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Articoli di riviste sul tema "Museums"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Ferraro, José Luís Schifino, Adam Goldwater, Caroline McDonald, et al. "Connecting Museums: a case study in leadership, innovation and education in university science museums leading internationalisation projects." Educação 42, no. 1 (2019): 77. http://dx.doi.org/10.15448/1981-2582.2019.1.29526.

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This article reports on Connecting Museums: leadership, innovation and education in Science Museums, an international conference involving three university museums: Museu de Ciências e Tecnologia da Pontifícia Universidade Católica do Rio Grande do Sul (MCT-PUCRS), the Great North Museum: Hancock (GNM), at Newcastle University (NU), and the Oxford University Museum of Natural History (OUMNH). The partnership started with a project to develop a joint exhibition on the theme of evolution organised by MCT-PUCRS and GNM, supported by the British Council’s Newton Fund (Institutional Skills 2016). T

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Rhodes, Mark, Kathryn Hannum, Madelin Burnau, et al. "Museums, national resources, and the broader economic impacts of National Museum Wales." Welsh Economic Review 30 (December 16, 2024): 1–9. https://doi.org/10.18573/wer.273.

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How do public museums balance their economic costs with their economic benefits? Political debate often strips nuance from museum management, with the total public spending going into a museum countered by a museum’s direct revenue generation. This paper attempts to complicate those false dichotomies by demonstrating that while free-to-enter public museums generate relatively little of their own direct revenue, their broader contribution to the regional economy must be considered. Across Britain, national museums play a central role in the tourist economy, and in Wales, St. Fagans National Mus

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Lenoir, Timothy. "A ciência produzindo a natureza: o museu de história naturalizada." Episteme – Filosofia e História das Ciências em Revista 2, no. 4 (1997): 55–72. https://doi.org/10.5281/zenodo.6509731.

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<strong>RESUMO</strong>: A partir da história dos museus de história natural, este texto discute como a natureza tem sido representada nestes espaços privilegiados, os quais têm “autenticado” visões de natureza, desde o século passado. Tais representações da natureza têm sido produzidas de acordo com os interesses políticos, econômicos, etc., dos grupos que as produzem. Examinando a história do estabelecimento da Exposição do Palácio de Cristal e do Museu Britânico de Hist&oa

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Bira, Monica, Alexandra Zbuchea, and Mauro Romanelli. "Romanian Museums under Scrutiny." Management Dynamics in the Knowledge Economy 8, no. 3 (2020): 297–323. http://dx.doi.org/10.2478/mdke-2020-0019.

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Abstract The museum sector has changed in the past decades, becoming for dynamic, diverse, interactive, participative and innovative. All this shifts make museums more and more appealing and increase the level of satisfaction of museum visits. Understanding to what degree the public perceives and appreciate these trends, could give museum management hints to better fit their development strategies to the audience. Generally, perceptions are very important for appealing organizations. This is valid also for museums. Museum’s image influences the audience’s satisfaction. Perceptions are importan

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Cury, Marilia Xavier. "Lições indígenas para a descolonização dos museus: processos comunicacionais em discussão / Indigenous people's lessons for decolonizing museums: communication processes under discussion." Cadernos CIMEAC 7, no. 1 (2017): 184. http://dx.doi.org/10.18554/cimeac.v7i1.2199.

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Os museus passam por transformações, novas funções se reorganizam e novos desafios são levados a essa instituição. Após anos de crítica da sociedade e academia ao museu, pela forma fechada como operava e interpretava coleções, há um movimento de transformação. Os processos de descolonização do museu etnográfico vêm trazendo grandes avanços, também porque essa categoria de museu passa pelo processo de indigenização. A comunicação museológica tem papel preponderante tanto na descolonização quanto na indigenização, pois promove o diálogo entre profissionais de museus e indígenas. O artigo apresen

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Tołysz, Aldona. "MUSEUM IN THE PROCESS. SELECTED TENDENCIES IN 20TH-CENTURY MUSEOLOGY." Muzealnictwo 61 (June 24, 2020): 96–105. http://dx.doi.org/10.5604/01.3001.0014.2477.

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The debate on the museum definition undertaken at the 2019 Kyoto ICOM General Conference points to the role played contemporarily by museums and the expectations they have to meet. It also results as a consequence of changes happening in museums beginning as of the 19th century until today. Extremely important processes took place in the past century. Initially, the changes covered the museum operating methods, mainly within museum education and display, however, they also had an impact on the status of objects in museum collections in the context of artistic and ethnographic collections. One

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Kazantseva, O. A. "MUSEUMS OF UDMURTIA IN CONDITIONS OF GLOBALIZATION." Вестник Удмуртского университета. Социология. Политология. Международные отношения 4, no. 1 (2020): 101–9. http://dx.doi.org/10.35634/2587-9030-2020-4-1-101-109.

