Bibliografías temáticas / Symbolism in folkore

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Literatura académica sobre el tema "Symbolism in folkore"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Symbolism in folkore"

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Pospelova, Olga S. "The Image of Bluebeard in the Age of Symbolism." Literary Fact, no. 4 (26) (2022): 183–201. http://dx.doi.org/10.22455/2541-8297-2022-26-183-201.

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The article examines the symbolics in the play “Ariana and Bluebeard, or Vain Deliverance” (1896) by the Belgian writer Maurice Maeterlinck and in the libretto “Duke Bluebeard’s Castle” by the Hungarian writer Béla Balazs (1911). There is a transformation of the Bluebeard story from folklore to the field of symbolist and neo-romantic literature, where it undergoes significant changes, being transformed into a “new age myth.”
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Mirələm qızı Qasımova, Pərvanə. "Characteristics of folklore." SCIENTIFIC RESEARCH 12, no. 8 (2022): 24–29. http://dx.doi.org/10.36719/2789-6919/12/24-29.

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Folklorun estetik əhəmiyyəti ilk öncə onunla şərtlənir ki, o dil, fikir və bədii düşüncənin əsasında xalqın yaratdığı mükəmməl bir söz sənətidir. Folklor xəyal, təxəyyül, fantaziya və simvolikadan sənətkarlıqla istifadə edərək gerçəkliyi dolayı yolla motivləndirir və onu poetikləşdirir. Bu poetikləşdirmə, sənət yaratma prosesində əsas vəzifəni xalqın bəddi zövqü yerinə yetriri. Yəni, xalqın bədii zövqü folklorun estetik ölçülərini müəyyənləşdirən və modelləşdirən əsas faktor rolunda çıxış edir. Folklor formaları əsrlərlə xalq sənətkarları tərəfindən cilalanıb və estetik ölçülərini sabitləşdiri
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Ro’ziyeva, Mohichehra Yoqubovna. "COLOR SYMBOLISM IN UZBEK FOLKLORE." Theoretical & Applied Science 85, no. 05 (2020): 277–84. http://dx.doi.org/10.15863/tas.2020.05.85.55.

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Владыкина, Татьяна Григорьевна. "Food Symbolism in Udmurt Folklore." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 3 (November 2, 2020): 132–40. http://dx.doi.org/10.26158/tk.2020.21.3.011.

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Фольклор удмуртов содержит весьма значимый по богатству символики напитков и еды материал. Удмуртский язык и обрядовые традиции до сегодняшнего дня сохранили архаические представления о магической связи праздничной культуры и ритуальных напитков/еды (юондыр - время пития/пиршества). Показательно присутствие в названиях праздников, знаменующих календарно важные периоды зимнего (Вожо-дыр - зимние Святки) и летнего (Инвожо - летние Святки) солнцестояния, номинации хмельного напитка сур (пиво): Толсур - зимнее пиво / зимний праздник; Куарсур - лиственное пиво / летний праздник. Компонент «пиво» в
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Hutchings, John. "Folklore and Symbolism of Green." Folklore 108, no. 1-2 (1997): 55–63. http://dx.doi.org/10.1080/0015587x.1997.9715937.

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Vavilova, Kseniya Yur'evna. "Symbolism in the English and Russian fairy tale folklore: comparative analysis." Филология: научные исследования, no. 11 (November 2021): 94–106. http://dx.doi.org/10.7256/2454-0749.2021.11.36438.

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The subject of this research is the symbolism in the English and Russian fairytale tradition. The object is the texts of the Russian and English fairy tales. Analysis of the texts reveals the typical functions performed by symbols in both folklore traditions. The author provides the examples of symbols and offers the interpretation of objects-symbols, symbols-zoonyms, color and number symbols, time and space symbols. Comparative study of folklore heritage of non-cognate languages reveals the fundamental commonness of a particular folk genre of different peoples in their perspective upon realit
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Oinoshev, V. P., and S. V. Oinosh. "Signs of colour symbolism in traditional Altaian culture." Altaistics, no. 1 (April 5, 2024): 71–78. http://dx.doi.org/10.25587/2782-6627-2024-1-71-78.

