Bibliografías temáticas / Fictions

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Literatura académica sobre el tema "Fictions"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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Artículos de revistas sobre el tema "Fictions"

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Frame, Alex. "Fictions in the Thought of Sir John Salmond." Victoria University of Wellington Law Review 30, no. 1 (1999): 159. http://dx.doi.org/10.26686/vuwlr.v30i1.6021.

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A Lecture delivered for the Stout Centre's "Eminent Victorians" Centennial Series in the Council Chamber, Hunter Building at Victoria University on 31 March 1999. The author pays tribute to the late Sir John Salmond by discussing the role of "fiction" in law and in the thought of Sir John. The author notes the nature of fiction as a formidable force, as it facilitates provisional escape from the tyranny of apparent fact and forget about the suspensory nature of fiction. There are three types of "fictions" in the legal world: legislative fictions, whereby the world is refashioned in accordance
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POPA, Alexandru. "Fiktion´ und Fiktionen. Einige Beobachtungen zu terminologischen und sachlichen Unklarheiten in literaturtheoretischem und -wissenschaftlichem Kontext." Bulletin of the Transilvania University of Brasov. Series IV: Philology and Cultural Studies 14 (63), Special Issue (2022): 27–38. http://dx.doi.org/10.31926/but.pcs.2021.63.14.3.2.

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The following article discusses some issues regarding the use of the terms ‘fiction’, ‘fictionality’, ‘fictive’ and ‘fictional’ with regard to fictions and fictional expressions or texts. The main concern of this text is to indicate the fact, that ‘fiction’ and fictions are used and treated with a certain amount of ambiguity. It is the case when literature and literary worlds are discussed both in a general context and in scholarly treatment of these issues. Relevant terminological distinctions exist. Still, their use to name their corresponding referents lacks a certain consequence.
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Matravers, Derek. "Non-Fictions and Narrative Truths." Croatian journal of philosophy 22, no. 65 (2022): 145–60. http://dx.doi.org/10.52685/cjp.22.65.1.

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This paper starts from the fact that the study of narrative in contemporary Anglo-American philosophy is almost exclusively the study of fictional narrative. It returns to an earlier debate in which Hayden White argued that “historiography is a form of fiction-making.” Although White’s claims are hyperbolical, the paper argues that he was correct to stress the importance of the claim that fiction and non-fiction use “the same techniques and strategies.” A distinction is drawn between properties of narratives that are simply properties of narratives and properties of narratives that play a role
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García-Carpintero, Manuel. "Assertions in Fictions." Grazer Philosophische Studien 96, no. 3 (2019): 445–62. http://dx.doi.org/10.1163/18756735-09603013.

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The author of this paper contrasts the account he favors for how fictions can convey knowledge with Green’s views on the topic. On the author’s account, fictions can convey knowledge because fictional works make assertions and other acts such as conjectures, suppositions, or acts of putting forward contents for our consideration; and the mechanism through which they do it is that of speech act indirection, of which conversational implicatures are a particular case. There are two potential points of disagreement with Green in this proposal. First, it requires that assertions can be made indirec
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Kelley, Robert T. "A Maze of Twisty Little Passages, All Alike: Aesthetics and Teleology in Interactive Computer Fictional Environments." Science Fiction Studies 20, Part 1 (1993): 52–68. https://doi.org/10.1525/sfs.20.1.052.

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Interactive fictions, particularly computer-simulation games, engage the user as a co-creator of a fictional world. Recognizing that the interactive freedom he or she experiences even in the most complex of interactive fictions is a mirage, the user can become keenly aware of the teleology inherent in all fictional works. At their best, however, these interactive fictions are less like novels and more like children’s games of make-believe in which objects and stories serve as props in an intensely creative world-building environment or as extensions of real life with gamelike qualities. The bu
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Zhang, Richard, and Duri Long. "Beyond Content: Leaning on the Poetics of Defamiliarization in Design Fictions." Proceedings of the ACM on Human-Computer Interaction 9, GROUP (2025): 1–19. https://doi.org/10.1145/3701184.