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The article presents some analytical results of Udmurtia museums’ work in connection with the processes of globalization. A museum, as a sociocultural institution of society, reacts and feels changes in the world that change the museum's space, and finds other forms of interaction with libraries, archives, universities and research institutes. Informatization as an integral part of globalization has changed the accounting, storage and presentation of historical, cultural and natural heritage to a visitor in domestic museums, including in Udmurtia. Public attention is focused not only on materi

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Uralman, Hanzade. "The library of Istanbul Museum of Modern Art: a new type of art museum library for Turkey." Art Libraries Journal 35, no. 2 (2010): 30–34. http://dx.doi.org/10.1017/s0307472200016370.

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Libraries can easily be integrated into a museum’s activities, since museums too have functions that require the processing of information, such as preservation, research and communication. However museums in Turkey were not notable for developing efficient art libraries until Istanbul Museum of Modern Art opened. The distinctiveness of this museum’s library results from a change in the museum environment in Turkey, and the introduction of a number of features that are new in art libraries in this country.

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Sizova, Irina A. "Museum as an Active Participant in Continuing Education." Vestnik Tomskogo gosudarstvennogo universiteta, no. 464 (2021): 225–31. http://dx.doi.org/10.17223/15617793/464/25.

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The article presents a qualitative analysis of museum educational products. These products have been studied in terms of the possibility of their use in formal, non-formal and informal education. Thus, the role of the museum as an actor of continuing education has been determined. The role of continuing education in the educational process is becoming more obvious for most participants, and informal education plays a huge role in this process. It is urgent now to develop high-quality educational environment. Due to museums and their offline and online educational products, it is possible to ge

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Hu, Wangming, Hyunsuk Han, Gulong Wang, Tao Peng, and Zhiqiang Yang. "Interactive Design and Implementation of a Digital Museum under the Background of AR and Blockchain Technology." Applied Sciences 13, no. 8 (2023): 4714. http://dx.doi.org/10.3390/app13084714.

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A museum is the destination of the crystallization of history and culture, and a museum is the center for the development of heritage culture. The display and exhibition of historical relics can promote the harmonious development of society. However, there are many defects in traditional museums. The collection in the museum is scattered. The exhibition needs a specific time and place to open, and the exhibition mode is boring and lacks entertainment, which seriously limits the museum’s dissemination of history and culture. In order to improve the public’s number of visits, museums need to kee

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Jagodzińska, Katarzyna. "RESPONSIBLE MUSEUM? (ON THE EXAMPLE OF THE TOY MUSEUM IN CRACOW)." Muzealnictwo 63 (September 16, 2022): 150–57. http://dx.doi.org/10.5604/01.3001.0015.9923.

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The contemporary museum debate developing in the context of the need to change the museum definition carried out in ICOM is a debate on the role and responsibility of museums. Museums with a burden of tradition are faced with the challenge to meet contemporary contexts and expectations, while newly-established museums can enter the stage fully aware of the historical contexts, with an agenda reflecting contemporary tasks, and they can chart new perspectives from the very beginning. The case study in the paper focuses on a museum which begins its operation at the time of a heated debate on the

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Tulliach, Anna. "Simmons, J.E. (2016) Museums. A History. London: Rowman & Littlefield." Museum and Society 15, no. 3 (2018): 343–45. http://dx.doi.org/10.29311/mas.v15i3.2507.

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Museums convincingly achieves the aim of giving a general summary of the key themes of the museum’s history. The author does not fail in missing a point: he offers a comprehensive history of museums from the ancient world to contemporary times, focusing on well-known historical examples of museum collections taken from different parts of the world and on contemporary subjects of debate in the museum world, producing a valuable synthesis of this wide topic. I recommend this book to museum studies students interested in the history of museums, but also to scholars who would like to have a comple

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Shehade, Maria, and Theopisti Stylianou-Lambert. "Virtual Reality in Museums: Exploring the Experiences of Museum Professionals." Applied Sciences 10, no. 11 (2020): 4031. http://dx.doi.org/10.3390/app10114031.

