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Artykuły w czasopismach na temat „Era of modernism”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Adedipe, Ademolawa Michael. "An Experimental Documentary: Making a Case for Baird’s Modernism." Advances in Language and Literary Studies 9, no. 5 (2018): 49. http://dx.doi.org/10.7575/aiac.alls.v.9n.5p.49.

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The refutation and the obliteration of the modernist era in Canadian literature by Robert Kroetsch and reasserted by Glen Wilmott makes it imperative to look at highly experimental literary works in the first half of the 20th century in Canada. The purpose of this paper, thus is to make a case for the inclusion Irene Bird’s Waste Heritage in the repertoire of modernist works in North America. The various criticism of Canadian literature as not having a modernist era needs to be debunked. The false assertion that Canadian literature moved straight from the Victorian era to a postmodernist face

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Matar, Anat. "Wittgenstein and Modernism: an encounter of the third kind = Wittgenstein y el modernismo: un encuentro en la tercera fase." REVISTA DE HISTORIOGRAFÍA (RevHisto) 32 (November 20, 2019): 53. http://dx.doi.org/10.20318/revhisto.2019.4894.

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Abstract: In earlier works, the author has twice discussed Wittgenstein’s work in relation to the modernist Geist that prevailed during his time. In the first, it was argued that the Tractatus was a modernist cornerstone, and then the idea was advanced that Wittgenstein’s later thought exemplified an essential modernist trait. Without contradicting these claims, a criticism is now offered on the aestheticism crucial to modernism and also to Wittgenstein’s thought.Key words: Wittgenstein, modernism, Tractatus, criticism, Aesthetics.Resumen: En el pasado, dos veces trabajé discutiendo sobre el t

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Toderici, Radu. "Tactical Modernism: Romanian Cinema of the 1960s and the Disputed Modernist Aesthetics." Caietele Echinox 47 (December 1, 2024): 208–19. https://doi.org/10.24193/cechinox.2024.47.13.

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Throughout the 1950s, during the heyday of socialist realism, “modernism” as a concept is virtually nonexistent in Romanian literature and arts. Only in the late 1950s and in the early 1960s theories about a modernist style – in literature, but also in cinema – start to reemerge. The main issue with modernism during that era is that it is closely associated with the so-called decadent and bourgeois Western art. In order to be adapted to a Socialist framework, modernism has to be refashioned. As such, a hybrid, tactical modernism – political in content, open to experimentation in matters regard

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Köksal, Duygu. "Domesticating the avant-garde in a nationalist era: Aesthetic modernism in 1930s Turkey." New Perspectives on Turkey 52 (May 2015): 29–53. http://dx.doi.org/10.1017/npt.2015.1.

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AbstractThis paper investigates the rise of aesthetic modernism in Turkey’s early republican era (i.e., the late 1920s and the 1930s), with an emphasis on the influence of international cultural currents on Turkey’s intelligentsia. The paper concentrates on the modernist ideas and works of the D Group, who advocated a high modernism in the plastic arts, and the literary modernism of the socialist poet Nâzım Hikmet (Ran). Firstly, it addresses the historiographical argument that aesthetic modernism in Turkey was a derivative enterprise, a low-grade replica of European modernism. Secondly, it ar

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Abd Aziz, Mohamad Kamal. "Era Modenisme dan Pascamodenisme: Suatu Transformasi Seni Visual dalam Konteks Sosio-Budaya." INTERNATIONAL JOURNAL OF ART AND DESIGN 5, no. 2 (2021): 59–68. http://dx.doi.org/10.24191/ijad.v5i2.6.

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This paperwork discusses some theories between modernist and post-modernist thinking that have been evolved in society. The presence of post-modernist thought is said to be anti-modernist. Thus, the question is whether it emerges as anticipation or the occurrence of a transformation shift at its pace in driving the development of art and culture. The objective of this study is to discuss the changing trends of art practitioners in the context of visual art and culture phenomenon today since the era of modernism. However. to what extent is the presence of post-modernist thinking that is said to

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Perloff, Marjorie. "Modernism Under Review: Hugh Kenner's The Pound Era." Modernist Cultures 5, no. 2 (2010): 181–94. http://dx.doi.org/10.3366/mod.2010.0102.

