Gotowe bibliografie tematyczne / Artaud

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  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
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Gotowa bibliografia na temat „Artaud”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Artaud"

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Jannarone, Kimberly. "The Theatre before Its Double: Artaud Directs in the Alfred Jarry Theatre." Theatre Survey 46, no. 2 (2005): 247–73. http://dx.doi.org/10.1017/s0040557405000153.

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It is ironic that the works of Antonin Artaud, who called for the rejuvenation of theatre as such, come to us today not on their own, but through an unusually dense filter: a peculiarly persistent critical/theoretical apparatus doubles his own writings and practice. Artaud's work has occupied a cultish space in both French and English criticism for several decades. Each major trend in Artaud scholarship has reinforced the image of Artaud as a brilliant/mad theoretician and inspirational writer but a failed theatre practitioner—worse, one doomed to failure. The French school of criticism has pl
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Caygill, Howard. "Artaud-Immunity: Derrida and the Mômo." Derrida Today 8, no. 2 (2015): 113–35. http://dx.doi.org/10.3366/drt.2015.0106.

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Derrida's public struggle with the spectre of Artaud began in the 1960s ‘La parole Soufflée’ and ‘The Theatre of Cruelty and the Closure of Representation’ and continued forcener le subjectile (1986) and Artaud le Moma (2002). The texts are read as attempts to break with the dominant critical/clinical readings of Artaud inaugurated by Jacques Rivière and as beginnings for a search to secure Artaud-immunity, protection for and against his words and works. It argues that Derrida's readings of Artaud systematically underestimate the power of his deliberate perversion of Platonism and his intimati
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Corral Fulla, Anna. "Antonin Artaud sur la scène espagnole (1969-2016)." Anales de Filología Francesa 27, no. 1 (2019): 419–48. http://dx.doi.org/10.6018/analesff.382861.

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La influencia de las teorías de Artaud en el mundo del teatro es, a día de hoy, una realidad indiscutible. En efecto, Artaud representa uno de los pilares sobre el que reposan los grupos colectivos de teatro independiente surgidos en los años 60-70 (Living Theater, etc.); las teorías más innovadoras de directores teatrales de renombre como Jerzy Grotowski o Peter Brook; el teatro posdramático (la performance, entre otros) y el nuevo rango otorgado a la palabra en la representación teatral. En la actualidad, Artaud es una referencia ineludible en el ámbito teatral: Artaud y El teatro y la peste
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Shaw, Jon K. "Athleticism Is Not Joy: Extricating Artaud from Deleuze's Spinoza." Deleuze Studies 10, no. 2 (2016): 162–85. http://dx.doi.org/10.3366/dls.2016.0220.

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Deleuze's writings often bring Spinoza and Artaud into close proximity, and given that the latter is often first encountered by many anglophone readers through Deleuze, the tendency to think of Artaud as a Spinozist risks becoming conventional. In fact, much of Artaud's metaphysics is incompatible with Deleuze's Spinozism, not least the relation between a body and its constitutive outside, and the questions of affect and expression. In reading Artaud's ‘An Affective Athleticism’ essay and with recourse to his final works, this article will explore these differences with particular reference to
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Fatemeh Sadat Basirizadeh, Narges Raoufzadeh, and Shiva Zaheri Birgani. "The Study of Spurt of Blood in the lens of The Theatre of Cruelty." LingLit Journal Scientific Journal for Linguistics and Literature 3, no. 1 (2022): 31–36. http://dx.doi.org/10.33258/linglit.v3i1.624.

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This paper explains Antonin Artaud's Spurt of Blood in the lens of The Theatre of Cruelty. Antonin Artaud is one of the most famous writers in the history of theatre. Antonin Artaud is considered to be the main contributor to the ideologies of Theatre of Cruelty in the early twentieth century as a reaction to the generic and ordinary ways in which theatre was created In Antonin Artaud's A Spurt of Blood examines subjects that may appear frightening to the general public such as blasphemy against God and the idea of innocence being reversed to lust, or love to depravity, or security to terror.
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CURTIN, ADRIAN. "Cruel Vibrations: Sounding Out Antonin Artaud's Production of Les Cenci." Theatre Research International 35, no. 3 (2010): 250–62. http://dx.doi.org/10.1017/s0307883310000568.

