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Rozprawy doktorskie na temat „Era of modernism”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Téo, Marcelo Róbson. "O tocador pelo pincel: o sonoro, o visual e a sensorialidade, do Modernismo à Era Vargas." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-19092012-093322/.

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Foram investigadas neste trabalho algumas das conexões entre a produção artística e intelectual brasileira e o mundo dos sentidos, especialmente entre as décadas de 1920 e 1940. Tomado como motivo político e estético, o sensorium foi matéria-prima no delineamento de propostas para a identidade artística e cultural do país, conectando-se de forma visceral à própria idéia de cultura popular, que passa por variações significativas no período compreendido entre os primórdios do Modernismo e a Era Vargas. Foram privilegiadas as relações entre os universos visual e sonoro, sobretudo em suas manifest

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Lopes, Ruy Sardinha. "A imagem na era de sua reprodutibilidade eletrônica." Universidade de São Paulo, 1995. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-03072002-101335/.

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A acolhida que as imagens eletrônicas e sintéticas vêm recebendo por parte da crítica é reveladora de um novo otimismo tecnológico e abre espaço para a discussão sobre as conseqüências das novas tecnologias sobre a sociedade. Fala-se, em relação a estas imagens, de um novo regime de visibilidade e de um novo imaginário numérico que transgride nossos códigos perceptivos e cognitivos e nossa relação simbólica com o mundo. Contudo, a desvinculação destes sistemas imagéticos de qualquer prática social mais ampla e da produção imagética que as antecedeu especialmente a pintura, a fotografia

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Stead, Lisa Rose. "Women's writing and British female film culture in the silent era." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3138.

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This thesis explores women’s writing and its place in the formation of female film culture in the British silent cinema era. The project focuses upon women’s literary engagement with silent cinema as generative of a female film culture, looking at materials such as fan letters, fan magazines, popular novels, short story papers, novelizations, critical journals and newspaper criticism. Exploring this diverse range of women’s cinema writing, the thesis seeks to make an original contribution to feminist film historiography. Focusing upon the mediations between different kinds of women’s cinema wr

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Du, Plessis Charl Johann. "The relevance of denominationalism in the postmodern era with specific reference to the Baptist Union of Southern Africa." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/24098.

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Denominationalism is a concept that the church became used to. Very few people question the concept and simply accept it as part of the make-up of the universal church. More recently, and specifically with the advent of postmodernism, many people started questioning whether God’s will for the church is for it to function within the boundaries of denominations. The natural question to ask then is whether the concept of denominationalism is still relevant within the postmodern context. At the same time very direct and pertinent questions along the same lines have been asked of the Baptist Union

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Ore, Kathryn. "An Era of Change: Mid-Twentieth Century Architectural Education and the University of Oregon, School of Architecture and Allied Arts." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12966.

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This study focuses on the development of architectural education at the University of Oregon's School of Architecture and Allied Arts (A&AA) in Eugene, Oregon. Applying a historic preservation perspective, this study examines how architectural perceptions are manifested through institutional changes in architectural education. Beginning with a focus on the A&AA under the administration of Dean Ellis F. Lawrence and Professor W. R. B. Willcox, this study transitions into an exploration of Dean Sidney W. Little's decidedly modernist alteration of the curriculum and building in the mid-twentiet

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6

Arantes, Pedro Fiori. "Arquitetura na era digital-financeira: desenho, canteiro e renda da forma." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16132/tde-01062010-095029/.

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A arquitetura contemporânea vive hoje uma arriscada fusão com a publicidade e a indústria do entretenimento. Tal convergência exige uma expansão da forma arquitetônica até o limite de sua materialidade. Em busca da renda informacional máxima, característica do universo das marcas mundiais, constatamos uma inversão de seus antigos fundamentos construtivos e produtivos, subvertidos por um jogo de volumes e efeitos para além de qualquer regra ou limitação. Aliado às técnicas digitais de projeto e à reorganização dos canteiros de obra, esse novo fetichismo da forma, análogo à autonomização do pode

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7

ROSSI, Lorenzo. "Forme della gestualità nel cinema: un percorso nel genere comico." Doctoral thesis, Università degli studi di Bergamo, 2014. http://hdl.handle.net/10446/30720.

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8

Elliott, Mark C. "German poetry beyond the boundaries of the Nazi era : the modernist legacy." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432085.

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Arrowsmith, Rupert Richard. "A British museum era : modernist artists and authors in London's museums, 1905-1918." Thesis, University of Oxford, 2007. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486968.