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The study of the symbolism of traditional culture categories, including the symbolism of colour in folklore studies and toponymic names becomes very relevant due to the revival of many aspects of spiritual culture. Nowadays the symbolism of colour becomes important in the life of a modern person. It accumulates deep meanings. The extent of research done on the topic: In the Altaian folkloristics colour epithets were studied in detail in the research of M. A. Demchinova, V. P. Oinoshev, S. P. Tyukhteneva and others. Up to the present time colour symbolism in the traditional culture of the Altai
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Ajibade, George Olusola. "Water Symbolism in Yorùbá Folklore and Culture1." Yoruba Studies Review 4, no. 1 (2021): 1–25. http://dx.doi.org/10.32473/ysr.v4i1.130029.

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Water is not only a physical substance; it is also an intrinsic part of peoples’ identity, cultural perception, religious beliefs and worldviews. Water is a relevant and a significant variable that is also germane to the understanding of Yorùbá peoples’ identity, culture and religion. Hence, this ethnographical and literary study examines the image of water in Yorùbá cosmology using folklore (oral texts) of the people as paradigms. It uses a field investigative method of research to elicit primary data from the people on the uses of water in diverse spheres of life. It supplements oral data wi
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Liu, Minjie. "Folklore symbolism of I. Bunin’s short story “The Raven”." Philology. Issues of Theory and Practice 17, no. 1 (2024): 177–83. http://dx.doi.org/10.30853/phil20240026.

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The article is devoted to a poetical analysis of Ivan Bunin’s short story “The Raven” (1944), which is a part of the cycle of short stories about love “Dark Alleys”. The research is undertaken in order to comprehend the role of folklore in the formation of the poetic world of Bunin’s love story, to identify the emotional and aesthetic perspectives of the images, motifs, and the central conflict of the short story, which is contextually conditioned and mediated by folklore symbols. The research is novel in that it is the first to analyze in detail the short story “The Raven”, its character syst
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Babali, Anna. "Boules: The carnival of Naousa. Folklore or symbolism?" Bulletin de l'Institut etnographique 60, no. 2 (2012): 229–40. http://dx.doi.org/10.2298/gei1202229b.

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Tesis sobre el tema "Symbolism in folkore"

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Bukowick, Karen Elizabeth. "Truth and Symbolism: Mythological Perspectives of the Wolf and Crow." Thesis, Boston College, 2004. http://hdl.handle.net/2345/489.

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Thesis advisor: Susan Michalczyk<br>This thesis explores crow and wolf symbolism within the mythology of Western Tradition, focusing on the Bible, Greek and Roman mythology, Native American folklore, Shakespeare, and Aesop's fables. Much of the animal imagery in literature is negative and does not truthfully represent the animals symbolized. This thesis investigates why these negative associations are formed, how they relate to the biological lives of wolves and crows, and explores their ambiguity in relation to the positive symbolism that exists. Negative symbols acquire strength as cultures
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Dass, Rhonda. "Native American symbols in tattooing." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3386672.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2009.<br>Title from PDF t.p. (viewed on Jul 15, 2010). Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4804. Adviser: John Wm. Johnson.
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Brown, Patricia. "The role and symbolism of the dragon in vernacular saints' legends, 1200-1500." Thesis, University of Birmingham, 1998. http://etheses.bham.ac.uk//id/eprint/5414/.

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This thesis looks at the role and function of the dragon in the saint's encounter with the monster in hagiographic texts, written primarily in the vernacular, between 1200 and 1500. Those connotations accrued by the dragon which are relevant to this thesis are traced from their earliest beginnings. Although by the middle ages the multi-valency of the dragon is reduced to one primary symbolic valency, that of evil and significantly, the evil of paganism, the dragon never loses completely its ancient associations and they help to colour its function within the narrative. The symbolic use of the
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Eldridge, Pamela S. "Color and number patterns in the symbolic cosmoloqies of the Crow, Pawnee, Kiowa, and Cheyenne." Thesis, Wichita State University, 1999. http://hdl.handle.net/10057/5579.

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This study represents five years of research on the symbolic cosmologies of four Plains Indian tribes: the Crow, the Pawnee, the Kiowa, and the Cheyenne. Although the lexicons of the four tribes reveal many color and number patterns, there appear to be certain color and number categories that are more pervasive than others. Review of the early ethnographies and folklore texts has found the color categories of red, yellow, black, and white to be significant symbols in both ritual and myth. Further investigation suggests symbolic patterns involving the numbers two and four are also important to
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Seress, Hugues. "La musique « folklorique » pour piano (1907 – 1920) de Béla Bartók : emprunt symbolique, matériau combinatoire." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040101.

