Gotowe bibliografie tematyczne / Career in music publicity

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  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
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Gotowa bibliografia na temat „Career in music publicity”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Career in music publicity"

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Platte, Nathan. "Dream Analysis: Korngold, Mendelssohn, and Musical Adaptations in Warner Bros.' A Midsummer Night's Dream (1935)." 19th-Century Music 34, no. 3 (2011): 211–36. http://dx.doi.org/10.1525/ncm.2011.34.3.211.

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Abstract In his first film score, Erich Wolfgang Korngold adapted the works of Felix Mendelssohn so that the music seemed to interact and respond with the visual editing of the film, A Midsummer Night's Dream (Warner Bros., 1935). By detailing the facets of this unusual production, which range from Korngold's presence on the set to the publicity department's efforts to spotlight Mendelssohn's music and Korngold's arrangements, I argue that the score for Dream played an important role in elevating film music and film composers within the hierarchy of Hollywood production and publicity. Not only
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Nagel-Frazel, Maeve. "The Queen of the Violin." Current Musicology, no. 109/110 (September 6, 2023): 1–24. http://dx.doi.org/10.52214/cm.v109i.8994.

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The commercialized nineteenth century lyceum circuit provided the vehicle for Camilla Urso (1840-1902) to become America's first celebrity female violinist. Vizualizing six seasons between 1873-83 where Urso toured under lyceum bureau management in digital maps of my own creation, I argue industrialized transportation networks combined with the commercialized advertising and publicity of the lyceum circuit created a popular concert model that expanded Urso's audience and raised her concert fees. Urso's time on the lyceum circuit laid the foundation for her transnational career. Urso was never
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Parler, Samuel. "DeFord Bailey in Country Music's Multiracial Canon." Journal of the American Musicological Society 73, no. 1 (2020): 53–94. http://dx.doi.org/10.1525/jams.2020.73.1.53.

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DeFord Bailey (1899–1982), an African American harmonica virtuoso, performed regularly on the Grand Ole Opry radio program from 1926 to 1941 and afterward fell into obscurity. Decades later, however, he was inducted into the Country Music Hall of Fame (2005), overseen by the Country Music Association (CMA), amid calls to diversify a predominantly white country music canon. Motivated by racially progressive ideals and seeking to rehabilitate the genre's image, many fans and industry advocates misrepresented Bailey's achievements in the surrounding conversations, or they relied upon essentializi
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O'Leary, James. "Oklahoma!, “Lousy Publicity,” and the Politics of Formal Integration in the American Musical Theater." Journal of Musicology 31, no. 1 (2014): 139–82. http://dx.doi.org/10.1525/jm.2014.31.1.139.

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The achievements of Rodger and Hammerstein’s Oklahoma! (1943) are well known: since the musical opened, critics have proclaimed it a new version of the genre, distinguished by its “integrated” form, in which all aspects of the production—score, script, costume, set, and choreography—are interrelated and inseparable. Although today many scholars acknowledge that Oklahoma! was not the first musical to implement the concept of integration, the musical is often considered revolutionary. Building on the work of Tim Carter, I use the correspondence and press materials in the Theatre Guild Collection
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Gahan, Peter. "Bernard Shaw, New Journalist (1885–1898)." Shaw 41, no. 2 (2021): 264–318. http://dx.doi.org/10.5325/shaw.41.2.0264.

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ABSTRACT As Shaw's authorized biographer Archibald Henderson put it in the second of three biographies: “While Shaw may have a dozen labels—art critic, music critic, drama critic, novelist, dramatist, rationalist, Socialist, publicist, harlequin, sage, statesman, prophet—he has only one profession: journalism.”1 Especially remembered now for his achievements as playwright, whether in the vanguard of the New Drama at the end of the nineteenth century or as the established dramatist of world fame throughout the first half of the twentieth, Shaw worked first and last as a journalist in a working
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Heston, Thomas F. "The blockchain-based scientific study." Digital Medicine 3 (June 5, 2017): 66–8. https://doi.org/10.5281/zenodo.10697847.

