Bibliografías temáticas / Ghots stories

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  2. Tesis
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Literatura académica sobre el tema "Ghots stories"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Ghots stories"

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Uche, Nnyagu PhD Ozoh Ngozi Jacinta PhD. "Ghost in African Literature: an Appraisal of Selected Ghost Stories from Umeasiegbu's Abandoned Ghost Babies and Ghost Stories." SSAR Journal of Arts Humanities and Social Sciences (SSARJAHSS) 1, July-Aug (2024): 34–43. https://doi.org/10.5281/zenodo.14837745.

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One major indispensable role of Literature is its ability to mirror the author’s society. By mirroring the society, Literature helps the unwary to understand and appreciate the society. Obviously, each society is distinct from another and while some societies are of the view that death is an end point of every individual, the Igbo people and some other tribes in the Eastern Nigeria believe that after death, the soul of the deceased hovers as a result of conditions. The deceased persons still appear to people and some migrate to far away places to continue their life. This belief is well
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Oh, Jeongmi. "Research on world “Water ghost stories”: Focusing on the types of water ghosts and the functions of ‘Seizer’." Institute of Humanities at Soonchunhyang University 42, no. 4 (2023): 39–71. http://dx.doi.org/10.35222/ihsu.2023.42.4.39.

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Water demons are beings that have an inseparable relationship with water, seducing people through their voices and eventually leading them to death. Water demons are dual beings, both human and ghost, and the mechanism of seduction and death through their voices is emphasized. Even to this day, ''‘Water ghost’ stories'' stands out among ''modern ghost stories'' more than any other story, and is actively handed down. In addition to beings called ''Water ghosts'', there are also monster-like water fairies, feminine beings with ''恨'' who seduce and eat people. It is found all over the world, incl
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Chos, skyong skyabs ཆོས་སྐྱོང་སྐྱབས། (Qiejiangjia切江加). "RDO RJE'S GHOST RESEARCH (a Tibetan short story)." ASIAN HIGHLANDS PERSPECTIVES 63 (August 30, 2023): 394–97. https://doi.org/10.5281/zenodo.8300798.

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Chos skyong skyabs&nbsp;ཆོས་སྐྱོང་སྐྱབས།&nbsp;(Qiejiangjia切江加). 2023.&nbsp;. Rdo rje&#39;s Ghost Research. 2023.<em>&nbsp;Asian Highlands Perspectives</em>&nbsp;63:394-397.&nbsp; There are many stories and definitions of ghosts and much ongoing vigorous debate about what a ghost is. Many knowledgeable people, including religious scholars, have debated ghost questions for ages: When did ghosts first appear? When did humans first have the idea of ghosts? What, exactly, is a ghost? Do ghosts even exist? &nbsp; Rdo rje returned home to complete research for his Ph.D. thesis. Enrolled in the Paraps
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Adinkrah, Mensah. "Beliefs about ghosts among the Akan of Ghana." International journal of linguistics, literature and culture 9, no. 4 (2023): 121–31. http://dx.doi.org/10.21744/ijllc.v9n4.2278.

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As a thanatologist who specializes in mortuary beliefs and rites in Ghana, I frequently come across information on Akan cultural beliefs about ghosts, as well as individual or personal stories of ghost encounters. Yet, there has been virtually no academic inquiry into the topic. Between January and February 2015, I listened to four consecutive weekly radio programs focusing primarily on ghosts on a commercial radio station in Ghana. The programs were broadcast in Twi, the Akan lingua franca, which the author is fluent in. Following extensive discussions about Akan cultural beliefs regarding gh
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Krebs, Paula M. "Folklore, Fear, and the Feminine: Ghosts and Old Wives' Tales in Wuthering Heights." Victorian Literature and Culture 26, no. 1 (1998): 41–52. http://dx.doi.org/10.1017/s1060150300002266.

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Wuthering heights is haunted, of course. But not only by the ghost of Catherine, who harries Heathcliff and terrifies Lockwood. Not only by the shades of Heathcliff and Catherine (or Laurence Olivier and Merle Oberon) who set off toward Penistone Crag. The ghosts in Wuthering Heights are not Gothic ghosts nor the ghosts from Victorian magazine ghost stories. They represent a different kind of haunting altogether — the haunting of the Victorian middle classes by fear of the people they designated as “the folk.”
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Osoliová, Viktória. "Emma Liggins. The Haunted House in Women's Ghost Stories: Gender, Space and Modernity, 1850-1945." FOCUS: Papers in English Literary and Cultural Studies 13, no. 1 (2022): 119–21. http://dx.doi.org/10.15170/focus.13.2022.1.119-121.

