Gotowe bibliografie tematyczne / Photograph

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Gotowa bibliografia na temat „Photograph”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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Artykuły w czasopismach na temat "Photograph"

Cha, Sang-Yook. "A Study on Domestic and Foreign Cases on the Copyrightability and Protection Scope of Photographic Works." Korea Copyright Commission 149 (March 31, 2025): 221–90. https://doi.org/10.30582/kdps.2025.38.1.221.

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Based on the criteria for judging the originality of photographic works presented in the Supreme Court ruling on the “Nambu Ham Case,” this article analyzed the attitudes of domestic and foreign precedents surrounding subjects of photography from the perspective of copyrightability and scope of protection, and examined the significance of individual precedents. As with the attitude of the so-called “Nambu Ham Case” Supreme Court ruling, it is interpreted that copyright protection can be obtained as a photographic work only when individuality and creativity are present after comprehensively jud

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Heriwanto, Heriwanto, Muhammad Faiz Bolkiah, and Oky Mauludya Sudradjat. "Photo Arts Concept as Alternative Photography Works." Jomantara: Indonesian Journal of Art and Culture, Vol. 4 No. 2 July 2024 (July 30, 2024): 136–43. http://dx.doi.org/10.23969/jijac.v4i2.13509.

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The development of photography so far has encouraged the birth of various forms of new concepts in the field of photography. The birth of digital photography technology has provided various conveniences and encouraged photographers to develop photography more widely. Currently, the concept of photo art has been widely used by photographers or photo artists through the development of new ideas and concepts in the form of photographic works. Fine art photography can be an assessment and representation for the photographer who created the photograph. Therefore, the time has come for photographers

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Geurts, Merlijn. "The Atrocity of Representing Atrocity - Watching Kevin Carter's 'Struggling Girl'." Aesthetic Investigations 1, no. 1 (2015): 1–13. http://dx.doi.org/10.58519/aesthinv.v1i1.12001.

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Taking Kevin Carter's famous photograph of a Sudanese 'Struggling Girl' as an example, this article shows by criticizing the work of photography scholar Ariella Azoulay who argues for an ethic, reparative spectatorship that focuses on the social encounters behind the photograph, how discussions about atrocity photography often result in moral debates: discussions that center around the social relations behind photography and blame the photographer, but do not take into account and criticize the photographic representation of the atrocity. By giving an overview of the afterlife of Carter's phot

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Merlijn, Geurts. "The Atrocity of Representing Atrocity Watching Kevin Carter's Struggling Girl." Aesthetic Investigations 1, no. 1 (2015): 1–13. https://doi.org/10.5281/zenodo.4013367.

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Bragalini, Luca. "Buddy Bolden’s Photo." Journal of Jazz Studies 14, no. 1 (2023): 90–119. http://dx.doi.org/10.14713/jjs.v14i1.227.

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In their 1939 monograph Jazzmen, Frederic Ramsey Jr. and Charles Edward Smith presented the photograph of a sextet from New Orleans which prominently features a cornet player identifed as Buddy Bolden. From the time of its publication, this photo has been the subject of controversy and many unanswered questions. What is the correct orientation of the photograph? What are the mysterious spherical objects that are seen on the edge of the photograph? Who is the leader of the band? This article presents a detailed photographic analysis of this so-called first jazz photo, proposing a solution to an

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Virkki, Susanna. "Finnish Theatre Photography and the Influence of Technology." Nordic Theatre Studies 26, no. 2 (2014): 60. http://dx.doi.org/10.7146/nts.v26i2.24310.

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This article is mainly based on interviews with three Finnish photographers’, Kari Hakli, Jalo Porkkala, and Petri Nuutinen’s as well as on the theatre photographs they have taken. The criterion for selecting these three photographers has been that their work spans a number of decades; therefore, the development of Finnish theatre photography can be studied from this perspective. The theatre photograph is a photo of the stage image, which is often based on the dramaturgy of the play script. The subjects and points of view of the photographer are not generally agreed on in advance with the dire

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Shamriz, Lior. "Photography of indenture." Journal of New Zealand & Pacific Studies 12, no. 1 (2024): 55–72. http://dx.doi.org/10.1386/nzps_00187_1.

