Gotowe bibliografie tematyczne / Chinese traditional art substrates

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  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji

Gotowa bibliografia na temat „Chinese traditional art substrates”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 1 lutego 2022

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Artykuły w czasopismach na temat "Chinese traditional art substrates"

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Liu, Fangchen, Ling Li, Jian Chen, Ying Wu, Yongbing Cao, and Ping Zhong. "A Network Pharmacology to Explore the Mechanism of Calculus Bovis in the Treatment of Ischemic Stroke." BioMed Research International 2021 (March 10, 2021): 1–20. http://dx.doi.org/10.1155/2021/6611018.

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Background. Calculus Bovis is a valuable Chinese medicine, which is widely used in the clinical treatment of ischemic stroke. The present study is aimed at investigating its target and the mechanism involved in ischemic stroke treatment by network pharmacology. Methods. Effective compounds of Calculus Bovis were collected using methods of network pharmacology and using the Bioinformatics Analysis Tool for Molecular Mechanism of Traditional Chinese Medicine (BATMAN-TCM) and the Traditional Chinese Medicine Systems Pharmacology Database and Analysis Platform (TCMSP). Potential compound targets w
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Luo, Jianxin. "Chinese Painting and Traditional Chinese Culture." International Journal for Innovation Education and Research 3, no. 5 (May 31, 2015): 176–81. http://dx.doi.org/10.31686/ijier.vol3.iss5.373.

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Having gone through many generations of inheritance and development, Chinese paintings have become world′s artistic and cultural treasure. Chinese culture has influenced the world for thousands of years with its art, philosophy, technology, food, medicine and performing arts. In this article, it is discussed that painting and calligraphy is from fountain, between the traditional culture and traditional art, which impresses the soul of the Chinese traditional culture.
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Weijia, Dong. "On the Innovative Art of Chinese Traditional Painting." Fine Art Version 2, no. 3 (2020): 66–72. http://dx.doi.org/10.35534/fav.0203012c.

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Shen, Xianghua, and Eun Kyung Park. "Fashion Design Applying Traditional Chinese Paper-Cut Art." Journal of The Korean Society of Fashion Design 15, no. 3 (September 30, 2015): 87–100. http://dx.doi.org/10.18652/2015.15.3.6.

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Wang, Ze-Liang, and Eun-Mi Choi. "Production of Art Makeup & Nail Art Design Using Chinese Traditional Geometry Patterns." Korean Society of Beauty and Art 18, no. 2 (June 30, 2017): 283–92. http://dx.doi.org/10.18693/jksba.2017.18.2.283.

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Zavyalova, Anna. "“Spring Palace Paintings” in Chinese Traditional Painting." Ideas and Ideals 13, no. 1-2 (March 19, 2021): 414–24. http://dx.doi.org/10.17212/2075-0862-2021-13.1.2-414-424.

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The article considers the erotic genre of traditional Chinese art, chun gong hua (‘spring palace paintings’), which was developed in painting. The study uses comparative - historical, cultural and historical methods, as well as methods of systematization, analysis and synthesis. The author traces the formation and evolution of the genre, reveals its specific features. The paper analyzes the system of artistic images of the works of chun gong hua, reveals that they are based on the ideas of Taoism, which are visualized through painting, which made it possible to reveal a second, meaningful plan
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Xu, Miao-Miao. "Art Design for a Mobile Phone Using Chinese Traditional Elements." Journal of the HCI Society of Korea 3, no. 1 (May 31, 2008): 39. http://dx.doi.org/10.17210/jhsk.2008.05.3.1.39.

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Wang, Xiang. "Exploration of Chinese Traditional Furniture Art Form in Practical Teaching." IOP Conference Series: Materials Science and Engineering 573 (August 2, 2019): 012083. http://dx.doi.org/10.1088/1757-899x/573/1/012083.

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Zhou WuZhong and Chen Xiaoyan. "A SURVEY OF ROCKERY ART HISTORY IN TRADITIONAL CHINESE GARDENS." Acta Horticulturae, no. 881 (November 2010): 287–94. http://dx.doi.org/10.17660/actahortic.2010.881.38.

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田, 佳妮. "On the Development of Chinese Traditional Symbols in Contemporary Art." Art Research Letters 07, no. 04 (2018): 72–76. http://dx.doi.org/10.12677/arl.2018.74009.

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Rozprawy doktorskie na temat "Chinese traditional art substrates"

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Ho, King Tong. "The poetics of making a new cross-cultural aesthetics of art making in digital art through the creative integration of Western digital ink jet printmaking technology with Chinese traditional art substrates : this exegesis is submitted to AUT University in partial fulfillment of the degree of Doctor of Philosophy." Click here to access this resource online, 2007. http://hdl.handle.net/10292/333.