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The scientific study is outdated and dead at least as we know it. Pharmaceutical companies pollute clinical trials with money, creating a financial bias. Academics live under the rule of “publish or perish,” creating a career bias. Journal editors want notoriety for publicity purposes, creating a publicity bias. In spite of established guidelines for the publication of clinical research, they are often not followed.
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McDonald, James R. "Farm aid: A publicity event." Popular Music and Society 10, no. 3 (1986): 95–98. http://dx.doi.org/10.1080/03007768608591253.

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Susilo, Sophia Reni. "EFFECT OF EMPLOYER BRANDING AND PRESTIGE ON INTENTION TO APPLY IN THE TOP 5 E-COMMERCE IN INDONESIA." Jurnal Ilmiah Bisnis dan Ekonomi Asia 16, no. 2 (2022): 241–59. http://dx.doi.org/10.32815/jibeka.v16i2.758.

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Employer branding is the image and reputation of the organization as an ideal place to work. The purpose of this study was to determine the effect of the employer's brand strategy on the intention to apply for jobs in the top five e-commerce in Indonesia. This research was conducted on students at seven universities in Jakarta representing the second-level regions of DKI Jaya. The sampling method used probability sampling with cluster sampling. Data was collected by distributing questionnaires. This type of research is quantitative and uses the SmartPLS 3.0 program. The results showed that pub
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Lian, Jue. "A Study on Thinking about Career Cognitive Planning Education for College Music Students." European Journal of Education and Pedagogy 4, no. 2 (2023): 1–6. http://dx.doi.org/10.24018/ejedu.2023.4.2.584.

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Music major college students are a unique group in both general universities and conservatories. They have strong personalities, rich feelings, and have the youth and vitality of art students. Therefore, it is of great relevance to develop career education based on the main characteristics of music major college students. For music majors, there are relatively various career paths, such as music education, performance, broadcasting, media, and other industries. Therefore, the “employment issue” for most music majors has become one of the more popular topics at present. This paper explores the
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Lim, H. A. "Music Therapy Career Aptitude Test." Journal of Music Therapy 48, no. 3 (2011): 395–417. http://dx.doi.org/10.1093/jmt/48.3.395.

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Rozprawy doktorskie na temat "Career in music publicity"

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Branscome, Eric E. "Music Career Opportunities and Career Compatibility: Interviews with University Music Faculty Members and Professional Musicians." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28398/.

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This study used a semistructured interview schedule to identify the music career opportunities available to students who graduate with an undergraduate music degree, and the skills, interests, work values, and personal characteristics that may determine a person's suitability for these music careers. Six university faculty members from each of the 11 NASM-accredited undergraduate music degree fields participated in the study (n = 66). Fourteen professional musicians who were recommended by these faculty members also participated in the study. Concerning the musical and non-musical skills that
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Boston, Shiela C. "Satis N. Coleman (1878-1961) her career in music education /." Full text available online (restricted access), 1992. http://images.lib.monash.edu.au/ts/theses/Boston.pdf.

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Siebert, Johanna J. "Why music teachers remain in the profession : conversations with career music educators /." Digitized version, 2007. http://hdl.handle.net/1802/5629.

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Ballantyne, Julie. "Effectiveness of Preservice Music Teacher Education Programs: Perceptions of Early-Career Music Teachers." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16074/1/Julie_Ballantyne_Thesis.pdf.

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The quality of teaching occurring in schools is directly linked to the quality of preservice preparation that teachers receive (Darling-Hammond, 2000). This is particularly important in the area of music teacher education, given the unique challenges that classroom music teachers commonly face (Ballantyne, 2001). This thesis explores early-career music teachers' perceptions of the effectiveness of their preservice teacher education programs in Queensland. It also explores influences impacting upon early-career music teachers' perceptions of effectiveness and early-career music teachers' perc
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Ballantyne, Julie. "Effectiveness of Preservice Music Teacher Education Programs: Perceptions of Early-Career Music Teachers." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16074/.

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The quality of teaching occurring in schools is directly linked to the quality of preservice preparation that teachers receive (Darling-Hammond, 2000). This is particularly important in the area of music teacher education, given the unique challenges that classroom music teachers commonly face (Ballantyne, 2001). This thesis explores early-career music teachers' perceptions of the effectiveness of their preservice teacher education programs in Queensland. It also explores influences impacting upon early-career music teachers' perceptions of effectiveness and early-career music teachers' perc
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Munnelly, Karen Patricia. "Understanding Career & Degree Expectations of Undergraduate Music Majors." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1490135404312177.