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This study considers the role of London's museums - especially the British Museum - as conduits for the delivery of extra-European visual art to the city's avant-garde during the years preceding World War One. It makes use of documents from the archives of the British Museum, the British Library, the Tate Gallery, the V&A, and the Royal Institute of British Architects - many of which have never before been quoted from or published - to show that the early modernist sculpture of Jacob Epstein, Henri Gaudier-Brzeska and Eric Gill; the philosophy of T.E. Hulme; and the poetic imagery of Ezra Poun

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10

Wormald, Andrew J. "Voices of experience : modernity and Buddhist meditation in Republican-era China." Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681349.

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This dissertation examines how changes at the beginning of the twentieth century in China affected the discourse around Buddhist meditation practices. It has been argued that such changes led to a move from Buddhism as 'religion' to Buddhism as 'philosophy' but also that Buddhist householders emphasised meditative experience as a source of authority. This dissertation seeks to clarify the position of a number of key Chinese Buddhist figures of the Republican period in order to add further detail to the debate. The figures examined include the monks Taixu, Yuanying, Xuyun, and Laiguo, and the B

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11

Leite, Carlos Augusto Bonifácio. "Que horas eram para Mário e Osvaldo?" reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/90170.

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Este trabalho busca analisar as poéticas dos escritores Mário de Andrade e Oswald de Andrade ao longo dos anos 20 do século passado. Para isso, considera essencial remontar a conjuntura paulistana daquele período a fim de verificar como cada poética se relaciona a este tempo. Também fará parte do escrutínio uma visita ao que os escritores propunham em textos não intrinsicamente poéticos – prefácios, ensaios, manifestos –, bem como serão consideradas as produções narrativas ou dramáticas, quando promoverem maior precisão na análise. Na diferença formal existente entre as duas poéticas quanto a

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Hankin, Emily. "Buying modernity? : the consumer experience of domestic electricity in the era of the grid." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/buying-modernity-the-consumer-experience-of-domestic-electricity-in-the-era-of-the-grid(04d58b36-244f-45ce-806e-538470e6b00f).html.

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In 1927 the Central Electricity Board began to oversee the building of the national grid. In the early development of electricity, electrical power was consumed by those privileged enough to be able to afford their own generators. A small number of local undertakings were established in urban centres during the 1920s but it was the nationalisation of electricity supply that gradually made electric power available to the masses. The electrical supply industry marketed electrical appliances as economical, efficient and clean alternatives to gas and coal, and, as time and labour saving appliances

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Jesus, Marco Aurélio de Oliveira. "Postmodernism with Chinese characteristics : media and politics in the cinematic images of the post-New Era." Master's thesis, Universidade de Aveiro, 2005. http://hdl.handle.net/10773/3378.

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Mestrado em Estudos Chineses<br>A presente dissertação visa expôr a forma como pode ser concebido o conceito de pós-modernismo na China. Através da análise cinematográfica, área fundamental no debate pós-moderno, focada no estudo dos filmes Big Shot’s Funeral, Quitting, e Suzhou River, pretende-se debater a ideia dos textos cinematográficos como produtos culturais pós-modernos, ao mesmo tempo reflectores e produtores de uma realidade pós-moderna na China contemporânea ABSTRACT: The present dissertation attempts to debate the way in which a Chinese postmodernism can be conceived. Through cine

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Neto, Liszt Vianna. "Modernismo, socialismo e exílio: Alexander Altberg no Rio de Janeiro da Era Vargas (1930-1945)." Universidade Federal de Minas Gerais, 2014. http://hdl.handle.net/1843/MMMD-9SPNRC.

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The exile of European architects in the Americas is one of the main events in the history of modern twentieth century architecture. This research concerns the trajectory of Alexander Altberg as a case study in this exile process. He was a Berliner architect who immigrated to Rio de Janeiro in 1931, and was also a former student of the Bauhaus and apprentice of the prominent architect Arthur Korn. Altberg acted not only as an architect and main producer of the avant-gardist Base magazine, but also as an important representative of German modernism in the Brazilian modernist network. In Brazil,

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Jang, Sungwoo. "Exquisite corpse: a tower for the public in the era of exhausted modernity." Thesis, Massachusetts Institute of Technology, 2012. http://hdl.handle.net/1721.1/72823.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2012.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 40).<br>Towers in Manhattan, especially in business areas, have historically used a single overarching system in order to visualize images of their corporate identity and immerse the public in the image of development. While using one system, the architect has tried to organize various unexpected behavior with those system. Thus, the grid system, whose representational value was important as much as its economic value, not on

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Sultan-Qurraie, Hadi. "Modernity and identity in Azeri poetry : Mo'juz of Shabustar and the Iranian constitutional era /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/6686.