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This essay offers a critical re-assessment of Hugh Kenner's The Pound Era. It argues that Kenner's magisterial survey remains important to our understanding of Modernism, despite its frankly partisan viewpoint. Kenner's is an insider's account of the Anglo-American Modernist writing that he takes to have been significant because it sought to invent a new language consonant with the ethos of the twentieth century. The essay suggests that Kenner's impeccable attention to the Modernist renovation of language goes beyond formalism, since, for him, its ‘patterned energies’ (a term derived from Buck

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Abd. Aziz, Mohamad Kamal. "The Era of Modernism and Postmodernism: A Transformation of Visual Art in A Socio-Cultural Context." International Journal of Art and Design 5, no. 2 (2021): 57–65. http://dx.doi.org/10.24191/ijad.v5i2.2569.

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This paperwork discusses some theories between modernist and postmodernist thinking that have evolved in society. The presence of postmodernist thought is said to be anti-modernist. Thus, the question is whether it emerges as anticipation or the occurrence of a transformation shift at its pace in driving the development of art and culture. The objective of this study is to discuss the changing trends of art practitioners in the context of visual art and culture phenomenon today since the era of modernism. However, to what extent is the presence of postmodernist thinking that is said to be anti

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Syzdykova, B., A. Kaiyrbekova, and B. Orazova. "National literature of the post-socialist realism era." Bulletin of the Karaganda university Philology series 1, no. 109 (2023): 123–31. http://dx.doi.org/10.31489/2023ph1/123-131.

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This article discusses the artistic trends of the 60s of the twentieth century. The aesthetic concepts of socialist realism, Romanticism, modernism and postmodernism are discussed, as well as the peculiarities of their development in Kazakh literature. The article analyzes the ideological and aesthetic concepts that opposed the socialist realism of that period. The works published during the period of post-socialist realism reflect the ways of development of modernist aesthetics. The features of new characters in literature are revealed. In addition, the article scientifically analyzes the for

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Alfina Hidayah and Hamdan Maghribi Maghribi. "From Modernism to Neo-Modernism: A Religio-Political Context of Muhammad Abduh and Fazlur Rahman." SHAHIH: Journal of Islamicate Multidisciplinary 7, no. 2 (2022): 109–24. http://dx.doi.org/10.22515/shahih.v7i2.6066.

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Muhammad Abduh and Fazlur Rahman are among the influential Muslim scholars after the Medieval era of the eighteenth to twentieth century. Their characteristics of thought are often titled Muhammad Abduh as a Modernist and Fazlur Rahman as a Neo-Modernist. Their ideas became significant since they influenced several contemporary Muslim scholars in the Muslim world, such as Rashid Rida, Qasim Amin, Amina Wadud, Farid Esack, Nurkholis Majid, etc. This study examines the religiopolitical context of Muhammad Abduh and Fazlur Rahman in constructing their thoughts - the so-called - Modernism and Neo

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Martin, Regina. "Literature and Professional Society: Modernism, Aesthetics, and Ian McEwan’s Saturday." College Literature 51, no. 3 (2024): 316–44. http://dx.doi.org/10.1353/lit.2024.a931856.

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Abstract: Ian McEwan’s novels are well-known for their ongoing conversation with turn-of-the-twentieth-century modernism. This essay argues that McEwan’s novel Saturday engages with two modernist problematics—modernist interrogation of aesthetics and the emergence of the professional classes during the modernist era. Reading McEwan’s novel through and against its modernist antecedents, Mrs. Dalloway and Howards End , provides a means of understanding how, in modernist novels, a discourse of literary and aesthetic value exists as a function of the tension between leisure-class and professional-

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Hayman, Emily. "English Modernism in German: Herberth and Marlys Herlitschka, Translators of Virginia Woolf." Translation and Literature 21, no. 3 (2012): 383–401. http://dx.doi.org/10.3366/tal.2012.0089.

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The Austrian-born translators Herberth and Marlys Herlitschka exercised considerable influence over the reception of British modernist literature in German-speaking nations. From the 1920s to the 1960s they undertook translations of challenging modernist works, including the poetry of Yeats and the novels of Lawrence and Woolf. This article surveys their lives and work, with a focus on their post-war rendering of Woolf's final novel, Between the Acts. Here the Herlitschkas' translational choices reveal a desire for reconciliation and effect a softening of the political jaggedness of Woolf's Bl

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Nasrulloh, Achmad. "INTELEKTUAL MODERNISME DAN INTELEKTUAL SALAFISME: UPAYA MENUJU INSAN YANG MADANI DI ERA DIVERGENSI." MASADIR: Jurnal Hukum Islam 1, no. 1 (2021): 93–113. http://dx.doi.org/10.33754/masadir.v1i1.331.

