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Gotowe bibliografie tematyczne / Mythology and memoir / Artykuły w czasopismach

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Artykuły w czasopismach na temat „Mythology and memoir”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 20 lutego 2023

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1

Aleksandrova, Maria А. "Pestel vs. Pestel: L. Zorin’s tragedy The Decembrists and B. Okudzhava’s novel Poor Avrosimov." Izvestiya of Saratov University. Philology. Journalism 22, no. 3 (August 24, 2022): 320–29. http://dx.doi.org/10.18500/1817-7115-2022-22-3-320-329.

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This paper undertakes a comparative analysis of two interpretations of Pavel Pestel’s personality and fate in the literature of the late Khrushchev thaw. The contribution of the peer writers to the liberation of cultural and historical memory from official dictatorship is discussed, the basis of their ideological similarity is shown: this is the awareness of the fatal problem of morality and revolution (Zorin). The author of the tragedy The Decembrists (1966) and the author of the novel Poor Avrosimov (published in 1969) worked with the same documents on the history of Decembrism, but each of

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Franqui-Rivera, Harry. "National Mythologies: U.S. Citizenship for the People of Puerto Rico and Military Service." Memorias 21 (May 12, 2022): 5–21. http://dx.doi.org/10.14482/memor.21.564.122.

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That Puerto Ricans became American citizens in 1917 have been attributed by many to the need for soldiers as the U.S. entered the First World War. Such belief has been enshrined in Puerto Rican popular national mythology. While there is a rich body of literature surrounding the decision to extend U.S. citizenship to Puerto Rico and its effect on the Puerto Ricans, few, if any, challenge the assumption that the need for manpower for the armies of the metropolis influenced that decision. Reducing the issue of citizenship to a need for manpower for the military o nly o b s c ures c o mp lex imp e

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Nepomniashchikh, N. A. "Durylin’s Interpretation of Leskov: A Memoir Writer." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 104–16. http://dx.doi.org/10.25205/2410-7883-2020-1-104-116.

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The article discusses the influence of N. Leskov’s works on S. Durylin’s writings. It proves that Durylin’s literary critique on Leskov focuses on the idea of search of the god and ideal, the idea pervading Leskov’s literary heritage. Durylin was one of the first to recognize the ex- amples of worldly holiness in Leskov’s narratives. He creates characters of saints living in the world in each of his own writings as well. Durylin interprets Leskov’s image of Russia as the mythologem (author’s interpretation of the sociocultural myth) of Holy Rus’. In light of this mythologem, Durylin’s Russia i

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Maskell, David, Daniel Martin, and Philippe Desan. "L'Architecture des 'Essais' de Montaigne: memoire artificielle et mythologie." Modern Language Review 90, no. 1 (January 1995): 183. http://dx.doi.org/10.2307/3733310.

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Dobczansky, Markian. "Rehabilitating a Mythology: The Ukrainian SSR’s Foundational Myth After Stalin." Nationalities Papers 47, no. 3 (May 2019): 366–78. http://dx.doi.org/10.1017/nps.2019.2.

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AbstractThis article looks at the rehabilitation of the early history of the Communist Party of Ukraine and the Ukrainian SSR during the Thaw. It argues that the post-Stalin political moment offered the Ukrainian Party and academic establishments the opportunity to revalorize their republic’s founding narrative. In order to popularize this narrative, they produced publications on the revolution in Ukraine and early party history, rehabilitated Ukrainian Communists from the 1920s who had fallen victim to repressions, and constructed a set of monuments that embodied the new historical paradigm.

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COWLING, D. "Review. L'Architecture des 'Essais' de Montaigne: Memoire artificielle et mythologie. Martin, Daniel." French Studies 48, no. 3 (July 1, 1994): 322. http://dx.doi.org/10.1093/fs/48.3.322.

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Salazar, Guillermo. "The Archetype of Hero in Family Businesses." European Journal of Family Business 12, no. 1 (May 31, 2022): 90–95. http://dx.doi.org/10.24310/ejfbejfb.v12i1.14630.