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The past few years have seen an increase in the use of virtual reality (VR) in museum environments in an attempt for museums to embrace technological innovations and adapt to the challenges of the digital era. While there are studies that examine the advantages of VR in museums and visitors’ experiences with it, there are no studies examining the experiences of museum professionals who are responsible for a museum’s objects and narratives. The aim of this paper is to explore the practices, experiences, and perceptions of museum professionals on the use of VR technology in museums, their percei

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Jamaludin, Juaini, Normaziana Hassan, and Syahrini Shawalludin. "An Analysis of Visitors’ Etiquette Pattern in Muzium Negeri Kedah, Alor Setar, Malaysia." International Journal of Research and Innovation in Social Science VIII, no. X (2024): 1881–91. http://dx.doi.org/10.47772/ijriss.2024.8100162.

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Museums are vital organizations that teach individuals about culture and history. In most museums, some elements enhance visitors’ anticipation of enjoying the exhibits and collections beyond the layout and other factors. However, some visitors or museum enthusiasts may have been distracted by other challenges, such as time constraints that limit their ability to view the entire exhibition areas within the museums. Unless the museum’s layout allows sufficient viewing time for each display, visitors lack adequate time to explore all the exhibits. The museum’s organization must ensure an improve

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Balash, Aleksandra N. "Literary museums: new discussions." Issues of Museology 11, no. 2 (2020): 157–67. http://dx.doi.org/10.21638/11701/spbu27.2020.202.

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The author of the article reviews the proceedings of a scientific conference held in 2018 by the Association of Literary Museums at the Union of Museums of Russia (with the participation of the V. I. Dahl State Museum of History of Russian literature). The conference proceedings are considered as an important step made by Russian Literary museums toward defining the venues for their further development, as well as an attempt to coordinate intellectual contributions by the employees involved in practical museum work and museum researchers. The author stresses the unanimity of the proceeding’s c

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Dean, David. "Museums as conflict zones: the Canadian War Museum and Bomber Command." Museum & Society 7, no. 1 (2015): 1–15. https://doi.org/10.29311/mas.v7i1.127.

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This paper examines a recent controversy at the new Canadian War Museum over its exhibition on the Allied Bomber Offensive campaign in the Second World War. Although recent surveys of the public’s attitudes towards museums suggest that the public both trusts museums to get the story right and thinks museums are good places to deal with controversial topics, in this case the Museum found itself under attack. In the end, despite generally positive reviews from historians called in to review the display, the Museum was forced to make changes after a Parliamentary sub-committee demanded it do so.

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Denny, Agustinus, Liyushiana Liyushiana, Ananda Pratiwi Panjaitan, Joy Ferry Ando Sinaga, and Septi Anggina Sitinjak. "Museum Landscape Transformation: Suitability Assessment Analysis and Design Model Development." Proceedings International Conference on Marine Tourism and Hospitality Studies 1, no. 1 (2025): 258–71. https://doi.org/10.33649/iconmths.v1i1.346.

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Museums play a pivotal role in the tourism industry, offering cultural and educational experiences to visitors. To remain competitive, museums must develop distinctive landscape and facility designs that enhance their appeal as tourist destinations. This research focuses on Rahmat International Wildlife Museum and Gallery, a private museum in Indonesia, aiming to improve its landscape and facility design to create a more captivating visitor experience. Using Minister of Tourism and Creative Economy Regulation No. 4 of 2021 as a benchmark, the study evaluates Rahmat Museum's compliance with bus

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Ferraro, José Luís Schifino, Caroline McDonald, and Paul Smith. "Connecting museums." Revista Internacional de Educação Superior 7 (April 11, 2020): e021009. http://dx.doi.org/10.20396/riesup.v7i0.8658203.

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O presente ensaio se constitui em um relato sobre a experiência de internacionalização entre o Museu de Ciências e Tecnologia da Pontifícia Universidade Católica do Rio Grande do Sul (MCT-PUCRS), o Great North Museum: John Hancock (GNM), da Newcastle University, e o Oxford University Museum of Natural History (OUMNH), da University of Oxford. Trata-se da constituição de uma rede entre estas instituições que discute educação, gestão e liderança em museus universitários de ciências. Desde a criação desta rede, denominada Connecting Museums, em 2016, foram realizados encontros internacionais entr

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19

Jiang, Hao, and Si Jia Jiang. "The Architecture of Daniel Libeskind’s Jewish Museums." Applied Mechanics and Materials 174-177 (May 2012): 1812–19. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1812.

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Memorial architecture faces the special challenge of commemorating the absent; Jewish museums deal with an extra problematic history of high sensitivity. This paper examines and compares Daniel Libeskind’s architectural solutions to the cultural and political challenges in each of the three Jewish museums that he designed in Berlin, San Francisco and Copenhagen. The focus is on how the architecture institutionalizes the web of political relationships attached to the particular museum and delivers the museum’s message. It will be concluded that Libeskind has used space to address visitors bodil

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Aldes, Liora, and Tally Katz-Gerro. "Contextualizing the Artistic Repertoire in Museums." Museum Worlds 10, no. 1 (2022): 93–111. http://dx.doi.org/10.3167/armw.2022.100108.