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Literary approaches to design fictions, though previously theorized to be diverse in form and content, often fall within narrow stylistic and content boundaries such as speculative abstracts, memos, and studies. By drawing on a rich history of science fiction criticism, we advocate for literary design fictions that diverge from what is commonplace in HCI and design research. We foreground our paper with a discussion of the poetics of science fiction, and their relationship to current design fiction practices. Specifically, we highlight how the poetics of a design fiction can work to familiariz
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Mikkonen, Kai. "Minimal Departure and Fictional Narrative Situations." Storyworlds: A Journal of Narrative Studies 13, no. 2 (2021): 71–96. http://dx.doi.org/10.1353/stw.2021.a925851.

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Abstract: Readers understand fictional worlds at least to some extent by drawing on background knowledge of their own world. Some theories of fiction, however, hold that such realistic expectations, or processes of naturalization, are the default attitude in experiencing fictions. Thus, what Marie-Laure Ryan has called the principle of minimal departure (MD) states that readers understand fictional worlds and their components by drawing on background knowledge of their own world, unless otherwise indicated. This article is a critical examination of the relevance of the principle of MD and a co
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Villegas López, Sonia. "Truth and Wonder in Richard Head’s Geographical Fictions." Sederi, no. 30 (2020): 117–37. http://dx.doi.org/10.34136/sederi.2020.6.

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In line with the method prescribed by members of the Royal Society for natural history and travel writing, Richard Head explored the limits of verisimilitude associated with geographical discourse in his three fictions The Floating Island (1673), The Western Wonder (1674) and O-Brazile (1675). In them he argues in favor of the existence of the mysterious Brazile island and uses the factual discourse of the travel diarist to present a semi-mythical place whose very notion stretches the limits of believability. In line with recent critical interpretations of late seventeenth-century fiction as d
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Proudfoot, Diane. "Sylvan's Bottle and other Problems." Australasian Journal of Logic 15, no. 2 (2018): 95. http://dx.doi.org/10.26686/ajl.v15i2.4858.

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 According to Richard Routley, a comprehensive theory of fiction is impossible, since almost anything is in principle imaginable. In my view, Routley is right: for any purported logic of fiction, there will be actual or imaginable fictions that successfully counterexample the logic. Using the example of ‘impossible’ fictions, I test this claim against theories proposed by Routley’s Meinongian contemporaries and also by Routley himself (for what he called ‘esoteric’ works of fiction) and his 21st century heirs. I argue that the phenomenon of impossible fictions challenges ev
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Colleyn, Jean-Paul. "Fiction et fictions en anthropologie." L Homme, no. 175-176 (October 15, 2005): 147–64. http://dx.doi.org/10.4000/lhomme.1898.

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Tesis sobre el tema "Fictions"

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Fung, Kit-ting, and 馮潔婷. "Decolonizing fictions: the subversion of 19thcentury realist fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31953001.

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Perkins, Aaron M. "Fictions, enabling fictions, and autofiction within painting; or, "This painting is a work of fiction", I said." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/419477.

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This practice-led research project investigates the potential for a philosophically defined and criterial notion of fiction to function within the medium of painting. It develops Kendall L. Walton’s make-believe theory of fiction via Gregory Currie and Richard Wollheim to include a criterion of fictive intent, whereby a painting is fictional if it is intended to prompt an act of imagining in its viewer. Although painting has not art-historically distinguished between fiction and non-fiction, the research demonstrates the intuitive usefulness of such a classification. The research then ar
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Gleiberman, Jack Rhein. "Believing Fictions: A Philosophical Analysis of Fictional Engagement." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2243.

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Works of fiction do things to us, and we do things because of works of fiction. When reading Hamlet, I mentally represent certain propositions about its characters and events, I want the story and its characters to go a certain way, and I emotionally respond to its goings-on. I might deem Hamlet a coward, I might wish that Hamlet stabbed Claudius when he had the chance, and I might feel sorrow at Ophelia’s senseless suicide. These fiction-directed mental states seem to resemble the propositional attitudes of belief, desire, and emotion, respectively — the everyday attitudes that represent and
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Fung, Kit-ting. "Decolonizing fictions : the subversion of 19th century realist fiction /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23473010.

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Kimmich, Matt. "Offspring fictions /." Bern : [s.n.], 2005. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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Siety, Emmanuel. "Fictions d'images." Paris 3, 2003. http://www.theses.fr/2003PA030021.

