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Littérature scientifique sur le sujet « Period of "drama" »

Auteur : Grafiati

Publié le 7 juin 2025

Mis à jour le 2 août 2025

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Articles de revues sur le sujet "Period of "drama""

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B, Vijayakumar. "A Comparative Analysis of Tamil and Assamese Dramatic Tradition." International Research Journal of Tamil 4, no. 2 (2022): 1–8. http://dx.doi.org/10.34256/irjt2221.

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The article is to trace the heritage of Tamil and Assamese drama earliest times to present. The sub-genre of different periods is also discussed herewith. Earliest record of Tamil drama is available during Sangam period. In Assamese it is mentioned in the Sankaradev period. Sankardeva the father of Assamese literature and society maker had a great contribution to Assamese drama. ‘Chihno Jatra’ was the first drama of Assamese literature. To speed up his ‘Ek Saran’ religion he wrote many dramas as an instrument of it and his followers also followed him. In the end of the nineteenth century Tamil

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Hall, Elizabeth. "Period Drama." Lighting Design + Application 41, no. 5 (2011): 80–85. https://doi.org/10.1177/036063251104100513.

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Abbiss, Will Stanford. "Period Drama, Faye Woods (2022)." Journal of Popular Television, The 10, no. 3 (2022): 321–23. http://dx.doi.org/10.1386/jptv_00086_5.

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Taddeo, Julie Anne. "Let's Talk about Sex: Period Drama Histories for the Twenty-first Century." Journal of British Cinema and Television 16, no. 1 (2019): 42–60. http://dx.doi.org/10.3366/jbctv.2019.0455.

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Downton Abbey's international success has inspired a resurgence of interest in the period drama genre. This article examines how Downton, like other period dramas which target largely female audiences, historicises sex, and how, in engaging with contemporary topics from reproductive freedom to rape, Downton and other popular costume dramas which have followed in its wake, in particular Call the Midwife and Poldark, allow viewers to interact with these small-screen histories on an emotional level. Furthermore, the period dramas discussed in this article do in fact challenge the perceived conser

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Xiang, Meng, and Kyung Hoon Han. "A Comparative Analysis Study on Musical Characteristics Shown in the Use of Modes in Korean and Chinese Classical Drama OSTs: Focusing on the Analysis of the Theme Melody of Major Underscores." Korean Society of Culture and Convergence 45, no. 11 (2023): 1289–99. http://dx.doi.org/10.33645/cnc.2023.11.45.11.1289.

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The purpose of this paper is to understand the musical features in the use of modes in Korean and Chinese classical drama OSTs, with the intention of providing assistance to music creators who wish to produce OSTs for classical dramas. To achieve this, we explore the overall musical flow of classical drama OSTs, focusing on the analysis of the main insert songs' thematic melodies. In order to grasp the commonalities and differences, we analyze the thematic melodies of key insert songs, covering the period from 2020 to 2023, selecting the top 12 OST songs from dramas that entered the top 3 view

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Kardiansyah, M. Yuseano. "English Drama in the Late of Victorian Period (1880-1901): Realism in Drama Genre Revival." TEKNOSASTIK 15, no. 2 (2019): 64. http://dx.doi.org/10.33365/ts.v15i2.100.

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A progressive growth in literature was seen significantly during Victorian period. These decades also saw an overdue revival of drama, in which the existence of drama was started to improve when entering late of Victorian period. Along with that situation, Thomas William Robertson (1829-1871) emerged as a popular drama writer at that time besides the coming of Henrik Ibsen’s works in 1880’s. However, Robertson’s popularity was defeated by other dramatists during late of Victorian period (1880-1901), drama writer like Oscar Wilde (1854-1900). Beside Wilde, there were several well known dramatis

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Čiripová, Dáša. "Greek Drama in the Hellenistic Period." Slovenske divadlo /The Slovak Theatre 65, no. 4 (2017): 373–82. http://dx.doi.org/10.1515/sd-2017-0022.

