Gotowe bibliografie tematyczne / Devotional expression

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Gotowa bibliografia na temat „Devotional expression”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Devotional expression"

S, Prabavathi. "Devotional Theory in Comics." International Research Journal of Tamil 3, S-2 (2021): 213–17. http://dx.doi.org/10.34256/irjt21s240.

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Vedic and non-Vedic religions spread their ideas directly, through songs and sermons. A sense of devotion was sown by making a connection between God and Human. In particular, devotional literature is designed to convey the flexibility of the structural definitions of religions. This can be seen by examining the background of all the devotional literatures and religious epics. The reading method, which was in the state of “Telling – Listening” have been changed into the state of “Seeing – Reading”. Thus, there was a significant place for paintings and pictures in journalism. Paintings and pict

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Chinchilla, Rosa Helena. "Juana of Austria: Courtly Spain and Devotional Expression." Renaissance and Reformation 40, no. 1 (2004): 21–33. http://dx.doi.org/10.33137/rr.v40i1.8943.

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Dans la péninsule ibérique, le rôle de mécène culturel joué par l'infante Juana d'Autriche se signale par l'esprit de liberté et de tolérance qu'elle sut imposer pour mettre un terme aux persécutions dont souffraient certains écrivains tels François Borgia et Jorge de Montemayor. Par cette protection, elle influença l'esthétique de cour en l'orientant vers une plus forte et nouvelle dévotion.

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B, Periyaswamy. "Analyzing the Devotional Biology of Andalusian Lice - A Study." International Research Journal of Tamil 2, no. 2 (2020): 119–30. http://dx.doi.org/10.34256/irjt20213.

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In the liturgy of Andal worship, administrative management is performed to create a plan, place, time, assurance, implementation, and so on. Love is one of the goals that God has set out to accomplish, because both love and devotion are matures of love for God. The love of the head of world relations is pure. Not selfish. Such a state of pure love is rooted in the pastures. Here, after the sixth century AD, vegetarianism had a profound influence on the political and the people. During the Vaishnavas, Thirumangai will become deep. Kulasekera and Alwar were kings. Nevertheless, in Tamil Nadu, th

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Ford, Renée. "Devotion, a Lamp That Illuminates the Ground: Non-Referential Devotional Affect in Great Completeness." Religions 11, no. 3 (2020): 148. http://dx.doi.org/10.3390/rel11030148.

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I explore how devotion (mos gus) is re-interpreted as non-dual and non-conceptual through Mahāyoga tantric creation (skyed) and completion (rdzogs) stage practices as an expression of the ground (bzhi) for Longchenpa (klong chen rab ‘byams, 1308–1364) and Jigme Lingpa (‘jigs med gling pa, 1730–1785). Devotion, a felt-sense, allows for there to be something akin to a residue from these mental constructs that allows for a practitioner to carry over her experience into a later phase of meditation. Firstly, devotion, as an affect is necessarily non-dual because tantra entails pure perception (dag

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Renfrew, Colin. "Production and Consumption in a Sacred Economy: The Material Correlates of High Devotional Expression at Chaco Canyon." American Antiquity 66, no. 1 (2001): 14–25. http://dx.doi.org/10.2307/2694314.

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The role of production, exchange, and consumption in Chaco Canyon can be analyzed successfully only when the system as a whole is considered. A cognitive-processual approach is used here to develop a model of Chaco as an essentially egalitarian society, centered on the Canyon as a Location of High Devotional Expression. The production and consumption of goods is understood in the context of an ideational/devotional significance of the great houses and great kivas of Chaco and of periodic visits made to them for devotional purposes (i.e., pilgrimages). Consideration is given to the structure of

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Dr., Komal. "Colors of Devotion: The Role of Drawing and Painting in Indian Religious Art." SIDDHANTA'S INTERNATIONAL JOURNAL OF ADVANCED RESEARCH IN ARTS & HUMANITIES 1, no. 4 (2025): 115–25. https://doi.org/10.5281/zenodo.15516895.