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Trumbull, Randolph. "The Shanghai modernists." online access from Digital dissertation consortium, 1989. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9011591.

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Bremmer, Jessica. "Jazz Babies, a Femme Fatale, and a Joad: Women and the Automobile in the American Modernist Era." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04162006-150750/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Audrey Goodman, committee chair; Thomas McHaney, Chris Kocela, committee members. Electronic text (84 p.) : digital, PDF file. Description based on contents viewed June 19, 2007. Includes bibliographical references (p. 82-84).

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Flaherty, Jeremy S. "Community in a Liquid Modern Era." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3161.

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The predominant theorists of community in American sociology define community as either geographically confined local solidarities or as networks or relatively close primary ties. These definitions fail to recognize the realities of modern life, let alone life in the context of a global economy. Community according to the earliest community sociologists was a way of organizing society wherein all the social interactions necessary to the reproduction of daily life were embedded in moral relationships, which were historically primary ties located within local solidary communities. With modernity

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Camargo, Vinicius Ortiz de [UNESP]. "Modernidade e Movimento Nova Era: Novas perspectivas subjetivas de interação indivíduo-sociedade." Universidade Estadual Paulista (UNESP), 2003. http://hdl.handle.net/11449/88816.

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Made available in DSpace on 2014-06-11T19:23:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2003-11Bitstream added on 2014-06-13T18:50:57Z : No. of bitstreams: 1 camargo_vo_me_mar.pdf: 256181 bytes, checksum: adeaa2b0e35ab0a13bd2880f0ed72aab (MD5)<br>Esta dissertação teve o propósito de analisar uma modalidade comportamental particular, construída durante as três últimas décadas do século XX e, que pode ser apreendida através do movimento Nova Era. A essa modalidade pode-se observar a construção subjetiva de mecanismos de respostas e de interpretação da realidade que resultam em atitud

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Driscoll, Mark W. "Erotic empire, grotesque empire work and text in Japan's imperial modernism /." online access from Digital dissertation consortium, 2000. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9953667.

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LaFerla, Nina. "Modernity and the mountain Daoism, its traditions, and the religious economy of the Reform Era, 1978-2008 /." View electronic thesis (PDF), 2009. http://dl.uncw.edu/etd/2009-1/laferlan/ninalaferla.pdf.

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Cain, Christina. "Between the Waves: Truth-Telling, Feminism, and Silence in the Modernist Era Poetics of Laura Riding Jackson and Muriel Rukeyser." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5419/.

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This paper presents the lives and early feminist works of two modernist era poets, Laura Riding Jackson and Muriel Rukeyser. Despite differences of style, the two poets shared a common theme of essentialist feminism before its popularization by 1950s and 60s second wave feminists. The two poets also endured periods of poetic silence or self censorship which can be attributed to modernism, McCarthyism, and rising conservatism. Analysis of their poems helps to remedy their exclusion from the common canon.

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Zhou, Hao. "Representations of Cities in Republican-era Chinese Literature." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281335246.

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Dunks, Gillian. "Reading the field of Canadian poetry in the era of modernity : the Ryerson poetry chap-book series, 1925-1962." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44287.

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From 1925 to 1962, the Ryerson Press published 200 short, artisanally printed books of poetry by emerging and established Canadian authors. Series editor Lorne Pierce introduced the series alongside other nationalistic projects in the 1920s in order to foster the development of an avowedly Canadian literature. Pierce initially included established Confederation poets in the series, such as Charles G.D. Roberts, and popular late-romantic poets Marjorie Pickthall and Audrey Alexandra Brown. In response to shifting literary trends in the 1940s, Pierce also included the work of modernists such as

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Shi, Shumei. "Writing between tradition and the West Chinese modernist fiction, 1917-1937 /." online access from Digital dissertation consortium, 1992. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9301519.

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Naserkhaki, Leila. "The Eye and Ear of Modernism : A Study of the Visual and Aural Aesthetics of E E Cummings." Thesis, University of Southampton, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505811.

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Rigal, Raphaël. "Combler la faille : Dante Gabriel Rossetti, les Préraphaélites, et la modernité." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL128.pdf.