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People have always been interested in the supernatural, which reveals our fascination with ghosts, spectral appearances and haunting. The popularity of the ghost story in the Victorian period has been thoroughly explored in relation to spiritualism, superstition, funerary practices, despite skepticism about the supernatural. Ghost literature became increasingly popular, especially among female authors. The Haunted House in Women’s Ghost Stories: Gender, Space and Modernity, 1850–1945 by Emma Liggins focuses on Victorian and modernist haunted house narratives in ghost stories by female authors
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SANGHA, LAURA. "THE SOCIAL, PERSONAL, AND SPIRITUAL DYNAMICS OF GHOST STORIES IN EARLY MODERN ENGLAND." Historical Journal 63, no. 2 (2019): 339–59. http://dx.doi.org/10.1017/s0018246x1800047x.

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AbstractIn early modern England, spectral figures were regular visitors to the world of the living and a vibrant variety of beliefs and expectations clustered around these questionable shapes. Yet whilst historians have established the importance of ghosts as cultural resources that were used to articulate a range of contemporary concerns about worldly life, we know less about the social and personal dynamics that underpinned the telling, recording, and circulation of ghost stories at the time. This article therefore focuses on a unique set of manuscript sources relating to apparitions in late
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Subair, Muh, Muhammad Amir, Abu Muslim, et al. "Forest conservation strategies: Integrating ghost fear as a social conditioning mechanism." Journal of Infrastructure, Policy and Development 8, no. 9 (2024): 7643. http://dx.doi.org/10.24294/jipd.v8i9.7643.

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The fear of ghosts is a common thing that can be managed as a social condition that turns out to have an impact on the continuity of forest maintenance. Applying a qualitative approach supported by in-depth interview methods, observation, and literature study. This research does not attempt to prove the existence of ghosts or discuss the psychological conditions of people who fear ghosts. The main finding of this research is the reality of the reproduction of stories and experiences of fear of ghosts, as well as the implementation of traditions or rituals related to community activities in the
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Abd Rahman, Ain Nur Iman, and Zainor Izat Zainal. "HUMAN AND GHOST ATTACHMENT IN HANNA ALKAF’S THE GIRL AND THE GHOST." Platform : A Journal of Management and Humanities 5, no. 1 (2022): 2. http://dx.doi.org/10.61762/pjmhvol5iss1art17206.

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For centuries, authors of literary works have sought to bewitch and enchant readers with accounts of supernatural elements such as monsters, spirits and ghosts. Ghosts especially are often depicted as representations of evil and the polar opposite of mankind. In Hanna Alkaf’s The Girl and The Ghost (2020) the adolescent protagonist, Suraya, develops an unusual bond with a ghost, Pink. This is indeed refreshing, considering the human-ghost relationship in the local literary scene is often represented as antagonistic, opposing forces, resulting in ghosts being portrayed as evil, vengeful creatur
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Ye, Hanwen. "An Analysis of the Female Ghost Images in Ancient Chinese Novels on the Theme of Romantic Relationship Between Man and Ghost." Communications in Humanities Research 28, no. 1 (2024): 1–7. http://dx.doi.org/10.54254/2753-7064/28/20230005.

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From Jin to Qing Dynasty of China, there are a large number of novels depicting human-ghost romance. In this literature, female images, femininity and gender relationship patterns reflect the patriarchal values of a specific historical period. Previous research on ancient Chinese female ghost novels often focused on their romantic story with a male human and the awakening consciousness of female, but the research on Character depiction of female ghost was very few. Therefore, this paper aims to investigate the relationship between the image shaping of female ghosts and the values of contempora
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Tesis sobre el tema "Ghots stories"

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Marshall, Matt, and n/a. "GHOST STORIES WITHOUT GHOSTS: A STUDY OF AUTHORSHIP IN THE FILM SCRIPT ?THE SEABORNE?" University of Canberra. n/a, 2008. http://erl.canberra.edu.au./public/adt-AUC20090106.150522.