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The 1882 photography book by British photographer Colonel Henry Stuart Wortley, Tahiti: A Series of Photographs, features an image of a family of service workers. Wortley, who only briefly passed through the island, refers to the couple in the photograph as his ‘servants’. This article traces the margins of the journey of Wortley, as well as that of Lady Annie Brassey, an ultra-wealthy traveller and photography enthusiast who visited Tahiti in 1876 and who contributed the letterpress to Wortley’s book. By analysing the text and images of the book and looking at the historical context of Tahiti

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Prasetyo, Martinus Eko, and Imamul Masyhudi. "Visual Aesthetics Semiotics Roland Barthes Photography Journalistic Works Phenomenal World." IMAGIONARY 3, no. 1 (2024): 27–39. http://dx.doi.org/10.51353/jim.v3i1.961.

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Documentary photography as a medium of conveying information and documentation can document reality and tell important stories with integrity and honesty. Where journalistic photography will continue to be a powerful tool in reporting the truth and influencing social change, giving us a window into a wider and more diverse world. This research visually analyzes the phenomenal works of world photography from the aesthetic side with Roland Barthes' semiotic approach. It tells that aesthetically the photograph is an embodiment of visual beauty immortalized by the photographer not only by chance i

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AGUIAR, JONAS JOSÉ MENDES, JEAN CARLOS SANTOS, and MARIA VIRGINIA URSO-GUIMARÃES. "On the use of photography in science and taxonomy: how images can provide a basis for their own authentication." Bionomina 12, no. 1 (2017): 44–47. http://dx.doi.org/10.11646/bionomina.12.1.4.

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Photography has, since its inception, significantly contributed as a tool to many areas of scientific research and consequently, has been able to achieve a high level of prestige in the scientific field. In recent years, there has been an increasing debate within the scientific community regarding the need for the deposition of type specimens when describing new species. Recently, Marshall & Evenhuis (2015) described a new species of Diptera, based exclusively on a few photographs. Even if one withholds judgement about whether the photographs used present sufficient characteristics for the

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Langmann, Sten, and Paul Gardner. "The intersemiotic affordances of photography and poetry." Semiotica 2020, no. 236-237 (2020): 85–102. http://dx.doi.org/10.1515/sem-2018-0050.

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AbstractThis article explores the intersemiotic affordances of photography and poetry and the expansion of meaning that surpasses the meanings embedded in and elicited from both. We specifically investigate the processes and mechanisms of this semantic expansion by systematically reconstructing the compositional process of poems written from three photographs and forensically investigate how the poems emerged out of each visual frame. We discovered that intersemiosis between photography and poetry demonstrates a strong interpretative component. Intra-semiotic connections between elements withi

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Rozprawy doktorskie na temat "Photograph"

De, Lorenzo Nicholas. "Photography Post-Photography: Materiality of the Photograph." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16303.

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This exegesis examines the theoretical framework and artistic context of my studio practice. The primary focus of the work is on the materiality of the photograph. Through alchemical experimentations and abstractions, the work contemplates the question what is photography? in the complex context of a post-photographic world. While not attempting to answer such an elusive question, this paper seeks to investigate some of the relevant ideas and evaluate how they manifest in contemporary practice. I will use this exegesis as a means of recording an exploration of the mediums recent history, as th

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Belknap, Geoffrey David. "'From a photograph' : photography and the periodical print press 1870-1890." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609850.

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Johansson, Gustav, and Fredrik Persson. "Photograph labeling application : An Android application for labeling and uploading of photographs." Thesis, Karlstads universitet, Institutionen för matematik och datavetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-42972.

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Projektets mål var att lösa ett tekniskt problem för Värmlands Elonservice, där derastekniker har behov av en uppladdningslösning för märkta fotografier i samband med garantiärenden.Lösningen till problemet var att utveckla en Androidapplikation som märkerfotografier och sedan automatiskt laddar upp dem till en vald lagringstjänst. Slutresultatetav projektet är en fungerande Androidapplikation. Användaren kan ta fotografier viaapplikationen och tvingas sedan att namnge dem på ett korrekt sätt. Applikationen hanterarautomatiskt uppladdning av fotografier och radering av uppladdade fotografier.

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Malan, Andre. "The use of historical photographs as source for cultural histor : the Sammy Marks photograph collection." Diss., University of Pretoria, 1996. http://hdl.handle.net/2263/37292.

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During his sojourn on earth man leaves traces behind. Subsequent generations can follow these traces through research in order to find out more about his forebears. The term document can be interpreted much wider than referring to written material so that different types of material can serve as source from which this knowledge can be drawn. Pictorial sources is one subsection underneath which photographic material in turn resorts. This study looks at the use of historical photographs as source from which the cultural historian can draw information .. Historical photographs are often me

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McCoy, M. J. "Would You Publish This Photograph?" Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/292240.