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To remain financially sustainable while promoting cultural activity and operating within artistic, symbolic, and cultural norms, museums must consider a multitude of commercial and organizational elements. This article examines the impact of economic, organizational, and structural characteristics of art museums on the repertoire of art they exhibit. Using a mixed-methods approach, we draw on data pertaining to 11 art museums in Israel that are supported by the Ministry of Culture, analyzing administrative data collected yearly from the museums from 2000 to 2014. Next, we analyze 20 interviews

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Dorfsman, Marcelo I., and Gabriel Horenczyk. "Educational Approaches and Contexts in the Development of a Heritage Museum." Journal of Experiential Education 41, no. 2 (2017): 170–86. http://dx.doi.org/10.1177/1053825917740155.

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Background: Educational museums are composed of objects, documents, and narratives that together create a learning experience. Existing models of museum education tend to analyze the visitor experience, but rarely take into consideration the unique characteristics and challenges of multicultural heritage museums. Purpose: This article proposes a conceptual model of experiential multicultural museum education that delineates teaching approaches in multicultural museum education. Methodology/Approach: The article is grounded in the framework of conceptual research aimed at identifying and clarif

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Harun, Nor Zalina, and Amirah Athirah Yaacob. "The Role of Museums in Advancing the Preservation of Historical Sites as Cultural Heritage." Jurnal Kejuruteraan 37, no. 2 (2025): 657–65. https://doi.org/10.17576/jkukm-2025-37(2)-09.

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This study explores the role of museum settings in enhancing visitor engagement and interest at local museums situated near cultural heritage sites. Previous research has shown a lack of studies focusing on the impact of museum settings in such locations, especially compared to renowned sites like Borobudur and Angkor Wat. Initial investigations of four local museums at heritage sites revealed that the surrounding historical sites failed to effectively leverage the museum's potential. This research delves into how history, ancient monuments, and the natural environment influence visitor attrac

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Fedorina, M. V., and D. K. Ovsyannikova. "REBRANDING AS A CONSEQUENCE OF TRANSFORMATION AND DEVELOPMENT OF MUSEUMS AND MUSEUM-TYPE INSTITUTIONS IN RUSSIA ON THE EXAMPLE OF THE PUSHKIN STATE MUSEUM OF FINE ARTS." Topical Issues of Culture, Art, Education 43, no. 1 (2025): 64–77. https://doi.org/10.32340/2949-2912-2025-1-64-77.

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The role of rebranding as an effective tool for the development and transformation of Russian museums is analyzed, the role and importance of a strong museum brand is determined, strategies and models for effective rebranding in museums and museum-type institutions are considered, prerequisites for museum rebranding are studied, and key features of museum rebranding are highlighted. An important part of the work is also the consideration of the rebranding of the Pushkin State Museum of Fine Arts as an actual example of a large-scale rebranding of a major Russian museum. The analysis examines i

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Puspasari, Shinta, Rendra Gustriansyah, Dwi Asa Verano, Ahmad Sanmorino, Hartini Hartini, and Ermatita Ermatita. "MEASURING PERCEIVED USABILITY OF ARTIFICIAL INTELLIGENCE-BASED QUIZZES IN A VIRTUAL MUSEUM." JITK (Jurnal Ilmu Pengetahuan dan Teknologi Komputer) 10, no. 4 (2025): 953–60. https://doi.org/10.33480/jitk.v10i4.5611.

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The transformation of modern museums through digital technology offers added value to visitors, especially in the context of education. Virtual museums, in particular, complement physical museums by providing accessibility and enhancing the learning experience. The SMBII virtual museum includes an AI-based quizzes feature designed to assess the knowledge level of visitors regarding the museum's history and collections as an educational feature. In addition to physical museums, virtual museums offer convenience and enrich the learning process for visitors. The quizzes adapts its questions based

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Nugraheni, Nur Endah, Ghifari Yuristiadhi Masyhari Makhasi, Endang Soelistiyowati, Shu-Chuan Chen, Mei-Ru Chen, and Chia-Chen Chang. "Challenges of internationalization of the Indonesian museum guides' communication skills competency." International Journal of Communication and Society 4, no. 1 (2021): 92–101. http://dx.doi.org/10.31763/ijcs.v4i1.254.