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This article examines the sonic elements of Antonin Artaud's 1935 production of Les Cenci, Artaud's infamous attempt to realize his proposed ‘theatre of cruelty’. The aim is to qualify the critical opinion that Artaud was a failed theatre practitioner by analysing the conceptual complexity and potential effectiveness of the sound design for this production. Artaud utilized new sonic technologies and an aesthetic arguably derived in part from Balinese gamelan music to affect audience members on a physiological level, prefiguring the vibrational force and ultrasonic ambitions of modern sonic war
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Stout, John C., and Olivier Penot-Lacassagne. "Antonin Artaud 1: Modernites d'Antonin Artaud." Modern Language Review 97, no. 3 (2002): 722. http://dx.doi.org/10.2307/3737544.

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Li, Xiaofan Amy. "Eating One's Way through Cultures: Antonin Artaud's Autoexoticist Diets and Epistemologies." PMLA/Publications of the Modern Language Association of America 132, no. 2 (2017): 434–41. http://dx.doi.org/10.1632/pmla.2017.132.2.434.

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That culture, diet, and epistemology are intertwined and formulate one another is a truism. But to see them as one living body inhabiting shifting perspectives that can be shed easily, like snakeskins, is an exotic view that invites further investigation. Such intriguing ideas are precisely what we find in the remarkable avant-garde writer Antonin Artaud (1896–1948). This essay traces the surprising connections between Artaud's idea of culture, the body, diet, and knowledge, arguing that Artaud outlines a notion of autoexoticism as throwing open the boundaries of one's subjectivity and culture
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Patterson, Lee Patrick. "Surrealist Aftershocks." Ephemera: Revista do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal de Ouro Preto 3, no. 4 (2020): 48–62. http://dx.doi.org/10.70446/ephemera.v3i4.4175.

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Surrealism may be our last, near-global artistic movement that took seriously the integrity of the art-maker and expressed as its purpose the same goals as that of an organized radical politics, and for this it deserves to our attention. Antonin Artaud, a disgraced Surrealist but later appreciated, would have the greatest impact on reimagining the “mystical stage” of performance and drama in the 20th Century and beyond it. This paper connects Artaud's legacy with that of the Surrealists, as well as that of Sigmund Freud, and in doing so finds value and relevance in Antonin Artaud's work as it
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Lage, André Silveira. "ARTAUD LE MOMA, DE JACQUES DERRIDA." Em Tese 14 (August 30, 2009): 20. http://dx.doi.org/10.17851/1982-0739.14.0.20-26.

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A partir da conferência de Jacques Derrida, intitulada Artaud le Moma (1996), este texto pretende abordar a relação entre o tema do nome, do apelido de Artaud (“Artaud le Mômo” e suas diversas significações) e a temática do museu, da exposição das obras de Antonin Artaud no Museum of Modern Art de New York.
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Rozprawy doktorskie na temat "Artaud"

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Shaw, Jonathan Keith. "Subjectility : on reading Artaud." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/21004/.

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The notebooks in which Artaud constantly worked in the final years of his life (1946– 48) bring together writing, drawing and attacks on the very materiality of the paper. In bringing together these three regimes – visual, textual, material – the notebooks represent the culmination of Artaud’s complex ontology. They also continue to pose a unique set of problems for his readers. These three regimes come together on what Artaud calls the “subjectile”, yet as he uses this word only three times, approaching it asks that we traverse his entire oeuvre. Framing this thesis is the question of how rea
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Hansalová, Hedvika. "Antonin Artaud a film." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78778.

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Práce se zabývá vztahem Antonina Artauda k celé oblasti filmu v jeho počátečním období, který nenašel naplnění. Neexistuje žádný dokončený a definitivní tvar ve smyslu filmového záznamu, o který by bylo možné se opřít. Charakter Artaudových vizí a výlučnost jeho myšlení znemožnili realizaci čehokoliv, o co usiloval. Je to práce o tom, co není...
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Bonnefoy, Brigitte. "Antonin Artaud : des contraires." Aix-Marseille 1, 1985. http://www.theses.fr/1985AIX1A007.

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Bonnefoy, Brigitte. "Antonin Artaud : des contraires." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb375945054.

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Bauer, Renate. "Antonin Artaud - Alchemie der Materie." [S.l. : s.n.], 1998. http://www.diss.fu-berlin.de/2000/100/index.html.

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Almeida, Gil Roberto Gomes de. "Diferença voz glossolalia artaud performance." reponame:Repositório Institucional da UnB, 2015. http://dx.doi.org/10.26512/2015.04.D.20318.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, 2015.<br>A partir da obra de Artaud, sobretudo do período de internação em Rodez (fevereiro de 1943 a maio de 1946) até a sua morte (março de 1948), evidencia-se um ideário que sugere princípios para uma vocalidade no contexto da performance. Esta vocalidade é baseada em uma noção de glossolalia enquanto conceito vinculado às práticas enunciativas, sobretudo como potência para desarrazoar estratos vocais. Assim, a glossolalia pode agregar valores sonoro-poéticos que desestabilizam aspectos mais estabelecidos da produção e per
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Barber, Stephen Kenneth. "Artaud : the final work (1946-1948)." Thesis, Queen Mary, University of London, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420721.

