "Transformation of the Global Film Industry: Prospects for Asian Countries." Russia in Global Affairs 19, no. 2 (2021): 111–32. http://dx.doi.org/10.31278/1810-6374-2021-19-2-111-132.

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The current rapid development of some Asian economies and the projected economic dominance of Asia in the 21st century are reasons enough to call it “the Asian century.” But will Asia’s economic growth entail an increase in political power and cultural influence? In this article the author looks at the topic through the lens of the film industry, a field of activity with a plethora of intertwined economic, political, and cultural factors. Cinema is studied here as an industry that produces “meanings” and is coupled with the concept of “strategic narratives.” According to some statistics, Asian
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Kaligotla, Subhashini. "Words and Pictures: Rāmāyaṇa Traditions and the Art of Ekphrasis". Religions 11, № 7 (2020): 364. http://dx.doi.org/10.3390/rel11070364.

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This article examines two ambitious enactments of the Rama story or Rāmāyaṇa, side by side: the 17th-century painted Mewar Rāmāyaṇa and Vālmīki’s epic poem (ca. 750–500 BCE). Through a formal analysis of two crucial episodes of the tale, it highlights the creative tactics of each medium and stresses their separate aesthetic interests and autonomy. While A. K. Ramanujan’s notion of the “telling” has been immensely influential in South Asian studies to theorize the Rāmāyaṇa’s multiplicity, that concept tends to privilege speech-based embodiments. I propose, by contrast, that ekphrasis may be a m
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Tesis sobre el tema "Central Asian Motion pictures"

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Tateishi, Ramie. "Film genre and the Asian subject /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9992385.

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Liu, Zhan. "Communicating race and culture in media appropriating the Asian in American martial arts films /." Pullman, Wash. : Washington State University, 2008. http://www.dissertations.wsu.edu/Thesis/Fall2008/l_zhan_091108.pdf.

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Thesis (M.A. in communication)--Washington State University, December 2008.<br>Title from PDF title page (viewed on Dec. 31, 2008). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 72-85).
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Bae, Juyeon. "The representation of Asian others in Korean cinema since 2003 : multiculturalism, nationalism and sub-imperialism." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33610/.

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This thesis elucidates current industrial and representational tendencies in South Korean films that depict Asian others. Asian others such as migrant workers, marriage migrants, overseas ethnic Koreans and North Korean defectors have become increasingly important in South Korean filmic discourse and practice since 2003. This thesis examines how contemporary Korean cinema has responded to the multicultural society and how it seeks to articulate Korean nationalism in the globalised era through the appropriation of Asian others. Such films are intertwined with governmental policies of multicultu
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Khor, Denise. "Asian Americans at the movies race, labor, and migration in the Transpacific West, 1900-1945 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291752.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed March 17, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 297-213).
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Huang, Tsung-yi Michelle. "Amidst slums and skyscrapers the politics of walking and the ideology of open space in East Asian global cities /." online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3051067.

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Willmets, Simon. "Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/47074/.

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This thesis examines the representation of the Central Intelligence Agency and its predecessor the Office of Strategic Services in Hollywood cinema from 1945-1975. It argues that the development of these cinematic representations over time has articulated a growing scepticism towards "official" narratives of the past that regard the state as the arbiter of historical authenticity. This scepticism towards state-sourced history is a consequence of increasing US government secrecy. In other words, secrecy fundamentally problematizes state-sourced approaches to historical representation, which rel
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Kumar, Priya Haryant. "Ruptured nations, collective memory & religious violence : mapping a secularist ethics in post-partition South Asian literature and film." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37904.

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This dissertation maps the emergence of a 'secularist ethics' in post-independence South Asian literature and film, an ethics which is a deeply felt poetic response to particular historical conjunctures marked by religio-nationalist conflict in the Indian subcontinent. It is my argument that literary and cultural productions, in striving to dream and envision a world free of violence, terror and religious intolerance, have some central contributions to make to contemporary intellectual and political debates on secularism. Through close readings of fictions by Salman Rushdie, Amitav Ghosh, Muku
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Cork, Kevin James. "Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales /." View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.125146/index.html.

