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Статті в журналах з теми "Mot poétique"
Frighetto, Aurélie. "L’appropriation romantique des clichés de langue : Lamartine, Hugo et la langue des dictionnaires poétiques." Revue de littérature comparée 388, no. 4 (January 29, 2024): 440–50. http://dx.doi.org/10.3917/rlc.388.0058.
Повний текст джерелаNancy, Jean-Luc. "Pris au mot." Études françaises 38, no. 1-2 (August 18, 2004): 13–14. http://dx.doi.org/10.7202/008389ar.
Повний текст джерелаTronchet, Gilles. "Horace miniaturiste : une poétique du mot à mot (Odes I, 23)." Vita Latina 195, no. 1 (2017): 91–121. http://dx.doi.org/10.3406/vita.2017.1845.
Повний текст джерелаMercier, Michel. "Le Renouvellement d’un mot ou le Luxe selon Colette." Études littéraires 26, no. 1 (April 12, 2005): 11–19. http://dx.doi.org/10.7202/501027ar.
Повний текст джерелаSaint-Gérand, Jacques-Philippe. "Réflexions sur la poétique du mot dans Oberman." L Information Grammaticale 28, no. 1 (1986): 32–37. http://dx.doi.org/10.3406/igram.1986.2155.
Повний текст джерелаChol, Isabelle, and Anne Reverseau. "La poésie comme une « image ». Emplois et valeurs du mot dans le discours critique des poètes français." Tangence, no. 124 (September 23, 2021): 11–28. http://dx.doi.org/10.7202/1081685ar.
Повний текст джерелаBiron, Michel. "La ferveur poétique de Gilbert Langevin." Dossier 22, no. 3 (August 29, 2006): 460–72. http://dx.doi.org/10.7202/201320ar.
Повний текст джерелаPil'scikov, Igor'. "La forme interne du mot dans l’interprétation des formalistes russes (OPOJaZ, CLM, GAXN)." Cahiers du Centre de Linguistique et des Sciences du Langage, no. 46 (May 9, 2016): 121–42. http://dx.doi.org/10.26034/la.cdclsl.2016.493.
Повний текст джерелаDebailly, Pascal. "POÉTIQUE DE LA SATIRE." Revista de Estudos Literários 7 (July 19, 2018): 17–36. http://dx.doi.org/10.14195/2183-847x_7_1.
Повний текст джерелаCorrado-Kazanski, Florence. "Remarques sur la notion d’energeia à l’Âge d’argent." Modernités Russes 15, no. 1 (2015): 57–72. http://dx.doi.org/10.3406/modru.2015.1021.
Повний текст джерелаДисертації з теми "Mot poétique"
Prinderre, Corinne. "Le mot "pierre" dans l'oeuvre poétique de Saint-John Perse : contribution du vocabulaire geologique à la poétique persienne." Aix-Marseille 1, 2002. http://www.theses.fr/2002AIX10079.
Повний текст джерелаFrighetto, Aurélie. "Penser le "mot poétique" au XIXe siècle : entre discours lexicographique et pratique littéraire." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL117.
Повний текст джерелаAt the crossroads of the history of language, lexicography, stylistics and literature, this doctoral dissertation aims to recount the path taken by the complex notion of the "poetic word" which is transfigured like no other in the 19th century. From the beginnings of Romanticism to the death of Mallarmé, the poetic lexicon is subjected to major disruptions, as it is torn between post-classical heritage and the denial of that heritage, between an attachment to modernity and end-of-the-century experimentations. To get a better grasp of the features of this evolution, we decided to put lexicographical discourse and literary texts in conversation with each other and contrast their conception of the poetic word. The first part offers an overview of the poetic as revealed by dictionaries (from the first Dictionnaire de l’Académie of 1694 to La Grande Encyclopédie of 1885-1902) and identifies a lexical corpus based on the terms defined as poetic by Pierre Larousse in his Grand Dictionnaire universel du dix-neuvième siècle (1863-1876). The second part analyses the uses of this lexicon in literary texts, showing how traditional poetic words manage to retain their aura. The third part focuses, on the one hand, on the misuses and limits of this lexicon that trivializes it and makes it cliché. On the other hand, it tackles all the new ways of poetizing the word as well as the renewal of thoughts on the poetic which, on the eve of the 20th century, borders on reverie
Tummillo, Federica. "Le théâtre de Dario Fo après la fin des années soixante-dix : contexte, dramaturgie, poétique (1977-1999)." Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENL038/document.
Повний текст джерелаAnger, Violaine. "Musique et langage : contribution à une poétique du mot chanté en français de Rousseau à Mallarmé." Paris 8, 1998. http://www.theses.fr/1998PA081465.