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L’emprunt au folklore constitue une des nombreuses manipulations effectuées par le créateur du début du XXe siècle, à partir d’un matériau préexistant à son œuvre. Ces manipulations sont sous-tendues par de multiples processus identitaires, qui souvent détournent le regard de l’analyste, de l’œuvre vers l’ensemble de ses connotations contextuelles et symboliques. S’interroger sur les conséquences, tant stylistiques que techniques, de ces phénomènes, ne semble pas aller de soi. En réexaminant la structure tonale d’œuvres, avec et sans emprunt, composées par Béla Bartók entre 1903 et 1920, via u
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Alvarez, Isabelle. "Étude sur l’évolution du thème des oiseaux de nuit dans la Grèce ancienne, médiévale et moderne." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040157.

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Cette étude se propose de dégager les variations du thème des oiseaux de nuit dans la Grèce ancienne, médiévale et moderne et de présenter une explication de ces différences en fonction du contexte historique, socioculturel et religieux. Pour la période ancienne, un inventaire des oiseaux de nuit a été établi et les occurrences concernant ces oiseaux dans la littérature, l’histoire, la mythologie et l’art ont été relevées. L’étude des oiseaux de nuit a été reprise à l’époque médiévale suivant la même approche en nous intéressant à la manière dont les principales caractéristiques des oiseaux de
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Akimova, Anna. "La chanson populaire et la poésie symboliste en France et en Russie (1880-1914)." Paris 4, 2005. http://www.theses.fr/2005PA040121.

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Cette étude comparative a pour objet les différentes réceptions de la chanson populaire par les poètes symbolistes et les problèmes soulevés par les systèmes de versification. Le corpus symboliste russe repose sur les œuvres de Blok, Bély, Balmont, Brioussov, Kouzmine, Dobrolioublov, Sologoub et Ellis. Les poètes français analysés sont principalement les symbolistes dits mineurs (Kahn, Mauclair, Krysinska, Vielé-Griffin), mais les grands auteurs que sont Mallarmé, Maeterlinck, Rimbaud et Verlaine ne sont pas négligés. Leurs œuvres sont confrontées aux textes populaires pour mettre en évidence
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Kucevič, Zinaida. "Символика коня в русской литературе и живописи". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100707_142050-56325.

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В работе рассматривается эволюция лошади, мифология ее, воплощение в живописи и литературе.<br>Apžvelgiamas arklio vaidmuo civilizacijos, žmonijos kultūros istorijoje, parodoma evoliucija.Kreipiamas dėmesys į arklio įvaizdį mitologijoje, tautosakoje ir dailėje. Nagrinėjama L.Tolstojaus apysaka "Cholstomeras".Ji gretinama su A.Kuprina "Izumrud".<br>Herein, the role of a horse in civilization and history of culture of humanity is reviewed, its evoliution is disclosed. The image of horse in mythology, folklore and art (M.V.Vasnetsov, K. Petrov-Vodkin) is focused. In the analytic part, the story "
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Mountian, Daniela. "Simbologia do caos em O diabo mesquinho de Fiódor Sologub." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-15062012-103007/.

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Este trabalho se propôs a analisar O Diabo Mesquinho (1892-1902), romance-chave de Fiódor Sologub (1863-1927), um dos expoentes do simbolismo russo. Além da importância incontestável da obra para a literatura russa e mundial, foi estímulo para a pesquisa a possibilidade de delinear o primeiro estudo acadêmico sobre o autor no Brasil. A análise seguiu duas direções, que continuamente se encontraram: a evidente tessitura paródica, e a presença de arquétipos míticos universais perpassados por elementos do folclore russo. Quanto ao uso da paródia, tendo como base teórica autores como Iuri Tyniánov
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Pourchier-Plasseraud, Suzanne. "Contribution des arts visuels à l'identité nationale : le cas de la Lettonie (1905-1940)." Paris 1, 2011. http://www.theses.fr/2011PA010517.

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Après des décennies de lutte des « éveilleurs lettons » pour faire surgir une « idée nationale », vint la phase de popularisation de celle-ci auprès des masses. Pris entre les deux grandes puissances qui dominaient les provinces de la future Lettonie, ceux-ci, ne pouvant avoir recours à un passe ou à une unité territoriale historiques, se tournèrent vers la culture populaire et le folklore pour rendre visible l'identité nationale. Dans ce processus, les arts visuels - la peinture, la sculpture, l'architecture et les arts appliqués - jouèrent un rôle majeur. L'un des propos de cette thèse est d
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Libros sobre el tema "Symbolism in folkore"

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Iikura, Harutake. Nihonjin kazu no shikitari. Seishun Shuppansha, 2007.