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Abstrak: This study aims to determine the attitudes or intellectual character of modernism and salafism that exist in pesantren academics who are also university students in responding to some of the problems they have encountered. The results of this study indicate that Mambaus Sholihin students use the intellectual character of modernism and salafism in answering several problems, in this case in the form of a view on professional zakat and an analysis of the verses of Q.S At-Taubah. Then in a review of Karl Mannheim's social theory on social action and the meaning of behavior of students of

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Harnoko, Irwan, and Dria Setiautami. "Pengaruh Tipografi pada Era Massimo Vignelli terhadap Tipografi Michael Bierut." Humaniora 2, no. 2 (2011): 1368. http://dx.doi.org/10.21512/humaniora.v2i2.3201.

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Massimo Vignelli is a senior graphic designer lived in New York, as a vocal modernism against post-modernism. His statement firmly opposing post-modernism in several occasions: interview in Helvetica the movie, typeradio, talkshow, and some articles in Looking Closer or AIGA Journal. Graphic design works of Massimo Vignelli reflected his characteristic, which is firmly choosing typeface. Typefaces of Vignelly are around 5 typefaces: Bodoni, Helvetica, Times Roman, Century, and Futura. The article uses formal analysis method. The writers collected materials about Michael Bierut, Massimo VIgnell

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Skrobanović, Zoran. "A SOULLESS CAMERA: THE PERCEPTION OF ITALIAN FUTURISM IN EARLY CHINESE MODERNIST POETRY." Folia linguistica et litteraria XIII, no. 39 (2022): 85–103. http://dx.doi.org/10.31902/fll.39.2022.5.

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Considering the fact that there are certain similarities between the cultural endeavours of the early Chinese modernists and Italian futurists, at first glance, it seems strange that futurist ideas mostly failed to take root in Chinese literary modernism. From the outset, Chinese literary modernism was a heterogeneous movement, but the common denominator in these different movements in post-dynastic China was a radical antitraditionalism that bears similarities to the goals of Italian futurism that was often called the down-with-the-past movement (antipassatismo). Contemporary literary studies

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15

Slović, Srđan. "From modernism towards post-modernism: Rationalism and the enlightnment era." Bastina, no. 50 (2020): 121–31. http://dx.doi.org/10.5937/bastina30-25564.

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Andrushko, Taras. "Between modernism and postmodernism: theoretical aspects of neo-modernism in the architecture of Lviv." Current problems of architecture and urban planning, no. 71 (March 28, 2025): 21–30. https://doi.org/10.32347/2077-3455.2025.71.21-30.

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Neo-modernism in the architecture of Lviv in the early twenty-first century represents a complex and evolving phenomenon that emerges at the intersection of reinterpreted modernist principles and the broader socio-cultural changes characteristic of post-socialist and post-postmodern contexts. This study aims to illuminate the defining features of Lviv’s neo-modernist architecture, focusing on its transition from strictly functionalist doctrines to more context-sensitive and user-oriented design strategies. The investigation highlights how neo-modernist buildings in Lviv draw inspiration from c

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Lofton, Kathryn. "The Methodology of the Modernists: Process in American Protestantism." Church History 75, no. 2 (2006): 374–402. http://dx.doi.org/10.1017/s0009640700111357.

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Scholarship on early-twentieth-century American Protestant modernism appears to have arrived at an impasse. Although scholars continue to explore the biographical contours of modernist individuals, and theologians still review the capacity of modernist theologies, the body of analytical scholarship on the “modernist impulse” has failed to keep apace with the glut of materials addressing its fraternal twin, fundamentalism. Published in 1976, William Hutchison's The Modernist Impulse in American Protestantism remains the last significant historical commentary on the cultural and intellectual dyn

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Gurra, Hyreme, Fatmire Isaku, and Bjonda Xhumkar. "THE ERA OF MODERNISM AND JAMES JOYCE’S “A PORTRAIT OF THE ARTIST AS A YOUNG MAN”." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 8 (2023): 42. http://dx.doi.org/10.58885/ijllis.v12i8.42hg.

