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1

Ariese, Csilla, and Magdalena Wróblewska. Practicing Decoloniality in Museums. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463726962.

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The cry for decolonization has echoed throughout the museum world. Although perhaps most audibly heard in the case of ethnographic museums, many different types of museums have felt the need to engage in decolonial practices. Amidst those who have argued that an institution as deeply colonial as the museum cannot truly be decolonized, museum staff and museologists have been approaching the issue from different angles to practice decoloniality in any way they can. This book collects a wide range of practices from museums whose audiences, often highly diverse, come together in sometimes contenti
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2

Maggie, Toy, ed. Contemporary museums. John Wiley & Sons, 1997.

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3

Federico, Soriano, Dolores Palacio, and Daniel Lacasta Fitzsimmons. The museum of all museums. Fisuras Magazine, 2011.

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4

1945-, Hooper-Greenhill Eilean, ed. The Educational role of the museum. Routledge, 1994.

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5

Renzo, Piano. Renzo Piano museums. Monacelli Press, 2007.

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6

Renzo, Piano. Renzo Piano museums. Monacelli Press, 2007.

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7

Museums, International Council of, ed. Literary and composer museums and research: Proceedings of the ICLM Annual Conference 2008. ICOM, 2009.

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8

A, Papadakēs, ed. New museums. Academy Editions, 1991.

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9

P, Blackmon Carolyn, and Field Museum of Natural History. Dept. of Education., eds. Open conversations: Strategies for professional development in museums. Dept. of Education, Field Museum of Natural History, 1988.

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10

Chaumier, Serge. Des musées en quête d'identité: Écomusée versus technomusée. L'Harmattan, 2003.

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11

Mattern, Joanne. Museums. Smart Apple Media, 2003.

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12

Stockton-on-Tees (England). Leisure and Tourism Department. Museums. Stockton-on-Tees Borough Council, 1992.

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13

1933-, Paek Sŭng-gil, and Korea (South) Munhwa Chʻeyukpu, eds. Museums & art museums of Korea. Ministry of Culture & Tourism, 1999.

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14

Heaton, David. Museums among friends: The wider museum community. HMSO, 1992.

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15

Garjāns, Jānis. Latvijas Muzeji: Museums of Latvia. Latvijas Muzeju Asociācija, 1996.

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16

Lessing-Museum. Sammlungsverzeichnis des Lessing-Museums Kamenz. Das Museum, 1996.

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17

Schofield, Kate. Design museums: A critical view. University of London, Institute of Education, Department of Art & Design, 1993.

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18

Kokuritsu Daigaku Hakubutsukan Tō Kyōgikai., ed. Dai 1-kai Hakubutsu Kagakukai kōen yōshishū: Kokuritsu Daigaku Hakubutsukan Tō Kyōgikai 2006-nen taikai in Hokudai : kaisai nichiji : 2006-nen 6-gatsu 22-nichi--6-gatsu 23-nichi kaisai kaijō : Hokkaidō Daigaku Gakujutsu Kōryū Kaikan Dai 4 Kaigishitsu, Shōkōdō. Kokuritsu Daigaku Hakubutsukan Tō Kyōgikai 2006-nen Taikai in Hokkaidō Daigaku Kikaku Unʼei Iinkai, 2006.

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19

Kokuritsu Daigaku Hakubutsukan Tō Kyōgikai., ed. Dai 1-kai Hakubutsu Kagakukai kōen yōshishū: Kokuritsu Daigaku Hakubutsukan Tō Kyōgikai 2006-nen taikai in Hokudai : kaisai nichiji : 2006-nen 6-gatsu 22-nichi--6-gatsu 23-nichi kaisai kaijō : Hokkaidō Daigaku Gakujutsu Kōryū Kaikan Dai 4 Kaigishitsu, Shōkōdō. Kokuritsu Daigaku Hakubutsukan Tō Kyōgikai 2006-nen Taikai in Hokkaidō Daigaku Kikaku Unʼei Iinkai, 2006.

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20

Latham, Kiersten Fourshé. Foundations of museum studies: Evolving systems of knowledge. Libraries Unlimited, an imprint of ABC-CLIO, LLC, 2014.

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21

Herbst, Wolfgang. Muzeevedenie: Muzei istoricheskogo profili︠a︡. Vysshai︠a︡ shkola, 1988.

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22

Okáli, Ilja. Slowakei, Führer durch Museen und Galerien. Slovenské národné múzeum, 1994.

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23

E, Merritt Elizabeth, and American Association of Museums, eds. 2006 AAM museum financial information. American Association of Museums, 2006.

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24

Königsberger, Karen. "Vernetztes System"?: Die Geschichte des Deutschen Museums 1945-1980 dargestellt an den Abteilungen Chemie und Kernphysik. Herbert Utz Verlag, 2009.

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25

Schuster, John. Haunting museums. Forge, 2009.

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26

Victoria, Newhouse, ed. Renzo Piano museums. Monacelli Press, 2007.

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27

Simmons, John E. Museums. Rowman & Littlefield, 2016. https://doi.org/10.5040/9798881815165.