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Hontos, Vasiliki. "Conservation survey of the Benaki Museum Photographic Archive in Athens, Greece /." Online version of thesis, 1991. http://hdl.handle.net/1850/11621.

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Bonnell, Sian. "The camera as catalyst, the photograph as conduit : an exploration of the performative role of photography." Thesis, Manchester Metropolitan University, 2013. http://e-space.mmu.ac.uk/336516/.

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This thesis is a retrospective examination of practice based research as constituted by eight published outputs spanning a period of twenty years. The field in which the research began was British feminist photography of the 1980s and 1990s, part of the postmodern response to modernism/formalism. The analytical text that forms part of the thesis argues that the key contribution being made to this field is ‘Wilful Amateurism’, a term I have coined to describe an aesthetic which can be compared, and possibly contrasted with the aesthetic of play and boundary transgression found in artists of the

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Smoacà, Andreea. "ID Photograph hashing : a global approach." Phd thesis, Université Jean Monnet - Saint-Etienne, 2011. http://tel.archives-ouvertes.fr/tel-00719585.

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Cette thèse traite de la question de l'authenticité des photographies d'identité, partie intégrante des documents nécessaires lors d'un contrôle d'accès. Alors que les moyens de reproduction sophistiqués sont accessibles au grand public, de nouvelles méthodes / techniques doivent empêcher toute falsification / reproduction non autorisée de la photographie d'identité. Cette thèse propose une méthode de hachage pour l'authentification de photographies d'identité, robuste à l'impression-lecture. Ce travail met ainsi l'accent sur les effets de la numérisation au niveau de hachage. L'algorithme mis

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Brown, William H. "The historical photograph, artifact-testament-text." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0009/MQ33980.pdf.

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Smoaca, Andreea. "ID Photograph hashing : a global approach." Thesis, Saint-Etienne, 2011. http://www.theses.fr/2011STET4034/document.

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Cette thèse traite de la question de l’authenticité des photographies d’identité, partie intégrante des documents nécessaires lors d’un contrôle d’accès. Alors que les moyens de reproduction sophistiqués sont accessibles au grand public, de nouvelles méthodes / techniques doivent empêcher toute falsification / reproduction non autorisée de la photographie d’identité. Cette thèse propose une méthode de hachage pour l’authentification de photographies d’identité, robuste à l’impression-lecture. Ce travail met ainsi l’accent sur les effets de la numérisation au niveau de hachage. L’algorithme mis

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Książki na temat "Photograph"

Joseph, Abram, Ecole des Beaux-Arts de Metz., Schweizerische Stiftung für die Photographie., Columbia University. Graduate School of Architecture, Planning and Preservation., and Arthur Ross Architecture Gallery, eds. Hugo P. Herdeg: Photographe/photographer/Photograph, 1909-1953. Ecole desBeaux-Arts, 1993.

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Jones, Taylor D. Dear photograph. William Morrow, 2012.

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Gaye, Kynoch, ed. Lime's photograph. Harvill Press, 2001.

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ill, Selway Martina, ed. The photograph. Sundance, 1999.

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Shange, Ntozake. A photograph. Alexander Street Press, 2003.

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Bingxin. The photograph. Chinese Literature Press, 1992.

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Ellis, Virginia. The photograph. Ballantine Books, 2003.

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International, Holt Studios, ed. Photograph library. Holt Studios International, 1995.

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Ellis, Virginia. The photograph. Center Point Pub., 2003.

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Lafia, Marc. Image Photograph. punctum books, 2015.

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Części książek na temat "Photograph"

Walker, Stuart. "Photograph." In Design Realities. Routledge, 2018. http://dx.doi.org/10.4324/9780429489037-53.

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Rosengarten, Ruth. "Photograph." In Second Chance. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0285.07.

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Wallwork, Adrian. "THE PHOTOGRAPH." In CVs, Resumes, and LinkedIn. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-1867-6_5.

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Payne, Natalie. "The Intertwining—The Chiasm." In Advances in Media, Entertainment, and the Arts. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-5337-7.ch009.