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Although Antonin Artaud is one of the most renowned and inspirational figures in twentieth-century culture, the work of his last period (1946-1948) remains largely unknown. This is in part due to its relative inaccessibility. However, this vast and complex body of work has suffered from a certain critical marginalization. It emerged out of a period when Artaud was newly released from nine years of asylum incarceration. In addition, it is ferocious material, incessantly assaulting both social and linguistic structures. It resists representation and assimilation, screams its refusal of socializa
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Cardoso, Ricardo Cezar. "Antonin Artaud: por uma metafísica cruel." Universidade do Estado do Rio de Janeiro, 2006. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4365.

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Em étudiant loeuvre de Gilles Deleuze, cest impossible dignorer linfluence dAntonin Artaud et de lidée de Cruauté dans le dèvelopement de sa philosophie. Ansi on peut se demander Quelle est limportance de Antonin Artaud et du Théâtre de la Cruauté dans la constituition de la Philosophie Contemporaine?. La présente dissertation nose pas répondre à cette question dans tute as complexité. Elle est plus modeste dans sa prétention, elle a comme but tracer quelques lignes capables de nous orienter dans nos relations complexes entre la pensée de Artaud et la Philosophie, en
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Bradnock, Lucy. "After Artaud : Art in America, 1949-1965." Thesis, University of Essex, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510993.

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Freitas, Maisy de Medeiros. "Antonin Artaud: por uma cultura da crueldade." Universidade Federal do Rio Grande do Norte, 2010. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13612.

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Made available in DSpace on 2014-12-17T14:19:59Z (GMT). No. of bitstreams: 1 MaisyMF_DISSERT.pdf: 1608819 bytes, checksum: a0eb38caacba9b7d135075612c3f864e (MD5) Previous issue date: 2010-06-09<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>Cette recherche vise ? r?fl?chir sur la culture vers le point de vue de l'art. ? partir de la pens?e d'Antonin Artaud (1896-1948), qui nos invite ? penser la culture tel comme une ramification de la vie. Le th??tre, la sc?ne pour ses nombreuses cr?ations, il se d?place dans l'espace, une fois qu'Artaud vas essayer de vivre leurs exp?rie
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Książki na temat "Artaud"

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Grubišić, Vinko. Artaud. Hrvatski centar ITI-UNESCO, 2000.

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Dumoulié, Camille. Antonin Artaud. Seuil, 1996.

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Murray, Ros. Antonin Artaud. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137310583.

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Kolankiewicz, Leszek. Święty Artaud. Państwowy Instytut Wydawniczy, 1988.

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Levêque, Jean-Jacques. Antonin Artaud. Veyrier, 1985.

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Bianu, Zéno. Variations Artaud. Dumerchez, 2009.

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Guillaume, Fau, and Bibliothèque nationale (France), eds. Antonin Artaud. Bibliothèque nationale de France, 2006.

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éd, Penot-Lacassagne Olivier, ed. Antonin Artaud. Lettres modernes Minard, 2001.

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Olivier, Penot-Lacassagne, ed. Antonin Artaud. Lettres Modernes, 2005.

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Verheggen, Jean-Pierre. Artaud Rimbur. Editions de la Différence, 1990.

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Części książek na temat "Artaud"

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O'Brien, Nick, Annie Sutton, and Mikhaela Mahony. "Artaud." In Theatre in Practice, 3rd ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003361121-5.

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Wild, Gerhard. "Artaud, Antonin." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2465-1.

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Sidiropoulou, Avra. "Enter Artaud." In Authoring Performance. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9781137001788_3.

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Mors, Barbara. "Antonin Artaud." In Kindler Kompakt Französische Literatur 20. Jahrhundert. J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05533-0_9.

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Murray, Ros. "Introduction." In Antonin Artaud. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137310583_1.

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Murray, Ros. "The Limits of Representation." In Antonin Artaud. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137310583_2.

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Murray, Ros. "Through the Digestive System." In Antonin Artaud. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137310583_3.

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Murray, Ros. "Theatre, Magic and Mimesis." In Antonin Artaud. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137310583_4.

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Murray, Ros. "Artaud on Film." In Antonin Artaud. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137310583_5.

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Murray, Ros. "Artaud on Paper." In Antonin Artaud. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137310583_6.

