Gotowe bibliografie tematyczne / Goddesses

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Gotowa bibliografia na temat „Goddesses”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Goddesses"

Vuong, Nguyen Hung, and Vo Thi Ngoc Giau. "The Role of Mother Goddess Worship in the Spiritual and Cultural Life of People in Lam Dong Province, Vietnam." Journal of Education, Society and Behavioural Science 36, no. 7 (2023): 70–77. http://dx.doi.org/10.9734/jesbs/2023/v36i71237.

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The beliefs in Vietnamese Mother Goddesses Worship, commonly called Mother Goddesses, worship Mother Goddesses herself, Mother Goddess of Three Palaces and Four Palaces appear to be quite popular and have deep historical and social origins among the people of Lam Dong province, Vietnam.. Although they are all worship of feminine gods, the worship of goddesses, “Thanh Mau”, “Thanh Co”, Mother of the Three Palaces, and the Four Palaces are not completely identical. This article explores the process of formation, development and typical features of Mother Goddess worship in the cultural life of p

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Prychepii, Yevhen. "Four- and eight-membered structures with a rhombus in the center in the geometric ornaments of Podillya embroidery." Culturology Ideas, no. 22 (2'2022) (2022): 131–47. http://dx.doi.org/10.37627/2311-9489-22-2022-2.131-147.

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The subject of research is the structure of geometric ornaments, in the center of which there is a rhombus, and on the periphery there are eight or four symbols. (figure 7, 8, 14). It is stated in this article that these structures symbolise the Cosmos of the ancient people: rhombus in the centre of structure denotes the dungeon and four (eight) symbols on the periphery denote a certain sphere of life. Structures with four symbols on the periphery, which are more common in ornaments, denote the four goddesses. The principles of constitution of these goddesses are considered. Their images are f

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Budin, Stephanie. "A Reconsideration of the Aphrodite-Ashtart Syncretism." Numen 51, no. 2 (2004): 95–145. http://dx.doi.org/10.1163/156852704323056643.

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AbstractScholars have long recognized a one-to-one correspondence, or interpretatio syncretism, between the Greek goddess Aphrodite and the Phoenician goddess Ashtart (Astarte). The origin of this syncretism is usually attributed to the eastern origins of Aphrodite herself, whereby the Greek goddess evolved out of the Phoenician, as is suggested as early as the writings of Herodotos. In contrast to this understanding, I argue here that the perceived syncretism actually emerged differently on the island of Cyprus than throughout the rest of the Mediterranean. On Cyprus, the syncretism emerged o

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Prychepii, Yevhen. "Eight-membered ornament structures on Trypillia bowls and pots." Interdisciplinary Cultural and Humanities Review 2, no. 2 (2023): 20–31. http://dx.doi.org/10.59214/2786-7110-2023-2-2-20-31.

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The origin of ornaments and their semantics is a problem that has not been sufficiently examined in modern science. The purpose of the study is to clarify the semantics of Trypillia ceramic ornaments using the structural method. The structures of bowl ornaments that are formed from eight symbols are examined. There are two types (A and B) of symbols in the structure. It is established that four characters A are interspersed with four characters B. The characteristic features of symbol A and symbol B are determined. It is hypothesised that the symbol A stands for gods, and the symbol B – goddes

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Fehlmann, Meret. "Ancient Goddesses for Modern Times or New Goddesses from Ancient Times?" International Journal for the Study of New Religions 8, no. 2 (2018): 155–81. http://dx.doi.org/10.1558/ijsnr.37402.

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This paper deals with the way the goddess(es) of ancient Crete and Greece are imagined and reappropriated in the feminist spirituality movement. It offers an overview over the different metamorphoses of these ancient goddesses in the twentieth century, and takes a closer look at the goddess-related work of Carol P. Christ.

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Yadav, Megha. "Disease, Demon, and the Deity: Case of Corona Mātā and Coronāsur in India." Religions 13, no. 11 (2022): 1011. http://dx.doi.org/10.3390/rel13111011.