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Walker, Barbara G. The woman's dictionaryof symbols and sacred objects. Pandora, 1995.

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Walker, Barbara G. The woman's dictionary of symbols and sacred objects. Harper & Row, 1988.

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Jean, Chevalier. Txu điten biteu tưvong văn hóa thre giwoi: Huysen thoại, chiêm muong, phong tục, cyu chki, dạng thte, các hình, màu soac, con sro. Nhà xurat bkan Đà Nmang, 1997.

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Chevalier, Jean. Dizionario dei simboli: Miti sogni costumi gesti forme figure colori numeri. Biblioteca Universale Rizzoli, 1986.

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Johanna, Lehner, ed. Folklore and symbolism of flowers, plants, and trees. Omnigraphics, 1990.

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Lan, Tsʻai-feng. Stories of Chinese children's hats: Symbolism and folklore. University of Indianapolis Press, 1996.

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Alain, Gheerbrant, ed. A dictionary of symbols. Blackwell, 1994.

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Alain, Gheerbrant, ed. A dictionary of symbols. Penguin Books, 1996.

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1961-, Parker Edward, ed. The living wisdom of trees: Natural history, folklore, symbolism, healing. Duncan Baird, 2008.

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Capítulos de libros sobre el tema "Symbolism in folkore"

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Sani, Muhammad Nadzmi Abdullah, and Nur Syuhada Mat Sin. "Development of Character Costume Symbolism in Animation Folklore: A Systematic Review." In Studies in Systems, Decision and Control. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-65203-5_43.

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Jones, Michael Owen. "Latina/o Local Knowledge about Diabetes: Emotional Triggers, Plant Treatments, and Food Symbolism." In Diagnosing Folklore. University Press of Mississippi, 2015. http://dx.doi.org/10.14325/mississippi/9781496804259.003.0005.

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Local knowledge and folk customs, in particular, play a significant role in shaping communal dietary practices and approaches to treating ailments and disease, sometimes in defiance of “official” medical knowledge and direction. In chapter 4, “Latino/a Local Knowledge About Diabetes: Emotional Triggers, Plant Treatments, and Food Symbolism,” Michael Owen Jones explores several areas of Latino/a local knowledge and belief about diabetes collected around Los Angeles, California. Here again, informant narratives powerfully reflect the critical intersection of folk culture and institutional author
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Glukhova, Elena V. "The “estate topos” of Russian symbolism in the ego-documentary prose by Andrei Bely." In Russian Estate in the World Context. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0627-7-48-66.

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The article discusses the modification of the “estate topos” of Russian sym- bolism in Andrei Bely’s memoir prose. The estates Shakhmatovo, Dedovo, Serebrianyj Kolodez played a key role in the cultural history of Russian symbolism. The peculiarity of Bely’s “estate text”, on the one hand, is that he found an original neo-mythological mode in the image of these estates, on the other hand, gave them heterotopic properties. The article shows how the tonality of his memoirs about Alexander Blok changes from the first edition in journal “Notes of Dreamers” (1922) to the last part of his memorial tr
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Bainbridge, William. "Introduction: Tools for Unravelling Heritage." In Topographic Memory and Victorian Travellers in the Dolomite Mountains. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462987616_intro.

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Collins’s theory of symbolic interactionism is here introduced to the study of landscape heritage. His method for unravelling symbols in society can be profitably used to identify a signature of prestige indicating centres of attraction or civilizational poles charged with strong magnetism. The activation of that signature occurs through three levels of social circulation that culminate in the inclusion of symbols in the internal conversation of individuals. In the case of the Dolomites, the complex cluster of symbolic ingredients emerging in their heritage formation oscillates between competi
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Matić, Aleksandra. "ASTRALNA MITOLOGIJA I FOLKLORNA KOSMOLOGIJA U POEZIJI VASKA POPE I MIODRAGA PAVLOVIĆA." In Zvezde : književna, jezička, umetnička i kulturna astropoetika. University of Kragujevac, Faculty of Philology and Arts, Serbia, 2024. https://doi.org/10.46793/zvezde24.189m.

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The research is based on the analysis of astral symbols in the poetry of Vasko Popa and Miodrag Pavlović, with special reference to their mythic-folkloric subtext. The poetic, essayistic and anthological oeuvre of the two poets is viewed in a unique conceptual framework, based on mythic-anthropological recognition. By analyzing the verses of these two poets, one can recognize, namely, new poetic cosmogonies, based on the one hand in folklore tradition, creativity and mythology, and on the other hand, in modernist poetics. When identifying the elements of folk belief, mythical representations a
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Thompson, Tok. "The Ape that Captured Time." In Posthuman Folklore. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825087.003.0002.