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In 'The Crypt, the Haunted House of Cinema', Cholodenko argues that film is, metaphorically speaking, a haunted house: an instance of the uncanny. This raises the possibility the film script is also uncanny, from the Freudian notion of das Unheimliche, the strangely familiar and familiarly strange - and thus also a haunted house. This proposition engenders a search as self-reflexive practice for that which haunts the script' an uncanny process to explore the uncanny. The search requires drawing on Barthes, acting 'as dead' with that process' attendant contradictions and problematics' the most
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Millbern, Ryan S. "Running down the ghosts : stories." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1337200.

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The four short stories in this collection all take place in Galvin, a rural Midwestern town plagued by its reluctance to acknowledge the problems that are destroying it: methamphetamines, unemployment, and a dwindling police force to name a few. The characters in this collection realize that stasis eventually becomes paralysis, and that escape is both necessary and inevitable, whether it is through uprooting, obsession, or substance abuse. Each character experiences alienation and struggles with the way their past decisions have shaped the trajectory of their lives. There is a sense of danger
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Stewart, Clare. "Fighting spirit : Victorian women's ghost stories." Thesis, University of Glasgow, 2000. http://theses.gla.ac.uk/1610/.

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Foreman, Hillary Jo. "The Holy and Other Ghosts: Stories." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1586528590411429.

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Lorenz, Johnny Anderson. "Haunted cartographies : ghostly figures and contemporary epic in the Americas /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Reed, Delanna. "Ghost Stories for Historic Rugby Ghostly Gathering." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1274.

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Celebrate Halloween Rugby style at Historic Rugby’s Annual Ghostly Gathering events with ghost stories, a bonfire, and visits from some of Rugby’s most prominent haunts! Ghost stories also performed during October 2014.
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Marvulli, Pietro <1988&gt. "The Gothic Spirit in Edith Wharton's Ghost Stories." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6666.

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La tesi si propone in un primo momento di dipingere tratti distintivi e peculiari della letteratura gotica Americana, al fine poi di approfondire lo stile e comprendere le tematiche che si celano dietro le "ghost stories" di Edith Wharton.
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Lake, Marilyn Hope. "Our mothers' ghosts /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3091940.

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Felton, D. "Haunted Greece and Rome : ghost stories from classical antiquity /." Austin : University of Texas Press, 1999. http://www.loc.gov/catdir/toc/texas051/98039213.html.

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Sala, Carlotta <1992&gt. ""Recounting Nightmares": An Analysis of Five Dickens' Ghost Stories." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15227.

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La tesi tratterà cinque racconti di fantasmi di Charles Dickens: The Haunted Man and the Ghost’s Bargain (1848), The Ghost in the Bride’s Chamber (1857), The Haunted House (1859), The Trial for Murder (1865) e The Signalman (1866). L’introduzione parlerà dell’origine e della storia delle Ghost Stories in generale, spiegando l’attenzione verso questo tipo di racconti durante l’epoca vittoriana ed in particolare come mai Dickens vi fosse interessato, tanto da scriverli lui stesso e pubblicarli nelle sue riviste. Nei cinque capitoli verranno analizzati i racconti sopramenzionati, focalizzandos
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Libros sobre el tema "Ghots stories"

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Sladja, Blazan, and American Comparative Literature Association, eds. Ghosts, stories, histories: Ghost stories and alternative histories. Cambridge Scholars Pub., 2007.

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illustrator, McWilliam Howard 1977, ed. Grow a ghost! Calico, an imprint of Magic Wagon, 2016.

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D, Seymour St John, and Neligan Harry L, eds. True Irish ghost stories. 2nd ed. Fitzhouse, 1990.

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Ron, Edwards. World's most mystifying "true" ghost stories. Sterling, 1997.

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Jessome, Bill. The stories that haunt us. Nimbus, 2005.

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Jessome, Bill. The stories that haunt us. Nimbus, 2004.

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Richard, Davis. Great Australian ghost stories. HarperCollins Publishers, 2012.

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Seibold, David J. Ghost stories of the Delaware Coast. Exeter House Books, 1990.

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Aidan, Chambers, and Stevens Tim ill, eds. Favorite ghost stories. Kingfisher, 2002.

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Kehde, Dan. Hector's warehouse, and other ghost stories. Eldridge Pub., 2000.

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Capítulos de libros sobre el tema "Ghots stories"

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Heholt, Ruth. "Ghost Stories." In The Palgrave Encyclopedia of Victorian Women's Writing. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_90-1.

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Heholt, Ruth. "Ghost Stories." In The Palgrave Encyclopedia of Victorian Women’s Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_90.