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For family business advisors and consultants, the analysis of their client’s shared narrative helps them understand their business and family dynamics and the reality they have built together. Understanding the language of family mythology and the behavior of the narrative processes, can help positively to reinforce the purpose and meaning of their legacy and its transmission. In this article readers will learn how Joseph Campbell’s Monomyth of the Hero concept fits with the founder/entrepreneur myth in a family business, and how making it conscious can be used as a coherent tool that brings t

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Zubkina, Yuliya V. "Mythologeme of Asceticism in the National Cinema the 1930s." Journal of Flm Arts and Film Studies 10, no. 3 (September 15, 2018): 55–65. http://dx.doi.org/10.17816/vgik10355-65.

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The article is devoted to the mythologeme of asceticism, widespread in the domestic cinema of the 1930s and closely connected with the mythmaking of the Soviet system, the ideology of which was largely based on the moral principles of Christianity. Acting as the apparatus of agitation, the cinema of the big style created a new mythology, its cultural hero was an ascetic who orders chaos and ready for self-sacrifice for the sake of the common good. A distinctive feature of the big style was the so-called mythological triad: the party (invisibly present behind the scenes) - the mentor and the pu

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Emashev, Andrey Andreevich, and Viktoria Borisovna Bakula. "Universal Archetypes in the Novel «Alkhalalalai» by the Sami Writer N. Bolshakova." Ethnic Culture 4, no. 4 (December 27, 2022): 29–33. http://dx.doi.org/10.31483/r-103765.

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The literature of the Kola Sami, an indigenous small-numbered people of the Arctic, is still insufficiently researched by literary critics and is little known to the scientific community. The novel «Alkhalalalai» by Nadezhda Bolshakova, a member of the Writers' Union of Russia, is the first novel in the literature of the Kola Sami. The article is devoted to the study of the archetypal basis of the novel. The analysis of universal archetypes of the Great Mother, Virgin, Heavenly Father, Rebirth, etc. is carried out. The methodology of the research consists of works in the field of cultural stud

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Hamuľák, Ondrej. "Lessons from the “Constitutional Mythology” or How to Reconcile the Concept of State Sovereignty with European Intagration." DANUBE: Law and Economics Review 6, no. 2 (June 1, 2015): 75–90. http://dx.doi.org/10.1515/danb-2015-0005.

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Abstract This paper analyses the question of how to perceive the traditional theoretical concept of state sovereignty vis-á-vis European integration. Within the European project we face the paradox of having two authorities claiming autonomy and dominance. It is undisputable that the European Union is behaving like an autonomous public power - the new sovereign of its kind. But at the same time the Member States also maintain their sovereign statehood. This duality cannot be comprehended together with the old characteristics of sovereignty, which accepts only one holder of this feature. To rec

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Schroering, Abby. "Wellesley Girl: Emotion, Democracy, and the Contemporary Dystopia." Journal of Contemporary Drama in English 7, no. 2 (November 7, 2019): 281–96. http://dx.doi.org/10.1515/jcde-2019-0038.

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Abstract Brendan Pelsue’s Wellesley Girl, which premiered in the midst of the 2016 U. S. Presidential election, depicts American democracy – as an institution, a mythology, and a practice – as a fundamentally flawed utopian framework that is susceptible to dystopian failure. In this post-apocalyptic community in which every adult is a member of Congress, it becomes clear that American democracy was systematically designed to exclude emotional reasoning – with a few notable, destructive, exceptions – and it therefore enforces performances of reason that tend to exclude women and produce a cogni

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Robinson, Ira. "A Life to Remember: Yehuda Even Shmuel’s Memorialization of His Son, Shmuel Asher Kaufman and the Crisis of His Zionist Vision." Contemporary Review of the Middle East 6, no. 3-4 (September 2019): 280–92. http://dx.doi.org/10.1177/2347798919872830.