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Fondée en réaction aux conventions immobilistes et ternes de la Royal Academy, et annonçant des mouvements guidés par une recherche de la seule beauté plastique, la Confrérie Préraphaélite est souvent perçue comme une longue rêverie nostalgique aux contours imprécis. Si son engagement politique permet à William Morris d’échapper à cette catégorisation, Dante Gabriel Rossetti et ses disciples sont habituellement associés à une esthétique passéiste. Prenant le contre-pied de cette lecture, cette recherche s’intéresse à la dimension politique de la Confrérie, et aux enjeux de son engagement philo

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Camargo, Vinicius Ortiz de. "Modernidade e Movimento Nova Era : Novas perspectivas subjetivas de interação indivíduo-sociedade /." Marília : [s.n.], 2003. http://hdl.handle.net/11449/88816.

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Orientador: Antônio Carlos Mazzeo<br>Banca: José Geraldo Alberto Bertoncini Poker<br>Banca: Andreas Hofbauer<br>Resumo: Esta dissertação teve o propósito de analisar uma modalidade comportamental particular, construída durante as três últimas décadas do século XX e, que pode ser apreendida através do movimento Nova Era. A essa modalidade pode-se observar a construção subjetiva de mecanismos de respostas e de interpretação da realidade que resultam em atitudes e/ou numa ética comportamental capaz de traduzir os novos desafios que a realidade atual - denominada por alguns teóricos como sendo uma

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Morais, Elisabete Maria Rodrigues. "Vozes dissonantes: ação política, identidades e ideologia numa era global. A propósito das teses de Zygmunt Bauman." Doctoral thesis, Universidade de Évora, 2018. http://hdl.handle.net/10174/23892.

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A presente tese é um estudo teórico sobre a (des)articulação da ação política, da identidade e da ideologia na atual sociedade global. Utilizaram-se, como referência de análise, os conceitos de identidade e ideologia para demonstrar que ao se cruzarem e conectarem com a ação política, sob os auspícios da globalização, erosionam-se e promovem a construção de uma sociedade fragmentada e desigual. Analisa-se a influência da compressão do tempo e do espaço no fomento de jogos de poder e a alteração das relações sociais, económicas e políticas. A visão de Zygmunt Bauman sobre a modernidade serve de

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Suazo, Zepeda Jose Emilio. "The spectator of modernity : a practice-based investigation into the process of film reception in the context of the modern era." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/6342.

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The Spectator of Modernity is a practice based thesis that investigates the process of Film Reception from the perspective of the film as experienced by the individual and her/his apprehension of the interaction between the fictional world on screen and the everyday world. The written component of the project positions the historical context and explores the theoretical notions for the understanding of film-viewing as a decidedly modern activity of special significance for the individual's permanent quest for meaning. Accompanying the written element, an original audiovisual piece amalgamates

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Titeux, Catherine. "Le mur et ses ornements : tables, encadrements, bossages et autres enrichissements dans l'architecture française à l'âge classique." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040231.

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Le sujet de cette thèse est le mur comme élément du “décor’’, tel que l’âge classique l’entend. Pour les architectes et les théoriciens du XVIe et du XVIIe siècle, le mur contribue à la beauté de l’édifice. Différentes techniques de finition permettent de l’embellir : appareils en pierre de taille dressés et ravalés, bossages, briques polychromes, enduits qui unifient et enluminent les parements. Qu’il soit nu ou orné le mur n’est jamais neutre. Les architectes disposent sur le mur des motifs qui "enrichissent" les ordonnances, mais les surfaces décoratives qui qualifient les intervalles entre

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Vieira, Kaline Maria Souza. "Tempo e mito no discurso jornalístico: um estudo dos enunciados sobre a Nova Era." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/9794.

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Submitted by Leonardo Cavalcante (leo.ocavalcante@gmail.com) on 2018-04-11T11:48:34Z No. of bitstreams: 1 Arquivototal.pdf: 2955959 bytes, checksum: f83f60a20a1147c6fa7de02876db6435 (MD5)<br>Made available in DSpace on 2018-04-11T11:48:34Z (GMT). No. of bitstreams: 1 Arquivototal.pdf: 2955959 bytes, checksum: f83f60a20a1147c6fa7de02876db6435 (MD5) Previous issue date: 2015-08-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The New Age phenomenon, due to its development in Brazilian scenario since the 1970s, is highlighted in media outlets, especially in print

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Loreto, Nilton Azambuja de. "Análise do diálogo inter-religioso entre novaeristas e cristãos na internet: o diálogo como experiência religiosa da pós-modernidade." Universidade Federal de Juiz de Fora (UFJF), 2009. https://repositorio.ufjf.br/jspui/handle/ufjf/3829.