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Jansen, van Rensburg Wim Petrus. "Interpreting music consumption data published by the music industry to inform the career choices of music graduates." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/62641.

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Bowen, Hustedt Michele Ann. "The life and career of Himie Voxman." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/465.

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Corley, Scott Randolph. "Thomas Lee Dvorak: a career as music educator and conductor." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/2198.

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Thomas Lee Dvorak (b. 1941) uniquely blended his experience as a music educator with his long career as a collegiate conductor. In his ten-year career as a public school instrumental music educator, Dvorak taught bands at the elementary, middle school or junior high, and high school levels. During this time, he encountered beginning instrumental music instructional methods that allowed his beginning band students to advance at a rapid pace. Dvorak parlayed his school band teaching experience with his growing reputation in band music education into an appointment to the music education faculty
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Kehrberg, Kevin Donald. "“I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY." UKnowledge, 2010. http://uknowledge.uky.edu/gradschool_diss/49.

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Albert E. Brumley (1905-1977) was the most influential American gospel song composer of the twentieth century, penning such “classics” within the genre as “Jesus, Hold My Hand,” “I’ll Meet You in the Morning,” “If We Never Meet Again,” “Turn Your Radio On,” and “Rank Strangers to Me.” His “I’ll Fly Away” has become the most recorded gospel song in American history with over one thousand recordings to date, and several of his works transcend cultural boundaries of style, genre, race, denomination, and doctrine. However, the racialized historiography of American gospel music has left Brumley—fro
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Książki na temat "Career in music publicity"

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Reed, Laura. Publicity handbook for music teachers. Music Teachers National Association, 1989.

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Pettigrew, Jim. The Billboard guide to music publicity. Billboard Books, 1997.

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Pettigrew, Jim. The Billboard guide to music publicity. Billboard Books, 1989.

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Museum, Botswana National. National Museum publicity material. Botswana National Museum, 2009.

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Cann, Simon. Jumpstart your music career. Course Technology, Cengage Learning, 2012.

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group), Camera Obscura (Musical. My maudlin career. 4AD, 2009.

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Baskerville, David. Music business handbook & career guide. 5th ed. Sherwood Pub. Co., 1990.

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Baskerville, David. Music business handbook & career guide. 6th ed. Sage Publications, 1995.

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Adam, Judith. Music librarianship as a career. International Association of Music Libraries, Archives and Documentation Centres (United Kingdom Branch), 1990.

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Baskerville, David. Music business handbook & career guide. Sherwood Publishing Co, 1990.

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Części książek na temat "Career in music publicity"

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Donham, Tammy, Amy Sue Macy, and Clyde Philip Rolston. "Publicity." In Marketing Recorded Music, 4th ed. Focal Press, 2022. http://dx.doi.org/10.4324/9781003153511-13.

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Nápoles, Jessica, and Rebecca B. MacLeod. "Career." In Clifford K. Madsen’s Contributions to Music Education and Music Therapy. Routledge, 2020. http://dx.doi.org/10.4324/9781003015024-4.

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Downs, Jace. "Beyond Publicity Stills." In The Photographer's Career Guide to Shooting Production Stills for Film and Television. Routledge, 2022. http://dx.doi.org/10.4324/9781003183129-33.

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Slay Carr, Cheryl. "Defining Career Duality." In Music Business Careers. Routledge, 2019. http://dx.doi.org/10.4324/9781351058391-3.

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Slay Carr, Cheryl. "The Career Duality Dilemma." In Music Business Careers. Routledge, 2019. http://dx.doi.org/10.4324/9781351058391-2.

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Amir, Sayed Mohammad. "Audience and Music Research." In A Career in Radio. Routledge India, 2023. http://dx.doi.org/10.4324/9781003438861-13.

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Allen, Paul. "Managing Your Own Music Career." In Artist Management for the Music Business, 5th ed. Focal Press, 2022. http://dx.doi.org/10.4324/9781003179009-6.

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Chun, Edna B., and George S. T. Chu. "Protean Shifts: Musicians Overcoming Major Career Challenges." In Transformational Music Teaching. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-38920-7_8.