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Lai, Siu-lun Francis, and 黎兆麟. "Vanishing puppets: the demise of a Chinese traditional art form." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31972445.

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Lai, Siu-lun Francis. "Vanishing puppets : the demise of a Chinese traditional art form /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B24534407.

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Kim, Mina. "Pan Tianshou (1897-1971): Rediscovering Traditional Chinese Painting in the Twentieth Century." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1469004754.

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Kuo, Joice. "Promoting a culture of contemporary and traditional Chinese Theater Art in Taipei." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3302.

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Thesis (M. Arch.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: School of Architecture, Planning and Preservation Architecture . Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Li, Gaoli. "The innovative expression of Chinese traditional culture and art in contemporary architectural design." Doctoral thesis, Universitat Politècnica de Catalunya, 2019. http://hdl.handle.net/10803/667528.

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Recent improvements in contemporary Chinese society will not only be reflected by new economic models, cultural products, scientific and technological achievements and aesthetic values, but also manifest in diverse unconventional new methods of architectural design. In the twentieth century, one of the main issues in architectural debate was to find a new synthesis between modernity and national tradition. However, outcomes were often reduced to borrowing some formal features from the past to uncritically combine with the ubiquitous international style and other trends. It was only at the
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Tang, Yanfang. "Mind and manifestation : the intuitive art (Miaowu) of traditional Chinese poetry and poetics /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487848531365196.

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Shao, Yiyang, of Western Sydney Nepean University, Faculty of Visual and Performing Arts, and Department of Art History and Criticism. "Major trends in contemporary Chinese painting." THESIS_FVPA_SD_Shao_Y.xml, 1996. http://handle.uws.edu.au:8081/1959.7/531.

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Three major trends are evident in Chinese ink painting: academic reformism, modernism and neo-traditionalism. While reformists are calling for stylistic freedom and a return to humanism, modernists seek the adoption of Western modes of thought and practice to develop and reform Chinese tradition. The new literati painting which has seen a resurgence of innovative theory and technique of an indigenous Chinese painting tradition distinguishes neo-traditionalism. Many scholars believe that developments in Chinese painting represent a decline in the history of Chinese art but, in this authors’ opi
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Zhang, Yimeng. "Chinese drawing, architectural poetics : traditional painting as a semantic representation of modern architectural design." Doctoral thesis, Universitat Politècnica de Catalunya, 2019. http://hdl.handle.net/10803/667320.

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This thesis is partly an attempt to explore the potential of pre-modern Chinese painting, on its distinctive formats and schemes to achieve spatial depth and time duration, as a way to interpret and design architecture. By a survey on changing modes of Chinese traditional landscape and cityscape paintings in different scales, the poetic language of painting will be gradually explored. Beyond pictorial techniques, language is concerned with an ideological level of understanding and experience. Thus, it signposts a wider significance of architectural representation – as a verbal medium to expres
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WEI, PEI-LING, and 魏珮玲. "A Feasibility Study on Teaching Mandarin Chinese via Traditional Chinese Knot Art." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/z34age.

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碩士<br>國立臺北大學<br>古典文獻與民俗藝術研究所民俗藝術組<br>100<br>While studying the Mandarin Chinese language the gradual accumulation and internalization of the culture is inevitable. This thesis intends to examine current teaching theories in practice in folk arts classes conducted in Mandarin Chinese and in a practical setting, particularly teaching theorem and methods. This paper will focus in particular on the instruction of traditional Chinese knot arts in an overseas folk arts class and the feasibility of the integration of the arts and the instruction of Mandarin Chinese. This paper will rely primarily on
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Książki na temat "Chinese traditional art substrates"

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1964-, SanGregory Paul, Healey Derek 1936-, Chen Chin-Chin 1964-, Huang Zi 1904-1938, Li Qingzhu, Huang Youdi 1912-2010, Li Yinghai, and Liu Wenjin, eds. Traditional and modern Chinese art songs. Geneseo, N.Y: Leyerle, 2009.

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Shen, Peter. The traditional art of Chinese fortune reading. Selangor Darul Ehsan, Malaysia: Pelanduk Publications, 1998.

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The iconography of Chinese Buddhism in traditional China. Leiden: Brill, 1986.

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Paul, Duda, ed. Traditional Chinese toggles: Counterweights and charms. Singapore: Editions Didier Millet, 2011.

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Zou jin Zhongguo chuan tong yi shu: Approaching traditional Chinese art. Beijing: Hua yu jiao xue chu ban she, 2001.

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Abbate, Skya. The art of palpatory diagnosis in oriental medicine. Edinburgh: Churchill Livingstone, 2001.

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Wu, Guoding. China's rare flowers: Painted in traditional Chinese style. Beijing: Morning Glory Press, 1986.