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As India faced multiple waves of the pandemic, religious responses arose to accommodate and make sense of the situation. In the face of uncertainty, disease and death, people turn not just towards the medical sciences but also religion. The emergence of a new Hindu goddess, Corona Mātā/Coronavirus Mardhinī encapsulates people’s fear, faith, and devotion. Although the goddess is new, the tradition of disease goddesses is ancient. The Indian Subcontinent has a long history of mother goddesses who have been protecting their devotees from diseases such as smallpox, fever, plague, etc. This paper a

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Prychepii, Yevhen. "The Image of the “Deer Goddess” in Geometric Ornaments of Women’s Podolian Shirts." Culturology Ideas, no. 16 (2'2019) (2019): 110–27. http://dx.doi.org/10.37627/2311-9489-16-2019-2.110-127.

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The purpose of this article is to analyze the semantics of ‘deer goddess’ images in geometric ornaments (the ornaments of the female shirts of Podillya are taken as a sample). Methodology. Based on the proto-myth concept developed by the author, he distinguishes the structures of symbols in geometric ornaments identified as the image of the ‘deer goddess’. Results. The article distinguishes three subtypes of ‘deer goddess’ images based on which variants of ornaments were formed. These variants of ornaments were ‘constructed’ according to the same rules: ornaments with one goddess (fig. 2‒4, 13

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Bolshakov, Vladimir A. "About the character of deification of the Egyptian Queens of the New Kingdom." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 3 (2023): 33. http://dx.doi.org/10.31857/s086919080025052-4.

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The article analyzes the character of deification of Queens of the New Kingdom on the basis of their official representation in Egyptian pictorial and textual evidence. In order to reveal the nature of the deification of Queens and the essence of their theological role as a whole, the article discusses specific methods and features of assimilation of Queens with the goddesses. (first of all, goddesses Hathor, Isis, Maat, Mut, Nekhbet) or goddess of the solar-Eye (Hathor/Tefnut). By “deification” the author means endowing a Queen with the features of a goddess, and two aspects of this phenomeno

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Uttara Khanal. "Butterflies’ Myth and Cultural Beliefs on the Origin of Nawa Durga Goddesses in West Nepal." Creative Launcher 9, no. 5 (2024): 82–88. https://doi.org/10.53032/tcl.2024.9.5.09.

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Different views and beliefs can be found regarding the origin of Hindu gods and goddesses on this earth. In many beliefs, animals are mostly associated with the origin and incarnations of these Hindu deities. Many people believe that the small creatures are celestial entities with cultural, mythical, and symbolic significance in human society. They are regarded as the departed people’s souls and spirits in various cultures. The nine sisters of the Hindu goddesses, or Nawa Durga Goddesses, are said to have emerged as nine butterflies from a pit in the Dolpa district of West Nepal. Four of them

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Bühnemann, Gudrun. "The Goddess Mahā;cīnakrama-Tārā (Ugra-Tārā) In Buddhist And Hindu Tantrism." Bulletin of the School of Oriental and African Studies 59, no. 3 (1996): 472–93. http://dx.doi.org/10.1017/s0041977x00030603.

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It is well known that some goddesses are worshipped in both the Buddhist and Hindu Tantric traditions. A form of the Buddhist Vajrayoginī, accompanied by Vajravarṇanī and Vajravairocanī, is the prototype of the Hindu Chinnamastā accompanied by Ḍākinī and Varṅinī. Forms of Ekajaṭā and Mañjughoṣa were adopted from the Buddhist pantheon into the Hindu and worshipped by the same name. Usually it is not easy to trace how and when these adaptations took place. In the case of Mahācīnakrama-Tārā, a special form of Tārā, it has long been suspected that the goddess was imported from the Buddhist Tantric

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Rozprawy doktorskie na temat "Goddesses"

Kicak, Elizabeth. "Goddesses and Doormats." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1680.

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The following is a collection of original poetry written over a span of two years while attending the University of South Florida. The poetry is divided into three numbered sections, marking the major thematic divisions. Preceding the poetry is a critical introduction to the work which outlines the author's developing thematic ideology.

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Miller, Aimee H. "Goddesses of Color: Interfaith Altars." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/773.