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Abstract (sommario):
This comprehensive history of museums begins with the origins of collecting in prehistory and traces the evolution of museums from grave goods to treasure troves, from the Alexandrian Temple of the Muses to the Renaissance cabinets of curiosities, and onto the diverse array of modern institutions worldwide. The development of museums as public institutions is explored in the context of world history with a special emphasis on the significance of objects and collecting. The book examines how the successful exportation of the European museum model and its international adaptations have created p
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28

Bouquet, Mary. Museums. Bloomsbury Publishing Plc., 2012. https://doi.org/10.5040/9781350532816.

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Museums: A Visual Anthropology provides a clear and concise summary of the key ideas, debates and texts of the most important approaches to the study of museums from around the world. The book examines ways to address the social relations of museums, embedded in their sites, collections, and exhibitions, as an integral part of the visual and material culture they comprise. Cross-disciplinary in scope, Museums uses ideas and approaches both from within and outside of anthropology to further students’ knowledge of and interest in museums. Including selected, globally based case studies to highli
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29

Museums and museum policy. Ministry of Welfare, Health and Cultural Affairs, 1991.

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30

Cain, Victoria, and Karen A. Rader. Science Communication and Museums’ Changing Roles. Edited by Kathleen Hall Jamieson, Dan M. Kahan, and Dietram A. Scheufele. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190497620.013.23.

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This chapter outlines museums’ historical and contemporary approaches to science communication, detailing how they have used exhibits and public programming to balance their twinned missions of scientific research and public education. It describes the history of these institutions, and the various forms—natural history museum, science museum, and science center—they assumed in the twentieth century. It explains how and why approaches to exhibition changed, discussing the rise of hands-on, interactive, and immersive displays, and museums’ shifting attitudes toward the visitors in their halls.
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31

Stevens, Scott Manning. Collectors and Museums. Edited by Frederick E. Hoxie. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199858897.013.32.

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This chapter examines the history of museums as it relates to American Indians in the United States, from the eighteenth century to the present. The chapter takes into account the often troubling use of the museum to depict indigenous societies as exotic relics of the past, while at the same time alienating artifacts of their material culture from them. In order to better understand the rise of museums and cultural centers created and run by Native peoples in recent decades, it is first necessary to understand both the histories and the practices of non-Indian run museums that demanded this ne
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32

Carreño, Richard. Museum Mile: Philadelphia's Parkway Museums. Lulu Press, Inc., 2011.

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33

Simmons, John E. Museums: A History. Rowman & Littlefield Publishers, Incorporated, 2022.

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34

McCarthy, Michael. Museums and Maritime Archaeology. Edited by Ben Ford, Donny L. Hamilton, and Alexis Catsambis. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199336005.013.0045.

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This article reflects the role of universities, training institutes, foundations, and conservation laboratories in presenting an in situ underwater display case at an excavation, or a wreck, submerged structure, or dwelling. Therefore, the term “museum” includes both traditional museums as well as institutions that curate and display archaeological data. Museums represent one of the main outlets for maritime, underwater, and nautical archaeological materials. This article describes the early collection strategies of the archaeological data and explains how this concept came into being. Many pr
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35

Contemporary Museums. Braun Publishing, 2010.

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36

Museology and museum studies: A handbook of the theory and practice of museums. Dar es Salaam University Press, 2010.

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37

Renzo, Piano. Renzo Piano Museums. Monacelli, 2007.

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38

Museums: A History. Rowman & Littlefield Publishers, Incorporated, 2016.

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39

Museums And Their Visitors. Routledge, 2011.

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40

Haunting museums. Forge, 2009.

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41

Haunting Museums. Doherty Associates, LLC, Tom, 2009.

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42

Brookshaw, Sharon. Presenting Children from the Distant Past in Museums. Edited by Sally Crawford, Dawn M. Hadley, and Gillian Shepherd. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199670697.013.37.

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This chapter discusses the archaeology of childhood from a museum perspective. It presents data from British museums showing that material is held in collections that can evidence the existence and sometimes also the activities of children in the more distant past. Even remains of children themselves, such as ‘Charlie’, the skeleton of a young child on display at the Alexander Keiller Museum, can prove important, particularly for younger visitors to such museums. Some examples of museum displays where children from the deeper past have been included and consideration of the curatorial perspect
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43

Museums to discover: Québec museum guide. Société des musées québécois, 2006.

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44

Erland Lee Museum: Inside Hamilton's Museums. ReadHowYouWant.com, Limited, 2017.

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45

G. Brown (George Brown) 1851- Goode. Museum-History and Museums of History. Creative Media Partners, LLC, 2021.

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46

Goddard, John. Joseph Brant Museum: Inside Hamilton's Museums. Dundurn Press, 2016.

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47

Barcelona museus =: Barcelona museums = Barcelona museos. Ediciones Polígrafa, 2003.

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48

Goddard, John. Erland Lee Museum: Inside Hamilton's Museums. Dundurn Press, 2016.

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49

Magical Museums: The Museum of Science. Hachette Children's Group, 2024.

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50

McDaniel, Justin Thomas. Buddhist Museums and Curio Cabinets. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824865986.003.0004.

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This chapter looks at the rise of Buddhist museums in contemporary Asia. Curators at private and sometimes explicitly sectarian Buddhist museums have attempted to appeal to a wider audience and have abandoned particular sect’s rituals, liturgies, symbols, and teachings to promote a new vision of Buddhism without borders. This opening up of their collections, as well as the active acquisition of new material, demonstrates a particular type of Buddhist ecumenism – an ecumenism without an agenda. The multiple affective encounters these museums allow create ecumenical environments allow visitors t
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