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This paper explores the integral role of drawing and painting in Indian religious art as expressions of devotion and spirituality. Indian art is deeply interwoven with religious traditions, where visual forms transcend aesthetic value to serve as tools of worship, instruction, and divine presence. Focusing on their use in temples, festivals, and rituals, this research highlights how paintings and drawings, from intricate temple murals to ephemeral ritual designs like kolam and alpana, convey religious narratives, invite divine blessings, and cultivate spiritual consciousness.

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Gomis Corell, Joan Carles. "Corroborar llegendes, invocar imatges, renovar la memòria i presentar models. El valor dels goigs en la religiositat valenciana durant la Contrareforma." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 5, no. 5 (2015): 139. http://dx.doi.org/10.7203/scripta.5.6381.

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Resum: El present article aplica el mètode de Pafnosky a l’anàlisi dels goigs durant el període de la Contrareforma a València. Determina, amb independència de la seua forma poeticomusical i melodia, quina va estar la funció cultural, centrant-nos en quatre exemples diferents. Es confronten les idees subjacents amb altres expressions culturals coetànies –textos històrics, hagiogràfics i devocionals i obres pictòriques-, i s’estableix la relació recíproca entre els valors culturals del goigs i els de la societat que els generà, demostrant que no foren expressió ingènua de la devoció popular, si

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Abudaya, Mounia Chekhab. "Inner Visions: Art Practice and Sufi Devotion in Morocco at the Turn of the Fourteenth/Twentieth Century." Journal of Material Cultures in the Muslim World 3, no. 2 (2023): 267–98. http://dx.doi.org/10.1163/26666286-12340030.

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Abstract This article examines a large calligraphic panel from Morocco preserved in the Harvard Art Museums (2016.206). The artwork features stylized representations of Mecca and Medina alongside Prophet Muhammad’s sandals and a selection of religious texts praising the prophet. This composition is characteristic of Islamic devotional imagery, highlighting artistic transfer from Moroccan illustrated copies of the Dalāʾil al-Khayrāt by the ninth/fifteenth-century Sufi mystic al-Ǧazūlī. This article aims to contextualize the production of this specific panel artwork within the Wazzāniyya Sufi Br

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Brown, Matthew P. "The Thick Style: Steady Sellers, Textual Aesthetics, and Early Modern Devotional Reading." PMLA/Publications of the Modern Language Association of America 121, no. 1 (2006): 67–86. http://dx.doi.org/10.1632/003081206x96113.

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Research on the early modern book trades has uncovered a set of steadily reprinted devotional titles, a canon whose popularity challenges conventional notions of English and American literary history for the seventeenth century. My essay attends to these steady sellers as they helped structure the literary culture of early New England. The essay demonstrates that the pious conduct books rely on the performative literacies of sight, sound, gesture, and touch, on the sensory effects of literary expression, and on the cross-referencing collation of discrete passages, in a phenomenon I call–drawin

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Restu Ningsih Waruwu, Alexius Poto Obe, and Evimawati Harefa. "Memahami Ajaran Paus Pius XII Tentang Devosi Kepada Hati Kudus Yesus Dan Implementasinya Bagi Hidup Kaum Beriman." Journal New Light 2, no. 1 (2024): 39–58. http://dx.doi.org/10.62200/newlight.v2i1.93.

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In general, the Catholic Church is based on two spiritual activities, namely the official liturgy and devotions. The difference between the two is more about legality and the place where the activity is carried out in a place that has been officially and sacredly determined, namely the church. Whereas devotion is more flexible and can be carried out anywhere, such as; shrines, churches, or in homes. Devotion is very close to the expression of love for God’s love and including his Son Jesus Christ, the world’s savior who atones for human sins. In imitating the Most Sacred Heart of Jesus, there

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Rozprawy doktorskie na temat "Devotional expression"

Rodrigues, Herbert. "Entre o espetáculo e a devoção: a festa do Divino Espírito Santo em Mogi das Cruzes (SP)." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-29012007-160024/.