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Abstract This study deals with a period of the Greeco-Roman history related to theatre. Hellenism is a period which is often overlooked by theatre scholars although it is an immensely important and rich transformatory and revolutionary period from a historical point of view. Hellenism is not only marked with the encounter of two worlds, but also with their mutual enrichment. In the world of diverse peoples, theatre and drama turn to lighter themes (comedy is more popular than tragedy), show preference for entertaining theatre forms, gradually divert their attention from serious textual levels

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Cooke, Olga Muller, and Robert Russell. "Russian Drama of the Revolutionary Period." Theatre Journal 42, no. 1 (1990): 135. http://dx.doi.org/10.2307/3207578.

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Vazirakhon, Akhmedova, and Маftuna Ergasheva. "THE IMAGE OF ALISHER NAVAI IN HISTORICAL DRAMA." INTERNATIONAL SCIENCES, EDUCATION AND NEW LEARNING TECHNOLOGIES 1, no. 8 (2024): 21–26. https://doi.org/10.5281/zenodo.12569619.

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<em>In this article, the artistic interpretation of the image of Navoi was analyzed in historical dramas created in Uzbek drama of the independence period. In particular, the writer Muhammad Ali’s "Navai and Bayqaro", dramutrg Sh.Rizaev’s image of Navoi in the dramas" Iskandar " was analyzed and scientifically substantiated by analogy with each other.</em>

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Yu, Minghuang. "A Critical Study of The Emperor Jones and The Yama Chao from the Perspective of Expressionism." Journal of Social Science and Humanities 7, no. 3 (2025): 12–14. https://doi.org/10.53469/jssh.2025.7(03).03.

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Expressionism is an important genre of modernism that comes arise at the beginning of 20th Century in Europe. It is a philosophical movement due to the modern industrialization, urbanization, social transformation and the World War which brought the shock to traditional culture and humanity from late 19th century to early 20th century in Western society. Expressionism generally includes the activities and creations of art, literature, drama, philosophy, architecture that fit the new culture, economic, society, politic of modern industrialize world. In China, after the New Cultural Movement in

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Thèses sur le sujet "Period of "drama""

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Si, Tou Sau-ieng, and 司徒秀英. "A study of zhuanqi drama of the mid-Ming period." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31239262.

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Björkman, Nilsson John. "Period Drama : Punctuation restoration in Swedish through fine- tuned KB-BERT." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-303127.

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Presented here is a method for automatic punctuation restoration in Swedish using a BERT model. The method is based on KB-BERT, a publicly available, neural network language model pre-trained on a Swedish corpus by National Library of Sweden. This model has then been fine-tuned for this specific task using a corpus of government texts. With a lower-case and unpunctuated Swedish text as input, the model is supposed to return a grammatically correct punctuated copy of the text as output. A successful solution to this problem brings benefits for an array of NLP domains, such as speech-to-text and

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Fung, Kai Chun. "The reception of Elizabethan and Jacobean drama in the Romantic period: the case of John Ford." Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/1866.

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Fung, Kai Chun. "The reception of Elizabethan and Jacobean drama in the Romantic period the case of John Ford /." University of Sydney, 2007. http://hdl.handle.net/2123/1866.

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Ward, T. "Compound magic : Virtuosity, theatricality and the experience of theatre in the Jacobean Period." Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235190.

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Hennessey, James Todd. "An examination of human anatomy in the drama of the early modern period." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/7075/.

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An examination of the science of human anatomy and dissection as it occurs in plays of the early modern period. Starting with a survey of available literature on the subject, the thesis then moves on to examine the state of human anatomy in England at the time as well as an overview medical training, textbooks and information that may have been available to the public at large. This leads to an examination of a group of plays that refer explicitly to the practice of anatomy, references that are found to be either literal or metaphorical in nature. In this, the theatrical representation of anat

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Mayhew, Steve. "Becoming John Ford : the silent period 1914-1930." Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/27731/.