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The author deploys the notion of embodiment to provide a theoretical framework for a series of autobiographical photographs, Encountering Windrift (2012-2018). Applied to certain modes of autobiographical photography, the theory of embodiment proposed is based upon the notion of the photograph as the embodiment of an encounter between the photographer, the photographed subject, and the viewer. In autobiographical photography the embodied encounter may be heightened by the apparent intimacy between photographer and subject. Maurice Merleau-Ponty's notion of the chiasm and Jill Bennett's notion

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"Something Very Extraordinary." In Carnalities. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478060246-007.

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Chapter 6 moves from a discussion of photography about crossings of the Mexico-US border to a reading of photography through the lens of the Nicaraguan Revolution. The chapter analyzes the photograph Cuesta del Plomo, one of photographer Susan Meiselas's most famous photographs, taken at a time of turmoil in Nicaragua, by way of Barthes's notions of fulguration and Julia Kristeva's understanding of abjection, the corpse, and corporeal excess. The chapter foregrounds the ability of the photograph's carnality to take the self to a point of undoing, of self-loss, what is introduced as photographi

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"Photography, Memory, and the Frail Instant." In Cultural Sustainabilities, edited by Timothy J. Cooley. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042362.003.0013.

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This chapter begins with the idea of the photograph as an integral component in the ecology of memory, exploring the nature of the photograph as key in the sustaining of community identity and knowledge. Focusing on the documentary photographic work and life of Maggie Lee Sayre and Paul Kwilecki, it looks at ways in which memory, imagination, and creativity propel the making of photographs and also are served by the lasting nature of photography. The photographs of Sayre and Kwilecki, born of ordinary life and passing moments, are discussed as key elements the artists' attempt to arrest time–f

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Bokelman, Marina. "How to Look at the Photographs." In Going Up the Country. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496841971.003.0003.

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This chapter discusses in detail the photographic methodology of co-author Marina Bokelman—how she worked with the limitations of the black and white film available at the time, and the resulting qualities of the photographs. She discusses her decision not to use flash photography and its ramifications, the problems of photographing indoors in low light conditions, and the challenges of photographing subjects with dark skin. She emphasizes the importance of using framing and loose cropping in order to document and illustrate cultural context. She also touches on the importance of gaining permi

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Hallas, Roger. "Introduction." In A Medium Seen Otherwise. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190057763.003.0001.

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Abstract The introduction elucidates the broader question of intermediality between photography and film before focusing on the representation of photography within film. A comparative analysis of fictional narrative and documentary film illuminates the propensity of the latter for the intermedial incorporation of photography, permitting the media of photography and documentary film to each be “seen otherwise.” In particular, the spatio-temporal capacities of documentary film enable it to provide new or enhanced perspectives on the significance of photographic materiality and the event of phot

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Shneer, David. "Introduction." In Grief. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190923815.003.0001.

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The introduction describes how the author first learned about Grief from a local photography collector, whom Shneer learned played a central role in exposing the Soviet photographer Dmitri Baltermants and the photograph to the global art market. The collector assumed that, given its aesthetics, the photograph was a postbattle image taken at Kerch. Only through painstaking research did Shneer learn that Grief was one of the first photographs documenting the liberation of a Nazi atrocity site, even though there are likely no Jews in the photograph, either dead or alive. It is found in Holocaust

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Trefzer, Annette. "Epilogue." In Exposing Mississippi. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496837493.003.0008.

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This chapter expounds on Eudora Welty's visionary modernity. It highlights Welty's similar principles of photography to William Eggleston, such as the significance of the visible and invisible meaning of the photograph. Landscapes and photographs share an existence as material objects and social processes in photographs. Moreover, Welty was informed and opinionated about photography, thus, she rejected pictorialism and took a liking to candid snapshots instead. Anticipating transformation and questioning social boundaries, Welty's vision of place in her photographs is regarded as mobile and mo

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Streszczenia konferencji na temat "Photograph"

Partridge, Paul E. "Photomicrography in Coating Failure Analysis." In CORROSION 1989. NACE International, 1989. https://doi.org/10.5006/c1989-89094.

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Abstract The microscope has been a standard tool of investigators for centuries. It is invaluable in the study of the causes of coating failure. Microscopic examination of coating chips and coated metal coupons can yield much information about the mode of failure. One clear photograph at high magnification can answer many questions about how the film was applied and the effects of exposure. Sample preparation and photographic techniques are described and discussed as they apply to a number of case histories.