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Streszczenia konferencji na temat "Artaud"

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Liu, Shihan, Yongxin Feng, and Bo Qian. "Improved Variable Step Size LMS Algorithm Based on Artanh Function." In 2024 2nd International Conference on Signal Processing and Intelligent Computing (SPIC). IEEE, 2024. http://dx.doi.org/10.1109/spic62469.2024.10691633.

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Abhishek, S., Anjali T, Prathibha Prakash, and Rina Barouch Bentov. "Microbial Taxonomy: An Artful Exploration of Microbes with Neural Networks." In 2023 International Conference on Intelligent Computing, Communication & Convergence (ICI3C). IEEE, 2023. http://dx.doi.org/10.1109/ici3c60830.2023.00076.

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Sinani, Berat, Fisnk Frangu, Ramiz Krasniqi, Besnik Shala, Bahri Sinani, and Vehbi Berisha. "GEOSTATISTICAL DISTRIBUTION OF LEAD AND ZINC METALS IN ARTANA 1 LANDFILL: MINERALOGICAL CHARACTERIZATION OF THE LANDFILL OBTAINED FROM RESIDUES FROM THE LEAD-ZINC FLOTATION PROCESS." In 24th SGEM International Multidisciplinary Scientific GeoConference 24. STEF92 Technology, 2024. https://doi.org/10.5593/sgem2024/1.1/s01.11.

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The surface area of the studied area in the Artana 1 landfill is about 24,000 m2. Presented here are samples taken from 11 boreholes with survey designations S-6, S-8, S-9, S-11, S-12, S-16, S-19, S-20, S-24, B /Y-2 (S-Y-2), Y-5 (S-Y-5). Drilling wascarried out using the spiral survey method up to the base level of the soil. The workswere carried out by the Trepca-Karova institutions within the project of recycling wastefrom the ore flotation of the Artana-Kishnica mines. Samples were taken at each meter,the survey number separately and by meter were counted and bagged and prepared forseparati
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Machado, Rogerio Marcondes. "Teatro oficina: patrimônio, ativismo urbano e Artaud." In Encontro da História da Arte. Universidade Estadual de Campinas, 2018. http://dx.doi.org/10.20396/eha.13.2018.4595.

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Por duas vezes, no Condephaat (órgão do Estado de São Paulo para preservação patrimonial) e, depois, no Iphan (órgão federal para preservação patrimonial), José Celso Martinez Corrêa, diretor do Teatro Oficina, solicitou o tombamento de sua sede para que a atividade artística do grupo pudesse ter continuidade. O que motivou esses processos foram os conflitos entre o Oficina e o Grupo Silvio Santos, proprietário dos terrenos em torno do teatro. Em 1997, quando se iniciava o segundo conflito, José Celso define o Teatro Oficina como “uma arquitetura específica, cercada por uma empresa de televisã
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Cermakian, Stéphane. "(D)écrire l’impossibilité d’écrire : la correspondance Artaud/Rivière." In Les écrivains théoriciens de la littérature (1920-1945). Fabula, 2013. http://dx.doi.org/10.58282/colloques.1831.

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DIAS, luciana da costa. "Nietzsche, Artaud e a Performance: provocações em direção a uma Fenomenologia da Performance." In Memória ABRACE XVI - Anais do IX Congresso da Associação Brasileira de Pesquisa e Pós-Graduação em Artes Cênicas. Even3, 2017. http://dx.doi.org/10.29327/14094.1-5.

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Bailey, Erin. "Deleuze, Artaud, and the Bard: Envisioning a Shakespearean Theater Education Yet to Come." In 2019 AERA Annual Meeting. AERA, 2019. http://dx.doi.org/10.3102/1443134.

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Collot, Michel. "Faire corps avec le paysage." In Paysages & valeurs : de la représentation à la simulation. Université de Limoges, 2008. http://dx.doi.org/10.25965/as.3464.

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Pour beaucoup de pratiques artistiques et poétiques contemporaines, le paysage est lié à un état du corps autant qu’à un état de l’âme. Cette incarnation du paysage correspond à l’importance croissante du rôle reconnu et dévolu au corps dans l’art et la littérature contemporaines. Mais cette valorisation de l’expression corporelle peut s’orienter selon deux directions divergentes. La poésie contemporaine peut faire ainsi du corps l'instrument d'une rupture avec l'idéalisme supposé de la tradition poétique et dresse le corps contre l'esprit ; valorisant l’in-sensé et l’im-monde, elle fait alors
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Maldonado, Victoria. "Hilos, membranas y viscelaridad: los ecos de la informidad en el arte textil contemporáneo." In VI Congreso Internacional de Investigación en Artes Visuales ANIAV 2024. Editorial Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/aniav2024.2024.18028.