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Localizada às margens da grande metrópole paulistana, a cidade de Mogi das Cruzes realiza uma espetacular festa para o Divino Espírito Santo. Esta dissertação focaliza as formas expressivas de devoção que ocorrem na superfície da cidade e busca penetrar em camadas mais profundas da experiência dos devotos na tentativa de desvendar os elementos aparentemente arredios que surgem como força transformadora durante os dias de festa. Located on the edges of the great paulistana metropolis, the city of Mogi das Cruzes carries through a spectacular celebration for the Holy Ghost. This master thesis

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Antohin, A. E. S. "Expressions of sacred promise : ritual and devotion in Ethiopian Orthodox Praxis." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1436745/.

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This thesis investigates the notion of sacred promise, a grounded devotional category for Ethiopian Orthodox Christians. It is based on ethnographic research among urban parishes seeking to gather the often dispersed memberships of local Orthodox communities in Dessie, a city of a quarter million residents in north-central Ethiopia. The central thesis contends that the spaces and methods of engagement by Ethiopian Orthodox Christians are organized by the internal dynamics of archetypal promises. I consider the wide spectrum of social and ritual activities contained within the domain of “church

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Rocha, Crévio Adelino da. "O santuário de São Severino do Ramos : expressão de religiosidade no nordeste brasileiro." Universidade Católica de Pernambuco, 2013. http://www.unicap.br/tede//tde_busca/arquivo.php?codArquivo=886.

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A pesquisa teve como objetivo analisar a relação entre o devoto e o santo no Santuário de São Severino do Ramos, em Paudalho-PE, buscando identificar as trocas simbólicas nas manifestações de devoções populares. A fundamentação foi construída a partir das obras de Pierre Bourdieu, Alberto Beckhauser, João de Deus Gois, Eduardo Hoornaert, Faustino Teixeira e Renata Menezes, Sylvana Brandão, entre outros. Do ponto de vista metodológico, considera-se que o caminho seguido foi a abordagem fenomenológica utilizando bibliografia especializada nos estudos da religiosidade popular para compreender os

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Enström, Ann. "Känsla för skådespelarkonst : mot en förståelse av tysta kunskaper och görandets fenomenologi." Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-120380.

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The primary argument in this thesis is that the common assumption that an actor has emotion inside him- or herself which can be evoked and projected outwards is an outdated misconception. A proposition is made to replace this possessive acting model, which underpins the realist tradition and is based on the popularized aspects of Stanislavsky’s system for actor training, by a situational acting model. This new model is founded on the idea that emotion is something that actors “do”. Furthermore, a theory of this situational model is advanced where the actor is seen to perform emotion in an inte

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Książki na temat "Devotional expression"

Watteeuw, Lieve, and Hannah Iterbeke, eds. Enclosed Gardens of Mechelen. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789463720724.

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During the Late Middle Ages a unique type of ‘mixed media’ recycled and remnant art arose in houses of religious women in the Low Countries: enclosed gardens. They date from the time of Emperor Charles V and are unique examples of ‘anonymous’ female art, devotion and spirituality. A hortus conclusus (or enclosed garden) represents an ideal, paradisiacal world. Enclosed Gardens are retables, sometimes with painted side panels, the central section filled not only with narrative sculpture, but also with all sorts of trinkets and hand-worked textiles.Adornments include relics, wax medallions, gems

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Allen-Mitchell, Arlene. Dance soul, dance!: Inspirational expressions for women in business. Positive Perceptions, 2001.

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Jo, Buckingham Betty, Hendricks Jean Lichty, and Church of the Brethren. Women's Caucus., eds. Women at the well: Expressions of faith, life, and worship, drawn from our own wisdom. The Caucus, 1987.

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Studies, Institute of Ismaili, ed. People of the Prophet's House: Artisitc ritual expressions of Shi'i Islam. Azimuth Editions in association with The Institute of Ismaili Studies [and] in collaboration with the British Museum's Department of the Middle East, 2015.

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1943-, Ross Pat, ed. Motherly devotion: The Sweet Nellie book of memories and expressions of endearment from the past. Viking Studio Books, 1990.

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1903-, Glatzer Nahum Norbert, ed. Language of faith: A selection from the most expressive Jewish prayers : original text & new English verse translations. Schocken Books, 1988.