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Zhang, Qin. "Eat, drink, man, woman modernity and urban lifestyles in China /." Thesis, online access from Digital dissertation consortium access full-text, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3021216.

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Rosa, Débora Souza da. "Silenced angels: an obscure Saint Theresa in George Eliots Middlemarch." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4018.

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Universidade Castelo Branco<br>A presente dissertação objetiva a comparação proposta no Prelúdio do romance Middlemarch por sua autora George Eliot entre a protagonista da obra, Dorothea Brooke, e a figura histórica Teresa dÁvila. A partir de tal estudo, busca-se compreender de que modo a situação específica da mulher na Era Vitoriana é articulada no romance de modo a espelhar a crise ontológica e epistemológica do próprio ser humano diante das transformações consolidadas com o Iluminismo e as revoluções liberais do século XVIII que culminariam na morte de Deus. Dorothea mostra-se uma cristã

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Kivimaa, Katrin. "Nationalism, gender and cultural identities : the case of Estonian art from the impact of modernity to the post-Soviet era 1850-2000." Thesis, University of Leeds, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402534.

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Rollo, André Corrêa. "Ficção de formação na era audiovisual : Salinger e Anderson & Wilson." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/103869.

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Cette thèse porte sur une étude comparative entre le roman L'Attrape-Coeurs (1951) de J. D. Salinger et le film Rushmore de Wes Anderson. (1998). Les deux récits dialoguent avec la tradition du genre romanesque connu sous le nom Bildungsroman (roman de formation ou roman d'apprentissage). En dépit du fait que les romans d'apprentissage ont continué d’être écrits, la forme a subi de nombreux changements pendant et après la période historique appelée modernisme. Parmi les principaux caractéristiques il y a les faits racontés dans un court laps de temps et la surligne sur le narrateur en première

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McGinney, William Lawrence. "The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9839.

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Souza, Tiago Augusto Franco de Vasconcelos. "Relacionamento e fé na era pós-digital: a fuga do vazio mediado pelo amor em Cristo." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/1972.

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Made available in DSpace on 2016-04-25T19:20:39Z (GMT). No. of bitstreams: 1 Tiago Augusto Franco de Vasconcelos Souza.pdf: 2323525 bytes, checksum: e50029f332313ee21e4f019c2ea7c986 (MD5) Previous issue date: 2016-03-03<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This work treats the relationship between media and religion in the contemporary world through the analysis of the Christian matchmaker website, amoremcristo.com. More than just an address on the web, Amor em Cristo is a company active in social and digital media designed to unite couples in an emotional-romant

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Wagner, Alexandra Rose. "Landscapes of the soul essays of place and Chinese literary modernity, 1920-1945 /." online access from Digital Dissertation Consortium access full-text, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3046243.

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Wu, Jing. "Imagining Chinese modernity narrative film, television drama, and representations of the Cultural Revolution /." online access from Digital Dissertation Consortium access full-text, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3058452.

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Malta, Renata Barreto. "A COMUNICAÇÃO NO MERCADO DO IMATERIAL: Tensões e distensões da produção simbólica em uma era pós-material." Universidade Metodista de São Paulo, 2013. http://tede.metodista.br/jspui/handle/tede/675.

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Made available in DSpace on 2016-08-03T12:29:51Z (GMT). No. of bitstreams: 1 Renata Barreto Malta.pdf: 2131792 bytes, checksum: d1b99e33eabaf8f87f42c89db628b856 (MD5) Previous issue date: 2013-10-31<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This thesis is constituted by two complementary stages, the theoretical and the empirical ones, which are essential to reach the following aims we have proposed. 1) Confirming a change in the publicity praxis in which material and functional elements become less relevant and immaterial and intangible elements more important. 2) Inv

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Renglet, Antoine. "Des polices en quête de modernité ? : systèmes policiers et ordre public dans les villes de l'espace belge de la fin de l'Ancien Régime à la fin de l'Empire napoléonien (1780-1814)." Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30001.