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Hurlstone, Lise Danielle. "Performing Marginal Identities: Understanding the Cultural Significance of Tawa'if and Rudali Through the Language of the Body in South Asian Cinema." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/154.

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This thesis examines the representation of the lives and performances of tawa'if and rudali in South Asian cinema to understand their marginalization as performers, and their significance in the collective consciousness of the producers and consumers of Indian cultural artifacts. The critical textual analysis of six South Asian films reveals these women as caste-amorphous within the system of social stratification in India, and therefore captivating in the potential they present to achieve a complex and multi-faceted definition of culture. Qualitative interviews with 4 Indian classical dance i
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Martins, de Souza Luiz Carlos 1968. "Cartas para quem? = o funcionamento discursivo da "falta" no filme Central do Brasil." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268941.

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Orientador: Suzy Maria Lagazzi<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-20T05:11:48Z (GMT). No. of bitstreams: 1 MartinsdeSouza_LuizCarlos_D.pdf: 3983729 bytes, checksum: 646abf82afc9908b41ae8e482668e965 (MD5) Previous issue date: 2012<br>Resumo: Prezado viajante, Este bilhete lhe dá direito a uma viagem pela estrada metodológica da Análise de Discurso Materialista para que você contemple o filme em DVD ?Central do Brasil?, de Walter Salles Jr. Você passará por três estações a partir da ausência do pai c
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Libros sobre el tema "Central Asian Motion pictures"

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Wimal, Dissanayake, ed. Melodrama and Asian cinema. Cambridge University Press, 2005.

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Vick, Tom. Asian cinema: A field guide. Collins, 2007.

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Ty, Eleanor Rose. The politics of the visible in Asian North American narratives. University of Toronto Press, 2004.

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Givanni, June. Black/Asian film & video list. BFI Education, 1988.

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Givanni, June. Black/Asian film & video list. BFI Education, 1988.

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Kyung, Chang Elaine, ed. Reel Asian: Asian Canada on screen. Coach House Books, 2007.

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1953-, Yomota Inuhiko, ed. Ajia eiga =: Asian movie. Sakuhinsha, 2003.

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Server, Lee. Asian pop cinema: Bombay to Tokyo. Chronicle Books, 1999.

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Chung, Hye Seung. Hollywood Asian. Temple University Press, 2009.

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1961-, Hunt Leon, and Leung Wing-Fai 1970-, eds. East Asian cinemas: Exploring transnational connections on film. New York, 2008.

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Capítulos de libros sobre el tema "Central Asian Motion pictures"

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Molenda, Michael H. "History and Development of Instructional Design and Technology." In Handbook of Open, Distance and Digital Education. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-2080-6_4.

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AbstractThe origins and evolution of instructional technology and instructional design are treated in this chapter as separate concepts, although having intertwined histories. As with other technologies, their origins can be traced to the scientific discoveries on which they are based. Early in the twentieth century, new discoveries in optics and electricity stimulated educators to the adoption of technological innovations such as projected still pictures, motion pictures, and audio recording. Individuals and, later, groups of affiliated professionals promoted enriching learning by adding visu
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Molenda, Michael H. "History and Development of Instructional Design and Technology." In Handbook of Open, Distance and Digital Education. Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0351-9_4-1.

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AbstractThe origins and evolution of instructional technology and instructional design are treated in this chapter as separate concepts, although having intertwined histories. As with other technologies, their origins can be traced to the scientific discoveries on which they are based. Early in the twentieth century, new discoveries in optics and electricity stimulated educators to the adoption of technological innovations such as projected still pictures, motion pictures, and audio recording. Individuals and, later, groups of affiliated professionals promoted enriching learning by adding visu
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Morton, David. "“Motion Pictures at a Great Saving!”." In Motion Picture Paradise. University Press of Florida, 2024. https://doi.org/10.5744/florida/9780813069999.003.0004.