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Stoenescu, Livia. The Pictorial Art of El Greco. Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462989009.

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The Pictorial Art of El Greco: Transmaterialities, Temporalities, and Media investigates El Greco’s pictorial art as foundational to the globalising trends manifested in the visual culture of early modernity. It also exposes the figurative, semantic, and allegorical senses that El Greco created to challenge an Italian Renaissance-centered discourse. Even though he was guided by the unprecedented burgeoning of devotional art in the post-Tridentine decades and by the expressive possibilities of earlier religious artifacts, especially those inherited from the apostolic past, the author demonstrat

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Pechilis, Karen, and Amy-Ruth Holt, eds. Devotional Visualities. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350214217.

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This book is the first to focus on material visualities that shape, convey and expand paths of devotional participation (bhakti) from across India, in the past and present. The book argues that a central focus on visuality is both at the heart of bhakti expression, and as an academic focus, it changes our understanding of bhakti’s development and impact through analysis of material religion. As theorized in recent scholarship,`visuality’ is an imaged materiality that shapes reality and does not just reflect it. Bhakti visualities, in their overlapping diversity and use of accessible technologi

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Gray, Phenessa A. Butterfly Expressions: Devotional. CreateSpace Independent Publishing Platform, 2012.

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Donihue, Anita C. Selections from When I'm on My Knees (Expressions: Selections). Barbour Publishing, Incorporated, 2000.

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Części książek na temat "Devotional expression"

Valpey, Kenneth R. "Introduction: Bringing Yoga and Animal Ethics Together." In The Palgrave Macmillan Animal Ethics Series. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-93361-5_1.

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Abstract This first chapter of Yoga and Animal Ethics begins with a brief explanation of why animal ethics discourse is appropriately coupled with a discussion of yoga. Yoga philosophy is becoming a subject of increasing interest among yoga practitioners, many of whom readily pursue ethical practices that resonate with those stipulated in yoga texts. This book is largely text-based, focusing mainly on two widely known works—the Yoga Sūtra of Patañjali and the Bhagavadgītā, the former representing “classical” Yoga and the latter the early expression of devotional (bhakti) yoga, which is in turn

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Tiemeyer, Daniel. "Marian Devotion as an Expression of Power." In Sounds of Power. Böhlau Verlag Köln, 2024. http://dx.doi.org/10.7788/9783412528997.237.

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Cadel, Francesca. "Outside Italy." In The Scandal of Self-Contradiction. Turia + Kant, 2012. http://dx.doi.org/10.37050/ci-06_09.

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In the 1960s and 1970s, Pier Paolo Pasolini described a rapidly changing world, expressing a new poetics that can be considered transnational. I will use different examples – beginning with Pasolini’s Indian travelogues – to show how his initial devotion to Italian millenary traditions and peasant cultures finally led to an open vision and understanding of human behaviors and mores beyond any national boundary.

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Gatt, Kurstin. "Perceptions of Malta in Arabic Proverbs and Idioms." In Semitic Languages and Cultures. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0445.11.

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This contribution explores perceptions of Malta, its people, and its language through the lens of Arabic proverbs and idioms, offering a cultural and linguistic analysis within the field of paremiology. By examining a curated list of proverbs and their thematic implications, the study reveals how Malta is portrayed across various Arabic-speaking communities. The research identifies six key themes: Malta as a distant or unreachable place, a non-existent location, a symbol of religious devotion, a representation of importunate behaviour, a linguistic enigma, and a symbol of resilience during har

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Hokama, Rhema. "Shakespeare’s Sweet Boy." In Devotional Experience and Erotic Knowledge in the Literary Culture of the English Reformation. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192886552.003.0003.

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Abstract In Chapter 2, I argue that Shakespeare used several topoi from Reformed devotional culture to describe both stage performance and erotic performance in the Sonnets. Although previous readers of the Sonnets have regarded the poet’s rote performance and reiteration of praise from the public liturgy as evidence of devotional hypocrisy, I maintain that these interpretations stem from a misunderstanding of the role of the Book of Common Prayer in English devotional culture. Liturgical devotion in early modern England operated within a nexus of social exchange and straddled the divide betwe

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Hokama, Rhema. "Herrick’s Players and Prayers." In Devotional Experience and Erotic Knowledge in the Literary Culture of the English Reformation. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192886552.003.0004.