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Shmuel Asher Kaufman (1927–1947) died in a live ammunition training accident as a member of the Palmah in spring 1947. His father, Yehuda Kaufman Even-Shmuel (1886–1976), lovingly reconstructed his brief life and his story entered Israeli mythology, along with that of his fiancée Zohara Levyatov, as symbolic of the loss of the young Israeli men and women whose lives were lost in the struggle for Israel’s independence. This article examines the process by which Shmuel’s life was memorialized by his father in the decade after his death. It also begins to mine the wealth of documentation provided

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Bläsing, Uwe, and Asiye Atakan. "Legende oder Sage? Der Fall Mäander." Iran and the Caucasus 16, no. 1 (2012): 13–44. http://dx.doi.org/10.1163/160984912x13309560274019.

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AbstractThis paper focuses on two modern Turkish folktales being recounted in Afyonkarahisar (Western Anatolia). Both tales appear to have their roots in ancient Greek mythology, in which Meander is the main character. The story line is that Meander vows to the mother Goddess Cybele to sacrifice the first person coming to greet him, if she would grant him the victory in a decisive battle. The first person coming up to him after the battle turns out to be a close family member. He becomes mad with grief and kills himself by drowning in a nearby river, which is subsequently renamed in his honour

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Oksanen, Atte. "Female Rock Stars and Addiction in Autobiographies." Nordic Studies on Alcohol and Drugs 30, no. 1-2 (February 2013): 123–40. http://dx.doi.org/10.2478/nsad-2013-0009.

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Aim This article analyses addiction and rehabilitation as described in the autobiographies, memoirs and diaries of famous female rock artists. The article shows how female artists portray rock culture, addiction and causes to addiction. Material The data includes 16 autobiographical books published between 1982 and 2010. These books were published first in English. Female rock artists are marked as the first authors, and all of the books use first-person narration. Method The analysis relies on thematic qualitative analysis and narratology. Data were encoded for addiction, object of addiction,

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Maart, Rozena. "Race and Pedagogical Practices: When Race Takes Center Stage in Philosophy." Hypatia 29, no. 1 (2014): 205–20. http://dx.doi.org/10.1111/hypa.12076.

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This paper presents a segment of a broader research project titled “When Black Consciousness Meets White Consciousness,” which first developed out of my research work with White women in violence‐against‐women organizations. It documents an interview between a White woman and me, a Black South African philosopher. I lived and worked in Canada at the time but I traveled to the United States for conferences on a regular basis. I was presenting my work on Black consciousness, White consciousness, and Black existentialism—relying on Derridean deconstruction and psychoanalysis—when I had the exchan

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Chernysh, A. О. "BIOGRAPHICAL NOVELS S. PROTSYUK IN AN INTERTEXTUAL DIMENSION." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 309–16. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-309-316.

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The article is devoted to the main markers of intertextuality in the novels of S. Protsyuk «The Rose of a Ritual Pain» and «Masks Falling Slowly» and their functioning in the text plane of the work. The intertextual potential of S. Protsyuk’s biographical novels manifests itself in the archetychtuality that manifests itself in the mixing of genre codes (artistic biography, epistolary, memoirs, essays), and the actual intertextuality claimed mainly by ancient Greek myths and mythologems (Cassandra, Dionysus, Ariadne, Orpheus, Eternal Woman, Eve, Sisyphus, Scylla and Charybda, the Trojan Kingdom

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Stanford-McIntyre, Sarah. "Desk and Derrick: The Women's Petroleum Industry Club That Envisioned Oil's Technocratic Future." Labor 19, no. 4 (December 1, 2022): 6–26. http://dx.doi.org/10.1215/15476715-10032348.

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Abstract This article uncovers the hidden history of Desk and Derrick, a female-only petroleum industry employees’ club, to emphasize the importance of clerical work and support staff to oil industry development. In doing so, it demonstrates that despite the oil industry's mythology of individual inventors and lucky wildcatters, oil was remarkably similar to other large-scale scientific and engineering enterprises during the middle decades of the twentieth century. Throughout the 1950s and 1960s, oil's white-collar and administrative jobs expanded rapidly. And in this industry as in others, wo

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Björkstrand, Gustav. "Grundtvig i finländskt perspektiv." Grundtvig-Studier 50, no. 1 (January 1, 1999): 121–37. http://dx.doi.org/10.7146/grs.v50i1.16336.