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<p><span>This research paper is going to elaborate the elements of Modernism as one of the most distinguished and important period of Literature. The key elements of this Era will be highlighted threw James Joyce’s Portrait. Modernism surely made a new approach to English Literature with a completely new writing style, motifs, aspects, symbols, and access to scenes,using new elements that will encourage and influence future writers. In “A Portrait of the Artist as a Young Man’’, is portrayed the innovative use of stream of consciousness, a technique throughout which is described th

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Rykov, Anatoly V. "The Quarrel of the Ancients and the Moderns and the Theory of Modernism." Vestnik of Saint Petersburg University. Arts 12, no. 1 (2022): 147–63. http://dx.doi.org/10.21638/spbu15.2022.107.

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This paper considers issues of convergence of classical and modernist art theories on the example of the so-called Quarrel of the Ancients and the Moderns at the turn of the seventeenth and eighteenth centuries. The works of the main participants in this debate, Charles Perrault and Nicolas Boileau, are examined in the context of the theory of modernism and questions of the origin of modernist art. The aggravation of the contradictions between the two versions of the theory of classicism and, more broadly, the two concepts of modernity, led to the formation of new views on the nature of art in

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Lee, Seonggo, Mikyu Cho, and Sanghwa Lee. "A study on Expressive Charateristics of Humane Sensibility in Post-Modern Architecture." Residential Environment Institute Of Korea 22, no. 1 (2024): 85–106. http://dx.doi.org/10.22313/reik.2022.22.1.85.

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Since the 1960s, Post-Modernism has evolved by critiquing the shortcomings of modernist regimes such as industrial capitalism, elitism, and mechanization, which were emphasized during the modern era. Multi-culturalism in the 1970s emerged with the motivation to inclusively recognize existing social contradictions and differences, aiming to reflect them in reality. Post-Modernism is the overlay of tradition, modernity, and humanistic sensibilities within a single culture. It views the contemporary world not as characterized by a singular dominant worldview or ideology, but rather as operating w

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Lee, Seonggo, Mikyu Cho, and Sanghwa Lee. "A study on Expressive Charateristics of Humane Sensibility in Post-Modern Architecture." Residential Environment Institute Of Korea 22, no. 1 (2024): 85–106. http://dx.doi.org/10.22313/reik.2024.22.1.85.

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Since the 1960s, Post-Modernism has evolved by critiquing the shortcomings of modernist regimes such as industrial capitalism, elitism, and mechanization, which were emphasized during the modern era. Multi-culturalism in the 1970s emerged with the motivation to inclusively recognize existing social contradictions and differences, aiming to reflect them in reality. Post-Modernism is the overlay of tradition, modernity, and humanistic sensibilities within a single culture. It views the contemporary world not as characterized by a singular dominant worldview or ideology, but rather as operating w

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S, Arjun. "PENGARUH METANARASI TERHADAP PERILAKU DALAM LINGKUP SOSIAL MASYARAKAT DI INDONESIA." TOTOBUANG 11, no. 2 (2023): 305–18. https://doi.org/10.26499/totobuang.v11i2.498.

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The modern era is a golden period for human progress that began in the early 18th century. Modernism in thought also tries to build an identity in the form of uniformity, homogeneity and totality. Since the collapse of modernism is one indication of the start of the postmodernism era which is in accordance with what Lyotard stated in his theory. Lyotard thinks that postmodernism begins and is centered on one major phenomenon, namely the death of metanarratives. The method chosen in research on metanarratives in society uses descriptive qualitative research. Metanarrative has the power to contr

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Asojo, Abimbola O., and Babatunde E. Jaiyeoba. "MODERNISM AND CULTURAL EXPRESSION IN UNIVERSITY CAMPUS DESIGN: THE NIGERIAN EXAMPLE." International Journal of Architectural Research: ArchNet-IJAR 10, no. 3 (2016): 21. http://dx.doi.org/10.26687/archnet-ijar.v10i3.1102.

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In the early to mid-20th century as a result of colonialism and independence across Africa, modernism became prominent as urbanization rapidly affected major Nigerian cities and towns. Modernism was reflected in the public projects designed and executed by expatriate firms of modernist architects and designers for the colonialists. In literature, most of the discussion on modernism has predominantly been focused on Europe and the Americas. There is very limited information available about the African continent, especially West Africa and Nigeria. In this paper, we discuss the designs of the fi

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Stoev, Dina. "Metamodernism or Metamodernity." Arts 11, no. 5 (2022): 91. http://dx.doi.org/10.3390/arts11050091.