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Recent advances in animal studies have established the widespread use of learned, symbolic communication in the animal kingdom (and hence, of some variety of "language"). Meanwhile, Mechling (1989), has argued that folklore, as shared learned traditions, also exists in non-human animals. Considering that many scholars believe that humans are unique in our ability to tell stories, this schism between human and animal, the story and other folklore, has a great deal to tell us about the outlines and origins of humanity. This chapter seeks to integrate arguments from linguistics, archaeology, folk
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Чебашек, Александра. "ДА ЛИ ,,РЕЧИ РАЗБИШЕ МАГИЈУ”? СИМБОЛИЧКА И СЕМАНТИЧКА МОЋ РЕЧИ ФРУЛА, ВРЕТЕНО И ЦРН(ИЛО) У НОВОМ ЈЕРУСАЛИМУ БОРИСЛАВА ПЕКИЋА." In JEZIK, KNJIŽEVNOST, MOĆ/LANGUAGE, LITERATURE, POWER. Filozofski fakultet u Nišu, 2023. http://dx.doi.org/10.46630/jkm.2023.37.

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The main purpose of the paper is to examine the power of the words flute (played), spindle and black(ness) in the novel New Jerusalem (1988) by Borislav Pekić. Through five stories, the mentioned words in Pekić’s poetic discourse appear in different contexts - directly and indirectly. If, according to Foucault, a discourse is a culturally constructed representation of reality, the paper will explore the ways of culturally and symbolically constructing the narrative matrix of the New Jerusalem by pointing out the power of words that simultaneously create meanings and permeate the entire narrati
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Toulouze, Eva, and Nikolai Anisimov. "How the Udmurt Understand the World, and Man in It." In Sator. ELM Scholarly Press, 2021. http://dx.doi.org/10.7592/sator.2021.22.19.

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Bock, Sheila, and Kate Parker Horigan. "Invoking The Relative: A New Perspective on Family Lore in Stigmatized Communities." In Diagnosing Folklore. University Press of Mississippi, 2015. http://dx.doi.org/10.14325/mississippi/9781496804259.003.0004.

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In chapter 3, “Invoking the Relative: A New Perspective on Family Lore in Stigmatized Communities,” Sheila Bock and Kate Parker Horigan further extend this volume’s section on disability, ethnography, and the stigmatized vernacular into the narrative and familial realms. While family stories always signify the values and identities of particular groups, they also open up opportunities for individuals to contest articulations of morality and blame in contexts of stigma. Accordingly, Bock and Horigan approach the concept of “family” not only as a classification of a particular folk group or a de
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Naithani, Sadhana. "Conclusion." In Folklore in Baltic History. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496823564.003.0008.

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This concluding chapter highlights the symbolic value of the history of Baltic folkloristics for the international context of the discipline. It also discusses what specific features of the Baltic folkloristics allowed it to play such an important role in the history of the three nations.
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Actas de conferencias sobre el tema "Symbolism in folkore"

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Čížiková, Zuzana. "K „figúram spomínania“ v slovenskej vojvodinskej literatúre." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-16.

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In this paper, I base my work on the theory of cultural memory and the definition of “figures of remembrance”. These are culturally created and socially binding images of remembrance (M. Halbwachs), with the concept of figure being preferred to image because it is required not only for iconic but also for narrative formation (Assmann 2001). The three established aspects of figures of remembrance include the relationship to space and time, the relationship to the group, and the specific process of reconstructivity. If we perceive literature as the (linguistic) objectification of images and memo
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ДАМЬЯН, Надежда. "The symbolic of birds in Russian and world folklore." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p93-97.

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The article emphasizes that exists different symbolic of birds in the folklore of many peoples in the world. Every image of bird reflects the whole system of believes and symbols. There were controversial opinions in the scientific community concerning these symbolic systems. However, the approach that consider symbolic as a complicated system has dominated recently. Basing on many sources, the author proves that the symbolic of birds in these sources have some regularities. The author suggests seven types of birds in the symbolic of birds. Sometimes these symbolic coincide among different fol
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Musaeva, A. "SYMBOLISM IN THE POETRY BY S. SOKOLKIN AND A. ABDURASHIDOVA." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3714.rus_lit_20-21/155-157.