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Grundtvig in a Finnish PerspectiveBy Gustav BjörkstrandFor several reasons it must cause surprise that Grundtvig did not show more attention to Finland. In Grundtvig’s well-known and noteworthy statements about the Nordic tradition, in which he also referred to the Scandinavian universities, one looks in vain for references to the Finnish institutes of higher education.This fact becomes so much more remarkable when it is considered that in 1835 Grundtvig was invited to become a corresponding member of the Finnish Literary Society. As far as it has been possible to establish, Grundtvig did not

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Ярков, А. П., and С. А. Алтухова. "On a Top-Quality Humanity Scholar." Nasledie Vekov, no. 1(25) (April 22, 2021): 118–25. http://dx.doi.org/10.36343/sb.2021.25.1.010.

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Рецензируется книга, посвященная доктору исторических наук, профессору Андрею Марковичу Сагалаеву, выдающемуся российскому этнографу, педагогу, общественному деятелю. Коллективный сборник, авторами которого стали коллеги, ученики и близкие друзья Андрея Марковича, содержит научные статьи, полевые и архивные материалы, переводы, так или иначе связанные с темами мифологии, фольклора, культовых практик народов Сибири и Дальнего Востока. Вторую часть книги составили материалы, которые можно отнести к эпистолярному жанру (воспоминания, письма и газетная публицистика) и которые в более полной мере п

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Onopko, Oleg. "PUBLIC SECTOR INSTITUTIONS OF FOREIGN POLICY EXPERTISE IN UKRAINE:AN ANALYTICAL OVERVIEW." Political Expertise: POLITEX 16, no. 3 (2020): 340–59. http://dx.doi.org/10.21638/spbu23.2020.303.

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An important condition for the effective protection and implementation by Russia of its national interests in Ukraine is an understanding of the circle of actors that influence the development of Ukrainian foreign policy. Among them, there are expert institutions that provide analytical and scientific support for foreign policy decisions made by the highest bodies of state power. For- eign policy expertise in Ukraine is a grey area for Russian political science. The article opens a series of publications whose purpose is to solve this problem. It systematizes information about Ukrainian instit

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Semybratska, Anastasiia. "The Origin and Formation of the Image of the Goddess Athena within the Olympian Pantheon." Journal of V. N. Karazin Kharkiv National University. Series: History, no. 60 (December 10, 2021): 86–100. http://dx.doi.org/10.26565/2220-7929-2021-60-05.

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The article considers the formation of the image of the goddess Athena as a member of the Olympian pantheon of gods. It should be noted that many aspects of ancient Greek religion and mythology still remain controversial. In particular, while the historiographical tradition has dwelled in relative detail on the cult of the goddess Athena and the Panathenaea, the essential origins of her image and theonym remain less studied and open to question. However, the investigation of this issue can help trace the transformation of the image of the goddess and determine her role and place among the Olym

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Соловьева, Алевтина Андреевна. "Enraged Shrines: Modern Mongolian Folk Narratives About the Destruction of Sacred Places Under Socialism." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 2 (June 25, 2020): 136–47. http://dx.doi.org/10.26158/tk.2020.21.2.012.

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Данная статья посвящена мотиву разрушенной святыни, известному во многих традициях и в разные периоды, который по стечению исторических обстоятельств оказался крайне востребованным в контексте социалистического-постсоциалистического фольклора причастных к этому опыту ареалов. На примере одного из таких случаев, вошедших в легендарный репертуар современных локальных традиций, разобраны особенности реализации этого мотива в монгольском фольклоре. В статье рассмотрена специфика монгольской ландшафтной мифологии, некоторые базовые особенности представлений и верований, связанных с почитанием свяще

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Milosavljevic, Boris. "Dimitrije Matic: Hegelianism and Naturalism." Theoria, Beograd 58, no. 1 (2015): 103–51. http://dx.doi.org/10.2298/theo1501103m.