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RYABTSEVA, E. S., and Z. CHZHAN. "MANIFESTATION OF NATIONAL SPECIFICITY IN THE FIGURATIVE NOMINATION (BASED ON EXPERIMENTAL RESEARCH)." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_343.

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The article presents the results of an experimental study on the nomination of photographs by native speakers of Russian and Chinese. The question is raised about the possibility of the existence of figurative nomination strategies determined by the culture and language of the nominator. The nominations of photographs with images of a person (representatives of Russian and Chinese cultures) included in the situation are considered. The classification of the received figurative nominations is given: nominations assigned for the object depicted in the photograph; nominations based on the designa

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Chelliah, Shobhana. "Making Photographs in Language Archives Maximally Useful: Metadata Guidelines for Community and Academic Depositors." In International Workshop on Digital Language Archives: LangArc-2023. University of North Texas, 2023. http://dx.doi.org/10.12794/langarc2114301.

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Collections in language archives typically include photographs. The purpose of these photographs is to supplement linguistic information about materials, places, and people related to cultural activities that are being forgotten. Instruction on metadata creation for these photograph deposits must take into consideration the variety of depositors to and users of language archives. In addition to the use of existing controlled vocabularies, classification lists, or thesauri in metadata creation, we observe in metadata for photographs the need for open-ended descriptions of personal experience re

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Mohd Muslim Tan, Ellyana, Mastura Mohd Jarit, Azlina Wati Nikmat, Ruslan Rahim, and Mohd Nagib Mohd Padil. "Therapeutic Photography: Photograph Preferences in Stress Reduction." In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315271.

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Perciun, Andrei. "The Nonhuman Character of Technology And Nature Revealed Through Photography." In 11th International Conference on “Electronics, Communications and Computing". Technical University of Moldova, 2022. http://dx.doi.org/10.52326/ic-ecco.2021/ks.05.

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Tools, like photography, are helping the man fighting nature. However, inside the essential structures of photography there is no signification function. Therefore, the objects represented in the photograph appear as they are in nature, meaningless and without human presence. The photograph, like other technical devices, does not retain the meaning of things. And so, photography is equivalent to nature, which equivantly has nothing to do with human meanings and values. Only in the field of subjectivity and human intersubjectivity the meanings given to world objects are able to survive. In addi

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Venable, Dennis L., and Nicholas George. "Orientation sorting by diffraction pattern sampling." In OSA Annual Meeting. Optica Publishing Group, 1987. http://dx.doi.org/10.1364/oam.1987.ma2.

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Diffraction pattern sampling has been successfully applied to various problems in automatic pattern recognition, e.g., sorting of photographs based on scene content. In the current research we address the problem of sorting pictorial imagery according to whether a photograph was exposed upright (0°) or rotated 90°. This problem is of interest in the field of photographic processing, where along a continuous film strip, it is desirable to know whether a photograph was exposed in landscape or portrait mode. We limit the photographs in our study to those containing (1) landscape and houses only,

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Zhan, Tian, and Austin Amakye Ansah. "Enhancing Amateur Photography: A Deep Learning Mobile Application for Real-Time Aesthetic feedback." In 12th International Conference on Computational Science and Engineering. Academy & Industry Research Collaboration Center, 2024. http://dx.doi.org/10.5121/csit.2024.141602.

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Capturing aesthetically pleasing photographs can be challenging for amateur photographers due to the complexity of factors such as lighting, composition, and contrast. To address this issue, we propose a mobile application powered by deep learning models and regression analysis. This application analyzes real-time image frames using a pre-trained MobileNet backbone and a custom classification layer [8]. By leveraging the Aesthetics and Attributes database, the app calculates an aesthetic score for each photograph, providing instant feedback to users. Challenges encountered during development,

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Seiradakis, John H. "Workshop Photograph." In Bursts, Pulses and Flickering: wide-field monitoring of the dynamic radio sky. Sissa Medialab, 2008. http://dx.doi.org/10.22323/1.056.0048.

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"Official photograph." In 2018 International Conference on Electronics, Communications and Computers (CONIELECOMP). IEEE, 2018. http://dx.doi.org/10.1109/conielecomp.2018.8327165.

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Huang, Meiyu, Yiqiang Chen, Linglin Yin, and Wen Ji. "Ti-Photograph." In UbiComp '13: The 2013 ACM International Joint Conference on Pervasive and Ubiquitous Computing. ACM, 2013. http://dx.doi.org/10.1145/2494091.2494174.