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Cette thèse examine les mutations des organisations policières et leurs implications sur les pratiques des acteurs du maintien de l’ordre dans les villes de l’espace belge de la fin de l'Ancien Régime à la fin du Premier Empire. Elle interroge plus largement les rapports entre la modernisation administrative et la construction de l’État et se penche sur l’articulation des éléments hérités des structures préexistantes avec ceux apportés au moment des conquêtes révolutionnaires. L’approche proposée est celle d’une histoire de la police napoléonienne « par le bas » et ancrée dans les traces de se

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Cavanna, Emilie. "Spatialisation des élites rurales médiévales et modernes dans le Bassin parisien : pour une approche archéogéographique des pratiques sociales de distinction." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H006.

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Cette thèse a pour objet d’étude le choix du lieu d’implantation des élites rurales médiévales et modernes. Elle s’inscrit d’une part, dans la tendance actuelle de réexamen des estimateurs archéologiques de niveau social et, d’autre part, dans le « tournant spatial » des SHS qui invite à prendre en compte la dimension spatiale des sociétés. L’espace est ici appréhendé comme un produit culturel et social, ce qui amène à analyser le choix du site comme un objet archéologique à part entière, révélateur de pratiques sociales. L’approche archéogéographique conduit à recomposer l’espace des élites à

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Xu, Gang Gary. "The sentimental education of Chinese modernity qing in Chinese fiction from the late Ming to the turn of the millennium /." online access from Digital Dissertation Consortium access full-text, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3048266.

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Moss, Gemma Candice. "Between aesthetics and politics : music in James Joyce, Ezra Pound and Sylvia Townsend Warner." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/between-aesthetics-and-politics-music-in-james-joyce-ezra-pound-and-sylvia-townsend-warner(8bf91abc-f236-402e-b88b-bb78f6234986).html.

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This thesis explores the relationships between music, literature, aesthetics and politics in the novels of James Joyce, Sylvia Townsend Warner, and the poetry of Ezra Pound, to show the political relevance of how discourses of musical transcendence appear in these texts. These authors were notably political: Pound was involved with Italian fascism, Warner a Communist Marxist, while Joyce critics have been invested in claiming for him a liberal, humanist political position that is reflected in his writing. This allows me to analyse their engagement with music in light of their politics in order

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Cincunegui, Juan Manuel. "Charles Taylor y la identidad moderna." Doctoral thesis, Universitat Ramon Llull, 2010. http://hdl.handle.net/10803/9226.

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El propòsit principal d'aquesta tesi és analitzar críticament l'antropologia filosòfica de Charles Taylor.<br/><br/>A la primera part abordem qüestions preliminars: les fonts, els fonaments teòrics i els elements metodològics del seu pensament.<br/><br/>A la segona part elaborem la seva teoria de la identitat. Això implica: (1) donar compte de la relació inextricable entre el jo de la persona i la seva orientació moral, i (2) per mitjà d'arguments transcendentals, articular una ontologia que determini els trets perennes de la naturalesa humana.<br/><br/>Una ontologia de la identitat exigeix l'

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Aguiar, Carlos Eduardo Souza. "Imaginaire mystique contemporain et réseaux numériques." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCB202/document.

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En tant que phénomène social, le sacré se manifeste à partir d'un médium, de sorte que la sacralité est conditionnée par les matérialités. L'émergence d'un nouveau médium signifie ainsi l'apparition de nouveaux imaginaires mystiques. Ce travail de recherche s'interroge donc sur les aspects mystiques de l'imaginaire contemporain dévoilés par les médias et les réseaux numériques. Notre stratégie de recherche consiste, dans un premier temps, à engager une approche archéologique des médias, examinant trois différents objets en tant qu'artefacts mystiques : l'écriture, la relique et l'électricité.

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Leininger-Frézal, Caroline. "Le développement durable et ses enjeux éducatifs. Acteurs, savoirs et stratégies territoriales." Phd thesis, Université Lumière - Lyon II, 2009. http://tel.archives-ouvertes.fr/tel-00449803.

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Le développement durable et l'éducation qui lui est affiliée, sont aujourd'hui des questions socialement vives. Ces questions sont au cœur de nombreuses initiatives qu'elles soient politiques ou non. Les nombreux acteurs mobilisés sur le sujet sont d'origine diverse. L'Etat bien sur, et ses services déconcentrés se sont engagés mais également des collectivités territoriales, des institutions publiques ou parapubliques, l'Ecole et les associations d'éducation non formelle ou de protection de l'environnement. La diversité et la multiplicité des actions menées interrogent leur cohérence. Cette re

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