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Mittner, Lilli, and Hilde Synnøve Blix. "Career Paths in Higher Music Education." In Gender Issues in Scandinavian Music Education. Routledge, 2021. http://dx.doi.org/10.4324/9781003038207-9.

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Warner, Catherine. "The career of a music therapist." In Contemporary Issues in Music Therapy Training. Routledge, 2024. http://dx.doi.org/10.4324/9781003517962-9.

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Streszczenia konferencji na temat "Career in music publicity"

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Arakelyan, Shushan, Fred Morstatter, Margaret Martin, Emilio Ferrara, and Aram Galstyan. "Mining and Forecasting Career Trajectories of Music Artists." In HT '18: 29th ACM Conference on Hypertext and Social Media. ACM, 2018. http://dx.doi.org/10.1145/3209542.3209554.

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Wicaksono, H. "Student Interest of Music Career in Vocational School Yogyakarta Indonesia." In Proceedings of the 2nd International Conference on Local Wisdom, INCOLWIS 2019, August 29-30, 2019, Padang, West Sumatera, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.29-8-2019.2289116.

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Riley, Holly. "Popular Music Career Preparedness: An Analysis of Programs and Approaches." In MEIEA Summit 2025. Music and Entertainment Industry Educators Association, 2025. https://doi.org/10.25101/25.23.

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Seican, Valeria. "From musical journalism to musicological criticism." In Probleme metodico-didactice și de asigurare a calității în învăţământul artistic superior. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/pacias2023.07.

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Since the crystallization of the matter of music criticism, which occurs in the English, German, and French artistic academic environment, at the confluence between musicology and publicity, with the explosion of the press, from the 19th century and especially of journalism, to this day, the musical phenomenon continues to impose the need for its explanation, misinterpretation through all the channels of public communication. The musical specificity concentrated in content and vocabulary, in the publicity genres to be attacked by the novice musicologists, is in interconnection with the procedu
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Lončar, Sonja, and Andrija Pavlović. "LP Duo – Minimalism as a Bridge to (Neo)Classical Piano Music and Beyond." In Ninth International Conference on Music and Minimalism. Institute of Musicology SASA, 2024. https://doi.org/10.46793/mininters.201l.

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Since 2004, pianists, composers, innovators, researchers, producers and professors Sonja Lončar and Andrija Pavlović (a.k.a. Andy Pavlov) have performed together as LP Duo, exploring vast realms of music on two acoustic and later two DUALITY hybrid pianos, designed and realized in collaboration with engineers from the American company HTEC. Today, these instruments are standard in LP Duo’s work, used for composing, performing, arranging existing musical pieces, and recording. However, at the beginning of their two-decade career, things looked different. LP Duo initially established themselves
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Wagoner, Cynthia. "To Teach or Not to Teach? The Impact of COVID-19 on Music Teachers' Career Decisions." In 2022 AERA Annual Meeting. AERA, 2022. http://dx.doi.org/10.3102/1882235.

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Green, Gloria. "Students, Mental Health, and Working in the Music Industry: Are University Music Business and Recording Industry Programs Doing Enough to Prepare Students for the Psychological Impact of a Career in the Music Industry?" In MEIEA Summit 2023. Music and Entertainment Industry Educators Association, 2023. http://dx.doi.org/10.25101/23.18.

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Prelovšek, Anita. "Music in the Life and Works of Boris Leonidovich Pasternak." In Socratic lectures 10. University of Lubljana Press, 2024. http://dx.doi.org/10.55295/psl.2024.i30.

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Abstract: This article describes how the life and works of Boris Pasternak were strongly connected with music. Pasternak began his artistic career as a musician, namely a pianist and student of composition. His interest in music was contributed by his acquaintance with the composer Alexander Scriabin, who made a strong impression on the young Pasternak and inspired him to music. Pasternak devoted several chapters to Scriabin in his short prose Safe Conduct and Essay in Autobiography. A few years later, when Pasternak gave up music, his sense of the musicality of the verse remained in his poetr
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Barbosa, Gabriel R. G., Bruna C. Melo, Gabriel P. Oliveira, Mariana O. Silva, Danilo B. Seufitelli, and Mirella M. Moro. "Hot Streaks in the Brazilian Music Market: A Comparison Between Physical and Digital Eras." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19440.