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Drawing on extensive primary research into John Ford’s early films, from the silent era up until the late 1920s, the thesis charts the evolution of what has become known as the ‘Fordian sensibility’ through a close textual analysis of the director’s extant silent films, taking into account the implications of the auteur theory as applied to Ford’s work. A major part of the research process has been devoted to the appropriation of the director’s surviving early titles, in order that all existing film materials relevant to the thesis can be included. Prior to examining Ford’s silent film output,

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Sandis, Elizabeth. "A coming of age : drama at St John's College, Oxford in the early modern period." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:7e069753-9028-4055-980d-8cf1239eba87.

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In charting the remarkable rise of St John's College, Oxford, from struggling, new-born foundation in 1555 to spectacular host of King Charles and Queen Henrietta in 1636, I demonstrate how the theatrical tradition developed by the community of St John's men negotiated and articulated their college's political and economic transformation. My research has uncovered the centrality of drama to college life and the fundamental significance of collegiate identity and tradition to the university men, showing that if we are to build a synoptic view of 'university drama' in early modern England, we mu

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Niafas, Konstantinos. "Liber Pater and his cult in latin literature until the end of the Augustan period." Thesis, University of Exeter, 1998. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267211.

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鄧兆華 та Siu-wah Tang. "The commercial performance context of Chinese drama in the Song period = 宋代戲劇的商業演出環境". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/193000.

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China entered its revolutionary stage of commercial development in the 10th to 13th centuries. Provided with its relatively stable political and economical environment, its rapid development in commercialization, urbanization and population was obviously recorded in history. Commercial performing spaces of the Chinese drama and opera, also known as the “Goulan theatres”, were vastly developed in a number of cities and towns in the Northern and Southern Song Dynasties (960-1279). This paper would study the influence of this kind of commercial performance on the development of the Chinese Opera.

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Livres sur le sujet "Period of "drama""

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Russell, Robert. Russian Drama of the Revolutionary Period. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09721-0.

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Robert, Russell. Russian drama of the Revolutionary period. Barnes & Noble, 1988.

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Galpin, Shelley Anne. Teenage Audiences and British Period Drama. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-58319-3.

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1862-1957, Boas Frederick S., ed. Five pre-Shakespearean comedies (early Tudor period). Greenwood Press, 1986.

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Oxenford, Lyn. Playing period plays. Dramatic Publishing, 2010.

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Wu, Hao, 1948 June 25- and Shaw Brothers Ltd, eds. Gu zhuang, xia yi, Huangmei diao: Period drama, Huangmei opera. San lian shu ju (Xianggang) you xian gong si, 2004.

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Hillringhaus, Kirsten. Die Darstellung des Theaters im englischen Drama seit der Restoration Period. Verlag Shaker, 1994.

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Manson, William R., 1906-1984, editor, writer of added commentary, Peale, C. George, editor, writer of added commentary, and Matas Caballero, Juan, writer of introduction, eds. El diablo está en Cantillana. Juan de la Cuesta, 2015.

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Amescua, Antonio Mira de. Callar en buena ocasión, o, Muerto vivo y enterrado. Edition Reichenberger, 1992.

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editor, Sotomayor Marta Gutiérrez, ed. El caballero de gracia. Juan de la Cuesta, 2016.

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Chapitres de livres sur le sujet "Period of "drama""

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Cantrell, Tom, and Christopher Hogg. "Period Drama." In Acting in British Television. Macmillan Education UK, 2007. http://dx.doi.org/10.1057/978-1-137-47022-5_5.

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Russell, Robert. "Soviet Drama, 1917–21." In Russian Drama of the Revolutionary Period. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09721-0_2.

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Russell, Robert. "Russian Drama before the Revolution." In Russian Drama of the Revolutionary Period. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09721-0_1.

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Bell, John. "American Drama in the Postwar Period." In A Concise Companion to Postwar American Literature and Culture. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756430.ch5.

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Russell, Robert. "The Civil War in Soviet Drama." In Russian Drama of the Revolutionary Period. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09721-0_3.

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Kinservik, Matthew J. "Theatrical Regulation during the Restoration Period." In A Companion to Restoration Drama. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118663400.ch3.