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El “eco” —tal y como nos muestra la física y nos define la RAE― es una onda electromagnética reflejada de tal modo que se percibe como distinta de la originalmente emitida. Si esta onda se tratara de Bataille hablando de lo informe o el poeta Artaud sobre la visceralidad, resultaría sorprendente cómo ha llegado a empapar este eco en algunas artistas contemporáneas que focalizan sus producciones artísticas en la escultura textil. Desde Dominique White y sus obras pertenecientes a la serie “Una especie de estela inquietante” (2019) donde un cuerpo de hilos se suspende por unos ganchos de acero g
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Franke, William. "Living Together: An Apophatic Ethics." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-001.

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This lecture rereads classical narratives of plague from the Bible (Exodus) and classical antiquity, both Greek (Homer, Thucydides, Sophocles) and Roman (Lucretius, Virgil, Ovid), through the Middle Ages (Boccaccio) and Modernity (Defoe, Manzoni, Artaud, Camus) as a basis for contemplating the significance of the recent Covid-19 pandemic. It concerns how we are to confront future pandemics and other crises, notably those of an ecological nature. Responses to Covid-19 typically set everything on defeating this “enemy” by technical means, but actually we cannot eliminate viruses without eliminat
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Raporty organizacyjne na temat "Artaud"

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Buck, Steve, Andrew Jacobs, Katrina Rogus, and Sara Pevaroff Schuh. Chester Arthur Schoolyard. Landscape Architecture Foundation, 2017. http://dx.doi.org/10.31353/cs1320.

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Luciano, Angela. 7th International Workshop on Offshore Geologic CO2 Storage. Edited by Nicola Clarke, Tim Dixon, and Katherine Romanak. IEAGHG, 2025. https://doi.org/10.62849/2025-tr01.

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The 7th International Workshop on Offshore Geologic CO2 storage was held in Port Arthur, TX, on September 17-18th, hosted by the Port Arthur Chamber of Commerce and co-organized by the University of Texas and the IEAGHG. There was around 60-70 in-person attendees, with over 200 participants joining online.
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Wells, Barton S., and Frederick L. Beckner. ARTUS Preliminary Development. Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada372326.

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Cameron, P., R. Connolly, A. Drees, et al. ARTUS: A Rhic TUne monitor System. Office of Scientific and Technical Information (OSTI), 1998. http://dx.doi.org/10.2172/1119546.

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Webb, Dennis W. Navigation Study for Arthur Kill 50-ft Channel Improvements, New York Harbor. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada426317.

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Storesletten, Kjetil, Bo Zhao, and Fabrizio Zilibotti. Business Cycle during Structural Change: Arthur Lewis' Theory from a Neoclassical Perspective. National Bureau of Economic Research, 2019. http://dx.doi.org/10.3386/w26181.

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Reis, Ademar Arthur Chioro dos, Rosemarie Andreazza, Lumena Almeida Castro Furtado, Eliane Cardoso de Araújo, Ana Lucia Pereira, and Nicanor Rodrigues da Silva Pinto. Relatório Técnico-Científico Final: Enfrentamento da pandemia de COVID-19: produções, invenções e desafios na gestão do cuidado em rede. Universidade Federal de São Paulo, 2023. http://dx.doi.org/10.34024/11600/relatorio2023.1.

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Relatório final de projeto de pesquisa: Enfrentamento da pandemia de COVID-19: produções, invenções e desafios na gestão do cuidado em rede. Pesquisador responsável: Ademar Arthur Chioro dos Reis Instituição Sede: Universidade Federal de São Paulo (Unifesp) Processo FAPESP: 2020/12096-6 - Modalidade: Auxílio a Projeto de Pesquisa Linha de fomento: Acordos de Cooperação / PPSUS 2015 – PPSUS 2020 – PPP Período da Vigência: 01/03/2021 a 28/02/2023 (12 meses) Período coberto pelo Relatório Técnico-Científico Final: 28/02/2022 a 28/02/2023 (12 meses)
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Maynord, Stephen T. Ship Effects Before and After Deepening of Sabine-Neches Waterway, Port Arthur, Texas. Defense Technical Information Center, 2003. http://dx.doi.org/10.21236/ada417939.

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Pullutasig, Byron, and Scott Belding. Evaluating Utility Costs Savings and Resilience: A Case Study in Port Arthur, Texas. Office of Scientific and Technical Information (OSTI), 2024. https://doi.org/10.2172/2479453.

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Gregory, William A. From Beirut to Port Arthur: Field Artillery Doctrine and Practice in Low Intensity Conflict. Defense Technical Information Center, 1990. http://dx.doi.org/10.21236/ada233629.

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