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Dimitrije Matic (1821-1884) was a philosopher, jurist, professor of public law at the Belgrade Lyceum and politician. He served as Serbia?s Minister of Education and Church Affairs, acting Foreign Minister, Speaker of the Parliament, and member of the State Council. He was president of the Serbian Society of Letters and member of the Serbian Learned Society. Matic belonged to Serbian liberal-minded intellectual circles. He believed that the rule of force was unacceptable and that governments should promote and support popular education. Matic studied philosophy and law in Serbia (Kragujevac, B

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Kristensen, Bent. "Var Grundtvigs nyerkendelse i 1832 en tragisk hændelse?" Grundtvig-Studier 41, no. 1 (January 1, 1989): 16–31. http://dx.doi.org/10.7146/grs.v41i1.16016.

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Was Grundtvig’s New Discovery in 1832 A Tragic Event?By Bent ChristensenThe title of this lecture for the Degree of Divinity has been given its provocative wording by the Faculty of Theology at the University of Copenhagen. In his thesis for the Degree of Divinity, published in 1987 and reviewed in Grundtvig Studies in 1988, Bent Christensen has described and evaluated Grundtvig’s attitude in the field of church policy over the years from 1824 to 1832, a critical period of time for himself, in such a way as to give the reader the impression that the writer regards the attitude taken by Grundtv

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O.R., Mykytyuk. "VERBALIZATION OF THE ESSENCE OF UKRAINIAN IDENTITY (BASED ON THE MAGAZINE «AB IMPERIO»)." South archive (philological sciences), no. 84 (December 23, 2020): 164–69. http://dx.doi.org/10.32999/ksu2663-2691/2020-84-25.

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Purpose. The purpose of the research is to find out the essence of verbalization of Ukrainian identity based on articles of the international journal «Ab imperio». The aim is to consider the following tasks: to find out the inconsistency of certain publications of the weekly with historical facts, to declare the appearance of Ukrainian printed monuments as a phenomenon of national identity and to show the need to publicize knowledge about the Ukrainian heritage of the Hetman and Cossack era.Methods. The article uses: a) the method of contextual analysis, which reproduces the information on the

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Grootes, E. K. "Heydensche Afgoden, een Haarlems godencompendium uit 1646." Oud Holland - Quarterly for Dutch Art History 102, no. 4 (1988): 277–88. http://dx.doi.org/10.1163/187501788x00483.

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AbstractAmong the books in the sale catalogue of Pieter Saeraredam's library (Note I) was a virtually forgotten work on pagan mythology, Hcydensche afgoden, belden, tcmpcls en offerhanden, published in Haarlem in 1646 (Note 2). This rare book crops up again in the 1893 catalogue of Frederik Muller's stock, but the only known example appears to be in the Royal Library in Brussels (Note 3). Among the Dutch sources on the subject, most of which continue the tradition of such Renaissance mythologists as Giraldi, Conti and Cartari, the Haarlem work appears to be the least known and most curious (No

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Stundžienė, Bronė. "Lithuanian Cultural Landscape in Folklore from the Perspective of Values." Vilnius University Open Series, no. 5 (December 4, 2020): 81–101. http://dx.doi.org/10.15388/vllp.2020.5.

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In the article, the contemporary human being’s search for values is primarily linked to the folkloristic reflection of Lithuanian cultural landscape. Following the framework of hermeneutics and based on the folkloristic symbolism of landscape in Lithuanian folklore (mainly in the oldest layer of folk songs), the manifestations of a long-lasting solidarity between community and nature are discussed. The focus has been placed on the small community – the family and its immediate relationship with the surrounding nature. In the introductory part of the article, the notion of ritualism is discusse

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Senkāne, Olga. "INTERPRETATION OF THE IMAGE OF LATGALE IN THE CULTURE DISCOURSE." Via Latgalica, no. 5 (December 31, 2013): 96. http://dx.doi.org/10.17770/latg2013.5.1647.