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This paper explores the intertwined history of certain goddesses of the Middle East and the Americas. This history informs the original invented contemporary deities that my project centers around. Using recycled materials and collected objects, my project displays two religious altars, one from my heritage and one from my experience living in Brazil. One altar is based on afro-Brazilian sea goddesses, and one is a contemporary imagined interpretation of a Judeo-Christian female figure. The two altars together compose an installation that seeks to unify a pagan practice and two distinct monoth

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Ståhle, Göran Viktor. "Det religiösa självet i praktik vid ett hinduiskt gudinnetempel : ett kulturpsykologiskt angreppssätt för religionspsykologi/." Uppsala : Uppsala universitet : Religionspsykologi, Teologiska institutionen, Uppsala universitet [distributör], 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-4695.

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Kwok, Crystal Lee, and 郭錦恩. "Ghosts and goddesses: women, cinema, & the image." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31950978.

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Kwok, Crystal Lee. "Ghosts and goddesses : women, cinema, & the image /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14040220.

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Gowdy, Robert Douglas. "Redemption and the Other: The Supernatural Narrator and the Intertextual (Sub)version of the Miltonic Command." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2530/.

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In literary discourse from the Genesis creation myth through John Milton's Paradise Lost and beyond, Eve has been patriarchally considered to be the bringer of Sin and Death into the world. In Paradise Lost Eve is depicted as deceiving Adam into the Fall by way of the Serpent. Paradise Lost creates a Miltonic command that helps to further blame Woman for Sin and Death. Milton's poem is based on the Genesis creation myth written by Canaanite authors. In this myth the Canaanite authors wished to rid the world of Goddess worship and, by humanizing Eve, they successfully obliterate that form of wo

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Randsalu, Donna. "Who were the daughters of Allah?" Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28267.

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Who were the Daughters of Allah, the three Arabian goddesses mentioned in the Qur'an and venerated by the pagan Arabs prior to the rise of Islam, and who since have vanished into obscurity? Can we reconstruct information about these goddesses by reference to earlier goddesses of the Near East? It is our intention to explore this possibility through an examination of their predecessors in view of the links between the Fertile Crescent and the Arabian Peninsula. Moving back in time from the seventh century A.D. (Arabia) through the Hellenistic Period (Syro/Phoenicia 300 B.C.-A.D. 300 ) to the en

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Johnson, Lauren Marie. "Fashioning the Goddesses: Idealizing and Celebrating the Female Form." Miami University Honors Theses / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1178301027.

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Matos, Gwenael. "Re-fashioning goddesses| Exploring women's archetypal fashion in the classroom." Thesis, Pacifica Graduate Institute, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3599362.

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<p> Mythological studies deepens and layers the significance of fashion and dress through an archetypal exploration of Greek goddess fashion archetypes--Aphrodite, Athena, Artemis, and Hestia. The research reveals how these archetypes and their shadows influence the fashion industry from the creation of a garment to when it is worn on the body. The production component of the dissertation entails archetypal fashion design curriculum that contains an instructor's guide for an archetypal women's fashion design course at the collegiate level. The study is tailored to expand fashion design student

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Dedes, Eleni. "Oracular priestesses and goddesses of ancient Krete, Delphi, and Dodona." Thesis, California Institute of Integral Studies, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3712244.

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<p> This dissertation discusses the roles of oracular priestesses and Goddesses in Krete and Greece. The appointment of oracular priestesses to the service of a particular Goddess such as Gaia or Athena is reviewed. In addition, this study demonstrates the extent to which the worship of Goddesses, led by oracular priestesses, was a pre-eminent aspect of religion in ancient Krete and Greece. Various types of conduits and methods used to receive oracular messages are also considered, including trees, baetyls, the inhalation of gaseous vapors, the chewing of laurel leaves, and the possible use of

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Książki na temat "Goddesses"

1920-, Subramaniam Venkateswarier, Social Sciences and Humanities Research Council of Canada., Carleton University. Dept. of Religion., and Conference on the Mother Goddess (1987 : Carleton University), eds. Mother goddess and other goddesses. Ajanta Publications, 1993.

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1952-, Matthews Caitlin, ed. Voices of the goddess: A chorus of sibyls. Aquarian, 1990.

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Oda, Mayumi. Goddesses. Volcano Press/Kazan Books, 1988.