Повний текст джерелаIn the xixth century, music and language have a cross history : rousseau and mallarme, meyerbeer and debussy can be considered as departure and terminus, theoretically as well as in the artistic realizations
Costa, Melo Maria de Fatima. "L'univers poétique d'António Feijó." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040171.
Повний текст джерелаThe poetic work of António Feijó (1859-1917) is part of a historical moment of different literary currents: Realism, Naturalism, Parnassianism, Decadentism and Symbolism. The new era of progress in Europe originates a literary renewal. Avid of the new emotions that arrived from Paris dominated by Realism, Feijó questions Romanticism. Since its first publication, Transfigurações (1882), written in his youth years until Novas Bailatas (1926), his poetry presents a broad perspective thematic. The poems gathered in Transfigurações summarize the different stages of the intellectual evolution of Feijó, under the influence of the pessimism of Schopenhauer and Leopardi to the doctrines of Auguste Comte and Herbert Spencer. Pessimism and death are presents almost in all his poetry. These doctrines in the work of Feijó unveil his metaphysics and his taste for spirituality. Feijó seems reluctant to find its way, but he is influenced by the crisis of transition from the 19th to the 20th century, dominated by the Decadent aesthetics that precedes the Symbolist aesthetic. With his departure to Brazil and then to Sweden, the spleen takes possession more clearly of Feijó, after the death of his wife. Feijó then justifies his quality of the poet dealing with love and death, constant themes in his work, dominated by the figure of the Woman. This work explores the whole corpus of the poetic work of António Feijó, a contemporary of Eça de Queirós and a poet poorly known in Europe as well as in Portugal. He appears as the result of an era that he synthesizes, but which opens an original road in a late transition of the Portuguese post-romanticism
Conort, Benoît. "La mort dans l'œuvre poétique de Pierre-Jean Jouve." Paris 4, 1985. http://www.theses.fr/1985PA040012.
Повний текст джерелаBroutelle, Marthe. "Honoré Broutelle : Etude de son univers poétique." Angers, 1987. http://www.theses.fr/1987ANGE0007.
Повний текст джерелаSeys, Elisabeth. "Violette Leduc, Jean Genet : poétique du désastre." Paris 7, 2003. http://www.theses.fr/2003PA070059.
Повний текст джерелаMarginalized, Leduc and Genet wanted to shape a new image of themselves, and created an original strategy of self-writing : out of norms, they could not obey any roles, even though literary. Thus they modified autobiography, and such concepts as Time and Subject. There, problematic is existential and poetic since it forces them to shape a new language. Then appear two poetics of disaster, who signify that the gap is not between Leduc or Genet and society, but an always started again gap between reading and text. The last, creating a new language, requires a new reading. Leduc and Genet 'show that it is problematic to read a text that does not obey the common roles, and, more generally, that any reading distorts a text if it uses tools that were prepared yet: on the contrary, it should be isomorphic to the text: the required position is here one df an. Asceticism that keeps words breathing
Athenot, Eric. "La poétique du temps dans l'œuvre de Robert Lowell." Université Stendhal (Grenoble ; 1970-2015), 1995. http://www.theses.fr/1995GRE39016.
Повний текст джерелаThe present analysisof lowell's temporal strategy examines the poetry's constitutive elements. While endeavouring to go beyond the merely autobiographical data presented by the poems, this thesis tries to show how the the emergence of the confessional style signals the poet's need to focus his discourse on his deficient relationship with time. Systematic confession, the bouts of madness, the recourse to pathos, the obsession with artistic failure as well as the haunting presence of a self vainly trying to articulate his doomed attempts at forgetting are key motifs analysed in the present thesis. The relationship between lowell's poetic and theatrical output and universal history signals a marked preference for metonymy as well as the poet's conscious desire to blend private development and collective eschatology. All this leads the present writer to consider the functional workings of the poetry and to reach the paradoxical conclusion that lowell's poetic discourse tries hard to cover up the fundamental concerns of his work. Retrospective agony and childhood traumata therefore need no longer be read in their autobiographical dimension only but as the necessary stimuli of a poetry which tries first and foremost to exert its author's will-to-power over an intractable and forever hostile reality
Kumaki, Atsushi. "L’avatar du Moi : l’évolution théorique de la poétique d’Antonin Artaud." Thesis, Lyon, École normale supérieure, 2011. http://www.theses.fr/2011ENSL0663/document.