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Holland, Amabel. "Stories and Systems." In Cardboard Ghosts. CRC Press, 2024. https://doi.org/10.1201/9781003500834-1.

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Rolls, Alistair. "Telling Ghost Stories." In Agatha Christie and New Directions in Reading Detective Fiction. Routledge, 2022. http://dx.doi.org/10.4324/9781003288527-5.

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Eales, Stephen. "Dust Stories." In The Ghost in the Telescope. CRC Press, 2025. https://doi.org/10.1201/9781003195290-3.

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Thompson, Tok. "Ghost Stories from the Uncanny Valley." In Posthuman Folklore. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825087.003.0007.

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This chapter proposes that we will soon find ourselves haunted by the ghosts of androids. Although ghost stories have been centrally studied throughout the history of the discipline of Folklore (perhaps most notably during the time of Andrew Lang in the British Folklore society), it appears we are quickly approaching a new era in ghosts: the ghosts of artificial intelligence. This chapter takes as its starting point the proposition of android ghosts, exploring the implications and possibilities emanating from this discussion. What sorts of ghosts will androids make?
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Smith, Andrew. "The Ghosts of War: Writing Trauma." In Gothic Fiction and the Writing of Trauma, 1914-1934. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474443432.003.0003.

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This chapter explores representations of ghosts in memoirs, short stories and novels, that are not contained within familiar plots. These ghosts are problematic to explain and typically represent moments of traumatic crisis in accounts of the war by Blunden, Graves, Sassoon, Brittain (among other memoirs discussed in this chapter), and various novels and short stories. Such ghosts personify no-man’s-land as a liminal zone associated with both death and life. These ghosts sit outside the narrative demands of the ghost story and appear as lost, or without a role, and so challenge the possibility
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"Deadly Spaces." In Ghostly Past, Capitalist Presence. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059691-004.

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Chapter 3 offers an explanation for why modern Bengali ghost stories tended to be set outside Calcutta in places with older histories, while British ghosts frequented Calcutta mansions, giving the city a novel historicity.
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Sugars, Cynthia. "Rational Rickets and Reluctant Canadians: Gothic Colonial Cringe in Robertson Davies’s High Spirits." In Comic Gothic. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399505758.003.0009.

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Robertson Davies’ sardonic portrayals of small-town Canadian society expose its paralyzing proprieties in comically Gothic terms. Influenced by the humorous ghost stories of his Canadian literary predecessor Stephen Leacock, Davies undertook his own mode of affectionate ghostlyparody. On many occasions, Davies lamented Canada’s “rational rickets”, its failure to accommodate Old-World ghosts. To conjure such ghosts is to affirm the lack of “local”candidates; to not have such ghosts is to be forever condemned to lament their absence. In his ghost stories, Davies, with characteristic self-irony,
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"Ghost stories." In Petronius and the Anatomy of Fiction. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511482359.010.

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Actas de conferencias sobre el tema "Ghots stories"

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Sarjiati, Upik, and Ayu Nova Lissandhi. "Trio Hantu Cs: A Comic and Animation Series Adaptations of Indonesian Ghost Stories." In 1st International Conference on Folklore, Language, Education and Exhibition (ICOFLEX 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201230.025.

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Lipinskaya, Anastasia. "Vampire and Victim: Two Gender-Oriented Plots in E. F. Benson's Ghost Stories." In 45th International Philological Conference (IPC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.17.

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Wong, Dorothy. "Spectrality and its Translatability: Filmic Adaptation and the Narrative of the Leftover Space." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8912.

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Translating a verbal text into a filmic one may serve the purpose to highlight and foreground the conditions in the original text by bringing to it more substantial experiences through spatial and temporal articulations. In this paper, the relationship between an original and its translation is explored as to demonstrate that the translation is a fusion of the ambiguous resemblance and the unstable dissemblance of the original through interconnecting forces operating behind the construction of images, manifesting, what Walter Benjamin terms, coextensivity between the image and the script, the
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Mori, Masaki. "Ghost Stories of TV, Old and New: A Comparison between Ringu and “TV People”." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.83.

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Hugo, Cheri. "On (un) Becoming Ghosts in Academia: A Coloured Female Academic’s Narratives in Post-student Protest Higher Education in South Africa." In 8th International Visual Methods Conference. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.168.14.