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As the front guards, museum guides need to master many skills that support the role of transferring information in the museum to every visitor who comes, both domestic and foreign. More specifically, every museum guide must master foreign language skills in order to serve foreign visitors. Unfortunately, not all museum guides have foreign language skills, especially English, and other supporting skills such as curation, communication, and public speaking. This paper investigates the limited ability of English mastery and other supporting skills of museum guides in two government-owned museums

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Cho, Sungsil. "Reproduction of Local Culture Exhibitions at Japanese Local Museums and Community Participation: Focusing on the Case of Urayasu City Museum." Academic Association of Global Cultural Contents 58 (February 29, 2024): 137–55. http://dx.doi.org/10.32611/jgcc.2024.2.58.137.

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This study aimed to examine the reproduction of local history and the participation patterns of residents in exhibitions at local Japanese museums. According to data from the Agency for Cultural Affairs under the Ministry of Education, Culture, Sports, Science and Technology, there are more than 5,700 museums in Japan. Japan's rapid growth after its defeat in World War II accelerated the establishment of museums that store local history and folklore materials. Around 1993, 452 local museums with history and folklore themes were built. This can be interpreted as a measure to respond to the stan

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Bezrukova, Nataliya B. "THE FIFTH PROLETARIAN MUSEUM. HISTORY OF CREATION AND ACTIVITIES OF THE MOSCOW ART MUSEUM IN THE 1920S." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 8 (2020): 52–65. http://dx.doi.org/10.28995/2686-7249-2020-8-52-65.

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The article highlights the history of the so-called proletarian museums that opened in Moscow’s working-class suburbs in the 1920s. The study of their activities seems relevant, since it opens up the opportunity for a deeper study of the history of art museums in Moscow in the 1920s. Special attention is given to the Fifth Proletarian museum, which was a part of the State Tretyakov Gallery. More archival documents have survived on this museum than on any other of the proletarian museums. After studying some unpublished documents in Russia’s major archives, the author has discovered some import

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Li, Zhiqing. "Research on the Application of Artificial Intelligence in Intelligent Services of Museums." BCP Business & Management 19 (May 31, 2022): 1–5. http://dx.doi.org/10.54691/bcpbm.v19i.649.

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In many museums in China, the use of artificial intelligence for transformation has been a new path of development. At the same time, the use of artificial intelligence technology has broken through the limitations of time and space, allowing people to visit museums anytime and anywhere, to get the information they need, and to observe and experience all aspects of the museum's activities. The use of artificial intelligence technology for museum development has great relevance and value to the development of museums. This paper discusses the intelligent development path of the Forbidden City M

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Peng, Ruoyu. "Public Relations between British Museum and Chinese Audience." SHS Web of Conferences 148 (2022): 03009. http://dx.doi.org/10.1051/shsconf/202214803009.

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In the era of new media, the external publicity of museums should also actively use new media thinking and new media tools. Web pages are one of the main new media tools for external publicity of museums today, or they can be called the “facade on the Internet” of museums. This paper attempts to understand the public relations between the British Museum and Chinese audiences through the comparison of the layout and content of the British Museum’s Chinese and English homepage, including the perfection of its communication information, the frequency of maintaining the website, the aesthetics of

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Karczewski, Leszek. "Distributed Community. Participatory Actions and Organizational Culture of a Museum Institution." Nauki o Wychowaniu. Studia Interdyscyplinarne 18, no. 1 (2024): 155–63. http://dx.doi.org/10.18778/2450-4491.18.12.

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The article discusses the consequences of participatory actions in a museum exemplified by the Find Art exhibition presented at the Muzeum Sztuki Lodz in 2017. It focuses on the transformative impact of participatory projects on museum culture and organizational structure. Museums have shifted from collection-driven entities to audience-oriented institutions, blurring lines between entertainment, education, and cultural heritage. The author highlights the changing paradigm of museums from old to new museology, critiquing power structures within museums. Based on the analysis of the Find Art ex

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Zhang, Jiayi. "Digital Revitalization of Museums: An Analysis of the Digital Marketing Strategy of the Sanxingdui Museum." Advances in Economics, Management and Political Sciences 86, no. 1 (2024): 170–76. http://dx.doi.org/10.54254/2754-1169/86/20240969.

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In the modern era, museums are undergoing a significant transformation propelled by digital advancements. This paper delves into the realm of digital revitalization within museums, focusing specifically on the Sanxingdui Museum's digital marketing strategy. Situated at the heart of China's cultural landscape, the Sanxingdui Museum offers a unique lens into the Bronze Age civilization. Through a meticulous analysis, this study scrutinizes the museum's digital initiatives, encompassing online platforms, social media engagement, virtual exhibitions, and digital storytelling. By evaluating the eff

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Ogurenko, Yegor V. "Museum Construction in Ural Region (1923–1934): Based on the Materials of the State Archive of Sverdlovsk Region." Izvestia of the Ural federal university. Series 2. Humanities and Arts 25, no. 2 (2023): 98–112. http://dx.doi.org/10.15826/izv2.2023.25.2.026.