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Zhongguo hua ji fa: Ji = : Traditional Chinese painting : technical skill. Fuzhou Shi: Fujian mei shu chu ban she, 2008.

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Dui yao: The art of combining Chinese medicinals. Boulder, CO: Blue Poppy Press, 1997.

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Childs-Johnson, Elizabeth. Lustrous, enduring and translucent: Jades from traditional China. New York: Weisbrod Chinese Art Ltd., 1999.

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Części książek na temat "Chinese traditional art substrates"

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Hoi-chiu, Tang. "The Art of Chinese Painting." In The Routledge Encyclopedia of Traditional Chinese Culture, 210–20. Abingdon, Oxon ; New York : Routledge, [2019]: Routledge, 2019. http://dx.doi.org/10.4324/9781315453491-12.

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Su, Yunqiao. "The Integration of New Media Art and Chinese Traditional Culture." In Design, User Experience, and Usability: Users, Contexts and Case Studies, 524–34. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91806-8_41.

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Zeng, Fanren. "The Wisdom of Ecological Aesthetics in the Traditional Chinese Art of Painting." In Introduction to Ecological Aesthetics, 195–204. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8984-9_9.

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Tang, Fang. "Elementary Introduction to Traditional Chinese Plant Dyeing Art and Its Inheritance in Modern Times." In Design, User Experience, and Usability: Designing Interactions, 96–109. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91803-7_8.

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Hui, Liu. "The Blend of Modern Graphic Design and the Culture and Art of Traditional Chinese Paper-Cut." In Advances in Intelligent and Soft Computing, 263–68. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29452-5_38.

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Li, Lingyu. "An Exploration on the Application of Chinese Traditional Art in the Chinese Culture Experience Hall of Colleges and Universities - A Case Study of Fuzhou University of International Studies and Trade." In Advances in Intelligent Systems and Computing, 398–406. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7801-4_42.

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"Traditional Chinese Medicine and Pregnancy." In The New Art and Science of Pregnancy and Childbirth, 143–48. CO-PUBLISHED WITH KK WOMEN'S AND CHILDREN'S HOSPITAL., 2008. http://dx.doi.org/10.1142/9789812779410_0026.

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"Traditional Chinese Medicine (TCM) and Confinement." In The New Art and Science of Pregnancy and Childbirth, 301–4. CO-PUBLISHED WITH KK WOMEN'S AND CHILDREN'S HOSPITAL., 2008. http://dx.doi.org/10.1142/9789812779410_0053.

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"On Chinese Traditional Architectural Art and Eco-Culture." In International Conference on Optimization Design (ICOD 2010), 223–26. ASME Press, 2010. http://dx.doi.org/10.1115/1.859582.paper51.

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"Vitality–Charm and the Development of Art." In Study on Chinese Traditional Theory of Artistic Style, 345–91. WORLD SCIENTIFIC, 2019. http://dx.doi.org/10.1142/9789813279438_0007.

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Streszczenia konferencji na temat "Chinese traditional art substrates"

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"Analysis of Chinese Traditional Art Education Theory." In 2017 International Conference on Frontiers in Educational Technologies and Management Sciences. Francis Academic Press, 2017. http://dx.doi.org/10.25236/fetms.2017.053.

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"The Medical Value of Traditional Chinese Garden Art." In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.66.

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Wei Huang, Jinsheng Zhang, and Yingxin Zhao. "On the mathematical aesthetic in traditional Chinese art." In 2009 IEEE 10th International Conference on Computer-Aided Industrial Design & Conceptual Design. IEEE, 2009. http://dx.doi.org/10.1109/caidcd.2009.5375388.

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Zhang, Mei, Junsong Zhao, Yingzhen Zheng, and Yan Tang. "Confidence of Chinese Traditional Art in Packaging Design." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.113.

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Li, Haiyan. "On Chinese Traditional Linguistics Philology or Linguistics." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.66.

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Wang, Pengfei. "Research on Chinese Traditional Cultural Elements into Modern Art Design." In Proceedings of the 2017 5th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ieesasm-17.2018.29.

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Jin, Yan, and Zhi Cao. "The Application of traditional art color in Chinese Graphic Design." In 3rd International Conference on Science and Social Research (ICSSR 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icssr-14.2014.188.

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Cheng, Ai, Qing Wu, Xiaomin Chen, Xinyue Liu, Yimei Feng, Miao Tan, and Xiaofang Yu. "Comparative Study of Minimalist Art and Chinese Traditional Ink Painting." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.162.

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Sun, Hongjuan. "On the Beauty of Imagery of Chinese Traditional Animation." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.117.

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Yu, Zhou. "On Li Dazhao’s Critical Inheritance of Chinese Traditional Culture." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.122.

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