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Symbols play an important role in the lyrics of poets of the late 20th - early 21st centuries. The article is devoted to their identification and study in the works of modern Russian poets: Sergey Sokolkin and Aminat Abdurashidova. The achievements of science, historical processes have had a strong influence on the development of modern poetry. Religious, scientific, folklore symbolism is actively used by these poets to create images in poems.
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Ganbold, Batmunkh. "SYMBOLISM AND DESCRIPTION OF LIONIN MONGOLIAN FOLKLORE." In Международная научная конференция "Мир Центральной Азии-V", посвященная 100-летию Института монголоведения,буддологии и тибетологии Сибирского отделения Российской академии наук. Сибирское отделение РАН, 2022. http://dx.doi.org/10.53954/9785604788981_373.

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Rubakova, Inna I., and Antonio Carluccio. "Second Language Identity Formation through Russian Folklore Texts." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.2-1.

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In this article, we analyze the possibility of employing short Russian folklore examples of chastushka during the development of second language identities of philology students studying Russian as a foreign language. As observed, studying folklore texts in a foreign language environment contributes to the enhancing of the level of ethnolinguistic competence, which is important for understanding a different (Russian) mentality. An effective example of such texts may be the chastushka genre, as one of the few that actively develops through the deployment of various factors. Among its main chara
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Malcoci, Vitalie. "Semantic approaches of rural architectural decor from the south of Moldova." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.10.

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Traditional artistic creation, manifested through customs, traditions, folklore, is the basic substratum of the knowledge about a civilisation and its culture. Th roughout the entire process of its constitution, the Romanian people produced a huge substratum of archaeological cultures and mythic-folkloric structures that constitute the essence of folk creation. Folk architecture is one of the most impressive material forms from the past of any civilization. Evolving over time, it shaped some of the traditions and practices in peasant constructions, in the evolution of architectural forms, and
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Осипова, К. В. "Чай в языке и культуре Русского Севера". У Межкультурное и межъязыковое взаимодействие в пространстве Славии (к 110-летию со дня рождения С. Б. Бернштейна). Институт славяноведения РАН, 2021. http://dx.doi.org/10.31168/0459-6.35.

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In the work on the material of vocabulary, as well as rituals, beliefs and folklore of the Russian North, the symbolics and ritual functions of tea and tea drinking in folk culture are reconstructed. The place of tea in the diet, the organization of tea drinking are considered; reveals the parameters by which the quality of tea is assessed and functions of tea in family rituals. Drinking tea in folk culture acquires a special ceremoniality and often performs the functions of social regulation: social skills are tested during tea drinking and social relations are built. In family rituals, tea t
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SOROCATÎI, Oxana, and Polina TABURCEANU. "Hunting ritual in Romanian folklore." In "Educaţia lingvistică şi literară în contextul dezvoltării valorilor general-umane", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.10-11-11-2023.p92-99.

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In this article, the specificity of the hunting ritual in hunting folklore is elucidated. This article focuses on the multilateral research of the symbolic values that this motif carries. The hunt becomes a literary motif through which the writers meditate on deep problems of a philosophical, social, political, national, geographical and biological nature, simultaneously, of course, with the evocation, literally and figuratively, of a true hunt. The folklore works in which the motive of hunting is traditionally combined with that of travel and geographical exploration, with initiation (knowled
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PACIURCA, Aliona. "Sources of Inspiration in Composer Tudor Chiriac’s Creations. “Miorița” the Poem." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0010.

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Tudor Chiriac has had numerous sources of inspiration in his creations. While the composer has been consistent in terms of composition principles and key concepts, his sources of inspiration have varied greatly showing his inexhaustible originality and endless imagination. Tudor Chiriac has noticed the beauty, originality and virtues of folklore and popular music since his early childhood, and still is to this day fond of the specific national ethos and melos. Tudor Chiriac followed into Constantin Brăiloiu's footsteps when he supported the development of Romanian academic music in its own mus
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Varvounis, Manolis. "New Methodological Orientations of Greek Folklore." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.10-2.

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In this paper, the theoretical and methodological changes that determine Greek folklore in the first two decades of the 21st century are examined. Also, I include the collaboration and the fruitful dialogue of folklore with the social anthropology in Greece, and its scientific results. The study of folk culture, as established by older folklorists, focused on cultural continuities, for reasons amply discussed in the relevant bibliography. However, the perception of cultural transformation in the area of folk culture also led to the study of a series of exemplary modern or postmodern phenomena
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