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This article considers the development of the network of museums in Ural Region in 1923–1934. The author examines the features of the Ural museums, such as formation, organization, management, typology, educational activities, interaction with the Soviet authorities, the relationship of museums and the Ural local history movement, as well as the influence of state policy. Museums emerged in the Urals in the late nineteenth and early twentieth centuries. During the post-revolutionary period, i.e. in 1917–1923, in many ways due to the purposeful state policy, new institutions appeared in the mus

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Zhuang, Qingbin, Wanni Xu, Danyang Yang, and Ning Wei. "Multimedia Analysis of Digital Museum User Interface Based on Goal-Oriented Theory and Information Fusion and Intelligent Sensing." Journal of Sensors 2022 (August 8, 2022): 1–17. http://dx.doi.org/10.1155/2022/9656817.

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Introduction. The development of network technology is promoting the process of digitalization. The digital museum, an emerging museum display mode, is gradually highlighting its great value in the wave of digitalization. In the context of the rapid development of digital museums and mobile applications, the user interface of digital museums, as the integration point of human-computer interaction, the artistic expression of its visual design is also more important. This paper takes the digital museum application (APP) user interface design as the research direction. By optimizing the visual de

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Prianti, Desi Dwi, and I. Wayan Suyadnya. "Decolonising Museum Practice in a Postcolonial Nation: Museum’s Visual Order as the Work of Representation in Constructing Colonial Memory." Open Cultural Studies 6, no. 1 (2022): 228–42. http://dx.doi.org/10.1515/culture-2022-0157.

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Abstract The study of colonialism and its legacies have mostly left the category of memory studies. However, for the colonised subject, what they experienced in the past inevitably forms their present and future discourse. This study focuses on how the museum’s visual order articulates colonial memory. By looking at the work of representation, in this context museum’s visual order, this study investigates how memory lives on through the circulation of colonial memory that the museum simulates. Museum’s visual order translates how colonial memory should be remembered and celebrated as public kn

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Holovko, Olha M., Larysa I. Udvorheli, and Myroslava V. Chorii. "Analyzing the Essence of Museum Workmanship Today and in the Future." Business Inform 2, no. 541 (2023): 168–73. http://dx.doi.org/10.32983/2222-4459-2023-2-168-173.

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The purpose of this study is to analyze the essence of museum workmanship today and in the future. Research methods include analysis, observation, comparison and generalization of data on the activities of museum institutions and enterprises, as well as scientific literature. The functions of museums are complex, given the variety of forms of their activities. Until recently, traditional forms of exhibiting were cultivated, and detailed information could be obtained during excursions. Today, the cultural and educational activities of museums have undergone significant changes: the educational

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Khan, Rehman Ullah, Sabine Chung Sze Yee, and Oon Yin Bee. "Pioneering the digital readiness for Malaysian museums: custom framework." International Journal of Informatics and Communication Technology (IJ-ICT) 14, no. 2 (2025): 728. https://doi.org/10.11591/ijict.v14i2.pp728-736.

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A museum is a hub for public exploration and education of community or country culture and traditions. Digital technologies transform museums into interactive experiences, engaging visitors and bringing cultural values to life. However, Malaysian museums struggle to adopt digital technologies due to limited infrastructure, expertise, exhibition technology, and budgets. These constraints hinder effective audience engagement and limit growth and modernisation efforts. To help Malaysian museums in digitalisation, this study aims to contextualise a digital readiness index (DRI) questionnaire. The

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Murawska, Agnieszka, Jarosław M. Fraś, Ewa Frąckowiak, and Andrzej Rybicki. "PROFESSION OF A ‘MUSEUM CURATOR’. ON LEGAL CHANGES IN THE CONTEXT OF THE EROSION OF THE ROLE PLAYED BY MUSEUM CURATORS." Muzealnictwo 61 (July 24, 2020): 145–53. http://dx.doi.org/10.5604/01.3001.0014.3323.

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Changes in the legislation related to museum curators and museology, introduced with small steps in harmony with the Overton Window concept, are discussed; they are leading away from the letter and spirit of the Act on Museums of 21 Nov 1996 and the traditions of Polish museology based on creating collections of museum objects and working on them in various manners. Regulations and legal opinions on the museum curator profession are presented, pointing to the fact that the initially cohesive definitions and provisions are becoming blurred, to the extent of losing their initial sense, and threa

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Jabbarova, Fargana. "Music-themed museums serve as institutions that preserve musical instruments." InterConf, no. 43(193) (March 20, 2024): 192–98. http://dx.doi.org/10.51582/interconf.19-20.03.2024.021.