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There are cultures that focus on their origins, while there are also cultures oriented towards their destination: the former perceive the time in mythical manner – in its cycles, while the latter perceive it historically– in its linearity. The movement in the time-space continuum and its specifi cs in different cultures is provided by the desire either to pay more attention to the truth already known (the old texts) or to discover new one (new texts). The culture of Latgale is characterised by the prevalence of the old, constant texts or the traditional coding, as attested by persistent invoki

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Albeck, Gustav. "Den unge Grundtvig og Norge." Grundtvig-Studier 37, no. 1 (January 1, 1985): 47–66. http://dx.doi.org/10.7146/grs.v37i1.15941.

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The Young Grundtvig and NorwayBy Gustav AlbeckThis article is a revised and extended version of the lecture given by Professor Albeck on April 30th 1984 at the annual general meeting of the Grundtvig Society in Oslo. It describes Grundtvig’s close relationship to a number of Norwegian friends he made during his residence at the Walkendorf hostel in Copenhagen in the years 1808-11; this circle of friends lasted and widened to include other Norwegians in his later life.Grundtvig was 67 before he set foot on Norwegian soil, but from his early youth he had familiarised himself with the Norwegian l

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Hunt, Benjamin. "Literature Review - Dani Ploeger, Deserted Devices and Wasted Fences: Everyday Technologies in Extreme Circumstances." Volume 21 21, no. 1 (February 14, 2022). http://dx.doi.org/10.16995/bst.8436.

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Deserted Devices and Wasted Fences is acaptivating critique on consumer culture and the role technology plays, and canplay, in our understanding of the world around us and ourselves. Dani Ploeger’scollection of essays offer a guided tour of items and memories, like a livingmemory box. These writings probe our relationships with devices and what they representin our culture; from mobile phones to projectors, from smart fences to strap-ondildos. Ploeger’s provocation unravels from the journey of a device; to theintertwining of the human and non-human technology, shifting gears to the symbolisman

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Tu, Hang. "Long Live Chairman Mao! Death, Resurrection, and the (Un)Making of a Revolutionary Relic." Journal of Asian Studies, February 24, 2022, 1–16. http://dx.doi.org/10.1017/s0021911821002321.

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Abstract Why does Mao's embalmed corpse continue to arouse powerful religious feelings among contemporary Chinese writers after the end of his rule, from fantasies of resurrection to yearnings for redemption? While extant scholarship focuses on the sociopolitical aspects of Mao's posthumous cult, this essay reveals the crucial role that literary narrative plays in the (un)making of Mao's quasi-religious appeal. Drawing on literary genres such as diary, memoir, science fantasy, and satirical fiction, I argue that the political theology of Mao can be read as a grand “political fiction” that link

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Benneworth, Paul. "The Machine as Mythology." M/C Journal 2, no. 6 (September 1, 1999). http://dx.doi.org/10.5204/mcj.1784.

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Machinofacture, computer control and globalisation have created the appearance that in the relation between humanity and the machine the human possesses ever-deepening power. However, this is a very Whiggish view of the history of science and technology as a field of ever-expanding knowledge. History is littered with examples of technologies which have been abandoned as out-dated, then later attempts to revive them have failed because the expertise has been lost. Technology is not merely a reflection of human needs, but an embodiment of the human condition. Machines can be seen as products of

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Crihană, Alina. "Mythologies identitaires et « idéologie (auto)biographique » dans l’écriture mémorielle du post-totalitarisme roumain." Arcadia 48, no. 1 (June 2013). http://dx.doi.org/10.1515/arcadia-2013-0009.

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AbstractHaving survived an age in which legitimizing political narratives have smothered personal histories, Romanian writers are now increasingly interested in personal memoirs. The identity myths of post-war writing surface in the life stories published after 1989, emerging in a context that favors “the return of the repressed.” The mythology of “resistance via culture” is conditioned by an (auto)biographical ideology. It is latent in the personal writings of the “East-Ethic revisionists” and manifest in publications that advocate political dissidence via the aesthetic. The resultant myth-la

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Phelps, Patricia, null null, null null, and null null. "Meeting the Challenge of a Janus Job." Academic Leadership: The Online Journal, 2008. http://dx.doi.org/10.58809/iydt3570.