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Baran Durmaz, Gulbeyaz, and Nursah Gunduz Gunduz Aktas. "Children and Drama." In Child and Life. Nobel Tip Kitabevleri, 2024. http://dx.doi.org/10.69860/nobel.9786053359272.1.

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Drama can be defined as a group acting out a situation, a memory or an educational subject based on their own life experiences by using theater and drama techniques in the presence of a leader. Especially in the preschool period, drama is of great importance for children to have concrete experiences, to learn by doing and to live and to participate actively. In this period when development is of critical importance, drama studies make positive contributions to all developmental areas of children. Although it is confused with "play", which is a fun activity for children and supports their devel

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Russell, Robert. "Bulgakov’s The White Guard and Flight." In Russian Drama of the Revolutionary Period. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09721-0_4.

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Russell, Robert. "Satirical Comedy and Melodrama." In Russian Drama of the Revolutionary Period. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09721-0_5.

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Russell, Robert. "The Plays of Nikolay Erdman." In Russian Drama of the Revolutionary Period. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09721-0_6.

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Actes de conférences sur le sujet "Period of "drama""

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Nair, Anushka, and Lauryn Anthony. "Period Drama." In SA '22: SIGGRAPH Asia 2022 Computer Animation Festival. ACM, 2022. http://dx.doi.org/10.1145/3550339.3556650.

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Nair, Anushka, and Lauryn Anthony. "Period Drama." In SIGGRAPH '23 Electronic Theater: Special Interest Group on Computer Graphics and Interactive Techniques Conference: Electronic Theater. ACM, 2023. http://dx.doi.org/10.1145/3577024.3588593.

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Li, QiaoWei, and Tianhui Zhang. "A Study on the Drama Communication in the Post Stage Period." In 2017 International Conference on Innovations in Economic Management and Social Science (IEMSS 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iemss-17.2017.270.

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Zhang, Yue, and Yujuan Feng. "A Study of the Historical Period Drama lDownton Abbeyr from the Perspective of Face Theory." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.79.

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Cenusa, Felicia. "Vladimir Beșleagă or about internal exile." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.13.

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If in Romania, during the communist period, one can speak of a literature of external exile and dissidence, then the concept of internal exile can be applied to the literature of Bessarabia, from the same period. Thus, some writers took refuge, in the happiest cases, in the professions of the book, especially in translations, others – in essayistic, parabolic, experimental or diary writings. They were all approached as forms of internal exile, undertaken by writers, thus risking that their works would not be published. Internal exile, most of the time, produced psychoses, neuroses, humiliation

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Bryleva, Natalia. "CHINESE XIQU THEATER ON THE PAGES OF DREAM OF THE RED CHAMBER: THE PHENOMENON OF “HOME THEATER” IN THE QING PERIOD." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.15.

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The Dream of the Red Chamber by Cao Xueqin, being the pinnacle of Chinese classical literature, has been studied and commented on for several centuries. Being a recognized encyclopedia of old Chinese life, this novel provides the reader with numerous information about various aspects of the life of the aristocracy of Qing China. The theme of the theatre is one of the most interesting aspects of traditional culture, reflected in the pages of “Hongloumen”. The novel provides information about the peculiarities of the social status of actors, the composition of theatre troupes and their varieties

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Kumar, Manivendra, and Dr Ananya Ghoshal. "Theatre as a Catalyst for Social Change: Understanding Habib Tanvir as a Reformist Playwright in ‘Charandas Chor’ (1975)." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-015.

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Post-independence canon of Indian theatre is marked by a paradigmatic shift in the reformist agendas of the playwrights. Some playwrights used the method of proscenium plays, while others relied on street or folk theatre to present the socio-cultural turbulences of the time. Habib Tanvir is one reformist playwright of the period whose works can be traced at the intersections of proscenium and rural/folk theatre. Tanvir’s plays are considered milestones in the amalgamation of Indian folk theatre arts and the contemporary perspective of the world. Scholars such as Katheryn Hansen and Javed Malli

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URSACHI, Rodica. "Art as an end and means of education." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p172-177.