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The concept of metamodernism relies on our understanding of modernism, postmodernism and the bigger cultural periods that originated them. While modernism is a product of modernity, postmodernism is not situated comprehensively within a well-defined period. Moreover, when dealing with the dichotomy of movement and era in the last century, we are presented with a taxonomic dilemma of conflating eras and their aesthetical manifestations. Contrary to the prevalent view of cultural shifts, here I propose a different attempt at periodising and understanding ontologically the concepts of modernism,

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Krasavina, I. S., and O. V. Orelskaya. "Panel residential buildings architecture development in Nizhny Novgorod." Housing Construction, no. 3 (May 10, 2025): 51–63. https://doi.org/10.31659/0044-4472-2025-3-51-63.

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Continuity of the 21st century first quarter Nizhny Novgorod architecture with the Soviet modernism era architecture of 1960s –1980s in Gorky is revealed. The residential panel houses development evolutionary process in Gorky is analyzed using the examples of the standard 1-464 series various variations and an experimental residential complex (E-600 series). The modern Nizhny Novgorod practice objects in the field of housing construction are investigated. The main criteria defining the features of modern architecture peculiarity in relation to the Soviet modernist era residential buildings are

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Чуй, Андрій. "Поезія «Молодої Польщі» в об’єктиві українськоголітературознавства ХХІ століття". Волинь філологічна: текст і контекст, № 36 (14 лютого 2024): 36–49. http://dx.doi.org/10.29038/2304-9383.2023-36.chu.

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The article summarizes the achievements of modern Ukrainian literary studies in the field of the “Young Poland”era: modern literary studies of the outlined period are analyzed; the relevant and perspective research directions of study of early Polish modernism are traced. The maintheoretical positions of the selected scientific works are briefly formulated. V. Morenets reveals that Ukrainian Modernism, unlike European (Polish), was unable to depart from folklore culture, although it implemented the themes of love, sorrow and suicidal moods in a new way. T. Tkachuk proves that the significantly

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During, Simon. "Modernism in the Era of Human Rights." Affirmations: of the modern 1, no. 1 (2013): 139. http://dx.doi.org/10.57009/am.80.

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Wang, Ban, and Xudong Zhang. "Chinese Modernism in the Era of Reforms." Chinese Literature: Essays, Articles, Reviews (CLEAR) 20 (December 1998): 209. http://dx.doi.org/10.2307/495275.

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Stever, James A. "Modernism, administration, and the post-progressive era." International Journal of Public Administration 16, no. 2 (1993): 237–59. http://dx.doi.org/10.1080/01900699308524799.

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Rajbhandari, Jitendra Man. "Exploring T.S. Eliot’s The Waste Land as a Pre-postmodern Text." Journal of Development Review 8, no. 2 (2023): 68–72. http://dx.doi.org/10.3126/jdr.v8i2.59205.

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Despite being a groundbreaking literary work of Modernism, T.S. Eliot’s poem The Waste Land heralds the new era of Postmodernism that officially begins almost two decades after its publication. Although Eliot is one of the best representatives of modernist poets, his major work The Waste Land foreshadows some postmodern techniques and concepts. A seminal modernist poem of 1922, it can also be read as a postmodernist poem in the making. The present paper analyses some postmodern elements in The Waste Land and finds it a great epic of pre postmodernist thoughts. Its intertextuality, fragmentatio

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Lah, Nataša. "How Style Became Famous and Irrelevant at the Same Time." Ars & Humanitas 9, no. 2 (2015): 215–30. http://dx.doi.org/10.4312/ars.9.2.215-230.

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The article is concerned with the theoretical issue of the status of style in visual arts, aiming to demonstrate that – within art history – stylistics acquired its disciplinary autonomy in the late 18th century when, J. J. Winckelmann was the first to detach stylistics from rhetoric, thus expanding the field of stylistic competence to the history of art. It was also the time when, under the influence of early Romanticism, the entirely opposite tendencies originated, those of the emphasized individuation of art. Therefore, parallel to the birth of theoretical notion of “the styles of the eras”

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Lah, Nataša. "How Style Became Famous and Irrelevant at the Same Time." Ars & Humanitas 9, no. 2 (2015): 215–30. http://dx.doi.org/10.4312/ah.9.2.215-230.