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Consuming music through streams has made huge volumes of data available. We collect a part of such data and perform cross-era comparative analyses between physical and digital media for successful artists within the music market in Brazil. Given an artist’s career, we focus on hot streak periods defined as high-impact bursts occurring in sequence. Specifically, we construct artists’ success time series to detect and characterize hot streak periods for both physical and digital eras. Then, we assess their features, analyze them in the genre scale, and perform a cluster analysis to identify grou
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NICA, Maria-Isabela. "The World Music Phenomenon Through the Perspective of Philip V. Bohlman." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0004.

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Renowned ethnomusicologist Philip V. Bohlman has made a remarkable contribution to the study of the World Music phenomenon and its impact on culture and society. An alumnus of Yale and Harvard, Bohlman has built a distinguished academic career across various countries, conducting extensive research in ethnomusicology. His work delves into the intricate relationships between music, cultural identity, nationalism, and migration, addressing themes such as music in the Holocaust, musical folklore, Jewish and Roma music. Overall, the volume World Music: A Very Short Introduction is one of the essen
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Raporty organizacyjne na temat "Career in music publicity"

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Keogh, Brendan, Dan Golding, and Taylor Hardwick. Australian Music and Games 2023 Benchmark. Queensland University of Technology and Swinburne University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.243139.

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Digital games are a global cultural force, of which music is a foundational aspect. Music is crucial for digital games to develop atmosphere, convey narratives, and frame player interactions. At the same time, digital games provide musicians exciting new opportunities to experiment with dynamic, adaptive, and non-linear music structures. However, writing, producing, licensing, and implementing music for digital games also poses new challenges to existing screen music practices and business models. This benchmark is the first ever investigation into the scope and scale of Australia’s game music
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Orning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.544616.

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We have seen drastic changes in the music profession during the last 20 years, and consequently an increase of new professional opportunities, roles and identities. We can see elements of a collective identity in classically trained musicians who from childhood have been introduced to centuries old, institutionalized traditions around the performers’ role and the work-concept. Respect for the composer and his work can lead to a fear of failure and a perfectionist value system that permeates the classical music. We have to question whether music education has become a ready-made prototype of ce
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Inter-American Development Bank Cultural Center Annual Report 2000. Inter-American Development Bank, 2001. http://dx.doi.org/10.18235/0005700.

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The IDB Cultural Center ended 2000 with a successful balance of diverse activities. Throughout the year, the IDB Cultural Center produced 32 events, including 5 art exhibitions, 13 concerts and music workshops, 11 lectures and 3 presentations of "La Cátedra Siglo XXI Lecture Series." These activities attracted an estimated 15,000 visitors to the Bank, and received publicity in over 120 local, national and international newspaper, magazine, radio and TV reviews; these included two major feature articles in the bilingual magazine "Cordialidad" (Copa Airlines in Flight Magazine) and the trilingua
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Inter-American Development Bank Cultural Center Annual Report 1999. Inter-American Development Bank, 1999. http://dx.doi.org/10.18235/0005850.

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The IDB Cultural Center ended 1999 with a successful balance of diverse programs. Throughout the year, the IDB Cultural Center produced 32 events, including art exhibitions, concerts, music workshops and lectures. These activities attracted an estimated 14,000 visitors to the Bank, and received publicity in over ninety local, national and international newspaper, magazine, radio and TV reviews. The Cultural Center's impact on the local Washington community was recognized this year with a nomination for the Center as a finalist in the Mayor's Arts Awards, in the field of Excellence in Service t
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Inter-American Development Bank Cultural Center Annual Report 2001. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005701.

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The IDB Cultural Center ended 2001 with a successful balance of diverse programming. In the Region and throughout the year, the IDB Cultural Center contributed to the implementation of 40 socio-cultural projects in 25 countries. At headquarters, the Center produced 32 events, including 5 art exhibitions, 13 concerts and music workshops, 12 lectures and 2 presentations of "La Cátedra Siglo XXI Lecture Series." These activities attracted an estimated 15,000 visitors to the Bank and 7,000 to traveling exhibitions. As a result, the Center received over 200 local, national and international newspap
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