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Burleigh, Mutén, ed. Return of the great goddess. Gill & Macmillan, 1994.

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Bedi, Anjula. Gods & goddesses. Eeshwar, 1998.

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Moellering, Michael. Hollywood goddesses. Brompton, 1989.

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Ching, Linda. Hawaiian goddesses. Hawaiian Goddesses Pub. Co., 1987.

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Moruo, Guo. The goddesses. Foreign Languages Press, 2000.

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Blair, Nancy. Goddesses for every season. Element, 1995.

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Nikolova, Neška. Kultot na golemata majka: (aspekti na ženskiot kreativen princip). Makedonika litera, 2011.

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Części książek na temat "Goddesses"

Wind, Tonia Leigh. "Goddesses." In Black Women's Literature of the Americas. Routledge, 2021. http://dx.doi.org/10.4324/9781003203537-6.

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Mahanta, Namrata Rathore. "Goddesses: Overview." In Hinduism and Tribal Religions. Springer Netherlands, 2018. http://dx.doi.org/10.1007/978-94-024-1036-5_656-1.

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Zhang, Zhenjun. "Descended Goddesses." In Chinese Culture Through Legends and Fiction. Routledge, 2024. http://dx.doi.org/10.4324/9781003490821-13.

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Feldhaus, Anne. "Traveling Goddesses." In Connected Places. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403981349_4.

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Carens, Timothy L. "New Goddesses." In Strange Gods. Routledge, 2021. http://dx.doi.org/10.4324/9781003058236-6.

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Mahanta, Namrata Rathore. "Goddesses: Overview." In Hinduism and Tribal Religions. Springer Netherlands, 2022. http://dx.doi.org/10.1007/978-94-024-1188-1_656.

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Ackerman, Susan. "Goddesses." In Near Eastern Archaeology. Penn State University Press, 2003. http://dx.doi.org/10.5325/j.ctv1bxh52q.57.

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Ackerman, Susan. "Goddesses." In Near Eastern Archaeology. Penn State University Press, 2003. http://dx.doi.org/10.1515/9781575065472-055.

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Sengupta, Saswati. "Invoking the Goddesses." In Mutating Goddesses. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190124106.003.0001.

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Mutating Goddesses begins by examining the paradox of goddess worship in patriarchal societies. Hindu goddesses have been dominantly understood from a śāstrik perspective—deriving from Sanskrit scriptures authorized by the male Brahman—that exiles women. But there are religious practices under Hinduism that are governed by neither the Brahman nor Sanskrit. These laukika practices are held in a hierarchical relation to the śāstrik. Chapter 1 focuses from within that vibrant realm, the kathās/narratives appended to the propitiation of the goddesses known as bratas which allow direct participatio

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Schnepel, Burkhard. "Stealing Goddesses:." In Explorations in Economic Anthropology. Berghahn Books, 2021. http://dx.doi.org/10.2307/j.ctv31xf4vh.22.

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Streszczenia konferencji na temat "Goddesses"

Савостина, Е. А., and Т. С. Тихонова. "Koroplast workshop in the context of urban life and craft production in Gorgippia." In Древности Боспора. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-339-8.309-331.

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In 2020, during archaeological exploration on the territory of ancient Gorgippia, the Archaeological team of “Diluch” Kubanarcheologiya” uncovered a small dilapidated furnace containing terracotta figurines fired in it: two identical hollow protoma-busts and a one-sided protoma-mask representing images of Kora-Persephone and the goddess Demeter. It is interesting that the products from this workshop were known to researchers before. A half-figure of Kora- Persephone, among other offerings, was discovered in the necropolis of Gorgippia (1954). In the same area of the ancient city, not far from

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Carlos Dikker C, Adelantar, Biagtan Seth Floreven E, Del Mundo Carl Andre Y, et al. "Mitolohiya: An Interactive Hybrid Animation & Promotional Website Inspired by Tagalog Gods & Goddesses." In 2022 IEEE 14th International Conference on Humanoid, Nanotechnology, Information Technology, Communication and Control, Environment, and Management (HNICEM). IEEE, 2022. http://dx.doi.org/10.1109/hnicem57413.2022.10109431.