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The article discusses music museums that collect, preserve, study, and display materials related to the development of music culture. It notes that the main foundation of each music museum's collection is a collection of musical instruments. The article also highlights the active involvement of scientific-research and public centers in the dissemination of music culture experience of music-profile museums and the implementation of music communication. There is information about museums as the Russian National Music Museum, located in Russia's capital city, Moscow, which has one of the oldest a

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Andermann, Jens, and Silke Arnold-de Simine. "Museums and the Educational Turn." Journal of Educational Media, Memory, and Society 4, no. 2 (2012): 1–7. http://dx.doi.org/10.3167/jemms.2012.040201.

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Responding to feminist, postcolonial, and memorialistic critiques, museums have over the past decades radically revised their protocols of collection and display, aiming to register in their own curatorial and pedagogical practice the open and contested nature of the historical and ethnographic narratives on which their object lessons had traditionally conferred the status of hard evidence. In this new emphasis on the “museum encounter” as a performative and intersubjective “event”—sometimes referred to as the “educational turn” in museum curatorship—a new type of “inclusive museum” has emerge

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Figueiró, Belisa. "Museus e ciência: revisão dos estudos históricos e das instituições na Espanha." Transições 1, no. 2 (2020): 195–214. http://dx.doi.org/10.56344/2675-4398.v1n2a202010.

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Este artigo propõe uma análise dos estudos históricos de pesquisadores espanhóis sobre a criação dos museus científicos na Espanha. Como método, aplica a revisão bibliográfica dos trabalhos publicados pela revista Arbor, os quais examinam o papel da ciência e da tecnologia não apenas no propósito de instauração das próprias instituições, mas também na restauração de obras e peças museológicas, com especial atenção ao Museu de Ciência e Tecnologia de Madri e ao Instituto San Isidro. Da mesma forma, este texto aborda a interação entre o público e os museus espanhóis, reconhecendo a perspectiva d

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Hryhorevska, Olena. "Book Museums of the Kingdom of Belgium as a Space of Socio-Cultural Communication." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 19–28. http://dx.doi.org/10.31866/2410-1915.24.2023.287655.

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The aim of the article is to analyse the features of the development of socio-cultural space of two well-known book museums in the Kingdom of Belgium: the Royal Library of Belgium and the Wittockiana Museum; to focus on the methods of promoting the collections that form the basis of the museum holdings, information services, and educational programmes. Results. The Royal Library of Belgium is defined as a unique high-tech socio-cultural space where the cultural life of medieval Europe is explored through images, histories, and characters from the Library of the Dukes of Burgundy. The analysis

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Laszlo Klemar, Kosjenka, and Željka Miklošević. "Educational Museum Action – Characteristics and Possibilities of Development." Etnološka istraživanja, no. 25 (December 3, 2020): 51–68. http://dx.doi.org/10.32458/ei.25.10.

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On the occasion of observing International Museum Day, Croatian museums carry out the Educational Museum Action (EMA) by conducting educational activities - most often workshops, guided tours and didactic exhibitions - on a specific topic set by a museum-leader. Ethnographic museums in Croatia have participated in the Action from the very beginning; in 2000 and 2010, Ethnographic Museum in Zagreb was the leader of the Educational Museum Action. This paper presents a research of EMA features as an educational museum action conducted by analysis of printed booklets as the Action program publicat

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Yeshenkulova, G. I., R. Ye Agybetova, Y. E. Galiakbarov, and A. G. Gizzatzhanova. "The impact of modern technology on the activities of museums." Bulletin of "Turan" University, no. 1 (March 31, 2021): 145–51. http://dx.doi.org/10.46914/1562-2959-2021-1-1-145-151.

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The article describes the state of museums in the past, the impact of monotonous activities in the country on the number of visitors, as well as the introduction of new technologies and their impact on museums. The importance of using new technologies in the provision of their services, quickly focused on the modern period of museums that are among the top 10 world-famous museums, is emphasized. Virtual tours in 3D format of several foreign and patronymic museums and exhibitions with the use of modern technologies and augmented virtual reality indicate that the museum's attendance is increasin

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Andermann, Jens. "Showcasing Dictatorship." Journal of Educational Media, Memory, and Society 4, no. 2 (2012): 69–93. http://dx.doi.org/10.3167/jemms.2012.040205.