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Riding on the crest of the Florida land boom, local boosters attempted to create various studio cities across Central Florida and along the state’s West Coast during the 1920s and 1930s. Each of these fly-by-night ventures succumbed almost as quickly as they began due to misappropriation of funds, investor fraud, or lack of interest either by filmmakers or the local communities. To complicate matters further, Florida suffered a series of successive disasters caused by the 1926 Miami and 1928 Okeechobee hurricanes and the onset of the Great Depression. These developments inspired several questi
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Murton, Galen. "Post-disaster Development Zones and Dry Ports as Geopolitical Infrastructures in Nepal." In Development Zones in Asian Borderlands. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463726238_ch01.

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Economic activity is central to development zones and represents a core dynamic from which a host of other relationships radiate outwards. While economic logics consistently motivate and produce the development of such zones, the resultant activities are always much more than economic. That is, the development of development zones also sets in motion new configurations of political power and socio-spatial domination. Following this line of thinking, this chapter examines the proliferating development of new import-export dry ports in the Nepal-China borderlands to understand how geopolitical r
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Noam, Eli. "Electronic Media and Their Impact." In Television in Europe. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069426.003.0005.

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Abstract Joseph Schumpeter’s metaphor of the creative destruction of capitalism is a useful backdrop in looking at the perceived dangers to culture caused by “new” media. There has always been a tendency by any group of creative people and institutions to identify their own role, and the technology on which it is based as central to culture. When sound was introduced into motion pictures, the German musicians’ associations agitated publicly, holding that “sound movies are tasteless” and “sound movies are economic and spiritual murder.” When radio was introduced, American researchers noted that
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Kalinak, Kathryn. "A history of film music I." In Film Music: A Very Short Introduction, 2nd ed. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/actrade/9780197628034.003.0004.

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Abstract Music has been central to the history of film. This chapter charts that history through a global perspective, looking at the origins and development of musical accompaniment to motion pictures from the United States to South America, from Europe, Russia, and the Soviet Union to India, Japan, China, and numerous other countries in between. That history includes attention to the variety of forms that musical accompaniment to early film took from phonographic accompaniment to live performance, from improvisation to cue sheets to original film scores, and from a single musician to a symph
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Brennan, Nathaniel. "The Cinema Intelligence Apparatus." In Cinema's Military Industrial Complex. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520291508.003.0008.

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This chapter, by Nathaniel Brennan, discusses the efforts of the Museum of Modern Art Film Library to make use of captured enemy motion pictures on behalf of the federal government’s wartime intelligence programs during World War II. While the chapter presents an overview of the film library’s governmental intelligence work, ranging from matters of storage to the challenges of training analysts, the central case study examines the work of British anthropologist Gregory Bateson, whose work at the film library consisted of trying to define an objective approach to the study of culture through ci
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Wu, Duncan. "chapter 4." In William Hazlitt. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780199549580.003.0007.

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Abstract The collection of Italian masters formerly in the possession of the Regent Orleans was on display at a gallery in Pall Mall, and Hazlitt visited it many times, never to forget what he saw. He gazed at Ludovico Carracci’s ‘Susannah and the Elders’ ‘till our heart thrilled with its beauty, and our eyes filled with tears. How often had we thought of it since, how often spoken of it!’ Sebastiano del Piombo’s ‘The Raising of Lazarus’ moved him for its portrayal of the revived man: ‘The flesh is well-baked, dingy, and ready to crumble from the touch, when it is liberated from its dread conf
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Actas de conferencias sobre el tema "Central Asian Motion pictures"

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Kobus, C. J., and Y. P. Chang. "Teaching Kinematics and Kinetics From a Project-Based Experience Analyzing Sci-Fi Motion Pictures: A Star Trek Example." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-88215.

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In engineering subjects both simple and complex, retention is an issue. Interested students appear to excel in such subjects, but the retention rates for everyone else suffer somewhat. In this paper an example is laid out of how to utilize motion pictures, and specifically the scientific errors therein, to create interesting problems that this author has found helps in student retention of complex engineering material. Why linking elements of entertainment aids in retention is due to creating emotionally arousing stimuli that enhances memory for central details, as has been shown in neurologic
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