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The article is concerned with the theoretical issue of the status of style in visual arts, aiming to demonstrate that – within art history – stylistics acquired its disciplinary autonomy in the late 18th century when, J. J. Winckelmann was the first to detach stylistics from rhetoric, thus expanding the field of stylistic competence to the history of art. It was also the time when, under the influence of early Romanticism, the entirely opposite tendencies originated, those of the emphasized individuation of art. Therefore, parallel to the birth of theoretical notion of “the styles of the eras”

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Florkovskaya, A. K. "The artist Svyatoslav Voinov: Christian art in the era of modernism." Journal of Visual Theology 6, no. 1 (2024): 174–90. http://dx.doi.org/10.34680/vistheo-2024-6-1-174-190.

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This paper explores the life and art of Svyatoslav Voinov (1890–1920), a modernist painter and a drawing artist from St. Petersburg, barely remembered today but nevertheless a remarkable example of both art and spirituality of his time. Both paintings and drawings of Voinov lay bare a distinctive character of the period when symbolism and modernism crossed ways. His art offers a glimpse on a unique creative atmosphere of the period of the Russian Revolution and the Civil War (1917–1922), the time when his most significant work was done. Voinov’s art is typical for religious currents in the Rus

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Milin, Melita. "The stages of modernism in Serbian music." Muzikologija, no. 6 (2006): 93–116. http://dx.doi.org/10.2298/muz0606093m.

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In order to consider this topic, it was first necessary to discuss certain problems of terminology and periodisation relating to musical modernism in general. It is already familiar the extent to which the terms "new music", "modernist", "contemporary" and "avant-garde" music have been used interchangeably, as synonyms. For this reason, it was first important to outline the period of musical modernism as almost generally accepted, which is regarded as an epoch comprising three different periods: (I) period of early modernism (1890?1918), announced by a break with later romanticism and a turn t

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Davitaia, Maia, and Nino Aleksidze. "Lado Alexi-Meskhishvili's Contribution to Georgian Housing Construction in the Middle of the 20th Century." Works of Georgian Technical University, no. 1(531) (March 22, 2024): 19–28. http://dx.doi.org/10.36073/1512-0996-2024-1-19-28.

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The Georgian apartment building of the middle of the 20th century is characterized by stylistic and artistic features typical for that era. Architectural trends are associated with the main signs of socialist realism and late modernist movements. In the projects of Lado Alexi-Meskhishvili's residential houses reveal both the architectural characteristic of the Stalinist empire style and the contemporary principles of modernism. The research of the architect's projects and their analysis showed how the change of eras is represented in the architecture of residential houses

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RALJEVIĆ, Selma. "MODERNISM IN LITERARY AMERICA." Lingua Montenegrina 8, no. 2 (2011): 309–19. https://doi.org/10.46584/lm.v8i2.250.

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The paper examines the historical and social context of the modern age in the United States, and provides an insight into the greatest and most important events and personalities of American literature in the era of Modernism. Special attention is devoted to modern literary experiments and specifics of Modernism in American literature.

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Gilić, Nikica. "Modernizm a film autorski lat sześćdziesiątych w Chorwacji." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 25, no. 34 (2019): 148–54. http://dx.doi.org/10.14746/i.2019.34.09.

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Gilić Nikica, Modernizm a film autorski lat sześćdziesiątych w Chorwacji [Modernism and auteurial Cinema in Croatia in the 1960s]. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 148–154. ISSN 1731–450X. DOI 10.14746/i.2019.34.09. Croatian film of the 1960s is colored by the poetics of auteurial cinema which was already emerging in the previous decade, but dominated in the 1960s, both in the production of cinema (both fiction films and animation), but also in the reception of these films with independent and ambitious critics. The text discusses the producti

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Fauziah, Nur. "Exploring the Nexus of Islamic Modernism and Intellectual Development." SocioHumania: Journal of Social Humanities Studies 1, no. 1 (2024): 40–45. http://dx.doi.org/10.70063/sociohumania.v1i1.10.

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This paper discusses Islamic modernism and the development of Islamic intellectualism. The method used is descriptive-analytical method with a historical approach. Its aim is to understand Islamic modernism and the development of Islamic intellectualism. The author finds that: First, Islamic modernism is a renewal of understanding that is more relevant to modern life, interpreting things to open the door of ijtihad and avoid blind adherence to schools of thought by thinking rationally in understanding and reflecting on Islamic teachings. Second, the development of Islamic intellectualism is di

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Crofts, Penny. "The Beauty and Horror of Corporate Persons." Critical Analysis of Law 9, no. 2 (2022): 36–45. http://dx.doi.org/10.33137/cal.v9i2.39826.