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On estime en général que, pour un spectateur, l'univers diégétique d'un film de fiction et la réalité matérielle du film lui-même sont plus ou moins incompatibles. Soit il fixe son attention sur la fiction, soit il se montre attentif au film lui-même (le montage, le cadrage, la photographie). De ce point de vue, la fiction la plus réussie est celle qui parvient le mieux à capter l'attention du spectateur, à détourner celui-ci du film en tant qu'artifice. Cependant, certaines descriptions de films remettent en cause ce principe d'incompatibilité en reconstruisant imaginairement le film lui-même
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Morris, Davis Maggie Elizabeth. "The Fictions We Keep: Poverty in 1890s New York Tenement Fiction." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/387.

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In his 2008 book, American Hungers: The Problem of Poverty in U.S. Literature, 1840-1945, Gavin Jones calls for academic studies of literature that examine poverty as its own actuality, worthy of discussion and definition despite its inherently polemical nature. As presented by Jones and tested here, American literature reveals how poverty is established, defined and understood; the anxieties of class; imperative connections with issues of gender and race; and the fictions of American democracy and the American Dream. This proves to be especially interesting when examining the 1890s. From
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Hunt, Celia. "Personal fictions : the use of fictional autobiography in personal development." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285106.

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This thesis contains the results of my research between 1994 and 1998 into the uses of fictional autobiography in personal development. The topic arose out of my observation, both of my own experience and the experience of students attending my creative writing courses, that writing fictional autobiography as part of a writing apprenticeship not only enabled the development of writing skills and the finding of a writing 'voice', but often had a therapeutic effect on the writer's relationship with himor herself, and with his or her significant others. I set out to explore this observation throu
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Leroyer, Anne-Marie. "Les fictions juridiques." Paris 2, 1995. http://www.theses.fr/1995PA020058.

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La doctrine française contemporaine considère les fictions avec défaveur. Le procédé est juge arbitraire. Son utilisation devrait donc être réservée au législateur qui ne pourrait y recourir qu'a titre exceptionnel et pour des raisons d'équité impérieuses. Les fictions légales devraient être d'interprétation stricte, sinon restrictive. En tout état de cause, le procédé ne serait qu'un palliatif devant être éliminé par la recherche d'un moyen permettant de parvenir aux mêmes fins. Ce sont ces présupposes qu'il est proposé de mettre à l'épreuve à la lumière du droit positif. Si le procédé est au
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Kolovou, Ioulia. "First Crusade fictions." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/8752/.

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The world of Byzantium is under-represented in historical fiction written in English, a fact that reflects a general negativity or even absence of Byzantium in the non-academic, cultural traditions of the Anglophone world. Sir Walter Scott’s penultimate novel <i>Count Robert of Paris </i> (1832), set in Constantinople at the time of the First Crusade (1096), is an interesting late work of Scott’s whose ambivalent stance towards Byzantium both asserts and refutes this fact and hints at its possible causes, at the same time offering interesting insights on how to read historical fiction meaningf
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Libros sobre el tema "Fictions"

1

Mateusz, Borowski, and Sugiera Małgorzata, eds. Fictional realities/real fictions. Cambridge Scholars Pub., 2007.

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Williamson, Eric Miles. 14 fictional positions: Short fictions. Raw Dog Screaming Press, 2010.

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F, Trimmer Joseph, and Jennings C. Wade, eds. Fictions. 2nd ed. Harcourt Brace Jovanovich, 1989.

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Levé, Édouard. Fictions. POL, 2006.

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Luis, Borges Jorge. Fictions. A.A. Knopf, 1993.

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Luis, Borges Jorge. Fictions. Calder Publications, 1998.

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Luis, Borges Jorge. Fictions. Penguin Books, 2000.

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Jérôme, Sans, Aballéa Martine 1950-, Grands espaces (Association), Aubes 3935 galerie, and Aéroport international de Montréal (Mirabel, Québec), eds. Fictions. LGE, 1989.

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F, Trimmer Joseph, and Jennings C. Wade, eds. Fictions. 4th ed. Harcourt Brace College Publishers, 1998.

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Luis, Borges Jorge. Fictions. J. Calder, 1985.

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Capítulos de libros sobre el tema "Fictions"

1

Bertolet, Rod. "Concerning Fiction and Fictions." In What is Said. Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-2061-3_7.

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Brennan, Timothy. "National Fictions, Fictional Nations." In Salman Rushdie and the Third World. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20079-5_1.