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No one becomes an academic department chair in higher education without first having been a facultymember. After eighteen years as a faculty member at the same university, I was named interimdepartment chair in 2005. With this administrative appointment came the assumption of what Iperceived as a Janus job. In Roman mythology, Janus was the god associated with doorways andgates. He was frequently portrayed with two faces–one looking forward and one looking backward.Rather than being viewed as two-faced, Janus is more accurately described as vigilant. This imageseems to fit aptly the role of ac

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Fraser, Vikki, and John Gunders. "Food." M/C Journal 2, no. 7 (October 1, 1999). http://dx.doi.org/10.5204/mcj.1790.

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"Food, like eroticism, starts with the eyes, but there are people who will put just about anything in their mouth" -- Isabel Allende (90) In the beginning is not the word, but the caress of the eye, the touch of the tongue and the taste of food. From the nipple onwards, the primary pleasure of food is part of a social eroticism -- a playful eroticism -- that prefigures and sets up the logic of speaking to and loving others. And it is this sensual and emotional potential of food as a source of power that has guaranteed a place for food in cultural media such as M/C. Food as eroticism is not foo

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Starrs, Bruno. "Writing Indigenous Vampires: Aboriginal Gothic or Aboriginal Fantastic?" M/C Journal 17, no. 4 (July 24, 2014). http://dx.doi.org/10.5204/mcj.834.

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The usual postmodern suspicions about diligently deciphering authorial intent or stridently seeking fixed meaning/s and/or binary distinctions in an artistic work aside, this self-indulgent essay pushes the boundaries regarding normative academic research, for it focusses on my own (minimally celebrated) published creative writing’s status as a literary innovation. Dedicated to illuminating some of the less common denominators at play in Australian horror, my paper recalls the creative writing process involved when I set upon the (arrogant?) goal of creating a new genre of creative writing: th

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Фидарова, Р. Я., та И. А. Кайтова. "MYTHOLOGICAL COMPONENT IN THE STRUCTURE OF КOSTA KHETAGUROV’S REALISTIC TYPE OF THINKING". Известия СОИГСИ, № 33(72) (2 вересня 2019). http://dx.doi.org/10.23671/vnc.2019.72.35263.

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Суть методологического подхода Коста Хетагурова к проблемам культурноисторического развития осетинского народа в том, что он рассматривал общественное бытие и общественное сознание осетин как взаимосвязанные и взаимообусловленные феномены, составляющие единое целое, целостную систему, формирующую фундаментальную основу реалистического типа мышления, преследующего цель в удивительно жизненных, созидаемых им образах, глубоко и основательно раскрыть эстетическую специфику философского, духовнонравственного, культурноисторического освоения горцами объективного мира, мира их национальной действител

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Fairchild, Charles. "'Australian Idol' and the Attention Economy." M/C Journal 7, no. 5 (November 1, 2004). http://dx.doi.org/10.5204/mcj.2427.

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The elaborate cross-media spectacle, ‘Australian Idol,’ ostensibly lays bare the process of creating a pop star. Yet with so much made visible, much is rendered opaque. Specifically, ‘Idol’ is defined by the use of carefully-tuned strategies of publicity and promotion that create, shape and reshape a series of ‘authentic celebrities’ – pop stars whose emergence is sanctified through a seemingly open process of public ratification. Yet, Idol’s main actor is the music industry itself which uses contestants as vehicles for crafting intimate, long-term relationships with consumers. Through an anal

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Deffenbacher, Kristina. "Mapping Trans-Domesticity in Jordan’s Breakfast on Pluto." M/C Journal 22, no. 4 (August 14, 2019). http://dx.doi.org/10.5204/mcj.1518.