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One of contemporary society’s acute problem is moral state of its members, which needs a perfecting through permanent education of ethic standards. Art, as other domain, tackles this problem, but from its own view point. It reflects different moral ethic ideals during its development stages, which influence conscience of respective epoch people. In this way, art presents it self in double hypostasis – to reproduce the moral state of human society in a certain historical moment, and to help the speading of ethic ideas that will contribute to its spiritual education and development. The work of

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Brūzgienė, Rūta. "The Musicality of Lithuanian Poetry: Codes of a Different Speaking." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8934.

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Research on the interactions between literature and other art forms, observed since the appearance of syncretic art, took off in the 18th century. These multifaceted and multidisciplinary connections between time-based arts are systematized in W. Wolf’s general concept of intermediality at the end of 20th century. Based on this concept, the paper will provide some aspects of the musicality of Lithuanian poetry. The study is based on works by V. Daujotytė, V. Česnulevičiūtė, O. Juozapaitienė, J. Girdzijauskas, V. Kubilius, Ž. Ramoškaitė, D. Razauskas, W. Wolf, and others; comparative methodolog

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Fernando, B. S. C. "Creating realistic and safe "Dummy Props" for medical drama and action scenes." In Awakening the economy through design innovation. Department of Integrated Design, University of Moratuwa, Sri Lanka, 2023. http://dx.doi.org/10.31705/idr.2023.5.

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The film industry, as a captivating visual medium, thrives on its ability to intertwine reality and fiction, captivating audiences with compelling storylines. At the heart of film production lies the significance of props, instrumental in bringing characters to life and shaping the narrative. These inanimate objects serve as the backdrop to characters, establish settings, time periods, and cultural contexts, and often act as powerful symbols influencing societal trends. This research delves into the creation of realistic medical props for medical drama (films) scenes, where real props are not

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Rapports d'organisations sur le sujet "Period of "drama""

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Lotz, Amanda, Anna Potter, Marion McCutcheon, Kevin Sanson, and Oliver Eklund. Australian Television Drama Index, 1999-2019. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.212330.

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This report examines changes in the production and commissioning of Australian television drama from 1999–2019, a period marked by notable changes in the business of television in Australia and globally. More production companies now make drama in Australia; however, the fact that more companies share less than half the annual hours once produced raises concerns about sustainability. Several major Australian production companies have been acquired by foreign conglomerates and challenge the viability of domestic companies that lack access to international corporate capital and distribution. The

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Bwerinofa, Iyleen Judy, Jacob Mahenehene, Makiwa Manaka, et al. Living Through a Pandemic: Competing Covid-19 Narratives in Rural Zimbabwe. Institute of Development Studies, 2022. http://dx.doi.org/10.19088/ids.2022.058.

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Through a real time analysis of the Covid-19 pandemic across rural Zimbabwe, this Working Paper explores the competing narratives that framed responses and their politics. Based on 20 moments of reflection over two years, together with ongoing document and media analysis and an intensive period of qualitative interviewing, a complex, dynamic story of the pandemic ‘drama’ emerges, which contrasts with snapshot perspectives. Across the period, a science-led public health narrative intersects with a security and control narrative promoted by the state and is countered by a citizens’ narrative tha

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Jiang, Lulu, and Farideh Alizadeh. Effectiveness of Drama-Based Interventions in Improving Mental Health and Well-being: A Systematic Review and Meta-Analysis of the Literature Published during the COVID-19 Pandemic and Post-Pandemic Period. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.12.0030.

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Ryan, Mark David, Andrew Couzens, Peter Innes, and Sue Cake. A Re-Evaluation of Screen Production on the Gold Coast After COVID-19. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244107.

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This study was commissioned by the City of Gold Coast to re-evaluate the size and activity of the film and television production industry on the Gold Coast since the outbreak of COVID-19 in March 2020. Focusing on the period between June 2020 and mid-2023, the study examines the production activity and characteristics of the local screen ecology; the size and growth of the local film, television and games workforce; and the current capacity of film and television sound stages and production facilities. Using both qualitative and quantitative research methodology, primary data was generated thr

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