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Abstract In Chapter 3, I further my exploration of the porous relationship between religious and erotic devotional culture through a reading of Robert Herrick’s Hesperides and His Noble Numbers. While past readers of Herrick have portrayed him as a royalist poet and have interpreted his lyrics as purveyors of a conservative Caroline orthodoxy, I argue that recent scholarship on the redating of Herrick’s lyric output compels us to recognize Herrick as a poet of the 1610s and 1620s—rather than one of the 1640s. Herrick’s vision of erotic devotion is illuminated by topoi from the English theaters

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Cioni, Francesca. "‘Down with thy knees, up with thy voice’." In Materiality and Devotion in the Poetry of George Herbert. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198874409.003.0004.

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Abstract Kneeling was for Herbert’s readers as for us today a ubiquitous and uncontroversial performance of prayer. The function of kneeling in prayer was complex: both an outward expression of inward devotion and a bodily exercise of spiritual discipline; and for all its value as external performance, it was therefore also both a guarantee of conformity, and a possible site of hypocrisy. As kneeling makes one’s prayer a communal act, the symbolism of the knee in devotional poetry carries aphoristic and emblematic meaning; Herbert’s verse therefore gives poetic form to the complex collective s

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Hokama, Rhema. "Orthodoxy and Marginality." In Devotional Experience and Erotic Knowledge in the Literary Culture of the English Reformation. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192886552.003.0002.

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Abstract In Chapter 1, I argue that a shared soteriological outlook undergirded both the public ceremonialism of Richard Hooker’s Lawes of Ecclesiastical Polity and the experiential devotional practices that were developed by Reformed theologians like William Perkins. Although the prevailing scholarship on early modern church history and literary studies has largely regarded the theologies of Hooker and Perkins as mutually opposed, I maintain that the continuities between these religious outlooks shaped the way early modern English worshippers understood devotional expression during the decade

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Eden, Jeff. "Negotiating Stalin’s Tolerance." In God Save the USSR. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190076276.003.0004.

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This chapter shows that wartime patriotism among Soviet religious populations was developed not merely through rousing speeches and policy concessions; it was developed by knitting patriotic activities and devotional activities together so tightly that it was not clear where one ended and the other began. By channeling traditional Muslim charity (zakat) payments into the war effort, for example, Muslim charity became both pious and patriotic; by weaving patriotism into the fabric of Friday sermons, visiting a newly reopened mosque allowed Muslims to embody and enact that line quoted so often b

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Krug, Rebecca. "Comfort." In Margery Kempe and the Lonely Reader. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501705335.003.0002.

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This chapter looks at the offer of consolation in late medieval devotional writing. It distinguishes between classical traditions, in which consolation was meant to eradicate grief and return the bereaved to civic life, and medieval ones, in which comfort was to be found in the recognition of both God's infinite goodness and the intense depravity of sinful humans. Medieval books of comfort sought to teach readers how they should feel about their “wretchedness;” the preface to Kempe's Book identifies it as offering “solace” to the “sinful wretches” who read it, to Kempe herself, and to her scri

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Streszczenia konferencji na temat "Devotional expression"

Jacazzi, Danila, and Raffaela Fiorillo. "Castelli e arsenali delle isole balcaniche nella Peregrinatio di Bernhard von Breydenbach." In FORTMED2024 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18077.

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The voyage across the Mare Nostrum has had many meanings over the centuries: from the devotional purposes predominant in the pilgrimages of the Middle Ages, from the commercial exchanges that saw the establishment of merchant colonies in the main cities and harbour ports, to the movement of armies during the crusades and the diplomatic missions of ambassadors, nobles and knights during the Renaissance. From the 15th century onwards, relations between Italian courts and Mediterranean countries were not limited to mercantile aspects: scholars, clergymen and men of culture, driven by the Renaissa

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