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Neil Jordan’s Breakfast on Pluto (2005) reconceives transience and domesticity together. This queer Irish road film collapses opposition between mobility and home by uncoupling them from heteronormative structures of gender, desire, and space—male/female, public/private. The film’s protagonist, Patrick “Kitten” Braden (Cillian Murphy), wanders in search of a loved one without whom she does not feel at home. Along the way, the film exposes and exploits the doubleness of both “mobility” and “home” in the traditional road narrative, queering the conventions of the road film to convey the desire a

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Marotta, Steve, Austin Cummings, and Charles Heying. "Where Is Portland Made? The Complex Relationship between Social Media and Place in the Artisan Economy of Portland, Oregon (USA)." M/C Journal 19, no. 3 (June 22, 2016). http://dx.doi.org/10.5204/mcj.1083.

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ExpositionPortland, Oregon (USA) has become known for an artisanal or ‘maker’ economy that relies on a resurgence of place specificity (Heying), primarily expressed and exported to a global audience in the notion of ‘Portland Made’ (Roy). Portland Made reveals a tension immanent in the notion of ‘place’: place is both here and not here, both real and imaginary. What emerges is a complicated picture of how place conceptually captures various intersections of materiality and mythology, aesthetics and economics. On the one hand, Portland Made represents the collective brand-identity used by Portl

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Ensor, Jason. "Web Forum: Apocacide, Apocaholics and Apocalists." M/C Journal 2, no. 8 (December 1, 1999). http://dx.doi.org/10.5204/mcj.1814.

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Apocacidal Tendencies: Three Excerpts from the Heaven's Gate Website 1995 (A term which blends apocalypse with suicide, apocacides could be best described as those groups or individuals who understand salvation from an imagined approaching armageddon to involve, indeed depend upon, the voluntary sacrifice of one's own life on earth.) 1. '95 Statement by An E.T. Presently Incarnate: "... We brought to Earth with us a crew of students whom we had worked with (nurtured) on Earth in previous missions. They were in varying stages of metamorphic transition from membership in the human kingdom to mem

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Green, Lelia, and Carmen Guinery. "Harry Potter and the Fan Fiction Phenomenon." M/C Journal 7, no. 5 (November 1, 2004). http://dx.doi.org/10.5204/mcj.2442.

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The Harry Potter (HP) Fan Fiction (FF) phenomenon offers an opportunity to explore the nature of fame and the work of fans (including the second author, a participant observer) in creating and circulating cultural products within fan communities. Matt Hills comments (xi) that “fandom is not simply a ‘thing’ that can be picked over analytically. It is also always performative; by which I mean that it is an identity which is (dis-)claimed, and which performs cultural work”. This paper explores the cultural work of fandom in relation to FF and fame. The global HP phenomenon – in which FF lists ar

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Sully, Nicole. "Modern Architecture and Complaints about the Weather, or, ‘Dear Monsieur Le Corbusier, It is still raining in our garage….’." M/C Journal 12, no. 4 (August 28, 2009). http://dx.doi.org/10.5204/mcj.172.

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Historians of Modern Architecture have cultivated the image of the architect as a temperamental genius, unconcerned by issues of politeness or pragmatics—a reading reinforced in cultural representations of Modern Architects, such as Howard Roark, the protagonist in Ayn Rand’s 1943 novel The Fountainhead (a character widely believed to be based on the architect Frank Lloyd Wright). The perception of the Modern Architect as an artistic hero or genius has also influenced the reception of their work. Despite their indisputable place within the architectural canon, many important works of Modern Ar

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Sears, Cornelia, and Jessica Johnston. "Wasted Whiteness: The Racial Politics of the Stoner Film." M/C Journal 13, no. 4 (August 19, 2010). http://dx.doi.org/10.5204/mcj.267.

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We take as our subject what many would deem a waste of good celluloid: the degraded cultural form of the stoner film. Stoner films plot the experiences of the wasted (those intoxicated on marijuana) as they exhibit wastefulness—excessiveness, improvidence, decay—on a number of fronts. Stoners waste time in constantly hunting for pot and in failing to pursue more productive activity whilst wasted. Stoners waste their minds, both literally, if we believe contested studies that indicate marijuana smoking kills brains cells, and figuratively, in rendering themselves cognitively impaired. Stoners w

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