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Raporty organizacyjne na temat "Photograph"

Paul, Sierrah. Ghosts of the Landscapes. Montana State University, 2025. https://doi.org/10.15788/1751923121.

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Having recently inherited a set of cameras and film from a great uncle, Ray Wilmot (1923–1993), this work, Ghosts of the Landscapes, works to explore more about the life of a family member that I was unable to meet, having been born 11 years after his death. Ray Wilmot was an avid photographer, who pursued photography throughout his adult life until he was diagnosed with Multiple sclerosis (MS) about 10 years before his death. This led him to leave his cameras and film sitting for the rest of his life, along with them sitting for 30 years beyond his death. I embarked on the journey of developi

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Hochanadel, Patrick Wayne. Historical photograph of vessel fabricated for LANL. Office of Scientific and Technical Information (OSTI), 2020. http://dx.doi.org/10.2172/1617333.

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Hamlett, PA. Historical Aerial Photograph Investigation of Range Sites at Fort McClellan, Alabama. Office of Scientific and Technical Information (OSTI), 2001. http://dx.doi.org/10.2172/814109.

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Little, E. C., P. J. Holme, A. C. Hilchey, and M. Young. Draft surficial geology and aerial photograph mosaic, Icebound Lakes (southwest), Baffin Island, Nunavut. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2006. http://dx.doi.org/10.4095/222769.

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King, AL. Historical Aerial Photograph Investigation of Choccolocco Mountain Range Area C at Fort McClellan, Alabama. Office of Scientific and Technical Information (OSTI), 2001. http://dx.doi.org/10.2172/814428.

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Jablon, Sara. What do fashion designers look like? Comparing representations of stock photograph designers and professional designers. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1166.

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Enscore, Susan, Dawn Morrison, Adam Smith, and Sunny Adams. Fort Huachuca ranges : a history and analysis. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/42720.

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Fort Huachuca Environmental and Natural Resources Division (ENRD) sent funds to ERDC-CERL to develop a historic context that assists Fort Huachuca personnel in identifying the likely history and provenance of numerous historic range features located across Fort Huachuca's training lands. The historic context will be used by cultural resources personnel to evaluate and manage the resources appropriately. Various historic training range features (e.g., structures, fragments, and items left over from previous activities) are located across the ranges of Fort Huachuca, representing its long and st

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Jordan, Thomas, Marguerite Madden, Thomas Jordan, and Marguerite Madden. Digital vegetation database and map for Big South Fork National River and Recreation Area: Final report. National Park Service, 2024. http://dx.doi.org/10.36967/2305475.

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This report describes the vegetation mapping procedures employed by the Center for Remote Sensing and Mapping Science (CRMS), Department of Geography, University of Georgia, for the Big South Fork National River and Recreation Area (BISO) in the Appalachian Highlands Inventory and Monitoring Network (APHN) of the National Park Service under Cooperative Agreement No. H5028 01 0651, entitled, ?Digital Vegetation Databases and Maps for National Park Service Units in the Appalachian Highlands and Cumberland/ Piedmont Networks?. Big South Fork National River and Recreation Area (BISO) is located in

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Duncan. L52005 Reliable Diagnosis of SCC During Field Inspection. Pipeline Research Council International, Inc. (PRCI), 2003. http://dx.doi.org/10.55274/r0011252.

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Direct assessment (DA) is one method pipeline companies use to assess the extent and severity of stress corrosion cracking and other defects on their pipeline system. Successful integrity management of a pipeline is dependent, in part, on proper interpretation of the defects encountered in the DA program. The objective of this project was to prepare a document containing a compilation of types of crack-like magnetic-particle testing (MT) or visual indications found on underground transmission pipelines for the purpose of proper interpretation of their type and cause. Pipe samples containing va

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Kerr, D. E. Reconnaissance surficial geology, Beechey Lake, Nunavut, NTS 76-G. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329669.

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Preliminary mapping studies of Beechey Lake map area, through aerial photograph interpretation and limited legacy data, improve our understanding of surficial sediments and glacial history. The area is dominated by glacially and meltwater-scoured bedrock, hummocky moraine, till of varying thickness occasionally streamlined, and thin ridged till. Glacial lake sediments are predominantly in river valley lowlands. Glaciolacustrine delta and raised beach elevations range from 410 m to 230 m and 440 m to 290 m, respectively. Glaciofluvial deposits consist of eskers, ice-contact mounds, proglacial o

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