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Lisa Siraganian’s Modernism and the Meaning of Corporate Persons (2020) illuminates modernist investigations of corporate personhood and how collective agents might intend, and if so, how they might manifest meaning. Through a magisterial and seamless analysis of cases, legal theory, legal analysis, political cartoons, philosophy and artistic endeavors, Corporate Persons demonstrates that the questions and answers of the modernist era remain salient today. This article highlights firstly the persuasiveness and insight of Siraganian’s analysis of the implications of the failure to fully concept

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Beeston, Alix. "A “Leg Show Dance” in a Skyscraper: The Sequenced Mechanics of John Dos Passos's Manhattan Transfer." PMLA/Publications of the Modern Language Association of America 131, no. 3 (2016): 636–51. http://dx.doi.org/10.1632/pmla.2016.131.3.636.

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Performing a historicized analysis of John Dos Passos's Manhattan Transfer (1925), this essay returns this understudied author to the center stage of modernist studies and includes the popular stage in accounts of the technologized mechanisms of modernist writing. By disclosing a deep correlation between the composite narrative tactics of Dos Passos's multilinear novel and the mass entertainments of this period, particularly Florenz Ziegfeld's annual Follies revues, it supplies new parameters for theorizing strategies of narration and characterization in modernist fiction vis-à-vis the technol

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Vale, Robert. "Modernism on the Line." Architectural History Aotearoa 12 (July 13, 2022): 47–58. http://dx.doi.org/10.26686/aha.v12i.7689.

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The invitation to this symposium refers to "the baby boom, which "boosted the market for children's toys."" This paper explores the extent to which the toys of that era in New Zealand could be seen to have actively promoted and encouraged Modernist architecture. The particular focus will be on toy trains and model railways and how their manufacturers, both off-shore and local, produced model railway buildings that were decidedly Modern in form and quite unlike the largely nineteenth-century buildings seen by the majority of travellers on New Zealand Railways. This paper argues that 1950s New Z

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Dr., T.G Jyothilal. "The Evolution of Indian Sculptural Art: Interaction with Western Styles and Development of Modernism." Kiraṇāvalī 16, no. 1-4 (2024): 49–54. https://doi.org/10.5281/zenodo.14633689.

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This paper explores the evolution of Indian sculpture from the early interactions with Western academic styles to the rise of unique and diverse forms in the mid-20th century. It examines how early Indian sculptors were influenced by Western techniques and aesthetics, and how modern Indian sculptors, such as V.P. Karmarkar, Ram Kinker Baij, Pradosh Dasgupta, Dhanraj Bhagat, and Sankho Choudhury, began to incorporate local materials and indigenous themes while embracing modernist principles. Through an analysis of their works and techniques, the paper highlights the transformation of Indian scu

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Korshunova, Olga V. "Rural school: entry to the digital modernism era." Yaroslavl Pedagogical Bulletin, no. 4 (2022): 18–29. http://dx.doi.org/10.20323/1813-145x-2022-4-127-18-29.

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Koprivica Lelićanin, Marija, and Bojana Radenković Šošić. "Metamodernism and Language: Pandemic Era Advertising." Issues in Ethnology and Anthropology 16, no. 4 (2021): 1101–22. http://dx.doi.org/10.21301/eap.v16i4.5.

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In cultural theory, metamodernism becomes a new cultural paradigm of the twenty-first century, epistemologically with (post) modernism, ontologically between (post) modernism, and historically beyond (post) modernism. It appears in the context of political changes following the fall of the Berlin Wall and the environment of digital progress, but also in periods of financial and ecological crises. Rather than simple “zeitgeist”, metamodernism as an arriving cultural paradigm is to be understood more as a “structure of feelings” or sentiment so pervasive that it becomes structural. Metamodernism

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Rohmawati, Yuyun. "ISLAM DAN NEO-MODERNISME/ POST-MODERNISME: Perspektif Nurcholish Madjid dan Abdurrahman Wahid." Jurnal Ilmiah Ilmu Ushuluddin 20, no. 1 (2021): 60. http://dx.doi.org/10.18592/jiiu.v20i1.4157.