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Asqarova, Shahnoza. "THE PROBLEM OF ANALYSIS OF ONOMASTIC UNITS IN "ALPOMISH" AND "BOBURNOMA"." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/bdes5345.

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Onomastics (Greek onomastics - the art of naming) is a branch of linguistics that studies various nouns, the history of their appearance and change, as well as a collection of all nouns. In some studies, the term "Onomastics" is also used in the meaning of anthroponymy. Onomastics is aimed at identifying and studying non-existent onomastic systems. Onomastics consists of the following sections according to the categories of the objects that received the names: anthroponymics - names of people; toponymy - popular names of geographical objects; theonymics - the names of gods, goddesses, religiou

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Furlan Štante, Nadja. "The revival of Goddess religions." In International conference Religious Conversions and Atheization in 20th Century Central and Eastern Europe. Znanstveno-raziskovalno središče Koper, Annales ZRS, 2024. http://dx.doi.org/10.35469/978-961-7195-39-2_06.

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The presentation examines the return of the religion of the Goddess (in Western cultures) as one of the most unexpected developments of the late twentieth century. Contemporary awareness and attention to gender difference theory have opened up new dimensions for spiritual expressions and spiritual practises, encouraging the development of new forms of female spirituality and the formation of new religious representations from a feminine perspective. Traditional forms of spirituality are clearly dualistic at their core, with the material world, physicality, and femininity on one side and transc

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Rietveld, Dr Kyra A. "The Empty Shell of A goddess: Representations of Artemis Based on Literature in the Graeco-Roman period." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-066.

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In antiquity, a push occurred for a universal Greek identity after the Persian wars. The Greek pantheon was used to support this new sense of nationality, relying on the shared mythology and understanding of the gods. Images of the goddess Artemis started to appear that reflected this, promoting a universalized system of religion relating to the changing political situation to give ancient Greek citizens stability within their vast, shifting world. I argue that the representation of the goddess Artemis which followed the universalizing trend, underwent a significant change during the Graeco-Ro

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KRINSKAYA, Z. A. "THE SHRINE OF YANZHIMA IN THE BARGUZIN VALLEY: DEVELOPMENT OF THE GODDESS’S CULT." In Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-323-324.

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Gunarathne, M. K. S. S. "Bitch-Goddess: The Revolutionary Power against Tyrannical Patriarchy." In World Conference on Women s Studies. The International Institute of Knowledge Management - TIIKM, 2020. http://dx.doi.org/10.17501/24246743.2020.5102.

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Dmitrieva, Oksana. "RITUALS AND SPELLS DEDICATED TO THE GODDESS AIYYSYT." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s28.089.

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Chelariu, Ana R. "The Romanian Goddess Ileana Simziana the Sun’s sister." In the 39th American Romanian Academy of Arts and Sciences Congress. ARA Publisher, 2015. http://dx.doi.org/10.14510/39ara2015.3933.

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Walstrom, Bob. "Chasing the Green Goddess: Dioptase in New Mexico." In 27th Annual New Mexico Mineral Symposium. New Mexico Bureau of Geology and Mineral Resources, 2006. http://dx.doi.org/10.58799/nmms-2006.299.

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Raporty organizacyjne na temat "Goddesses"

O'Brien, K. Xena and Hercules and all those gods and goddesses. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2000. http://dx.doi.org/10.4095/298644.

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Olsen, Elisa, Josefa Gonzales, and Chelsea Wilkinson. Applications and testing of a modified cross-cultural product design model: The case of the Althea Goddess Headdress. Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-907.

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Бережна, Маргарита Василівна. Maleficent: from the Matriarch to the Scorned Woman (Psycholinguistic Image). Baltija Publishing, 2021. http://dx.doi.org/10.31812/123456789/5766.

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The aim of the research is to identify the elements of the psycholinguistic image of the leading character in the dark fantasy adventure film Maleficent directed by Robert Stromberg (2014). The task consists of two stages, at the first of which I identify the psychological characteristics of the character to determine to which of the archetypes Maleficent belongs. As the basis, I take the classification of film archetypes by V. Schmidt. At the second stage, I distinguish the speech peculiarities of the character that reflex her psychological image. This paper explores 98 Maleficent’s turns of

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