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This article compares two recently inaugurated museums dedicated to the period of dictatorial terror and repression in the Southern Cone: the Museum of Memory and Human Rights at Santiago, Chile (opened in 2009), and the Museum of Memory at Rosario, Argentina (2010). Both museums invoke in their very names the "memorial museum" as a new mode of exhibitionary remembrance of traumatic events from the past. They seek to sidestep the detachment and "objectivity" that has traditionally characterized historical museum displays in favor of soliciting active, performative empathy from visitors. Neithe

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Karamanov, Oleksiy, and Olha Zheleznyk. "Technology of the organization of volunteer activities in the space of the museum." Pedagogika. Studia i Rozprawy 31 (2022): 129–35. http://dx.doi.org/10.16926/p.2022.31.10.

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The authors of the article consider various aspects of the organization of volunteer work in the space of the museum - in the context of social concepts, ways of influencing and preserving cultural heritage. The respective roles of volunteers are defined - as "agents of influence" of museums, effective communicators, implementers of the museum's mission, co-authors of current museum programs and projects. Various volunteer practices in museums are analyzed, which confirm the technological nature of volunteering in the appropriate contextual conditions. The authors come to the conclusion that v

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Andžāne, Ieva. "MUSEUM AS AN OBJECT OF CHANGE." Culture Crossroads 11 (November 10, 2022): 68–80. http://dx.doi.org/10.55877/cc.vol11.132.

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Over the last decades the museum sector has experienced substantial changes. The need for change has been stressed by such well-known museologists and practi- tioners as Stephen E. Weil, David Flemming and others. Moreover, the change of and within museums has arisen as one of the most important topics of several professional networks and conferences, such as “We Are Museums”, which was cre- ated in 2013 as yearly event at the intersection of culture and innovation. Thus, we can speak about paradigm of change in contemporary museums that affects their performance and future strategies. This pa

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Li, Yin. "Museums and Marketing: a Controversy over New Strategies." ESIC MARKET Economic and Business Journal, Volume 51, Issue 1 (April 14, 2020): 183–208. http://dx.doi.org/10.7200/esicm.165.0511.4.

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Objective: This paper aims to review the function of marketing in the field of museum management and offers practical and creative solutions for museums to successfully balance the conflict between the museums’ sustainable operation and their original functions, such as education and preservation. Methodology: The research is mainly based on long-term observations of museum management and marketing in both China and Spain. A review and analysis of previous studies has been conducted to build the context. Results: The implementation of appropriate marketing methods by way of cross-industry coop

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Thorp, H. Holden. "Museum ethics—more than lip service." Science 381, no. 6653 (2023): 7. http://dx.doi.org/10.1126/science.adj4713.

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In the past few years, museums around the world have started to grapple with questions about the origins and ethics of their collections. This includes the acquisition and maintenance of natural history specimens. As museums examine their missions and processes, it seemed like a good time to talk to Sean Decatur, the new president of the American Museum of Natural History (AMNH) in New York City. He spoke with me (see the full conversation here) about the museum’s research and how collaborations between museums and partner nations should aspire to assemble collections that responsibly dissemin

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Yoon, Byung-hwa, and Yeun-hee Kim. "Activation Plan for the Education of Coffee Museum: Focused on Waltz & Dr. Mahn Coffee Museum and Gangneung Coffee Museum." Association for International Tea Culture 28 (June 22, 2015): 1–24. http://dx.doi.org/10.21483/qwoaud.28..201506.127.

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The coffee is the most popularized food and it is not just for drinking but also tool for conversation and communication among people. Based on this recognition on the coffee, coffee museums are being established as lifelong education institutes and social education institutes with the theme of coffee. Currently, Waltz & Dr. Mahn Coffee Museum of Namyangju-si, Gyeonggi-do and Gangneung Coffee Museum of Gangneung-si, Gangwon-do are settled down as complex culture and arts center through various programs and education program in the regions. This study, therefore, aims to suggest an ac

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Smaysa, Smaysa, and Zafri Zafri. "Ketersediaan Sumber Sejarah pada Museum Adityawarman yang Relevan dengan Pembelajaran di SMA." Jurnal Kronologi 5, no. 2 (2023): 181–95. http://dx.doi.org/10.24036/jk.v5i2.686.

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The use of museums as a source for studying history can add broad insights for students. One example is making the museum collection a source of study. The museum collection is supposed to be used to add information, insights, and to increase interest in studying history. The study is a qualitative description that aims to identify the availability of museum Adityawarman history sources. The object in this study is a historical or museum collection. Some historical sources in museums include libraries, sites/temples, relics, textbooks, encyclopedias, the Internet, maps, atlas, newspapers, hist

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