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The Western has always insulted Islam as an out of date, irrational, dogmatic, mystical, static, undemocratic religion and so on. Despite the fact, Islam is a religion that rahmatan lil ‘alamin, dynamic and democratic. But the Western negative assessment of Islam is very strongly attached to their memory. So it’s quite difficult to change the Western understanding of Islam. Furthermore, Islamic societies who are too fanatical tend to shut down and reject the modern era. That is what make the problem more complex. Therefore, Indonesian Muslim Intellectuals sought to overcome this problem by dev

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Clark, Elizabeth A. "From Italy to Harvard: George LaPiana and Catholic Modernism." Church History 83, no. 1 (2014): 145–53. http://dx.doi.org/10.1017/s0009640713001728.

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Modernism: What was it? When was it? Does Modernism name “a break with the past,” proclaim the present as “qualitatively distinct and new”—or is Modernism's self-representation as an “ideology of rupture, opposition, and anti-institutionality” over-hyped? And when was the “when” of Modernism? Do Modernism's origins trace back to the era of Romanticism? Or to the 1880s and Baudelaire? Or to 1913 and Stravinsky's “Rite of Spring”? Or to 1922: the publication of Ulysses, “The Waste Land,” and the Tractatus Logico-Philosophicus?

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Allen, Peter. "The End of Modernism?" Journal of the Society of Architectural Historians 70, no. 3 (2011): 354–74. http://dx.doi.org/10.1525/jsah.2011.70.3.354.

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The making of People's Park in Berkeley, California, in 1969 was accompanied by some of the most violent student protests of its era. While these events can be seen as an episode in the movement of student radicalism that focused on the Vietnam War, Peter Allen suggests that conflicting visions of architecture and urban space stood at the center of the People's Park violence. The End of Modernism? People's Park, Urban Renewal, and Community Design argues that the movement to create the park was a reaction to a university program of campus expansion, which had razed existing older housing to bu

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Bhattacharjee, Nisarga, and Ananya Chatterjee. "The “blossoming of lilac-bush”: A Study of the Post-War Reception of The Waste Land." BL College Journal 5, no. 2 (2023): 101–6. http://dx.doi.org/10.62106/blc2023v5i2e10.

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T. S. Eliot’s ‘The Waste Land’ has developed a contemporaneity by effectively transcending the Modernist context within which it is born. The poem exhibits certain features that have stayed relevant for the later generations of poets and readers even after much of the Modernist intentions have ceased to exist. In our presentation, we will identify those features by providing a brief analysis of the responses to the poem from multiple poets, mostly those after World War I. The principal observation resulting from the readings would be that the poem contains a restorative promise which proved co

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Chelombitko, O., and Y. Sentymrei. "STYLISTIC INTERPRETATION OF SAMPLES OF LVIV ARCHITECTURE OF THE 1990-2000S. PROBLEMS OF TERMINOLOGY AND IDEOLOGICAL DETERMINATION." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 5, no. 2 (2023): 191–96. http://dx.doi.org/10.23939/sa2023.02.191.

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The article considers the problem of stylistic definition of objects of Lviv architecture in the 1990-2000s. Having studied the similar Ukrainian scientific publications, here is presented own arguments regarding the correct terminology for this type of objects. An important role is also given to the worldview prevailing at that time in professional circles, as it makes it possible to determine which values in design they adhered to - modernist or postmodern. On the basis of the conducted analysis, it was established that in the period of 1990-2000s, the development of processes that began in

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Ferrari, Lilian Maria Barbosa, and Joelma Santana Siqueira. "Em defesa da literatura brasileira em Portugal: Adolfo Casais Monteiro e Arnaldo Saraiva / In Defense of Brazilian Literature in Portugal: Adolfo Casais Monteiro and Arnaldo Saraiva." O Eixo e a Roda: Revista de Literatura Brasileira 29, no. 3 (2020): 164. http://dx.doi.org/10.17851/2358-9787.29.3.164-187.

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Resumo: O artigo tem por objetivo discutir trabalhos de Adolfo Casais Monteiro e Arnaldo Saraiva realizados em prol da literatura brasileira e da manutenção das relações culturais entre Brasil e Portugal. Considerou-se a biografia de ambos tendo em conta suas inserções em contextos sociais e históricos específicos. Buscou-se demonstrar a intervenção desses intelectuais em favor da literatura e cultura brasileiras. Realizou-se também um breve levantamento de textos importantes que trataram da contribuição desses intelectuais portugueses para a cultura local. Adolfo Casais Monteiro foi pioneiro

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