Повний текст джерелаThe purpose of the present thesis is to redraw Antonin Artaud's theoretical change of the notion of the ego, and to clarify the particular poetics that he established at the end of his life. The 1st part of the thesis focuses his early writings and especially the disease by which he could not think. What is the impossibility to think? For him this disease is only a psychological dysfunction. His disease consists in his incapacity to make, afterward, his internal thought correspond to the exteriorized words. At the time Artaud's ego remained minimized. In 2nd part, it is a matter of the theory of theater that he developed all his life. While his theory remains coherent in the sense that it is always about the relation between the text and the actor. But in the 30s as the text works as a double that haunts the ego of the actor and asked him a particular act, the text is always previous to the actor. On the other hand, in the 40s, Artaud does not accept any more the anteriority of the text with regard to the actor, what makes impossible the theater for the common sense of the term. The 3rd part approaches the hypertrophy of Artaud's ego. But this centrality of the ego is not solipsism because it is only afterward that he can say "everything went out of me". This rétrospectivité allows him to develop his own poetics through the reading of Les Chimères of Nerval where he establishes a new literary subject: subject of reading which dominates afterward the poetic space. This hypertrophy of the ego is not a symptom of the schizophrenia, but a theoretical support in the contemporary poetry, as the sound poetry or literalist poetry
Книги з теми "Mot poétique"
Du mot à l'image & du son au mot: Théories, manifestes, documents, une anthologie de 1897 à 2005. Marseille: Mot et le reste, 2006.
Знайти повний текст джерелаLa poétique de la liberté dans la réflexion éthique de Paul Ricœur. Paris: Harmattan, 2006.
Знайти повний текст джерелаLa gestion poétique du discours politique chez Aimé Césaire: De ferrements à moi, laminaire. Paris: Harmattan, 2010.
Знайти повний текст джерелаThe poetic imperative: A speculative aesthetics. Montreal: McGill-Queen's University Press, 2020.
Знайти повний текст джерелаWhitman possessed: Poetry, sexuality, and popular authority. Baltimore: Johns Hopkins University Press, 2001.
Знайти повний текст джерелаMaslan, Mark. Whitman Possessed: Poetry, Sexuality, and Popular Authority. Johns Hopkins University Press, 2003.
Знайти повний текст джерелаЧастини книг з теми "Mot poétique"
Didier, Jean-Jacques. "Fonction poétique du mot d’esprit." In L'Esprit, 31–61. BRILL, 1992. http://dx.doi.org/10.1163/9789004650152_004.
Повний текст джерелаBarraband, Mathilde. "« Reprenons une fois de plus le chemin déjà pris » : les leçons de poétique de François Bon." In Le mot juste, 75–88. Presses Sorbonne Nouvelle, 2006. http://dx.doi.org/10.4000/books.psn.1299.
Повний текст джерелаDupuis, France. "Approche phénoménologique de l’expression poétique de l’amour : le cas du mot hohoshiku." In Les tiges de mil et les pattes du héron, 279–85. CNRS Éditions, 2013. http://dx.doi.org/10.4000/books.editionscnrs.23456.
Повний текст джерелаDenèfle, Muriel. "Marina Tsvetaeva et les compositeurs européens (Schumann, Beethoven, Chopin, Wagner)." In Marina Tsvetaeva et l'Europe, 155–70. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.3369.
Повний текст джерелаChométy, Philippe. "Le mot et l’atome. La traduction du De rerum natura de Lucrèce comme exploration poétique de la langue." In Trouver une langue / Finding a language, 113–44. Artois Presses Université, 2019. http://dx.doi.org/10.4000/books.apu.20278.
Повний текст джерелаTHIBON, Jean-Jacques. "Entre expérience et doctrine." In Les enjeux de l’écriture mystique, 15–24. Editions des archives contemporaines, 2020. http://dx.doi.org/10.17184/eac.3655.
Повний текст джерелаGasparini, Philippe. "Vers une histoire des écritures du moi." In Poétiques du je, 261–70. Presses universitaires de Lyon, 2016. http://dx.doi.org/10.4000/books.pul.32262.
Повний текст джерелаRipoll, Ricard. "Petite anthologie poétique." In Littérature du moi, autofiction et hétérographie dans la littérature française et en français du xxe et du xxie siècles, 157–68. Presses Universitaires de Bordeaux, 2015. http://dx.doi.org/10.4000/books.pub.16648.
Повний текст джерелаTabachnikova, Olga. "Marina Tsvetaeva et Lev Chestov." In Marina Tsvetaeva et l'Europe, 203–14. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.3372.
Повний текст джерела"Hors de moi Lettre à Bernard Noël." In Sens et présence du sujet poétique, 97–104. BRILL, 2006. http://dx.doi.org/10.1163/9789401203258_011.
Повний текст джерелаТези доповідей конференцій з теми "Mot poétique"
M'selmi, Sana. "Lecture croisée du désir dans Hable con ella de Pedro Almodóvar et La Macération de Rachid Boudjedra à travers le motif de l’eau." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2969.
Повний текст джерела