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Routley, Richard, Val Routley, and Dominic Hyde. "The problems of fiction and fictions." In Noneist Explorations I. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26309-6_6.

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Guler, Sibel Deren, Madeline Gannon, and Kate Sicchio. "Wearable Fictions." In Crafting Wearables. Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-1808-2_2.

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Currie, Gregory. "Interpreting Fictions." In On Literary Theory and Philosophy. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21613-0_6.

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Scruton, Roger. "Feeling Fictions." In A Companion to the Philosophy of Literature. Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444315592.ch6.

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Epstein, William M. "Soothing Fictions." In Psychotherapy and the Social Clinic in the United States. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-32750-7_11.

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Heise-von der Lippe, Anya. "Zombie Fictions." In The Palgrave Handbook to Horror Literature. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97406-4_17.

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Isenberg, Noah. "Pulp Fictions." In Detour. British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92218-5_2.

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Wallace, Diana. "Historical Fictions." In The History of British Women’s Writing, 1945–1975. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1007/978-1-137-47736-1_15.

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Actas de conferencias sobre el tema "Fictions"

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Schweitzer, Zoé. "Mutilations du corps et de la parole : Le spectacle impossible du viol de Philomèle." In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11295.

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Cheymol, Jean-Bernard. "3" de Marc-Antoine Mathieu, une fiction impossible à suivre ?" In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11192.

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Lochert, Véronique. "La fiction face au viol: (im)possibilités classiques et contemporaines." In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11213.

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Richardson, Brian. "Toward a Poetics of Multiversion Narratives." In Impossible fictions / Fictions impossibles. Fabula, 2024. http://dx.doi.org/10.58282/colloques.11181.

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Barbero, Carola, and Alberto Voltolini. "How One Cannot Imagine What One Could Imagine." In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11235.

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Brun, Camille. "Au seuil de la fiction : Saint-Aubin ou le préfacier impossible." In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11085.

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Baron, Christine. "Jurisfictions impossibles." In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11246.

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Bem, Caroline. "Diptych Theory: Queering the Sense of an Ending in Greta Gerwig’s Little Women." In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11111.

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Riedelsheimer, Martin. "Impossible Fictions of Infinity: Reading Beyond Boundaries in 21st-Century Novels." In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11205.

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Calame, Claude. "Pour une pragmatique de la fiction impossible : mythes grecs et mímesis." In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11135.

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Informes sobre el tema "Fictions"

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Hoff, Karla, and Joseph Stiglitz. Equilibrium Fictions: A Cognitive Approach to Societal Rigidity. National Bureau of Economic Research, 2010. http://dx.doi.org/10.3386/w15776.

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Sadowski, Dieter. Board-Level Codetermination in Germany - The Importance and Economic Impact of Fiduciary Duties. Association Inter-University Centre Dubrovnik, 2021. http://dx.doi.org/10.53099/ntkd4304.

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The empirical accounts of the costs and benefits of quasi-parity codetermined supervisory boards, a very special German institution, have long been inconclusive. A valid economic analysis of a particular legal regulation must take the legal specificities seriously, otherwise it will be easily lost in economic fictions of functional equivalence. At its core the corporate actor “supervisory board” has no a priori objective function to be maximised – the corner stone of the theory of the firm – but its objective function will only be brought about a posteriori – should negotiations result in an a
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Leavitt, John. Killers: Fiction Pieces. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.3016.

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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by
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Fyfe, J. A. Offshore data - fact and fiction. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1994. http://dx.doi.org/10.4095/193941.

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Sanny, James T., and Sr. Operational Maneuver: Function or Fiction? Defense Technical Information Center, 1996. http://dx.doi.org/10.21236/ada307346.

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Backus, David, Espen Henriksen, Frederic Lambert, and Christopher Telmer. Current Account Fact and Fiction. National Bureau of Economic Research, 2009. http://dx.doi.org/10.3386/w15525.

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Miller, Ruth-Ellen. Enhancing impact assessment with extrapolative fiction. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.816.

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Van Biesebroeck, Johannes. Wages Equal Productivity: Fact or Fiction? National Bureau of Economic Research, 2003. http://dx.doi.org/10.3386/w10174.

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Balwit, Xander. A Night of Food Futurism. Asimov Press, 2025. https://doi.org/10.62211/23re-57wg.

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