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I am conducting an autoethnographic study on the narratives of female academics of colour in the post-student protest era. I am interested in exploring how women of colour navigate this space, the progress made through the unrest, and the remaining obstacles. Autoethnography is a research and writing approach that aims to describe and analyse personal experiences to gain a broader understanding of cultural and social experiences. This approach challenges colonial research practices and aims to represent others in a more politically, socially just, and conscious manner. The concept of hauntolog
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Furno, Antonella. "Ricerca storica e cartografica delle domus federiciane “fantasma” della regione del Principatus et Terra Beneventana." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11535.

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Historical and cartographic research about the ghost domus built by Frederick II in Principatus et Terra Beneventana regionDuring his reign Frederick II built a series of representative fortified constructions in southern Italy, and after reinforcing the defence line of the border with the State of the Church, he decided to build many residential estates called domus or palacium in the fundamental medieval textual source of Statutum de reparatione castrorum. This research is focused on the study of the landscape in the ancient region of Principatus et Terra Beneventana during the thirteenth ce
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Krasovec, Aleksandra N. "“KALEIDOSCOPIC” NOVEL OF JOSIP OSTI IN THE ASPECT OF TRANSCULTURALITY." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.10.

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The Slovenian-Bosnian poet, writer, essayist, literary critic, translator and editor Josip Osti (1945–2021) was born in Sarajevo, lived and worked in Slovenia since 1990. Being a recognized poet in his homeland, writing in Croatian, one of the largest translators of Slovenian literature into Serbo-Croatian, since 1997 he has been writing in Slovenian. The transcultural aspects of Josip Osti’s literary works, both poetry collections and novels, are a unique phenomenon. In our study, we turned to the novels of Josip Osti, namely his trilogy — Ghosts of the House of Heinrich Böll (2016), In Front
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Devisetty, Harikrishna, Muralikrishna U.V., Ambuj K. Jha, et al. "Insights into Overshooting Convective Storms (OCS) over Western Ghats of India: A Comprehensive Analysis using multi-instrument observations." In 6th URSI Regional Conference on Radio Science. URSI – International Union of Radio Science, 2024. https://doi.org/10.46620/ursi_rsrc24/0431ltk5695.

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Mindiashvili, Nino. "The Trauma of Internal Displacement in Teona Dolenjashvili's Novel “The Bird Will Not Fly Out”." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9047.

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The reflection of the conflicts of Abkhazia and Tskhinvali region is interestingly and multifacetedly presented in modern Georgian literature, in these types of texts special attention is paid to the image-icon of the displa­ced person. In this context, Teona Dolenjashvili's novel The Bird Will Not Fly Out is interesting. The text is based on real stories of displaced people from Abkhazia and Syria, which allows the author to present the essence of internal displacement in a global context as one of the most painful problems of the modern era. The bearer of the stigma of an internally displace
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Informes sobre el tema "Ghots stories"

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Ahmed, Zainab, Matthew Azar, Sabrina Camarda, et al. Victorian Ghosts, 1852-1907. York University, 2020. http://dx.doi.org/10.25071/10315/.

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Victorian Ghosts 1852-1907 is a collection of Victorian Ghost Stories collated and annotated by scholars at York University enrolled in the fourth-year Victorian Ghosts course offered through the department of English during Fall 2020. Starting with Elizabeth Gaskell’s “The Old Nurse’s Story” (1852)—a staple of many Victorian Ghost Story Anthologies—and ending with Ambrose Bierce’s “The Moonlit Road” (1907), this collection includes 21 ghost stories spanning six decades. Each story includes a short introduction and explanatory notes. This is supplemented by accompanying essays that helps guide
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Azar, Matthew, Sabrina Camarda, Larissa Duggan, et al. Victorian Ghosts, 1852-1907. Edited by Matthew Dunleavy. York University, 2021. http://dx.doi.org/10.25071/10315/41231.

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The following collection of Victorian Ghost Stories was collated and annotated by scholars at York University enrolled in the fourth-year Victorian Ghosts course offered through the department of English during Fall 2020. Starting with Elizabeth Gaskell’s “The Old Nurse’s Story” (1852)—a staple of many Victorian Ghost Story Anthologies—and ending with Ambrose Bierce’s “The Moonlit Road” (1907), this collection includes twenty-one ghost stories spanning six decades. As our classes were moved online for the 2020-21 academic year, this Scalar project functioned as a collaborative space with each
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